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Last Resort

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Last resort@jaxsonmurph1805d
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  1. Last Resort (2000) // Movie Review Rating: 5/10@gonklavez91873d

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    The British refugee detention camp depicted in "Last Resort" is referred to as "the armpit of the universe." The argument would certainly be lost on unsympathetic viewers as grim as the holding camp may look on video. And therein is the true tragedy of this film: a plot setting barely discussed in the movie but worthy of national attention would be squandered as crowd groans drown out their occasional cries of sympathy. Maybe if the protagonists weren't too black-and-white, the messages weren't so achingly liberal, and the dramatic scenes weren't so wholly cliché, the film might be worth anything.

    Tanya (Dina Korzun) and her son Artiom (Artiom Strelnikov) arrived in the United Kingdom hoping to be welcomed by her fiancé and whisked away to a better life. They aren't leaving their lives in Russia; they see greener pastures on the other side of the English Channel. Tanya is left with little income, a 12-year-old boy, and a political asylum application that won't be accepted for another 12-16 months when her fiancé fails to show up. She is now being held in a detention centre.

    The film's characters have the sophistication of stick figures. Tanya is a young adult who has never been exposed to a good society. Her son comes off as timid and naive, but he is the most intelligent character. When two quick-talking men and promising jobs confront her, there is no more precise representation of these two characters. Artiom asks, "You do know they're pimps?" after they've walked away, and it's clear that his comments are a bit of a shock to his mother.

    Alfie (Paddy Considine) is also the kind shopkeeper who can't seem to do anything wrong. Despite Tanya's unwittingly maltreating him, he extends a helping hand and then some. And, as you would expect, Alfie swoops in until the unfaithful fiancé has vanished from the frame. It's a shame there aren't any white horses in the refugee camps.

    There's also the administration of the United Kingdom. They are the antagonists because they have our heroes imprisoned and prove to be completely inhumane. Finally, there's one of the men mentioned above who, it turns out, runs an online peep show rather than a brothel. But, because the film's only villain is the good old nation, the bearer of a nurse's outfit and a live online hookup can't go wrong. It's a tired trick to portray a strong government "restraining" a vulnerable person, and it's lost on this screen. The humanization of an unusual character like the porn king here is already old, but it may still be plausible in a three-dimensional setting. Unfortunately, writer/director Pawel Pawlikowski seems to be terrified of seeing all of his characters' third dimensions.

    But, if you're looking for anything to do this weekend, mark this unfortunate title as your "last resort" operation.

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