https://www.youtube.com/watch?v=XGk2EfbD_Ps 

REVIEW 

Three years ago maybe no one would have thought if the obsolete premise of the duo Chad Stahelski and David Leitch about the assassins who were forced to work again for personal revenge could be a sleeper hit and great success made the fans of action cheer. Yes, now John Wick has returned again in his new round with a more brutal action parade, a world of broader assassins, more complex conflicts and, of course, new dogs. 

Chad Stahelski immediately steps on the gas starting Chapter Two directly with the action chase that culminates ravaged the headquarters of the Russian mafia by the figure of a hitman dubbed Baba Yaga aka The Boogeyman who supposedly had killed three people with a pencil that none other than John Wick the legend. Yes, Derek Kolstad's plot can be as simple as its predecessor but it is so creative and effective. Lastly, as we know, John Wick who decided to retire from the business of assassins and live happily with his wife who loves to die of cancer. Wick is sadly harassed later with a Russian bandit who stole his 1969 Mustang prize and killed a small beagle giving his wife. After that, we both know what happened. Well, in the sequel Wick thinks his business is completely finished with the Russians and he can bury everything back for good. But of course, that never happened when an Italian mob boss, Santino D'Antonio (Riccardo Scamarcio) came and collected Wick's debt in the past by commissioning a difficult mission, killing Santino's sister Gianna (Claudia Gerini) to get Supreme power. 

As if wanting to thicken a sequel label meaning there will be a lot of "more", Stahelski really doubles everything here becomes bigger, more brutal and more complicated than ever. If in the first series of the underworld of a mercenary syndicate with all the rules of Continental only portrayed on a limited surface, Chapter Two invites us to go deeper into a never-ending vicious circle where there will always be revenge when one kills another together A code of honor among the assassins to which their members must obey. It is interesting to see how the Continental system works so neatly and systematically that it is able to give both mysterious and comedic side to John Wick's future story that is no longer personal. If the first series shows only big hotels in the middle of Manhattan, there are now more Continental sides that we can explore, from female operators to old fashioned process contests or work contracts or see when Wick looks for new weapons and clothes suits. 

When the narrative is able to develop well with the end that you can not wait to wait for its Chapter Three, the action part is like not to be outdone. Stahelski re-polishes every action with more brutality with fascinating choreographing arrangements in crisp cinematography Dan Laustsen (Crimson Peak) and fast editing without ever becoming too noisy and excessive. The gun-fu parade dominates Chapter Two with a high degree of intensity. There were more shots, stabbing, kicking and kicking and falling victim, including a spectacularly close-up battle of maximum adrenaline, as when Wick faced Cassian (Common) on a New York subway or climax when it involved shooting in a glass room. While Reeves is still equally fascinating when he appeared three years ago bringing this new titular character with many dangerous stunts that do themselves as we can see in social media. Cold and deadly, it did not take origins to describe the haunted figure of John Wick, just from the reactions of the people around him, how they honor this anti-hero figure with a look of admiration, reverence, and fear. 

RATING (7,6/10)

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