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Pee-Wee's Big Adventure (flim): a childhood favorite

Review by @gooddream · 2871d · of Pee-wee's Big Adventure

Long before he was stripped of his fortune for something completely blown out of proportion Paul Reubens became an idol of sorts for pretty much all the kids in the world and launched himself to fame with this film that I am pretty sure i have seen more than 100 times.

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It was 1985, we had Atari and the Nintendo Entertainment System was right around the corner. You found out about movies by word of mouth and when you found one that your parents would let you watch and it had a bunch of laughs in it, you watched it over and over and over again.

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The movie doesn't have a great deal of depth but it didn't need it. Pee Wee was just such a lovable character that the collection of silly scenes were enough to entice people of all ages to watch it. Reubens was extremely gifted in his portrayal of a man-child who lives a perpetual youth and has an unnatural attachment to his bicycle. That's actually the entire premise of the film. His bike gets stolen and he spends the entire film trying to find it, accidentally creating an epic adventure in the process.

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Most people don't know this but Tim Burton was the director of this movie and it was his very first full-length feature. Pee Wee was relatively unknown prior to this movie's release despite the fact that Paul Reubens had developed the character many years prior on stage in a popular live-action skit called "The Pee Wee Herman Show." Paul Reubens actually developed the show after not being cast in Saturday Night Live (he was a finalist but lost to Gilbert Gottfried.) This stage production was created on a shoestring budget of $3,000 that Paul Reubens borrowed from his parents and it just kept getting bigger and bigger.

Now if you are young you probably don't understand how iconic Pee Wee was back in the 80's. I mean, the dude was everything. All kids mimicked the character and it was later turned into an extremely profitable franchise of a weekly television program and millions of dollars worth of merchandising. All that was brought to a halt when "Pee Wee" was arrested for indecent exposure in an adult movie theater.

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When i think about it I believe that this was likely my first time experiencing how the media can completely blow something out of proportion and destroy a person's life. We see it all the time these days but this was the first time I recall it happening to someone who was a massive part of everyone's lives one day, and then completely blacklisted the next. It was a shame.

Reubens eventually bounced back and even had some major roles in Hollywood films later. However, for those of us that were kids in the 80's I can honestly say that there was probably no one person more iconic and famous than Pee-Wee Herman.

If you haven't seen this movie you should see it. The humor is mostly pretty slapstick and each scene is kind of a mini-movie on its own - the overall story isn't terribly important. It should also be noted that you don't have to look very hard to identify a lot of quite amateurish oversights on the part of the production team. That is just one more reason to watch the film closely.

It may seem like I am being unfair and over-rating this movie because it was a big part of my childhood and if you think that you are absolutely correct.

8 / 10

Comments · 8

  • @as-abir(45)· 2865d

    I do not understand what to say. I really saw Pee Wee's movie. I liked it very much. During your summer holidays, one of your posts is among the many pilots visiting the village for a summer vacation

  • @rodneysreviews(53)· 2870d

    This was Tim Burton's first feature, with all his cartoonish outlandish style, and Danny Elfman's first signature score, with all his rollicking crazy experimenting, So that's two things you gotta credit Paul Reubens with right there.

    But there is SO much more. Like Buster Keaton's sad-faced clown, or Rowan Atkinson's inquiring Mr. Bean, or Jacques Tati's bumbling everyman, Hulot, Reubens created an utterly distinct silent film type clown in Peewee Herman. Like Keaton, Herman seems to have a painted face, separate and apart from the rest of humanity; like Bean, he is a child at heart, drawn inexorably to only one object of fixation, in this case, his beloved bicycle; and like Hulot, he bumbles through everything, creating havoc for the people around him.

    But Herman is more than than his influences, he is unique in that he is actually a child, or living a child's ideal fantasy life, at least, and the opening sequences in his house establish forever the ideal living situation of every 10 year old boy: a mechanical colorful toy house, that you can actually live in: I mean, what kid wouldn't want his very own Abraham Lincoln breakfast-maker?

    Herman's laugh, a machine gun rat-a-tat-tat giggle at first is annoying, but soon is infectious, and is his brand. Life is always a gas with Herman, unlike the sadness that chased the other three comedians mentioned above. No matter where Herman is, or what he's doing, life is a relentlessly fun adventure, and it is this sense of fun that makes him such an icon for childhood.

    One major mistep in this movie, for me, was the wasting of Mark Holton's villainous Francis. This overfed adult-child monster, straight out of the books of Roald Dahl, was a truly heinous and worthy antagonist for Peewee, and after the first act set-up, he's discarded from the plot like so much trash. Holton's Francis generates so much loathing in the audience that his continuous presence throughout the film would undoubtedly have made for much more involving plot turns and rabble raising crowd excitement.

    As it is, Reubens sends Peewee on a shaggy dog journey to the Alamo, where the pleasure is in meeting a whole bunch of other weirdo characters and wacky situations, but none of them carry half the emotive force of his interactions with Holton's Francis.

    That said, the journey completely suits the visual and aural wackiness of Burton and Elfman, respectively, with the pair parodying Hitchcock in one scene where Burton turns bike wheels like the spirals in "Vertigo," while Elfman matches Burton, with a pitch perfect mock-Bernard-Herman score.

    This film had every chance of being the USA's version of Mr. Bean, a character to be repeated forever, but poor old Reubens got totally stitched up by the US' hypocritical morality about adult theaters. Everybody knew what they were for, yet licensed them anyway, then complained about them being used for the reason they were built. So Reubens got iced, and that was that.

    Still, this movie is, in it's own utterly unique way, a valiant contribution to the art of screen clowning, and though it's plotting misses opportunities, the opportunities it gave Burton and Elfman directly led to the creation of some of the most memorable and celebrated cinema in US history. :)

  • @anon9(47)· 2870d

    Fantastic post it is. you done well on it. Thank you so much for share with us. You need to creat more great post like this for us. Best of luck

  • @gamesandother(41)· 2871d

    it must be a funny movie, I have to watch it one day, thanks :)

  • @angel35mm(72)· 2871d

    I was and still am a PeeWee Fanatic! I still reference his character to this very day via PeeWee Memes and Images. To this day I can still watch PeeWee's Big Adventure. What a ride!

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  • @prince121(61)· 2871d

    I really enjoyed pee wee's big holiday, but it was able to top this comedy classic.

    Who cares if it doesn't feel "Burtonesque"? This is still a fun movie! And I'd say it still feels like a Burton film. Not only does it have his weird and quirky comedy, but there are also some creepy scenes in there

  • @nuthman(74)· 2871d

    LOL! I was just quoting this movie like 6 hours ago. Me and my friend were doing the entire Large Marge monologue.

    I'm glad I found your blog.. You review the goodies. Did you like any of the Ernest movies? He was a trip..

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  • @empress-eremmy(76)· 2871d

    Dang, I wasn't even born then but I'll give it a go anyways...always looking for a good laugh