Soaring to the role of the innocent yet ill-fated Liú is Nina Solodovnikova, a full lyric coloratura soprano with abundant potential for growth. Please enjoy my review and let me know your opinions.
Comments
No comments yet — be the first.
Title · no scrobbles indexed yet
The first scrobble for this title is still propagating, but a community review is already indexed below.
Longform community posts about this title
Soaring to the role of the innocent yet ill-fated Liú is Nina Solodovnikova, a full lyric coloratura soprano with abundant potential for growth. Please enjoy my review and let me know your opinions.
No comments yet — be the first.
SeokJong Baek's ever-augmenting strengths as a riveting spinto tenor with a dramatic edge are in full effect as Calaf, the Unknown but Determined Prince of Tartar. Please enjoy my review and let me know your opinions. Tune in today at 9 AM Berlin time.
Growing from strength to strength as a brilliant spinto soprano with an ever-growing repertoire full of leading lady roles is Maria Motolygina and her astoundingly incredible vocal prowess. Please enjoy my review and let me know your opinions.
Saioa Hernández is a reigning opera diva I have been yearning to witness live on stage. Her excellent technical prowess and flair for drama have made her own Turandot the ice princess of China. Please enjoy my review and let me know your opinions.
An ambitious recording of Puccini's Turandot with the complete, uncut, and original Franco Alfano ending that heralds a mainstream cast of today's opera stars. Please enjoy my review and let me know your opinions.
The elegant Lise Lindstrom, the charismatic Roberto Alagna, and the inimitable Aleksandra Kurzak spearhead a strong cast in this production of Turandot. Enjoy the review and let me know your opinions as well.
Ah the unsurpassable Franco Zeffirelli Turandot production, starring Nina Stemme, Marco Berti, Anita Hartig and Alexander Tsymbalyuk with Maestro Paolo Carignani on the helm. Let's see how well this fares. Enjoy the review and let me know your opinions as well.
With an ever-strengthening vocal presence, heaps of discipline, and a phenomenal technique by his side, how did Alfred Kim fare as Calaf, a role he has been specializing for many years? Find out in my review.
From her beginnings in the full lyric and spinto soprano repertoires to nowadays coming into her own in the dramatic repertoire, how well did Christine Goerke stack up to one of her signature roles, especially joined by a cast that looks good on paper? Enjoy and find out in my review.
Two singers whose voices I have heard for the first time embodying the mythical ice princess and the intrepid warrior prince. Two singers who have made their role debuts as an old King of Tartar and a sweet slave girl. How well did they all hold up in the end? Find out more in this review.
Ah, the unsurpassable Franco Zeffirelli Turandot production, starring Nina Stemme, Marco Berti, Anita Hartig and Alexander Tsymbalyuk with Maestro Paolo Carignani on the helm. Let's see how well this fares. Enjoy the review and let me know your opinions as well. Some of my opinions especially regarding Marco Berti's vocal performance have not held up, but in spite of it all, I still enjoyed making this video. Moreover, this is actually my most viewed opera review video I have made.