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The Fisher King

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The Fisher King (film): Kind of far-fetched love story@netflixr736d
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  1. Film Review: The Fisher King (1991)@drax1344d

    (source: tmdb.org)

    Being at the top, especially in the domain of show business, is quite precarious and the trip to the bottom can be unexpected and quick. This is the lesson learned by the protagonist of The Fisher King, 1991 drama directed by Terry Gilliam. At the beginning, Jack Lucas (played by Jeff Bridges) is popular and immensely successful New York shock jock who is just about to branch into television. Before it happens, one of his on air rants, directed at yuppies, is taken too seriously by a mentally disturbed listener who goes to a restaurant with shotgun and massacres patrons. Jack’s career is wrecked and three years later he is forced to make ends meet by working in small video stores, owned by his girlfriend Anne Napolitano (played by Mercedes Ruehl). One night, after drowning himself in remorse, self-pity and suicidal thoughts, Jack gets drunk and wanders on streets before he gets mistaken for a homeless man by gang of young vigilantes who want to burn him alive. Jack gets rescued by Parry (played by Robin Williams), mentally unbalanced homeless man who believes he is a knight on a mission to find Holy Grail. When Jack later wants to return favour and help him, he learns that Parry is actually Henry Sagan, college professor specialised in medieval history, and that he survived the restaurant massacre in which his beloved wife died. Jack befriends Parry and concludes that he can be brought back to sanity if he experiences love again, so he tries to help him set a date with Lydia Sinclair (played by Amanda Plummer), book editor with whom Parry has been obsessed.

    Script for The Fisher King, written by Richard LaGravenese, represents almost a textbook example of a film that would now be classified as “Oscar bait”. It features elements of the formula like combination of drama with some mild comedy, “buddy buddy” pairing of protagonists of which one happens to be mentally or physically afflicted, plenty of sentimentality and predictably syrupy and uplifting ending. However, for most of the cinephiles The Fisher King is nowadays best known as Terry Gilliam’s film. For the film maker, best known as member of famous Monthy Python comedy troupe, this was the second film inspired by Arthurian legends (after Monthy Python and the Holy Grail) and the first film he hadn’t written script for. Gilliam nevertheless brought his recognisable style on screen, which reflected in spectacular fantasy scenes which combined grotesque and some memorable images, like the frightening figure of Red Knight which haunts Parry’s imagination or crowd spontaneously bursting into waltz at Grand Central Station. All that, together with operatic soundtrack by George Fenton, makes The Fisher King look and sound epic, but also makes it overlong and can annoy some of the less patient viewers with unnecessary details like subplot dealing with homeless cabaret singer, played by Michael Jeter. Another of the film’s problems is at times incoherent narrative and stylish structure, with tonal shifts from serious drama to comedy, like in overlong restaurant scene that descends into slapstick.

    The cast, on the other hand, does wonderful job. Jeff Bridges, whose character transforms from arrogant and heartless man into pathetic wreck, provides one of the best roles of his career. Robin Williams is also good in very demanding role, which superficially exploits his clownish reputation but actually includes some very dark and dramatic content. Williams flawlessly establishes strong “buddy buddy” dynamic with Bridges and quickly wins audience’s sympathy despite Parry during his manic outbursts displaying outrageous behaviour that some viewers might find annoying and frightening if experienced in real life. Veteran character actress Mercedes Ruehl is also great in the role of strong woman and she deservingly won Oscar for Best Supporting Actress. Amanda Plummer, daughter of famous Canadian actor Christopher Plummer and already established at Broadway theatre, is also very good in her first major film role; she easily plays mousy character that creates good chemistry with Williams. The Fisher King, although not among Gilliam’s best work, won rave reviews and was also among the most commercially successful films of his career. Despite it flaws, it is still a well-made and entertaining film that could be recommended even to the audience who aren’t Gillliam’s or Monthy Python’s fans.

    RATING: 6/10 (++)

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