Longform reviews of films, TV, anime, books, and audiobooks, written by the scrobble.life community and published to the Hive blockchain, so each one is owned by its author and can earn rewards from readers. 60,001 reviews and counting.
Yo ho ho, loyal NAKAMA! Get ready to be amazed because episode 1141 of One Piece really delivers an incredible surprise that will leave you speechless...! This episode proves why One Piece is still the king of pirate anime in our hearts...
🔥 CRITICAL SITUATION ON EGGHEAD ISLAND!
This episode opens with high intensity as the Straw Hat Pirates are still trapped in a tense escape mission on Egghead Island... Not just any escape, but an escape from the brutal pursuit of the World Government, which is coming in full force! The tense atmosphere is felt from the very first second... the gripping background music, detailed animation , and the crew's incredibly realistic expressions of anxiety.
The situation is truly tense. Mugiwara no Luffy and his friends must face incredible pressure from the World Government, which seems fed up with all the chaos they've caused. Every second feels precious, every move is full of risk. Toei Animation really succeeded in creating a thrilling atmosphere that makes the audience feel curious.
⚔️ A THRILLING PLOT TWIST
Just when the situation seems surprising, BAM! The most epic moment occurs when the giant tribe of Elbaf suddenly appears as a savior! This moment is truly goosebumps, nakama. Just imagine, when everything seems dark, suddenly an armada of giant warriors arrives with incredible power...
The most memorable figure is the pink-haired giant who looks very powerful and charismatic. There are also several other familiar giants... most likely those who have had contact with the Straw Hats in previous arcs. This is a perfect example of how Oda-sensei connects story threads from the past with the present moment.
**🎨 STUNNING PRODUCTION QUALITY**
Toei Animation seems to be truly serious about crafting every frame with incredible detail. The character designs of the giants look stunning, from their powerful facial expressions to their intricate costume details.
The action sequences are also next-level. The battle between the giant warriors and World Government agents is depicted with incredible dynamics. Every blow feels heavy, every movement fluid, and the impact is truly felt.
The color palette is also very well-executed. The contrast between One Piece's signature bright colors** and the dark tones depicts a critical situation. The backdrop of Egghead Island maintains a unique feel and is sure to leave viewers in awe...
🔮 THEORIES & PREDICTIONS FOR THE FUTURE!
Based on this episode, it seems the transition to the Elbaf arc is getting closer... Perhaps after successfully escaping from Egghead, the Straw Hats will follow the giants to their island. Or perhaps, this alliance will lead to a larger conflict with the World Government.
It's also possible that the arrival of the Elbaf warriors is connected to a larger plot—perhaps there's ancient history or a prophecy that connects them to Luffy as Joyboy. Knowing Oda-sensei, there must be a deeper meaning behind the timing of their arrival...
**🎯 CONCLUSION!**
For One Piece fans , this episode is a must-watch that you'll remember as one of the most important turning points in the story. For newcomers , this is a perfect example of why One Piece deserves all the praise it's received over the years...
Thanks to Toei Animation for truly delivering quality content that meets fans' high expectations. This episode definitely sets the bar high for future episodes, and honestly , I can't wait to see how this story continues!
So, nakama, get ready for the next adventure , which is sure to be even more epic! The adventure continues, and we'll all be sailing with the Straw Hat Pirates towards their dreams!
What did you think of this epic episode? Share your thoughts in the comments section , and don't forget to like and subscribe for more One Piece reviews! See you in the next episode, yo ho ho...! 🏴☠️⚓
COPYRIGHT DISCLAIMER
Screenshots taken from the iQIYI application (legal streaming platform)...
Hello everyone, movie fans, dear Movies and TV Shows community, this time I want to share a new review with you, I'm going to talk about a rather curious movie, today it's time to talk about: Triangle of Sadness, really, I almost didn't watch it... it's just that the title... The Triangle of Sadness? It sounded like a super artistic and kind of depressing European movie, I saw it with some friends and the truth is I would have preferred to watch anything else: action, cartoons, whatever, I imagined two hours of pure existential anguish, people looking out the window with sad faces... and how wrong I was! Seriously, if you're like me and the name or the poster makes you doubt, forget about it and give it a chance, maybe you'll be as surprised as I was... from the first scene, I realized this was something else, it starts with a casting of models, men, and the guy interviewing them tells them to change their pose according to the brand... like: "Let's see, H&M attitude!", and everyone goes boom!, smile, good vibes, then: "Now Balenciaga!", and immediately they put on a serious face, marked angles, not at all friendly, pushing each other a bit...
