What would you do if you had a sack full of money in your hands? Something not legal, but not illicit either. Human beings always hide something dark that moves them inside, these three women are moved by that sweet feeling of changing the stigma of misery in the midst of a plot that is rooted in blood, murder, corruption and morbid suspense.
There are many derivations to understand what it means to be rich, but it is not something that can be easily appreciated. Each human being has a different valuation and that always ends in the convergence that there must be fluidity of money.
The subtlety of each of the stigmatizations becomes that rhetorical flow where thoughts are divided and permeate little by little with the opposing positions of that which the protagonists see as a sigh, one that can change their lives completely.
Do I want to be happy, do I want to change my life, do I not want to be oppressed? A hierarchical weakness with a collectivist preponderance, but which affirms a clear point: human weakness. It is true, human beings are weak before our desires, that weakness is what allows the emergence of an intrinsic strength to change each of our thoughts and establish a type of life that is permanently strengthened.
Opportunities are present everywhere, the question is that it will depend on how each human being can take advantage of them and have the courage to break the chains of a society that forces from the beginning to follow a sequential flow, one where it is necessary to immerse oneself in a final pattern to be an employee of a large business emporium.
Multiplicity of Arguments
The series is very rich, so rich that it has a compendium of plots that leave you waiting in a surprising way what will happen next. The initial synthesis is about a marginalized woman in her work space, but suddenly everything is directed in a murder, that murder brings with it a high amount of cash that can become the dream of someone who owns nothing and suddenly everything becomes a flow of strange deadly events.
The homicide is a subtle aspect that demarcates the positions of politics in a country that weaves the theme of corruption in a latent and uncensored way. The amount of money that the protagonist has in her hands is so large that it can change the life of any person in a developed country, but in reality there is a lot of background behind it.
Something that is really powerful is the schemes in which each of the scenarios is woven into the 12 episodes available on Netflix. First a latent presence of changing a kind of life and having some money. Then you possess the money, but don't know what to do with it, an event proceeds where murder occurs systematically and a plot begins to conjure darkly.A play? Possibly.
Multiplicidad de Argumentos
La serie es muy rica, tan rica que posee un compendio de argumentos que te dejan esperando de manera sorpresiva que es lo que ocurrirá próximamente. La sintética inicial es sobre una mujer marginada en su espacio laboral, pero de manera repentina se encuentra todo direccionado en un homicidio, ese homicidio trae consigo una alta cantidad de dinero en efectivo que se puede convertir en el sueño de alguien que no posee nada y de una forma repentina todo se convierte en un flujo de extraños acontecimientos mortales.
El homicidio es un aspecto sutil que demarca las posiciones de la política en un país que desteje el tema de la corrupción de manera latente y sin ningún tipo de censura. La cantidad de dinero que la protagonista tiene en sus manos es tan grande que puede cambiar la vida de cualquier persona en un país desarrollado, pero en realidad existe mucho trasfondo detrás de ello.
Algo que resulta realmente potente es los esquemas en que se teje cada uno de los escenarios en los 12 episodios disponibles en Netflix. Primero una latente presencia de cambiar un tipo de vida y tener algo de dinero. Luego posees el dinero, pero no sabes qué hacer con él, prosigue un hecho donde el asesinato ocurre sistemáticamente y una trama empieza a conjugarse oscuramente. ¿Una obra de teatro? Posiblemente.
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Family stigma
The concept of the nuclear family is put in a position of constant confrontation, especially because of the interests and also the issue of morality. Finding a high amount of money that is not legal, but not illegal either puts at risk a positional value within the plot and the three sisters struggling to change the root of poverty.
A relevant theme here is that each of the protagonists has a different appreciation of life, but not so for the complex relevance of money in life. The three women sisters understand that if they had it, everything would have been easier.
When you live in poverty you know very well that you must change that reality at all costs; the question is what means you use to do so. What comes easy, goes easy. In one part of the series there is a shocking scene about this, someone who has a lot of power, stated that: "a rich person knows that losing money means nothing because he can get it back, however, it is not the same for someone who has never had it". It's like having your soul ripped out.
Crime and Legality
These two issues are very interesting because of the configuration of the argumentative aspects, the money is from embezzlement and in South Korea there are laws that punish this type of economic schemes severely. However, there is no reason for punishment if the money is left by the criminal and you find it, but the problem derives from the knowledge of the background of the money, what would you do would you hand it over or launder it? This is where Oh In-joo (Kim Go-eun), Oh In-kyung (Nam Ji-hyun) and Oh In-hye (Park Ji-hu) find themselves immersed with the most powerful family in that country and they fight for morality thanks to that money mass.
