I really like art cinema, for me it is an inspiration to write, a starting point for the images that narrate history, they complement it in a particular poetics, then, the implicit verb is significant and makes the imagination convert what you see what you see In words, sensations and dialogues.
Recently I watched the movie "Persona" of Swedish director Ingmar Bergman, which was released in 1966 and with the main performance of Bibi Andersson and Liv Ullmann, who stand out in an internal performance whose emotion is transmitted with force in gestures and silence producing Dramatic tensions and uncertainty in each situation.
Persona, deals with a young nurse called Alma (Andersson) and her patient, the well-known Actress Elisabet Vogler (Ullmann), who, for no apparent reason, has stopped talking. Both are temporarily moved to a cabin, where Alma is dedicated to the care of Elisabet, and she begins to feel identified with her patient.
One of the elements of the film is the detail in the "incident" of it as a starter motor, that is, the patient stops speaking without apparent reason; The scriptwriter is the director Ingmar Bergman himself and leads us to understand the unknown, for which he insists on rumling the psychological in the character emphasizing a duality in the identity of this "person".
I like the details details in the movie, very from Bergman sometimes slowness, but time is important to create the uncontrollable, the uncertainty of the future but above all, the perception of the unassailable as it threatened imminent; Reality becomes a mixture of cruelty and fear; This is because the director considers that the world lacks beauty or failing, has an element that destroys it, transforms it into an area, something much more murky and disconcerting than mere aesthetics.
The metaphor is always present in that game of mirrors that is, for me, a confrontation of humanity in itself.
The movie, translates us by those labyrinths of the human spirit: fear, death, pain, hope that are elements that excel within the issue that when making a minimum approximation, or fear, the latter Element as protest in front of the oppressive world where to say something is equivalent to getting lost.
For me it is a master class in terms of script and performances, it is not easy to sustain the character of the character without the previous study of emotions and subtext in the script that more than words is full of intentions, concepts and well-distributed philosophy with skill Scriptural to avoid the "block" discursive and tedious.
As one of the anecdotes of the film, Actress Bibi Anderson rewrote some parts of the script to face an erotic monologue that had been almost censored; It's good when an interpreter defends what she believes and makes skin what she lives.
The being of the people is not revealed directly, but through the externalized images, built throughout their lives. Therefore, there will always be an ontological fracture between being and the opinion.
