I'm not one who gets terribly excited about films that are super artsy. When movies win awards because they have some sort of hidden artistic meaning I normally "don't get it." Maybe I am not smart enough but I just can't relate.
Later, when employed by a woman, Mike is reunited with his friend Scott (Keanu Reeves) who despite being extremely wealthy, works as a prostitute also. The story touches base about how Scott is to soon inherit a bunch of money from his ailing father and Scott is going to be a savior for the homeless community that he is a part of.
Then a bit later the story completely changes gears and it becomes about how Mike would really like to find his mother, and he has to go to Idaho at first for clues on how to find her. Scott agrees to go with him on his motorcycle. The rest of the story follows the duo's travels around the world looking in vain for Mike's mother.
The film has elements of Shakespeare in it and that is evident with some of the dialogue which seems extremely out of place, particularly when spoken by Keanu Reeves. I suppose I can applaud that being thrown in. The movie itself was interesting enough but I'm afraid it was just too intentionally vague for me. I don't always like to read between the lines in order to figure out what the hell is going on and that is exactly what you have to do in this movie since the plot seems to be about coming of age? I don't even know.
I don't want to tear this movie apart because it is my understanding that people enjoy these sorts of vague artsy movies that you really got to work to understand what is going on. I just don't happen to be one of those people. It is on a list of best movies of the 90's and that is why I watched it. I do not agree that it is one of the best movies of the 90's. I would skip this one unless you enjoy reading between the lines and enjoy mysterious imagery rather than having a story fed to you. I dunno, i guess i am not cultured enough to fully appreciate it.