The series makes something very clear, whoever dares to touch that flower that controls the power, only death awaits and in a totally violent or sweet way. Sweet because it can become a work of art for the macabre Won Sang-ah (Uhm Ji-won).
Criminal Personality
This is a really powerful point within the plot, since there is no single criminal, we see murderers, serial killers, embezzlers, corrupt politicians, disloyal journalists and above all a scheme of a corrupt environment that expands secretly in society, if one that is really demanding and apart based on stereotypes.
There is a presence of patriotism, but it is slowly being punctured by the same moral corruption of those who survived the Vietnam War, resentful soldiers who killed for revenge and control of the country, and left a legacy over time.
Won Sang-ah (Uhm Ji-won), has one of the most abhorrent criminal minds, at first it is difficult to establish her criminal profile, but she can be fit as a psychopath who longs for and recreates her mother's death continuously with her victims, and in a unique artistic way.
This part is interesting, because killing for this character became a translation of that moment of pain, but in a way that represents the acting and artistic realism capable of making him feel full emotion. Every psychopath has or possesses a point that detonates his dormant behavior, and the way it is captured here is really shocking.
Estigma familiar
El concepto de núcleo familiar se pone en una posición de enfrentamiento constante, sobre todo por los intereses y también el tema de la moralidad. Encontrar una alta cantidad de dinero que no es legal, pero tampoco ilegal pone en riesgo un valor posicional dentro de la trama y las tres hermanas que luchan para cambiar la raíz de la pobreza.
Un tema relevante acá es que cada una de las protagonistas tiene una apreciación distinta de la vida, sin embargo, no es así para la compleja relevancia del dinero en ella. Las tres mujeres hermanas entienden que si tuvieran este, todo hubiera sido más fácil.
Cuando vives en pobreza sabes muy bien que debes cambiar esa realidad a toda costa; la cuestión, es que medios utilizas para ello. Lo que fácil viene, fácil se va. En una parte de la serie existe una escena impactante sobre esto, alguien que posee mucho poder, afirmó que: "una persona rica sabe que perder dinero no significa nada porqué lo puede volver a recuperar, no obstante, no es lo mismo para alguien que nunca lo ha tenido". Es como si le desgarraran el alma.
Crimen y Legalidad
Estos dos temas son muy interesantes debido a la configuración de los aspectos argumentativos, el dinero es proveniente de un desfalco y en Corea del Sur existen leyes que penan este tipo de tramas económicas severamente. Sin embargo, no existe motivo de sanción si el dinero es dejado por el criminal y usted lo encuentra, pero el problema deriva en el conocimiento del trasfondo del dinero, ¿qué haría usted lo entregaría o blanquearía? En ese punto es donde Oh In-joo (Kim Go-eun), Oh In-kyung (Nam Ji-hyun) y Oh In-hye (Park Ji-hu), se ven sumergidas con la familia más poderosa de ese país y se disputan por la moralidad gracias a esa masa monetaria.
La serie deja algo muy claro, quien se atreva a tocar a esa flor que controla el poder, le espera únicamente la muerte y de una forma totalmente violenta o dulce. Dulce porqué se puede convertir en una obra artística para la macabra Won Sang-ah (Uhm Ji-won).
Personalidad Criminal
Este es un punto realmente potente dentro de la trama, ya que no existe un único criminal, vemos a asesinos, a homicidas en serie, a desfalcadores, a corruptos políticos, a periodistas desleales y sobre todo un esquema de un entorno corrompido que se expande de manera secreta en la sociedad, si una que realmente es demandante y aparte basada en estereotipos.
Existe una presencia de patriotismo, pero ese se perfora poco a poco debido a la misma corrupción moral de aquellos que sobrevivieron en la guerra de Vietnam, soldados con resentimiento que mataron por venganza y el control del país, y dejaron una herencia en el tiempo.
Won Sang-ah (Uhm Ji-won), tiene una de las mentes criminales más aborrecibles, en principio es difícil establecer su perfil criminal, pero se puede encajar como una psicópata que anhela y recrea la muerte de su madre de manera continuada con sus víctimas, y de una manera artística única.
Esta parte resulta interesante, porque matar para este personaje se volvió una traducción de ese momento de dolor, pero de una manera que representa el realismo actoral y artístico capaz de hacerle sentir emoción plena. Todo psicópata tiene o posee un punto que detona su conducta dormida, y la manera en que se plasma acá es realmente impactante.
