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The Battleship Island

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The Battleship Island (2017)@kingsleyy263d
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  1. Review Film: THE BATTLESHIP ISLAND (2017)@film-trail2993d


    One scene of The Battleship Island shows Kang-ok (Hwang Jung-min) and his daughter, So-hee (Kim Su-an) singing while dancing in the middle of the dark night, just illuminated by the streetlight. Space and time seemed to belong only to two, father and son sharing love. In a blockbuster outburst, such sensitivity indicates the sensitivity of the director playing a sense of existence increasingly rare. Ryoo Seung-wan (Veterans, The Berlin Files) clearly includes all the feelings of assembling each piece of film, whether the warmth of a father-son drama through a sweet and funny moment or a burning spirit baking a wound past a nation that has not completely recovered, The title refers to Hashima Island, the centre of the Japanese coal mine located 15 kilometres from Nagasaki, and operated from 1887 to 1974. It resembled a battleship, with a sturdy wall surrounding the island. The Battleship Island took the time when the Japanese occupation of Korea entered the final round, precisely in 1945 before World War II ended. Hundreds of Koreans were forced to work in Hashima, treated inhumanely. Without security procedures, the men wear only helmets and clothes that serve the level of the lower body. The threat of gas leak and mine collapsed reluctantly to be cared for. While women become entertainment lust. And not a single wage is accepted.

    Kang-ok, a musician with fellow band and daughter, So-hee, hopes to get a better life in Japan. Unlucky, they were deceived and ended up as slaves in Hashima. There is also Choi Chil-sung (So Ji-sub) the gangster, then Park Moo-young (Song Joong-ki), a member of the Korean independence movement that carries out a mission to rescue a veteran fighter. Park mission is what will trigger a major upheaval in Hashima. Despite being inspired by real conditions, the conflicts and characters in Ryoo Seung-wan's manuscripts are entirely fictional. People's resistance, wars in the middle of the sea, elements of a prison break, all fiction. A "what if" scenario as a love letter for the past that not only contains empathy, it is a fire of fiery struggle, Through The Battleship Island Ryoo proves versatility as a director, especially in the complete blockbuster realm of packets that can infiltrate the various emotional spaces of the audience: the touching drama, the humour of laughter, the adrenaline-rich bombastic action. Ryoo's collaboration with cinematographer Lee Mo-gae produces perfect images representing every feeling of Kang-ok and So-hee's warmth as described by the opening paragraph, the grievances of various tortures received by the Korean people (the woman who rolls on the nail bed becomes the most painful thing ), until the sights thrill when the sunrise flag is stretched and then torn.

    If Song Joong Ki as Park is a calculating brain, So Ji-sub through his first-class machismo is a muscle, then Hwang Jung-min and Kim Su-an are the heart of this film, the adhesive bonding the audience with the narration. With both of us, we laugh, with both of them we cry. Hwang's greatest strength comes from the eyes plus a smile on one occasion expressing silliness, then in the next opportunity implies incredibly strong sincere love. So did Kim. We will laugh watching this 11-year-old boy full of resentment responds to his father's behaviour, but who did not melt to see his tears fall?

    There is no freezing moment along this 132-minute roller coaster duration of these emotions. Ryoo Seung-wan was good at building the atmosphere did not wear the results of the atmosphere slum setting to painful violence. Such as fights in the bathroom is very rough, brutal, fishing pain everybody hit the tile floor. The climax of the last 30 minutes of battle is reluctant to stop banging on the heart, stifling the chest from second to second. The camera moves in a dynamic, free-flying way covering every corner of the battle, music clashing with Adam Clement's loyal accompaniment, while Ryoo's script often slips one-liners into a heart-wrenching struggle. At this point we have connected with the characters, as a result, finds their desperate efforts, shoulder to shoulder to life for the sake of safety together to bring an unbroken emotional impact throughout the rolling climax. One of the most epic action sequences in years. The Battleship Island itself is a perfect modern blockbuster. 


    RATING (8/10)


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  2. The Battleship Island (2017)@showflix3186d



    No one will mistake The Battleship Island as a realistic war picture. This epic film about World War II is inspired from the true story of Korean slavery by Japanese soldiers on Hashima Island, but its often over-the-top cinematic style diminishes its credibility as a remake of historical events. But maybe that's not the purpose of the movie. The Battleship Island is a bombastic war spectacle . Tales of telling stories are replaced by hysterical screams, blood, and explosions. Coarse, hyperactive, noisy, but the sensationalism in large-scale action sequences makes the movie rarely boring.

    Through the Berlin File and Veteran , Ryoo Seung-wan was previously more familiar with prediket as a blockbuster movie director, unlike the older South Korean New Wave directors like Park Chan-wook, Kim Ki-duk or Kim Jee-won. The Battleship Island became his most ambitious movie. A giant set of sizes is built specifically according to the shape of this "Island of War Wars". The scale is 2/3 of the actual size. With a budget of $ 22.3 million, I wonder how much money is allocated to building sets and preparing explosives, because later on we will see how these sets explode here and there sporadically.

    "Island of War Wars" is the nickname for Hashima Island because of its shape resembling a warship. Around him was built a solid high wall. During World War II, Japan used the island as a location of forced labor for Koreans and Chinese. At that time, the situation in Korea itself was chaotic because it was colonized by Japan while Japan began to falter with Allied pressure. A jazz musician, Lee Gang-ok ( Hwang Jung-min ) looks for a way to become a dark exodus to Japan with his son, Sohee ( Kim Su-an ). But instead of evacuating, they are even trapped along with dozens of other ship passengers.

