scrobble.life
← Back

Title · no scrobbles indexed yet

The Wall

The first scrobble for this title is still propagating, but a community review is already indexed below.

Reviews

Longform community posts about this title

The Wall(2017) - Review@oryans.belt1793d
Permalink·Open on PeakD ↗·Linked from existing Hive post

Comments

No comments yet — be the first.

2 more reviews

  1. Crítica by uno de Huesca sobre The Wall@ivan-perez-anies2842d
    [Fuente](https://nerdinc.com.mx/opinion-en-la-mira-del-francotirador-the-wall/)

    Conocéis esa sensación en la que estas todo el rato en tensión pensando que va a pasar algo increible y sigues esperando y no pasa nada y luego crees que ya esta, que ya va a pasar algo pero no, aun no, la tensión sigue aumentando progresivamente, tus venas se hinchan, tus glúteos se aprietan, tienes pequeños derrames en lo blanco de los ojos y se inyectan en sangre y sigues concentrado en lo que tienes delante y al final cuando culmina el acontecimiento te quedas como con un alivio inconmensurable, algo indescriptible que no se como explicar, un placer sobre humano... pues eso he sentido hace un rato cuando he ido a defecar, con esta peli no me paso nada parecido.

    [Fuente](https://tenor.com/view/gross-disgust-gran-torino-clint-eastwood-gif-3880005)

    Película para los muy amantes de las películas bélicas en las que no pasa nada y hay como 10 o 15 tiros máximo. Si es tu perfil no lo dudes, esta es tu película del año y debes dejar de leer ahora mismo para no joderte lo poquisimo que tiene de interesante... esperamos un momento a que abandones el post y seguimos, gracias...

    [Fuente](https://www.recreoviral.com/curiosidades/persona-comunicar-lenguaje-corporal/)

    Bueno, ya estamos solos...

    Dos soldados estadounidenses tiraos en medio de un montículo en el jodido desierto de Iraq, bonito lugar lleno de sol, arena e iraquies con ganas de matar a los tipos esos que han llegado a democratizar su país a bombazos con excusas peregrinas de no se que armas de destrucción masiva y pichorras por el estilo que ya todos conocemos. Están próximos a un oleoducto donde unos contratistas y unos mercenarios han sido atacados y han solicitado ayuda. Tras una conversación absurda de cojones, al francotirador se le hinchan los huevos y decide bajar a ver que pasa en la zona, al parecer llevan mas de 24 horas apostados en su posición para no caer en una posible emboscada... Como decía, salen de su escondrijo de francotirador y bajan al llano a ver que pasa. Siiiiup pump tiro en una pierna... Tontolabas!!! acabáis de caer en la trampa, tropecientas horas de observación y soportando penurias y al final bajáis a pecho descubierto!!!!! El compañero baja corriendo a ayudar a su amigo... Siiiupp pump x3 o x4. Las balas llegan antes que el sonido y eso es una jodienda... Corre a refugiarse tras un muro. De ahí el titulo de la película. El resto es el francotirador iraqui jodiendoles la marrana a tiros y por la radio, poco mas. Al final rescatan al soldado que queda vivo con un helicóptero, pero al momento de despegar el iraqui los derriba a tiros y fin.

    [Fuente](http://topcultural.es/2018/05/11/llega-a-nuestros-cines-la-pelicula-the-wall/)

    Una película que no se que pretende, si denunciar la invasión ilegal de Iraq, si entretener o si esta financiada por el ISIS... pero bueno, ya esta, ya ha pasado el mal rato. Pensemos en la siguiente y a ver si esta vez acierto y veo algo cojonudo y os lo puedo venir a contar ;)


    Permalink·Open on PeakD ↗·Linked from existing Hive post
  2. Review Film: THE WALL (2017)@film-trail2952d


    Generally, on a single location film, the protagonist is in a closed room for various reasons. The claustrophobic impression is often the main weapon fishing tension. The Wall by director Doug Liman (The Bourne Identity, Mr. & Mrs Smith, Edge of Tomorrow) derived from one of the manuscripts in the Black List (2014) of Dwain Worrell's article raises the opposite situation. Rather than the confines of the enclosed spaces, the arid desert landscape in Iraq becomes a place with a brittle wall of former schools as the character's life-and-death separator.

    In the middle of the Iraq War, Sergeant Allen Isaac (Aaron Taylor-Johnson) and Chief Sergeant Shane Matthews (John Cena) were investigating the construction site of the pipe where the massacre occurred to workers and security guards. After a null 22 hour event, they state the situation is safe and the offender has gone. But when Matthews was about to pick up a radio belonging to one of the victims, a mysterious shooting bullet hit him. Isaac's efforts to save his colleagues were shot, and even his radio and bottle were destroyed. Hiding behind a wall, Isaac realizes his opponent is Juba (voiced by Laith Nakli), a sniper who has brought death to 35 American warriors, Maintaining intensity is the biggest challenge for one location film. The impression of monotonous-prone arises, especially when other ammunition in the form of figures are not how many. With Matthews spending the majority of his time lying dying and Juba only we hear his voice, practically a burden is on Isaac's shoulder. The actor, Aaron Taylor-Johnson performs strongly expressing despair, furiously struggling with pain as he racked his brain for a way out of "cage". The post-first act of perfunctory just functioning leads the main character into the trap, the second half of The Wall filled with Isaac chat with Juba while occasionally featuring Isaac who tried to set the strategy.

    Worrell describes his manuscript as "a simple conversation that may occur on a New York park bench between two people playing chess." Worrell used the talks of his two figures to build a psychological side, as well as insinuating the United States as the invaders in Iraq. The second point is quite successful. We are brought to see whatever Isaac's plan, Juba is always one step ahead, even preparing for some surprises that besides making the audience gasp, also reinforces the desperate aura of Isaac's struggle. The sniper who is always called "Hajj" (the name of the American army for Iraqis or Afghans) understands the aesthetic value (calling the poetic military term), likes to read Edgar Allan Poe's verse when Isaac only knows the name Shakespeare (which he probably does not know his work). This is the scene when the colonized invaders are colonized, and the superior looks dwarfed in front of a "barbarian" terrorist, Another case about the psychic aspect. Worrell's sentence is too superficial in order to assemble a compelling mind game. Not to mention casual chatter casually add a layer other than a picture of how Juba is a cold-blooded figure who can be relaxed on the battlefield. But the biggest disadvantage lies in failing to involve the audience in every calculation that Isaac does, eg while doing the calculations in order to find out where Juba is hiding. Worrell neglects to explain the reasons, intentions, and targets of these various activities. Though important for the audience to understand the ins and outs rather than appearing casually, triggering tension, even if you can sympathize with the character.

    Pamor Doug Liman as a first-class director of the big-screen spectacle business is no doubt, but like Isaac, he is not yet very good at maximizing simplicity. Tension has arisen occasionally when it comes to a shock-shaped rescue from a script or in a "massive" moment when a bullet whistles. That's why his ending successfully stuck in addition to being encouraged by the presence of a "cruel" surprise that is actually predictable. Liman, however, seems to be a bit of a trick over the limitations. In addition to eliminating musical accompaniment in order to build a raw and realistic impression that does not matter how much, the standard shot option, unable to give intensity in a single location. At least the narration of Liman flows neatly so that it is comfortably followed. 


    RATING (6/10)


    Don't forget, give your feedback in the comment section



    Image Source

    Permalink·Open on PeakD ↗·Linked from existing Hive post