It is a commonplace among horror film aficionados that the main tropes and clichés of the genre, at least in its supernatural guise, were cemented in the 1930s by Hollywood’s Universal Studios. The iconic images of Bela Lugosi’s Dracula, Boris Karloff’s Frankenstein’s Monster, and Claude Rains’s Invisible Man seem to define the cinematic language of terror for the popular audience. Yet, this prevailing narrative ove…More
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