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La Dolce Vita is a 1960 satirical comedy-drama film directed by Federico Fellini and written by Fellini, Ennio Flaiano, Tullio Pinelli, and Brunello Rondi. The film stars Marcello Mastroianni as Marcello Rubini, a tabloid journalist who, over seven days and nights, journeys through the "sweet life" of Rome in a fruitless search for love and happiness. The screenplay can be divided into a prologue, seven major…
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[...drinking until forgetting, sleeping with anyone, chasing fame, art, love, and finding infinite nothingness...] It wasn't Anita Ekberg's nude scene in the Trevi Fountain—they did that even in the local movie theaters. It was something else, something deeper, more poisonous: the revelation that God had died, but we were still dancing on his grave. *La Dolce Vita*, Fellini's masterpiece, was first cursed. And then,…More
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When a foreign film retains its original title in the United States and other countries, it often signifies that the film is not only of exceptional quality but also holds considerable cultural significance. This phenomenon is particularly evident with *La dolce vita*, the 1960 Italian drama directed by Federico Fellini. The film's title has entered global vocabularies, symbolising a lifestyle of indulgence and exce…More
One of the most iconic films in the history of cinema Una de las películas más emblemáticas de la historia del cine For many years I heard a phrase uttered in Italian that was common in almost any circle in which I interacted. What I didn't know then was that that phrase was also the title of a famous film from the sixties and what many consider one of the best films in the history of cinema. This is La Dolce Vita b…More
I have been on a bit of an Italian film journey as of late, roaming through many lists and archives of the entries of Italian cinema that came and went in the many decades prior. Focusing specifically on the cultural, the black-and-white, and the very human. This is not something unusual for me, I often roam through a specific country's library of cinema: Chinese, Russian, French, Japanese, and quite literally anywh…More
(Korean / English text) 전작들에서는 구원을 바라는 자들의 구조를 파헤쳤습니다. 경제적으로도 괜찮고 사랑도 가진자들은 구원이 필요없을까요? 예수상이 날아가고 있습니다. 건설노동자도 한가로운 아가씨들도 예수상이 어디로 날아가는지 궁금합니다. 수레에 실려가는 것도 아닌 최신 헬리콥터로 이동하고 신자들이 따라가는것이 아닌 기자들이 따라가고 있습니다. 그리고 마르첼로(마르첼로 마스트로얀니 분)는 건설인부가 아닌 한가로운 아가씨들에게 머무르는데다 추근대기까지 합니다. 연출면으로도 헬리콥터에서 버드아이샷을 주고 있습니다. 진동이 엄청 심했을텐데 어느정도 흔들림이 보완됐습니다. 카메라맨이 목숨걸고 핸드헬드로 찍었을까요? 편집자가 필름 한프레임한프레임(?) 보정했을까요? 정답을 알수는 없지만 목적지를 향하다가도 곁길로 새는 이 영화의 주…More