    They were taken to Hashima Island in the middle of the sea, about 15 kilometers from Nagasaki. Gang-ok is separated with his son. The men are forced to work in a coal mine whose condition is very dangerous. Explosions can happen at any time, tunnels can collapse at any time. Women are taken to the home of prostitution to be a lust for Japanese officials and soldiers. Fortunately, with his young age and clever acrobatics, Sohee was just a maid ... for now.


    The plot becomes increasingly uncertain when we are introduced to some other characters. Song Joon-ki plays Park Mu-young, a trained spy sent on a mission to rescue rebel leader, Yoon Hak-cul ( Lee Kyoung-young ). There is also a former gangster, Choi Chil-sung ( So Ji-sub ) who shows his dominance by beating the thugs who challenge him. These supporting characters seem to aim to broaden the context of how this slavery impacted people in all walks of life. On the woman's side, there is Mallyon ( Lee Jung-hyun ), a sexually violent sex worker (she tells how her opposing friend is forced to roll over the nails) and later ties up with Chil-sung.



    At the turning point just before the Allies bombarded the island and dropped the atomic bomb on Hiroshima and Nagasaki, everything became a mess. Forced laborers are planning to escape. I can not call it a "plan", because from what I see, most of it takes place spontaneously. Gang-ok who had been struggling to keep his life and his friends by licking, became one of the spearheads because he was already quite trusted by the Japanese army.

    All these narrative threads, to me quite difficult to follow. Ryoo presents it with such intensity, I feel every plot points crammed without giving us a chance to breathe. The film moves almost without pause or focus. Very minimal dynamics in story telling. The emotional weights I only got from Gang-ok and Sohee's stories, mostly due to the incredible appearance of Kim Su-an. This little girl had a spontaneity that made me really fall in love with her, whether she danced funny or nged when she was scolded by her father. This fits perfectly, because the character Sohee told very easy to be liked by others.

    Ryoo who also co-wrote the script simplifies his character into almost one dimension. Gang-ok is a man who always "drifted", riweuh take care of this. Played by Hwang with theatrical and comical acting thus giving the odd contrast of tone for his brutal film. The character of the Japanese army is described as a pure man. But it does not matter if you look at The Battleship Island as a celebration of struggle and independence (well, for colonial times, we do not think of Holland as a good party, right?) As well as a memorial to the national trauma.

    For this, Ryoo compensates with so much energy. This film is a show of choreographed set-pieces with spectacular. The climatic scene that involves a mass breakout has an epic brutality. The visual aesthetics are replaced with Molotov cocktail bombs. The film is said to be prioritized to appear in theaters ScreenX format, a projection system that promises an immersive viewing experience, almost 360 degrees. I am, unfortunately, unable to access this cinema class, so maybe the impact of the movie is slightly reduced.

    Image Source : 1, 2. Trailer


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  3. Battleship Island - Korean Movie Review@coldsteem3249d

    battlesihp.jpg My film tastes are difficult to pigeonhole. I enjoy big budget-blockbusters, documentaries, foreign films and just about every genre in between. If the story is compelling, film offers a format to express the story in many ways. I have reviewed a couple of big budget films here at Steemit. Now it is time for a foreign film. Today's movie adventure was a Korean film called Battleship Island. My only regret is that it won't see wider distribution in the United States.

    The-Battleship-Island.jpg

    I like Korean films. My favorite being Oldboy by Park Chan-wook. Battleship Island is a new release film written and directed by Ryoo Seung-wan whose work I am unfamiliar with. The film centers on an entertainer and his daughter who are sent from Korea to work in an island coal mine run by ruthless Japanese soldiers. The timing coincides with the waning days of World War II. In order to cover their crimes, the Japanese soldiers plan to kill the Koreans to avoid war crime trials. But the Koreans have other ideas, hatching a plan to escape from the prison-like island.

    Battleship Island mixes serious subject matter with some great comedic moments. The casting of Su-an Kim (Train to Busan) as So-hee and Jun-Min Hwang as her father, Lee Kang-ok was brilliant. So-hee has an amazing future in film. Her performance was riveting. Her combination of pouting, crying and comic relief added just the touch of humor a dark film like this needs. The comic elements are enhanced by Hwang's performance. The two had great chemistry and were just goofy enough to be believable. This film had a solid foundation with the casting.

    street-view-battleship-island.jpg

    The narrative of the story was also excellent. Although I don't think the Japanese are particularly happy with this film, which appears to embellish heavily. This film is touted as fiction, so "no harm, no foul" in my book. The things the film depicts the Japanese as doing are all well documented other places, transposing them to make this film seems palatable to me. The pacing was perfect, the story intriguing and the action sequences well choreographed. I'm not sure why the film started and ended in black-and-white, while delivering color for most of the movie. But it may have to do with another thought that occurred to me during the movie. A graphic battle scene plays out near the end of the film, backed by The Ecstasy of Gold from the film The Good, Bad and the Ugly. I was wondering why an anachronistic song would be the inspiration for this fight scene. It was either a sweetheart kiss the western, but more likely something a bit deeper. The film ends with the bombing of Nagasaki. And there are plenty of bad Koreans interjected into the story. I think the connection to to The Good, Bad and the Ugly is the "baroque manipulation" aspect of that film. A subtle satire that explores moral complexities. Both films also shared some anti-war themes.

    I like war movies. I like foreign films. I like dark films that have brilliant splashes of comedy. Most importantly, I like good storytelling. This film delivers on all counts. The pacing, acting, dialogue, action, and themes are all handled with a deft hand. It runs deeper than just a story, delivering deeper meaning balanced with rich characters that you just have to connect with. IMDB has given this film an average around 7.3, which I think is pretty low. I wouldn't go any lower than 8/10. Maybe even an 8.5. A great war story, artfully drafted.

    Photos and video courtesy of CJ Entertainment. Photo of Battleship Island courtesy of Google streetview.

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