W.R.: Mysteries of the Organism

Censorship often reshapes art in unpredictable ways, mutilating some works while inadvertently immortalising others. In socialist Yugoslavia, where Tito’s regime balanced authoritarianism with a veneer of cultural openness, films that overstepped ideological boundaries were euphemistically “put in the bunker”—a bureaucratic purgatory of indefinite bans. Few films suffered this fate as spectacularly as *WR: Mysteries…