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Politics and Collectivism
The policy is marked from a very despot and corrupt point of view, so much so that it is taken for granted that everything is controlled by the constantly laundered capitals. Tax havens are repeatedly mentioned. Park Jae-sang (Uhm Ki-joon), is that kind of politician who would be capable of committing all kinds of criminal acts for money and power. At first glance, he outlines populism of that voracious and destructive kind, while hiding his personality.
Populism in itself is unfavorable, the use of those who do not have the means for something to get ahead and mock with it brings to the fore the true personality of that being.
False Messiahs
The series leaves open a set of events with three characters: Jin Hwa-young (Chu Ja-hyeon), a beautiful woman, full of lies, embezzler and outcast, just like the protagonist of the plot, capable of anything, but who dies in a suicide that anyone can disagree with.
A young man in love, but who can't achieve anything, that's Ha Jong-ho (Kang Hoon), a role that can be sweet against one of the sisters, the one who is a journalist and involves people continuously, even though the girl he loves is an alcoholic.
Choi Do-il (Wi Ha-joon), a dirty money launderer who is not good and evil, but who establishes himself as someone elemental within the plot by being one of the main characters, a role that is docile and permanently hiding secrets, however, lacking the power to impact the plot.
Each of these roles within the plot have an important and relevant point in the story that give strength to the separate plots and unify them. They were thought in an aesthetic and reasoned way to agglutinate the gaps that are perceived, but are actually part of the context as such.
This series plays in a systemic way with the mental criteria that it creates in your mind, to the point of pouring inside you a set of messages that can question good and evil. Those above, those below and the infinite presence of opposing the two realities that can end in only one thing: To be able to change your life by any means.
This time it is a 9/10. Who in this story will keep the sack full of money? Who will win? How many crimes will be uncovered? Suicides, pain, art and permanent theft in a set of chapters that hoist an imminent truth: Everyone wants to go on and live.
Política y Colectivismo
La política es marcada desde un punto muy déspota y corrupta, tanto que deja por sentado que todo es controlado por los capitales lavados constantemente. Se nombra de manera reiterada a paraísos fiscales. Park Jae-sang (Uhm Ki-joon), es ese tipo de político que sería capaz de cometer todo tipo de actos criminales por dinero y poder. A simple vista esboza populismo de ese voraz y destructivo, mientras esconde su personalidad.
El populismo en sí mismo es desfavorable, la utilización de aquellos que no poseen medios para algo para salir adelante y mofarse con ello pone en la palestra la verdadera personalidad de ese ser.
Falsos Mesías
La serie deja abierto un conjunto de acontecimientos con tres personajes: Jin Hwa-young (Chu Ja-hyeon), una mujer hermosa, llena de mentiras, desfalcadora y marginada, igual que la protagonista de la trama, capaz de todo, pero que muere en un suicidio que cualquiera puede discrepar.
Un joven enamorado, pero que no puede lograr nada, ese es Ha Jong-ho (Kang Hoon), un papel que puede ser dulce frente a una de las hermanas, esa que es periodista y envuelve a las personas de manera continuada, a pesar de que esa chica que el ama es una alcohólica.
Choi Do-il (Wi Ha-joon), un lavado de dinero sucio que no es bueno y malo, pero que se entabla como alguien elemental dentro de la trama al ser uno de los protagonistas, un papel dócil y que esconde secretos de manera permanente, sin embargo, con carencia de poder de impacto en la trama.
Cada uno de estos papeles dentro de la trama poseen un punto importante y relevante en la historia que le dan fuerza a los argumentos separados y que le unifican. Fueron pensados de una manera estética y razonada para aglutinar los vacíos que se perciben, pero que en realidad son parte del contexto como tal.
Esta serie juega de manera sistémica con los criterios mentales que ella misma crea en tu mente, a tal punto de verter dentro de ti un conjunto de mensajes que pueden cuestionar el bien y el mal. Los que están arriba, los que están abajo y la presencia infinita de oponerse a las dos realidades que pueden terminar en una sola cosa: Poder cambiar tu vida por cualquier medio.
En esta ocasión es un 9/10. ¿Quién en esta historia se quedará con el saco lleno de dinero? ¿Quién vencerá? ¿Cuántos crímenes se descubrirán? Suicidios, dolor, arte y robo permanente en un conjunto de capítulos que enarbolan una verdad inminente: Todos desean continuar y vivir.
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