Movie
1925
Battleship Potemkin is a 1925 Soviet silent epic film produced by Mosfilm. Directed and co-written by Sergei Eisenstein, it presents a dramatization of the mutiny that occurred in 1905 when the crew of the Russian battleship Potemkin rebelled against their officers.
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Source: FilmAffinity Welcome to the hivers of Cine TV! In these pages, I'm opening a series on celluloid classics. I'll be reviewing a group of films that, in my opinion, shook the world. I invite you to discuss and join me on this journey. Today I'm going to talk to you about a 100-year-old film. And no, it's not just any old film. It's considered a masterpiece of world cinema. A gem that transcends its time. Direc…More
The objective of the analysis we will perform is to apply the Interpretative Analysis to the film “Battleship Potemkin”. >El análisis que realizaremos tendrá como objetivo aplicar el Análisis Interpretativo en la película “El Acorazado de Potemkin”. This masterpiece made by the Soviet filmmaker Sergei Eisenstein, became a reference of the cinema that went beyond its time, it is not only valued for representing a his…More
In the first three decades of cinema, while the films were still silent, the global market was dominated by French film studios and, later, by Hollywood. Yet, the best known and the most influential of all silent films was produced in Soviet Union. It was *Battleship Potemkin*, 1925 historical epic directed by Sergei Eisenstein. The film was produced by young Soviet state and its film industry in order to mark 20th…More
How about something old? And Classic? What about revolution? How'd you like that? Shall we mix it up and see what comes out? Even though I prefer old movies, I avoid almost anything that passes the year 1930. You guessed it right, silent movies. I don't hate the silent era; I just find it hard to concentrate on them, which is one of the reasons why though I have seen quite a few old movies but almost never went that…More
# El arte del montaje # Cuando apenas el cine tenía unas pocas décadas de desarrollo, Eisenstein (post anterior) formula su teoría del montaje (de la edición, se dice hoy), definido por él como "combinación de tomas que son representativas, únicas en su significado, neutrales en su contenido, en contextos intelectuales". En su modelo propone técnicas que serían aplicadas por los cineastas que le sucedieron, hasta nu…More
# Amigos lectores, en la continuación de la serie acerca de directores de cine y su obra fílmica indispensable, siguiendo un cierto orden cronológico, le dedico este post a uno de los grandes del séptimo arte: el cineasta ruso Sergei Eisenstein , quien pasó a la historia por la maestría de sus realizaciones y sus aportes en el montaje cinematográfico. Particularmente, nos detendremos en uno de sus filmes, El Acoraza…More
