scrobble.life
← Back

Title · no scrobbles indexed yet

Jaws

The first scrobble for this title is still propagating, but a community review is already indexed below.

Reviews

Longform community posts about this title

Jaws Changed Movies Forever. Steven Spielberg Created A Thriller That Still Feels Just As Powerful Today. Even Though It Is Not A Nineties Film, It Remains A True Classic That Continues To Influence Generations.@thefed16d
Permalink·Open on PeakD ↗·Linked from existing Hive post

Comments

No comments yet — be the first.

10 more reviews

  1. Jaws Remains One of the Greatest Thrillers Ever Made. A Seventies Classic That Still Holds the Ocean in Fear.@thefed111d

    When Jaws arrived in theaters in 1975 it changed the movie industry forever. What could have been just another monster movie became something much bigger. Directed by a young Steven Spielberg, the film turned a simple concept into one of the most suspenseful and influential movies ever made. Nearly fifty years later it still holds up as one of the greatest thrillers in film history.

    IMG_8730.webp

    The story takes place in the small beach town of Amity Island, where the summer tourist season is about to begin. That season is the lifeblood of the town’s economy. When a brutal shark attack suddenly occurs just off the shore, local police chief Martin Brody realizes the danger immediately. The problem is the town leaders do not want to panic the tourists or lose the summer money.

    Roy Scheider plays Chief Brody and delivers a terrific performance. Brody is not a fearless action hero. In fact, he is afraid of the water. That detail makes the character far more interesting because he is forced to face the one place he fears the most in order to protect the town. Scheider gives Brody a sense of realism and quiet determination that anchors the entire film.

    Richard Dreyfuss plays Matt Hooper, a marine biologist who arrives to help investigate the shark attacks. Hooper brings knowledge and enthusiasm to the situation, often clashing with the stubborn personalities around him. Dreyfuss injects energy and intelligence into the role, making Hooper one of the most memorable characters in the film.

    Then there is Robert Shaw as Quint, the grizzled shark hunter who is eventually hired to kill the monster. Shaw’s performance is legendary. Quint is rough, obsessive, and completely fearless when it comes to hunting sharks. His famous USS Indianapolis speech remains one of the most powerful monologues ever delivered in a movie.

    Steven Spielberg’s direction is what truly makes Jaws special. Because the mechanical shark used in the film frequently malfunctioned during production, Spielberg had to rely on suggestion and suspense instead of constantly showing the creature. That decision turned out to be brilliant. The audience often sees the shark only through its effects on the water or the terrified reactions of its victims.

    John Williams also deserves enormous credit for the film’s success. His simple two note musical theme has become one of the most recognizable scores in movie history. The moment that music begins, audiences immediately feel tension building.

    The final act of the film takes place almost entirely on the open ocean as Brody, Hooper, and Quint set out on a small fishing boat called the Orca to hunt the massive shark. What follows is a gripping battle between man and nature. The sense of isolation and danger grows with every scene.

    One of the reasons Jaws works so well is that the characters feel real. These are not superheroes. They argue, they make mistakes, and they struggle with fear. That human element makes the danger feel much more intense.

    The shark itself also became one of the most iconic movie creatures of all time. Even though the technology was limited compared to today’s standards, the film still manages to make the predator feel terrifying and unstoppable.

    Jaws also had a massive impact on the film industry. It is widely considered the first true summer blockbuster. Its enormous success changed how studios released and marketed big movies.

    Beyond the business impact, the movie also left a cultural mark. For decades people joked about being nervous to swim in the ocean after seeing the film. That is the power of great storytelling.

    IMG_8729.webp

    Nearly fifty years later Jaws remains a perfect blend of suspense, character, and adventure. It is thrilling, entertaining, and masterfully directed. Jaws is not just a great shark movie. It is simply one of the greatest movies ever made.

    Permalink·Open on PeakD ↗·Linked from existing Hive post
  2. Jaws (1975)@andreseloy5811100d
    [Image](https://es.wikipedia.org/wiki/Tibur%C3%B3n_(pel%C3%ADcula))

     

    This film broke the paradigm of the safe beach and a paradisiacal place to enjoy and created the mistaken belief that these fish attack people for pleasure.