I thought it was great, super funny, but at the same time very sharp, that scene perfectly sets the tone for the entire film: it's a very intelligent and hilarious social satire that makes fun of the rich, the beautiful, the powerful. It makes you think about how we deal with this status thing, how ridiculous it all is, the story mainly follows a young couple, Carl and Yaya.. he's a model, played by Harris Dickinson, who does it really well, and she's a model and influencer, played by Charlbi Dean.. the point is that they're this semi-modern couple, dealing with fame, money, gender roles... There's a scene at the beginning, which is really good and uncomfortable at the same time, where they argue about who pays the dinner bill.. it felt so real, but at the same time very connected to this particular world that they live in.
Hola a todos, fanáticos de las películas, querida comunidad de Movies and TV Shows, en esta ocasión les quiero compartir una nueva reseña, les hablaré de una película bastante curiosa, hoy toca hablar de: Triangle of Sadness, de verdad, por poquito y no la veo.. es que el título... ¿El Triángulo de la Tristeza? Me sonaba a película europea súper artística y medio deprimente, la ví con unos amigos y la verdad prefería ver cualquier otra cosa: acción, dibujitos, lo que fuera, yo me imaginaba dos horas de pura angustia existencial, gente mirando por la ventana con cara de tristeza... y qué equivocado estaba! En serio, si ustedes son como yo y el nombre o el póster los hacen dudar, olvídense de eso y denle una oportunidad, tal vez se sorprenden tanto como yo.. desde la primera escena, me di cuenta que esto era otra cosa, empieza con un casting de modelos, hombres, y el tipo que los entrevista les dice que cambien la pose según la marca.. como que: "A ver, ¡actitud H&M!", y todos ¡pum!, sonrisa, buena onda, luego: "¡Ahora Balenciaga!", y al toque ponen cara de serios, ángulos marcados, cero amigables, empujándose un poco..
Me pareció genial, súper gracioso, pero al mismo tiempo muy filoso, esa escena te marca perfecto el tono de toda la película: es una sátira social muy inteligente y divertidísima que se burla con todo de los ricos, los guapos, los poderosos. Te pone a pensar en cómo manejamos eso del estatus, lo ridículo que es todo, la historia sigue principalmente a una pareja joven, Carl y Yaya.. él es modelo, interpretado por Harris Dickinson, que lo hace súper bien, y ella es modelo e influencer, interpretada por Charlbi Dean.. el punto es que ellos son esta pareja medio moderna, lidiando con la fama, la plata, los roles de género... Hay una escena al principio, buenísima e incómoda a la vez, donde discuten sobre quién paga la cuenta de la cena.. se sintió tan real, pero al mismo tiempo muy conectada a ese mundo particular en el que viven.
Well, it turns out they're invited on a cruise, a super-luxury yacht, and basically for free. The condition? That they post about the trip on their social media... here, my people, is where the movie really gets good. The movie is divided into three very clear parts, each with its own vibe, its own place. And this second part, the yacht part, seemed very interesting to me. Imagine the most ridiculously rich and disconnected people you can think of... and now multiply it by ten. There you have a Russian millionaire who proudly says he sells "shit" (I mean, fertilizer, but he says "shit"), a super-cute old English couple who made their fortune selling... mines and grenades! (How crazy, really!), tech millionaires, whatever you want, this whole second part takes place on the luxury yacht with these eccentric people and the poor crew, who are literally ordered to please them in EVERYTHING, no matter how ridiculous what they ask is.
There's a scene where a millionaire chick insists that the entire crew drop what they're doing to go swimming with her, just because she felt like it! It makes you laugh so much, the fact is that the staff is told from the beginning: say yes to everything, to everything!, because tips depend on it... there you see how entitled they feel to everything, that cruelty they have as if it's nothing, disguised as 'being eccentric'. The film clearly shows you how so much money and so much privilege can totally disconnect you from reality, from being... human... they live in their own bubble, where what they want is the law and others are just... employees, and seeing that contrast, between the guests who are in their own world and the super forced smiles of the crew... that's where a lot of the film's dark humor is. Oh, and then there's the captain, played by Woody Harrelson...
