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Striking again with leonine vengeance as the bile-spewing, dejected, acrimonious nobleman Count Monterone is Byung Gil Kim, who continues to demonstrate unstoppable indomitability as a singing actor. Please enjoy my review and let me know your opinions.
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From the first time I saw Brenda Rae as the witty Zerbinetta nearly a decade ago to now witnessing her as the innocent Gilda, I assess how she tackles one of her signature Italian-language roles. Please enjoy my review and let me know your opinions.
The young lyric coloratura soprano Julia Muzychenko tackles Gilda from Verdi's Rigoletto, one of the many roles that define her ever-flourishing operatic career from soubrette to lyric coloratura. Please enjoy my review and let me know your opinions as well.
Looking back at this review, it did not hold up so much because of how one certain singer I used to like ended up having a sloppier technique as her career progressed, which was quite sad.
Known to the world for her charmingly waif-like figure and sweet countenance, Miss Aida Garifullina takes on one of Verdi's purest heroines, which has become one of her all-time signature roles. Enjoy the review and let me know your opinions as well.
After years of tackling the Mozartean repertoire, Christopher Maltman ascends to the challenge to tackle the tragic hunchback court jester while being joined by a cast of vibrant, young singers with loads of potential. Enjoy the review and let me know your opinions as well.
A brilliant full lyric tenor with a growing repertoire rises to the challenge to take on the delightfully despicable Duke of Mantua. Enjoy the review and let me know your opinions as well.
With a grand cast headed by El Gran Señor Javier Camarena's Duke of Mantua, how well does it all hold up?