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Amélie is a 2001 French-language romantic comedy film directed by Jean-Pierre Jeunet. Written by Jeunet with Guillaume Laurant, the film is a whimsical depiction of contemporary Parisian life, set in Montmartre. It tells the story of Amélie Poulain, played by Audrey Tautou, a shy and quirky waitress who decides to change the lives of those around her for the better while dealing with her own isolation. The film…
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fuente/source Hola amigos de la comunidad de Movies & Tv, espero que se encuentren muy bien.Hace unos años descubrí una película que no me gusto para nada en ese momento, pensé que era demasiado larga y que la historia no tenia mucho sentido, sin embargo hace poco la vi y quede maravillada sobre todo gracias a un post que me animo a verla sin expectativas y fue un momento muy especial y lleno de reflexiones sobre la…More
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Filmaffinity Hace poco un amigo me recomendó una película que, si bien es un poquito antigua por tener más de 20 años que salió, él estaba seguro de que me iba a gustar y que me iba a identificar mucho con sus personajes. La verdad, si soy muy honesta, no tenía nada de ganas de ver la película porque a simple vista no llamaba mi atención y leí la sinopsis y todo y aun así no me atrapó, por lo que obviamente le di la…More
When I saw this week's contest, I was searching in my head about what movie I could talk about that made me happy. Honestly, I can't remember any recent movie that has fulfilled my heart. Probably, it's because of my busy schedule I missed watching many movies and series. Or maybe the ear of movie is changing and going a slite sideway from my taste. While thinking about all of this, Amélie came to my mind. *"I have…More
Among casual filmgoers in late 1990s French director Jean-Pierre Jeunet was known mostly as one of the persons responsible for the premature death of the original *Alien* film series. More hardcore cinephiles knew him as the author of *Delicatessen* and *The City of Lost Children*, films firmly entrenched in the realm of art cinema. Soon afterwards Jeunet completely changed his general reputation by 2001 romantic co…More
Source Hello to everyone in the Movies & TV Shows community! Today I want to dedicate this space to talk about one of my favorite movies (and that of many), it's Amélie (Le fabuleux destin d'Amélie Poulain) a comedy film directed by director Jean-Pierre Jeunet and released in 2001. I think many know about it and its special charm behind its characters, narration and aesthetics so here I summarize what it's about and…More
Color palette is huge. I wanted to take a few posts to focus on this and figured staying with Amélie to start may be a good transition. Green, and green, and red. This whole film has a tone, vibe, feel, and much of that is due to the visual layering and planting of green, be it in set, costume, color grading, etc. Red here is a perfect compliment, a warm point of color, fire, energy, urge amidst green seas. Director…More
There are fifty cool things to chew on from Amélie. The rhythm, narration, character specifics, color, emotion, and on and on. Great direction by Jean-Pierre Jeunet, great story by Guillaume Laurant and Jeunet, great script by Laurant. Character backstory and development are very important here. At the end of the day it's a story about connection, love, union, so it would only make sense to start the film off with i…More
Ojo: Posibles spoilers. Fuente Del cine norteamericano nos vamos, y en un solo día, al cine francés. Nos vamos del suspenso y el drama a la nostalgia y al realismo mágico. Le Fabuleux Destine d'Amélie Poulain , o simplemente Amélie, es la historia de una camarera tímida, Amélie Poulain, quien había tenido una niñez muy dura en el campo afectivo: Su padre, médico retirado (y por lo visto demasiado desactualizado o de…More
This movie is generally labeled as a romantic comedy. I find that to be a rather superficial and misinterpreted characterization of the story. As is always the case, there may be parts that are intended to be told and then some that comes forth, that are not intended to be a part of the story but reveals parts of the directors subconscious that then becomes a part of the story too. I cannot help reading things that…More