Honestly, he's hardly in it, it's like a special appearance, but every time he appears, he steals the show! He's a Marxist gringo, kind of disappointed with life, who spends his time drunk in his cabin and doesn't want to even look at the 'capitalist pigs' he has on his ship. There's a scene that is... wow, incredible! It's during the 'Captain's Dinner' – which, by the way, a GIANT storm falls at that moment! – and the captain and the Russian millionaire start fighting... there are funny scenes, but I don't think everyone would like it, it's complicated.
Bueno, resulta que los invitan a un crucero, osea un yate de súper lujo, y básicamente gratis, ¿la condición? Que posteen sobre el viaje en sus redes.. aquí, mi gente, es donde la película de verdad se pone buena, la peli está como dividida en tres partes bien claras, cada una con su propia onda, su propio lugar, y esta segunda parte, la del yate me parecío muy interesante, imagínense la gente más ridículamente millonaria y desconectada que se les ocurra... y ahora multiplíquenlo por diez. Ahí tienes a un millonario ruso que dice, así con orgullo, que vende "mierda" (o sea, fertilizante, pero él dice 'mierda'), una parejita de viejitos ingleses súper tiernos que hicieron su fortuna vendiendo... ¡minas y granadas! (¡Qué locura, de verdad!), millonarios de tecnología, lo que quieran, toda esta segunda parte pasa en el yate de lujo con esta gente excéntrica y la pobre tripulación, que tiene la orden literal de complacerlos en TODO, no importa qué tan ridículo sea lo que pidan.
Hay una escena donde una tipa millonaria insiste en que toda la tripulación deje lo que está haciendo para irse a nadar con ella, ¡solo porque se le antojó! Te da mucha risa, es que al personal le dicen desde el principio: digan que sí a todo, ¡a todo!, porque de eso dependen las propinas.. ahí ves cómo se sienten con derecho a todo, esa crueldad que tienen como si nada, disfrazada de 'ser excéntricos'. La película te muestra clarito cómo tanta plata y tanto privilegio te pueden desconectar totalmente de la realidad, de ser... humano.. viven en su propia burbuja, donde lo que ellos quieren es ley y los demás son solo... empleados, y ver ese contraste, entre los invitados que están en su mundo y las sonrisas súper forzadas de la tripulación... ahí está mucho del humor negro de la película. ¡Ah, luego está el capitán, lo hace Woody Harrelson..
La verdad, casi no sale, es como una aparición especial, pero cada vez que aparece, ¡se roba la pantalla! Es un gringo marxista, medio decepcionado de la vida, que se la pasa borracho en su camarote y no quiere ni ver a los 'cerdos capitalistas' que lleva en su barco, hay una escena que es... ¡uff, increíble! Es durante la 'Cena del Capitán' – que aparte, ¡cae una tormenta GIGANTE en ese momento! – y el capitán y el millonario ruso se ponen a pelear.. hay escenas graciosas, pero creo que no a todo el mundo podría gustarle, es complicado.
Okay, so some scenes need to be talked about at least, so be prepared... it gets really, really graphic, with vomiting and all that, it's over the top, it's pretty gross, BUT it's also incredibly funny, in a very dark way... it's like nature itself is saying, 'Okay, take off all those rich and powerful masks!' Suddenly, everyone, no matter how many millions they have, is stripped down to their most basic, their bodies functioning... or failing, in the most vulnerable ways, and honestly, how disgusting! It's a super daring move by the director, Ruben Östlund (who, mind you, won the Palme d'Or at Cannes for this film and got Oscar nominations for Best Picture, Director, and Original Screenplay, so that tells you something!). He uses this super extreme, sometimes half-surreal humor, not only to make you laugh, but to really make you think about inequality, vanity, and the whole absurd show we put on with social hierarchies... and okay, without wanting to spoil too much, things take a HUGE turn after the yacht part, entering the third act.
And this is where the movie completely turns the tables; from one moment to the next, those who survive find themselves in a situation where money is worthless... this third part shows us this super interesting twist where power no longer comes from the wallet, but from practical survival skills. And guess who has those skills? Obviously not millionaires or models, here enters a character who is a gem, Abigail, one of the yacht's cleaning workers... overnight, she becomes the most powerful person in the group, and it's fascinating to see how the rules of the game change. It really explores the idea that the roles of the abuser and the abused can be completely reversed depending on the circumstances... who are you when you have nothing versus who you become when you suddenly have all the power... that's sort of the key question the film leaves you with.