    Based on the book of the same name by Peter Benchley and adapted the script by the same and Carl Gottlieb who was initially hired to play the role of the character of Meadows and at the request of the director rewrote the script of the film.

    image.png Image

     

    The action takes place on the beach of Amity Island, a quiet place where police chief Martin Brody, played by Roy Scheider does not have many problems until a girl named Chrissie disappears and he finds her mutilated remains on a beach.

    The coroner determines that she has been attacked by a shark and the commissioner suggests closing the beaches but due to the bathing season is denied and at the insistence of this the mayor hires the services of shark hunter Quint, who is played by Robert Shaw, veteran actor who in 1967 had been nominated for an Oscar as best supporting actor for his role in the film "A Man for All Seasons".

    image.png Image

     

    The pair is joined by marine biologist Matt Hooper played by Richard Dreyfuss and as time goes by they discover that they are confronted by an unusual animal, in the middle of the 4th of July holiday season, when the beach is invaded by visitors.

    Suspense, terror and adventure are an important part of most of the 124 minutes of the film and the catastrophic scenes prove it, what seemed like a summer of pleasure turns into a nightmare.

    This film was one of the first works of director Steven Spielberg and who catapulted him to success, at that time it represented a high budget production, 9 million dollars and became the highest grossing film in history collecting more than 470 million dollars, until two years later it was surpassed by Star War.

    The shark was a technological breakthrough at the time, as what was called a mechanical animatronic had to be created to play the role of the shark, and John Williams' music was also an important part of the success.

    [Image](https://cinemelodic.es/tiburon-1975-parte-3-5/)

     

    Despite the commercial success of the film, its director was not nominated for an Oscar, the film was not considered the best that year since the award was given to One Flew Over the Cuckoo's Nest and the leading actors were not equally nominated, however it did win the Oscar in the categories of best editing, best soundtrack and best sound.

    In 2001 the Library of Congress selected Jaws to be preserved in the National Film Registry as a "culturally significant" film.

    image.png Image

     

    Taking advantage of its success, 3 sequels were made, none of them with the participation of the director or Peter Benchely, however they had good box office income, being the 3rd the one with the highest income, reaching 87 million and the 4th the one with the worst critics.

    Permalink·Open on PeakD ↗·Linked from existing Hive post
  3. CineTV Contest #55 - Favorite Movie with a Beach: Jaws.@nbarrios671179d

    Inevitably, when talking about a movie that has to do with the beach, the film Jaws always comes to mind. A before and after in horror movies at sea.

    Screenshot 20230406 at 133007 Tiburón 1975.png

    Source

    The beach is a place where many people have catharsis, have fun and forget their worries.

    [Source]( https://www.youtube.com/watch?v=dg-HlHMhthY)

    On the coast of a small town in the Eastern United States, a huge shark attacks several people. The police chief who wants to close the beach, but fearing the effects this could have on the tourist business, the mayor refuses to close the beaches and spread the news.

    But the shark attack continues:

    [Source]( https://www.youtube.com/watch?v=rW23RsUTb2Y)

    Police Chief Brody (Roy Scheider,) the hardy Captain Quint (Robert Shaw) and marine zoologist Hooper (Richard Dreyfuss) go out to hunt the big shark on a fishing boat.

    [Source]( https://www.youtube.com/watch?v=CwdGYMM2bHM)

    These three actors present a chemistry between them that works perfectly, they are very disparate characters who are pushed to their limits in a confined space.

    [Source]( https://www.youtube.com/watch?v=Ery5Sf6kcrE)

    The film insinuates more than it shows, to the point that the shark manages to feel present from the beginning of the film but does not show itself until late in the film.

    The powerful musical score by John Williams with subjective shots, and movements of surface objects indicative of what the shark is doing underwater helps to build suspense and anxiety in the viewer.

    We consider vacation beaches to be our possession, a piece of the sea where we humans are safe, and can relax. But the director of Jaws, (Steven Spielberg), shows in a beach environment the fear of the strange in our familiar environment, the irrational in the calculated, the incomprehensible violence in front of human laws.

    Since the film was released in 1975, the sub-genre of shark movies began, with stories much more explicit than this one, but without being able to surpass the original film. Additionally, there are movies about piranhas, anacondas and crocodiles suspiciously similar in plot to Jaws.

    At no time would I want to visit that town and that beach described in the film. Such was the impact of the film that swimmers from all over the world never again went into the sea with the same tranquility as before. Even today, when I go to any beach I don't go far from the shore because I remember this movie.

