Snobbish critics and cinephiles who see art films as the only true films are likely to perceive Ingmar Bergman as the antithesis of everything that is commercial in cinema. However, particularly in the early stages of his career, Bergman created films that were, directly or indirectly, associated with the burgeoning realm of exploitation cinema. A prime example is his 1960 period drama *The Virgin Spring*, a work th…More
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