Okay, hay que hablar de ciertas escenas, por lo menos, vayan preparados.. se pone muy, muy gráfico, vomitos, y demás cosas, es exagerado, es asqueroso, bastante, PERO también es increíblemente divertido, de una forma muy oscura.. es como si la naturaleza misma dijera: '¡A ver, quítense todas esas máscaras de ricos y poderosos!' De repente, todos, sin importar cuántos millones tengan, quedan reducidos a lo más básico, a sus cuerpos funcionando... o fallando, de la forma más vulnerable y, la verdad, ¡qué asco! Es una jugada súper atrevida del director, Ruben Östlund (que, ojo, se ganó la Palma de Oro en Cannes por esta película y consiguió nominaciones al Oscar: Mejor Película, Director y Guion Original, ¡eso ya te dice algo!). Él usa este humor súper extremo, a veces medio surrealista, no solo para hacerte reír, sino para que de verdad le des unas vueltas a la cabeza sobre la desigualdad, la vanidad, y todo el show absurdo que montamos con las jerarquías sociales.. y okay, sin querer spoilearles mucho, la cosa da un giro GIGANTE después de la parte del yate, entrando ya al tercer acto.
Y aquí es donde la película voltea la tortilla por completo, de un momento a otro, los que sobreviven se encuentran en una situación donde la plata no vale nada.. esta tercera parte nos muestra este giro súper interesante donde el poder ya no viene de la billetera, sino de las habilidades prácticas para sobrevivir. ¿Y adivinen quién tiene esas habilidades? Obvio no los millonarios ni los modelos, aquí entra un personaje que es una joya, Abigail, una de las trabajadoras de limpieza del yate.. de la noche a la mañana, ella se vuelve la persona más poderosa del grupo, y es fascinante ver cómo cambian las reglas del juego. Explora muy bien esa idea de que los roles, el del que abusa y el abusado, se pueden invertir totalmente dependiendo de las circunstancias.. quién eres tú cuando no tienes nada versus en quién te conviertes cuando de repente tienes todo el poder.. esa es como la pregunta clave que te deja la película.
Okay, I’ll be honest, I feel like this last part felt kind of slow compared to the whole yacht craziness… and yeah, it could have been a little shorter, maybe… but look, even though it’s long (it’s like two and a half hours), I swear I was hooked for most of the time, discussing it with my friends. It makes you laugh a lot but at the same time it leaves you thinking, and the truth is, it does. I laughed out loud a ton of times, and often times it was like… uncomfortable, you know? And that’s always a good sign in a satire… it’s provocative, it’s daring, it really doesn’t hold anything back… if we compare it to, I don’t know, Glass Onion, which also made fun of the rich, this one seemed much more… wild, like it doesn’t care so much about being an entertaining mystery, but rather sticking its finger in the wound and turning it over.
The characters, although super exaggerated, feel... even believable in how mean they are, it's scary... so, my final verdict? Look, the truth is, it far exceeded what I expected, especially because at first I didn't have much faith in it. Like I said, it's smart, it's funny (if you like dark, acidic humor), it's uncomfortable, and it leaves you thinking a lot about social classes, power, beauty, and the whole absurd capitalism we live in... the ending, wow, no spoilers, but it really sticks with you. So for all that—the surprise, the sharp script, the terrific acting, how daring it is, and how much it made me laugh and think—I give Triangle of Sadness an 8/10. That little drop in pace in the last part is the only thing that takes some points off, but oh well... tell me, have you seen it? That's all for today, see you in the next reviews, take care! Bye-bye!
A ver, voy a ser sincero, siento que esta última parte se me hizo medio lenta, comparada con toda la locura del yate... y sí, pudo ser un poquito más corta, capaz.. pero miren, aunque si es larguita (son como dos horas y media), les juro que yo estuve enganchado gran parte del tiempo, comentadola con mis amigos, te saca muchas risas pero al mismo tiempo te deja pensando, y la verdad, sí es así. Yo me reí a carcajadas un montón de veces, y muchas veces como que... incómodo, ¿saben? Y eso siempre es buena señal en una sátira.. es provocadora, es atrevida, de verdad no se guarda nada.. si la comparamos con, no sé, Glass Onion, que también se burlaba de los ricos, esta me pareció mucho más... salvaje, como que no le importa tanto ser un misterio entretenido, sino más bien meter el dedo en la herida y darle vueltas.
