The Jacket

The author of this review has witnessed far too many potential Hollywood classics inexplicably transforming into forgettable disappointments. Therefore, when the opposite occurs - a movie destined for failure inexplicably turning out quite well - I am genuinely surprised by such a pleasant and exceedingly rare occurrence. One such experience was delivered by The Jacket, a 2005 psychological thriller directed by John Maybury.

The protagonist of the film is Jack Starcks (played by Adrien Brody), who miraculously survives being shot in the head during the First Gulf War. One of the side effects of his injury is amnesia. A few months later, while hitchhiking through rural Vermont, he is picked up by a young man who later shoots a policeman. Jack is accused of the crime and subsequently committed to an institution for the criminally insane. There, he becomes a test subject for Dr. Becker (played by Kris Kristofferson), a psychiatrist whose therapy involves restraining patients in straightjackets and locking them in mortuary drawers. After one harrowing experience, Jack suddenly awakens by the roadside, only to be picked up by a young woman named Jackie (portrayed by Keira Knightley). In her apartment, he discovers that the year is 2007, setting off a series of shocking revelations.

The character's deteriorating grip on reality and the inclusion of time travel as a plot element inevitably draw comparisons with films like 12 Monkeys, Open Your Eyes, or The Butterfly Effect. Massy Tadjedin's script for The Jacket, loosely inspired by Star Rover, 1915 novel by Jack London, pales in comparison to the scripts of those films. The main plot twist is revealed relatively early, the characters are one-dimensional, and there are clichés such as obligatory romance, rescuing children, and a sentimental happy ending. The script also fails to provide any rational or pseudo-rational explanation for time travel, which may deter those who prefer neatly structured film plots.

Nevertheless, The Jacket manages to transcend these limitations through a talented ensemble that exhibits levels of dedication rarely seen in contemporary Hollywood productions. Adrien Brody, a highly recognizable actor at risk of being typecast in roles of tortured souls, delivers yet another outstanding performance. Keira Knightley also shines, showcasing a British actress adept at mastering an American accent. Jennifer Jason Leigh's almost unrecognizable presence in the initial scenes anchors the film and elevates it beyond a mere psychological thriller.

John Maybury, a British director known for experimental films, enhances The Jacket beyond its actual merit. His tendency to convey the protagonist's confusion through various camera techniques is restrained, with unconventional filming methods employed only when appropriate. The Canadian setting and winter backdrop are effectively utilized, enhancing the script's atmosphere. Brian Eno's musical score, while not particularly memorable, complements the film well.

While those anticipating another genre classic may find The Jacket lacking, they are likely to be in the minority. The majority of viewers are likely to appreciate this rare example of a film whose quality surpasses its script.

RATING: 7/10 (+++)

(Note: Original version of the review is available here.)

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