The first time I discovered the name of Tsai Ming-liang, it was with his incredible Taiwanese hit Rebels of the Neon God, from 1992. From there, I continued to follow his works, which drastically developed and shifted away from the style that introduced me to him; though I didn't mind this. His style felt more raw, more true to life itself. There was a curiosity to his works that I felt I hadn't really seen elsewher…More