Los personajes, aunque son súper exagerados, se sienten... hasta creíbles en lo mezquinos que son, da cosa.. entonces, ¿mi veredicto final? Miren, la verdad, superó por mucho lo que esperaba, sobre todo porque al principio no le tenía mucha fe, como les dije, es inteligente, es divertida (si les gusta el humor negro, ácido), es incómoda y te deja pensando un montón sobre las clases sociales, el poder, la belleza, y todo el rollo absurdo del capitalismo en el que vivimos.. el final, wow, sin spoilers, pero de verdad se te queda grabado. Así que por todo eso – la sorpresa, el guion tan filoso, las actuaciones buenísimas, lo atrevida que es, y lo mucho que me hizo reír y pensar – yo le doy a Triangle of Sadness un 8/10. ese bajoncito de ritmo en la última parte es lo único que le quita algunos puntos, pero bueno.. cuéntenme, la han visto? Esto es todo por hoy, nos veremos en las próximas reseñas, cuidense! Byebye!
Tell me... have you seen this series? Has it caught your attention? Tell me what you thought of this review with my opinion, and tell me if it has made you want to watch this series. You can leave me in the comments your recommendations for future publications! 😊
Cuéntame.. ¿Has visto esta serie? Te ha llamado un poquito la atención? Dime que te pareció esta reseña con mi opinión, y dime si te han dado ganas de ver esta series. Puedes dejarme en los comentarios tus recomendaciones para las próximas publicaciones!! 😊
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It’s been a while since I last wrote a movie review. Honestly, I have a long list of pending movies and dramas I’ve been meaning to watch these past months. Some of them I already started but never got to finish because I was too busy. But now that I finally have plenty of time, I can watch them—even for the whole day if I want.
One of the movies that I wanted to watch before is "Noise." It is a South Korean thriller, mystery, and horror film. This movie has been released on Netflix since May 3, 2024. And I'm really glad because it was underrated, so I can watch it peacefully—no spoilers.
Are you going to ask me if I’m the type of girl who isn’t afraid of horror movies? Well, my answer is no—I’m actually brave enough to watch them. Like I said, the ones portraying ghosts or evil spirits are just people like us, simply doing their job as actors and actresses. They’re brave enough to take on roles that most of us would find terrifying. But I also think it’s risky, because I’ve watched some documentaries about actors who played those kinds of roles and later experienced being haunted, even in their own homes, while working on those films.
Since I never watched the teaser of this movie, I was curious about the story. Will it really scare me? The poster also looked familiar, but I couldn’t remember which movie it reminded me of.
Anyway, the only cast member I recognized in this film was Lee Sun Bin. I first saw her in the South Korean zombie movie Rampant, and this is my second time watching her act.
The beginning of this movie gave me a bit of a suspenseful feeling already because it goes straight to the point where there's something happening, and unlike some horror films I’ve watched before, they usually start with a normal slice of the characters’ lives before they discover something suspicious.
What I didn't expect is that the female lead is a deaf woman. This is actually my first time seeing someone portray a deaf person using hearing aids. Usually, they just show the character communicating only through sign language or by writing notes whenever they have something to say—as if they’re completely hopeless and will never find any way to hear again. Hello? We have hearing aids now. It gives hope to people who can’t hear clearly like me. And even if you can’t hear completely, you can still use it as a sound-awareness tool, especially when you’re outside.
But you know what? Her hearing aid is more expensive than mine! Huhu I wish that hearing aid was mine because it can connect to the Bluetooth of the phone. You can make it like headphones. You can mute the voices while using it and just use text-to-speech instead if you don't want to hear them.
Wait! What?! Her hearing aid is a waterproof too. All I can say is, this feels like a slap in the face because I’m poor—I can’t afford a hearing aid like that for my ear.
Anyway, those screenshots from this movie are my favorite part! I really like it because it's been a while since I felt the jump scares, to the point that while watching it, I threw my tablet on my bed. Lol
😂😂😂
Also the plot twistttts! I really didn't expect it! There are a lot of thoughts and guesses that I spoke while watching. But all of my guesses weren't right! Dang!
