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Television Review: Shadowplay (Star Trek: Deep Space Nine, S2x16, 1994)

(source:tmdb.org)

Shadowplay (S20E16)

Airdate: 20 February 1994

Written by: Robert Hewitt Wolfe Directed by: Robert Scheerer

Running Time: 46 minutes

Star Trek: Deep Space Nine is frequently celebrated for its bold, ambitious arcs and its willingness to tackle controversial issues, yet the true greatness of the series is often better observed in seemingly routine, middle-of-the-road episodes rather than in grand, memorable classics. Season Two's Shadowplay stands as a prime example of this phenomenon, serving as a deceptively simple narrative that deftly manages multiple storylines, none of which overshadow the others, while successfully achieving its tasks within each narrative thread.

The central storyline orbits around Jadzia Dax, who is dispatched on a runabout to investigate an anomaly involving strange Omicron particle fields on the far side of the wormhole. Accompanying her is Odo, who seizes this opportunity to investigate his own mysterious origins. Upon discovering a planet inhabited by a single village, the duo beams down only to be greeted by Protector Colyus (Kenneth Mars). Colyus informs them that the villagers have begun to inexplicably vanish. As Odo immerses himself in the investigation, he strikes up a friendship with Taya (Noley Thornton), a young girl whose mother is among the missing. With Dax's scientific assistance, the mystery unravels: the source of the Omicron particles is actually the village's generator, which is powering complex holographic projections. The village is not a physical reality but an illusion, and the disappearances are the result of the generator's deteriorating functionality.

Dax identifies that the generator can be repaired, but the machine must be switched off first, which would cause the villagers to cease to exist—at least temporarily. The villagers reluctantly agree to this drastic measure. When Odo and Dax cut the power, they are shocked to discover that Taya's grandfather, Rurigan (Kenneth Tobey), is a living, breathing human being. Rurigan reveals a heartbreaking backstory: thirty years ago, his homeworld of Jadera Prime fell to the Dominion, forcing him into exile. He found this planet and recreated his old world and way of life through holograms. Initially opposed the idea of restoring his "real" family, Odo and Dax convince him that in his mind, his holographic family is as real as he is. The machine is switched back on, restoring the village and its inhabitants, thereby validating the emotional truth of Rurigan's experience.

Back on Deep Space Nine, Odo's absence has clearly been abused by Quark, who launches an outrageous smuggling scheme. While Dr. Bashir volunteers to act as a spy, Kira is determined to assert control over the Ferengi. Her efforts are temporarily derailed by the arrival of Vedek Bereil, whose presence immediately sparks long-suppressed romantic feelings between the two. They begin a relationship, but just after their first kiss, Bereil reveals that he came to the station after being summoned by a priest regarding gambling debts. Kira quickly realises that the entire affair was staged by Quark to get her off his back.

Separately, Commander Sisko arranges for his son Jake to assist Chief O'Brien with regular maintenance tasks, hoping the experience would bolster Jake's chances for admission to Starfleet Academy. Jake bonds with the Chief, but eventually confides in his father that he does not see his future in Starfleet and intends to pursue a different career. Sisko reluctantly accepts his son's decision.

The main storyline remains simple, well-executed, and completely devoid of unnecessary shocks or twists. It is a very family-friendly and sentimental episode, yet it never succumbs to the trap of being overly corny or melodramatic. The casting is exceptional, particularly Kenneth Mars, comedian known for his work with Mel Brooks, who brings a distinct warmth and authority to his role as Colyus, and Kenneth Tobey, a veteran of 1950s science fiction cinema known for films like The Thing on Another World. The dynamic between Odo and Taya is handled with great care; Noley Thornton delivers a performance that is significantly better than the one she gave in the inferior TNG episode Imaginary Friend.

The other two storylines on the station are nothing particularly special, but they serve a vital purpose in advancing character arcs. Kira acknowledges her attraction to Vedek Bereil, marking a step in her emotional growth, while Jake Sisko abandons the expected life path laid out by his father. However, apart from delivering some rare explicitly romantic content, the Bereil/Kira storyline is not especially compelling and ends in a way that feels unfinished. The holographic scenario explored here would later be applied in Star Trek: Enterprise in the episode Oasis, which guest-starred Rene Auberjonois in a role remarkably similar to Rurigan's. The episode is also notable for serving as the last instance before the actual reveal in the Season 2 finale to drop another hint about the Dominion as a great, emerging danger from the Gamma Quadrant.

In the end, Shadowplay is an imperfect episode. It lacks the bite of the show's deeper political allegories and the character arcs are left dangling in a manner that frustrates some viewers. However, it remains a solid, well-crafted instalment of Deep Space Nine that showcases the show's ability to balance science fiction mystery with human emotion.

RATING: 6/10 (++)

IMDb link

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