
The most successful American author of romance novels, at least if Hollywood is concerned, is Nicholas Sparks. His best-selling debut novel The Notebook was in 2004 adapted in one of the most successful film of the straight romance genre. However, it was his second novel, Message in a Bottle, which established him as valuable source of script material thanks to eponymous 1999 adaptation directed by Louis Mandoki.
Plot begins when Theresa Osborne (played by Robin Wright), divorced researcher for Chicago Tribune, spends her vacation at Cape Cod. While waking on a beach she finds a bottle with message unknown man has sent to a woman named Catherine. She is deeply touched with its content and later shows her to her editor Charlie Toschi (played by Robbie Coltrane). He publishes it without her knowledge creating great interest and many people report about similar messages found on shores of Atlantic Ocean. Based on them and other clues Theresa begins to search for author and discover that he is Garrett Blake (played by Kevin Costner), ship builder living in fishing village on the coast of North Carolina. He is widower who still can’t come to terms with the death of beloved wife named Catherine. Theresa comes to meet him, but doesn’t reveal real purpose of her visit. She begins to fall in love while Garrett also can’t deny his feelings towards beautiful reporter. Two of them begin passionate affair but when Garrett visits Chicago, he would discover that Theresa’s arrival to North Carolina wasn’t an accident.
Message in a Bottle represented attempt by Kevin Costner, whose reputation of big star began to be questioned by box office fiasco of Postman to re-establish his stellar credentials. Apart from unashamedly tearjerking plot, the film gathered an experienced crew led by Luis Mandoki, Mexican director specialised exactly for that kind of films. He was aided by renowned cinematographer Caleb Deschanel who has put exterior locations of Maine to good use, as well as composer Gabriel Yared who provided effective music score. The cast was also good. Costner played the role of ordinary man most Americans could identify with great ease and Robin Wright also handled the most romantic role in her career until that date. Both were, however, overshadowed by former Hollywood legend Paul Newman in the role of Garrett’s cranky father. Scottish comedian Robbie Coltrane is also interesting in rather atypical role of ruthless newspaper editor. However, all those efforts somehow failed to create narrative that could work as some kind coherent whole. Plot is utterly predictable and full of cliches and the dialogues represents worst examples of sappiness. Message in a Bottle is especially disappointed near the end, when the plot resolves itself in unconvincing and utterly melodramatic manner, which is made worse by Mandoki’s clumsy direction of those scenes. Despite that Message in a Bottle succeeded at the box office and thus paved way for The Notebook five year later.
RATING: 4/10 (+)
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