    This is my participation in the 55th contest of the CineTv community related to favorite movie with beach Link Here.

    Best regards to all and happy Easter.

    Posted using CineTV

    Permalink·Open on PeakD ↗·Linked from existing Hive post
  4. LSC Clips: JAWS (1975) - "Story Midpoint"@lionsuit1246d

    LSC Clips: JAWS (1975) - "Story Midpoint"

    A Celebration of Spielberg's Adventure Thriller Classic JAWS (1975)


    JAWS is a great example of the power, potential, and importance of the "Story Midpoint."

    One can view the midpoint often as a "Point of No Return," as a "First Culmination," and or as a glimpse of "How the story could end." Spielberg, in a sense, does all three here. And it is noticable.

    Not many films have such a contrast between their first part and second part, but in JAWS this is evident in story and in visual/setting.

    As discussed in this clip, and to a deeper extent in the full episode, JAWS is a film about convincing a community there is a monster in their midst, until the midpoint changes this, and it becomes a film about hunting and stopping that monster.


    LSC - Episode 21- Full Episode: • StitcherOdyseeFountain

    November 2022 / 18m / LionSuit.com


    Be well. LionSuit.com (words and video are original) Posted using Ecency - Try it out!

    Permalink·Open on PeakD ↗·Linked from existing Hive post
  5. Lion Suit Conversations: Episode 21 — A Celebration — JAWS (1975)@lionsuit1332d

    img_0.6347461601946702.jpg

    A Celebration of Spielberg's 1975 Adventure Thriller Classic JAWS

    What a fun classic film.

    Topics include observations and theories on visual storytelling techniques, the core story question, story structure and pacing, midpoint changes, character and story conflict, plant and payoff, and more within JAWS.

    Hint: What is planted in the pages of the shark book Brody flips through?

    "You're Gonna Need A Bigger Boat." This famous line was supposedly improvised. Scene: https://m.youtube.com/watch?v=2I91DJZKRxs

    JAWS IMDb: https://m.imdb.com/title/tt0073195/

    JAWS Trailer:

    November 2022 / 18m / Music by Brian Stone / LionSuit.com


    Take a listen. Follow along. No set schedule, but more to come.

    Filmmakers, healers, theorists, poets, stock and crypto traders, videographers, writers, musicians, business owners, carpenters, regular people sharing tricks, techniques, realizations, jokes, and thoughts.

    (We are not financial advisors, and no financial advice is given here.)


    Available On:

    Odysee Fountain, Podcasting 2.0 App Podbean Stitcher Castbox iTunes Aureal App


    Episodes:

    LSC 21: A Celebration -- JAWS LAC 20: A Celebration -- Toy Story LSC 19: A Celebration -- Inception LSC 18: A Celebration -- No Country for Old Men LSC 17: A Celebration -- Eternal Sunshine of the Spotless Mind LSC 16: A Celebration -- The Graduate LSC 15: Jared Rauso - Documentary Film, Video LSC 14: Jonathan Wesenberg - Film, TV, Investing LSC 13: Zac Hudson - Life, Spirituality, Health LSC 12: Casey Pierce - Video, film, life LSC 11: Jonathan Mitchell - Film, TV, life LSC 10: Joseph Ebanks - Film, art, life LSC 9: KM Franks - Health, yoga, art LSC 8: Richard Harper - Music, poetry, travel LSC 7: Sarah Carter - Writing, education LSC 6: Ciona Rouse - Poetry, society, art LSC 5: Graham Fitzpenn - Music, life LSC 4: Zac Hudson - Health, spirituality, life LSC 3: Mike Jones - Carpentry, dreams, writing LSC 2: Schuyler Howie - Videography, creativity LSC 1: Jonathan Mitchell - Film, TV, life


    Support the Show:

    🎥 Lion Suit Dreamscape LionSuit.com

    👕 Classic Astro Store Classic Astro Shop

    🦄 NFT Art OpenSea.io/LionSuit


    This episode was also auto-posted through Aureal to our "posts," though not to our "blog," depending on the frontend one uses.


    Be well. LionSuit.com (words and podcast promo art are original) Posted using Ecency - Try it out!

