Waiting until the end of the season to reveal every little detail and come to a conclusion in your story is the film industry's next big thing for television shows; and it's completely fine with me.
This season focuses on greed, manipulation, and the 'fake news' era with an incredible performance by David Thewlis. Two identical twins are at each other's throats given their troubled past in which one of them manipulates the other into handing over an extremely valuable stamp collection, in return for a decent-looking Corvette. The manipulative brother grows rich and starts a successful company with the funds he receives; the other lives a mediocre life and is destined to get the final stamp back into his possession. A fairly dumb thing to fight over, but manipulation and greed are two terrible diseases.
As always in Fargo, a single event spirals out of control and into a plethora of new, much more serious negative events throughout the narrative. Criminals take shortcuts; make errors; get caught; or die. Others get caught up in their ways and end up as collateral damage, leading the authorities down multiple confusing paths of investigation.
Characters are realistic, yet still unique with their own traits: David Thewlis plays a V.M. Varga, a corrupt and dangerous man that thrives on capitalism and manages to escape getting caught with this 'fake news' claims whenever he is in the eyes of the authorities (seriously, who does that remind you of?) throughout the show. It's an interesting take on how dangerous one can be if they have the power to easily manipulate the truth by completely twisting it to fit their agendas. 2 + 2 = 5 because V.M. Varga (Donald Trump) says it is, and who are you to say otherwise?
I'm not exactly interested in heavy politics within television shows and films, but V.M. Varga, as a villain, was so excellently written that it's so obvious of what the writer's intentions were for the viewer: a warning. A reflection of reality.