Certain films are often remembered primarily for their soundtracks, a testament to the composers' skill but also an indication that the music may overshadow other cinematic elements. This phenomenon is notably evident in *Contempt* (*Le Mépris*), the 1963 drama directed by Jean-Luc Godard. While frequently hailed as one of the most significant yet atypical works of the French New Wave, its soundtrack, composed by Ge…More
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