    Permalink·Open on PeakD ↗·Linked from existing Hive post
  6. LSC 21: A Celebration — JAWS (1975)@lionsuit1333d

    ▶️ Listen on Aureal


    --

    A Celebration of Spielberg's Adventure Thriller Classic JAWS (1975)

    JAWS IMDb: https://www.imdb.com/title/tt0073195/

    November 2022 /  18m  /  Music by Brian Stone  /  LionSuit.com

    ---------

    Support the Show:

    🎥 Lion Suit Dreamscape

    https://www.lionsuit.com/

    👕 Classic Astro Store

    https://www.redbubble.com/people/ClassicAstro/shop

    🦄 NFT Art

    https://opensea.io/lionsuit

    Conversations on film, video, art, life, business, and health. No set schedule, but more to come.

    Lion Suit


    ▶️ Aureal

    Permalink·Open on PeakD ↗·Linked from existing Hive post
  7. This day in History.... Jaws@gooddream2566d

    on June 20th in 1975, one of the most iconic films of all time was released. Even if you weren't alive (and I presume most of you weren't,) you are familiar with this very iconic and unusual horror / thriller film.

    1-61-990x1485.jpg source

    As you might be able to imagine, technology in 1975 wasn't exactly cutting-edge, especially when it came to special effects such as creating a massive shark that doesn't exist and most likely wouldn't read the script if it did. Therefore, with a paltry budget of $12 million dollars Spielberg had to make it work. (the film ended up costing much more than this because of massive delays as filming took 3x as long as planned) Some (me) would argue that he was triumphantly successful in accomplishing this.

    [source](https://somefilmsandstuff.files.wordpress.com/2013/10/open15.jpg)

    The opening scene is one of the most famous in all cinema and it haunts you, it sticks with you, it makes you afraid to get into even a swimming pool at night. The film achieved its horror, even though we don't often even see the shark in the film, so effectively that people were afraid to go into the ocean in the late 70's for quite some time.

    Due in part to this film, I was afraid of deep ocean water for most of my life until I became a dive professional and I found out that a vast majority of ocean life has exactly zero interest in intentionally harming you and you should consider yourself lucky if you ever see a shark because there are so few of them.

    [source](https://www.comingsoon.net/assets/styd/assets/uploads/2016/02/JAWS2.png)

    CGI, for the most part, didn't exist in '75 and any attempts made at including it actually kind of cheapened the look of the film. Therefore, most of the time our pal "Jaws" isn't even shown on screen, and when he is, he is a machine made to look like a giant shark. The very first time they put the machine in the ocean, it sank straight to the bottom, and spent most of its time in the water, broken. At a cost of $250,000 each, this was a very frustrating situation but the failure of the machines is what ultimately lead to most of the footage to being from Jaw's first person perspective rather than seeing the whole shark. Many people will state that this "accident' is the reason why the film ended up being so creepy, so scary, so good.

    Jaws was actually nicknamed "Flaws" by the crew because everything went wrong but this is not surprising since filming underwater wasn't exactly something that was done all that often and the giant machines being broken more often than not is probably the greatest reason why this movie was so great. If it weren't for that, the footage would probably seem hokey and fake. Some times things break for a reason!

    Permalink·Open on PeakD ↗·Linked from existing Hive post
  8. JAWS (1975) - The End of Act 2@lionsuit3015d

    IMG_20180328_014202.jpg

    The Galley Night Talk Scene in JAWS is classic. It has one of the best monologues in film history for one, the Indianapolis Speech, but there's so much more.

    Directed by Steven Spielberg, edited by Verna Fields, written by Peter Benchley and Carl Gottlieb (based on the novel by Peter Benchley).

    The singing is great, the lighting is great, the acting is spot on.

    For the first time in the film Hooper and Quint get along. This is huge. The team has a moment of connection.

    quint-speech1.jpg

    The question of the film could simply be: If we have a killer shark, can we stop it?

    By the end of Act 1, Hooper and Brody know we have a shark attack. Once the midpoint of the film hits and we have a 4th of July death, the whole town knows we have a killer shark. By the end of Act 2, the team finally unites, opens up, confronts what they have learned about their enemy since leaving shore ("You're gonna need a bigger boat."). They acknowledge the big picture, the scale of humanity and tragedy ("the bomb"), they drink, they sing. They are interrupted by the shark's attack, and Act 3 begins.

    jaws2.jpg

    Permalink·Open on PeakD ↗·Linked from existing Hive post
  9. Movie Memories - Part 2 - JAWS (1975)@vincentnijman3081d

    jaws-vhs-1.jpg

    As was the case with Jurassic Park, I wasn't able to see this movie in cinema when it premiered. While I regret I haven't seen JP on the silver screen, this is a different story. I was minus 6 when JAWS came out. And, as it is rated as a 12 or sometimes 16 years and older film, I was born 18 to 22 years too late to get that chance.

    Here's a little story about the first time I watched this movie:


    I was probably 14 years old. A friend of mine came over to spend the night at our place. As kids in those days tended to do, we decided to rent some movies on VHS. The only film I remember of that particular night was JAWS.

    I remember that it captivated me from its opening scene onwards. And, if you have seen JAWS, you have to admit that it has one of the best opening scenes ever. To refresh your memory, here's a clip of the first couple of minutes:

    Source

    This scene is a perfect example of switching from one emotion to another and immediately setting the tone for what we can expect of the rest of the film. Thanks to the malfunctioning robot shark and Spielberg's decision to hardly use the thing at all, some clever editing and a memorable musical score, the film ended up being an example of suspense cinema. It is also widely considered to be the very first blockbuster; it's theatre run was a huge (financial) success.

    I drifted off a little - as it is hard not to talk about this film - so let's go back to my first viewing of JAWS for a bit:


    You can imagine that for two 14 year old boys, a young woman taking off her clothes, swimming naked and then getting attacked by a huge white shark, is extremely exciting (in more than one way). Since then, I have rewatched this movie classic several times. I started to look at more than just the opening scene and discovered more and more elements that I really like.

    Nevertheless, it was this opening scene, combined with a shot of a severed leg sinking to the sea bottom, that I remember most vividly. From that moment onwards, going to the beach and swimming in the sea was never the same. Especially after I learned that sharks could swim in shallow waters.

    Source

    Now listen to the above score and take yourself back to the time you first set your eyes on this movie. Do you feel it? Does it bring back some memories?

    And please tell me, were you lucky enough to see this film in cinema? Even if it wasn't during its premiere? Or, have you seen it on VHS, TV or perhaps your laptop way later. If so, what kind of impact did it have on you? I would love to hear your story...


    P.S. If you enjoyed this, you might want to take a look at Movie Memories Part 1 - Jurassic Park

    Image Source

    Permalink·Open on PeakD ↗·Linked from existing Hive post
  10. Tiburón: Una breve reseña@vickaboleyn3241d

    Ojo: Posibles spoilers

    Fuente

    Anochecer. Una pareja corriendo por la playa. La chica se mete al mar. El chico se queda en la orilla, recostado en la arena, esperando a que la chica saliera... Sin saber que algo la desaparece del mar para siempre. Con esta escena se inicia Tiburon (Jaws), un clásico de la década de 1970 de Steven Spielberg cuyo villano es un escualo muy inteligente con un hambre muy voraz. 

    Esta película la vi por primera vez cuando era una niña. Lo vi en la televisión, en un canal local. Recuerdo taparme los ojos cada vez que devoraba a alguien en el agua. Incluso mi abuela me contó que cuando la fueron a ver en el cine junto con mi abuelo, mi mamá y mi tía, todos se quedaron impactados por las muertes de la gente que eran devoradas por esa enorme bestia marina.

    Cuando la volví a ver ayer con dos familiares en internet, aún continúa impactándome y, cómo no, también fascinándome. Todavía me sigue gustando como un villano que no habla y no camina pueda causar tanto desastre y caos en las vidas de los tres hombres que partieron a darle caza y terminar con su "reinado de terror".  Me gusta como, desde un aspecto psicológico, empieza a jugar con las emociones de sus perseguidores, haciéndolos entrar en alegrías, decepciones y miedos. Ante todo, me sigue gustando cómo envuelve al espectador en esa montaña rusa de incertidumbre, en el que no sabes cuándo, cómo y en dónde va a atacar.

    Ahora bien, si eres de las personas que les gusta la cinematografía pre-siglo XXI, si eres de las que se deciden a tomar distancia de las ahora muy sobrecargados efectos especiales hollywoodenses, esta película sin duda alguna les viene como anillo al dedo.

    GIF creado por @fabiyamada

    Permalink·Open on PeakD ↗·Linked from existing Hive post