If I were to rate this movie, I’d give it 8.5 out of 10. It’s scary, but mostly just jump scares and nothing deeper than that. Honestly, for me, it’s not that terrifying—it feels more suitable for beginners in watching horror. The kind of horror I’m looking for is the one that keeps you from sleeping because of too much fear. But even so, I liked the story.
From the very beginning, the movie gets straight to the point without giving away any clues about what’s going to happen, which makes it hard to stop watching. You’ll be compelled to finish it until the end. And if I imagine myself in that situation, it would definitely be traumatizing. Those are the only things I noticed about this movie. Oh! the director makes me clap for him for being aware of hearing aids, which serve the purpose of hearing for the deaf and enable them to hear noises. *(I stll can't get over that waterproof hearing aid!)* 😩
Also, I was impressed by Lee Sun Bin’s acting here. She’s such an underrated South Korean actress, and I honestly hope she will receive a role or project that will finally put her in the spotlight—not just films like this one. Something like Rampant, where her talent can truly shine.
And that’s it for my movie review. I hope you enjoyed reading. See you on my next blog!
👋🏻
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Hi! My name is Xanreo (pronounced Shanreyo). I am a Filipina: Pure Ilocana but with a wanport blood of Bisaya, and I lived in one of the provinces in the northern part of Luzon, Philippines. I am a gamer. I love to play Mobile Legends, Cod-M, Roblox, and Honor of Kings. I also love alcoholic drinks. Food is my comfort bestie but number one hater of broccoli. I draw fan art when I am not lazy. I liked reading about your travel, food, art, and gameplay.
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𝒯𝒽𝒶𝓃𝓀𝓈 𝒻ℴ𝓇 𝓇ℯ𝒶𝒹𝒾𝓃𝓰!
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Joe Wright owes much of his reputation as one of today’s foremost British filmmakers to his 2007 film Atonement, which is now less remembered for the role of his muse Keira Knightley and more for the exceptionally striking scene depicting the chaos on the beaches of Dunkirk during the famous Allied evacuation at the start of the Second World War. Wright’s film, however, is no longer the most renowned depiction of these events, largely thanks to Dunkirk, a spectacular and ambitious film directed a decade later by his far more successful and popular colleague Christopher Nolan. That film represented one of Nolan’s more ambitious attempts to secure the long-desired golden statuettes for himself. Wright, whose filmography is largely built on such Oscar-baiting films, has by circumstance directed a new such attempt in the form of a film tackling the same subject, albeit with a somewhat smaller budget and from a rather different perspective.
While Dunkirk portrayed these events through the eyes of ordinary, anonymous British soldiers, Darkest Hour does so from the perspective of the figure who, in a 2002 BBC poll, was named the greatest Briton of all time. The plot begins on 9 May 1940, when Winston Churchill (Gary Oldman), a Conservative politician renowned for an exceptionally long, tumultuous, and colourful yet generally not particularly successful career, is on the verge of realising his lifelong dream by becoming Prime Minister and leading the United Kingdom and the British Empire. The outgoing Prime Minister and Conservative leader Neville Chamberlain (Roland Pickup), known for his policy of appeasement towards Hitler and Nazi Germany, is held responsible for simultaneously leading Britain into war while leaving it inadequately prepared—a failure evident in the Allies’ disastrous attempt to halt the German invasion of Norway—and has consequently lost parliamentary support. Although Chamberlain would have preferred to see Foreign Secretary Lord Halifax (Stephen Dillane), who shared his views, succeed him, he is compelled under pressure from opposition Labour members to propose Churchill as the head of a grand coalition government as a compromise solution.
History, however, ensured that Churchill would achieve his lifelong ambition at the worst possible moment, for the following day, upon assuming office, the Germans—who had long observed the British and French, despite their superiority in manpower and tanks, doing nothing but sitting behind the Maginot Line—launched an offensive that would be remembered as the most brilliantly executed military operation of the Second World War. Just three days after drawing the bulk of British and French forces into neutral Belgium and the Netherlands with their attack, they executed a lightning tank advance through the supposedly impassable Ardennes forests, breaking through the weakly defended French positions along the River Meuse and emerging behind Allied lines. Amidst the widespread chaos and disarray, France appears likely to capitulate soon, while the retreating British Expeditionary Force, making for the coast of the English Channel, faces total annihilation. In such circumstances, with Britain seemingly on the brink of losing its army, allies, and facing invasion by the hitherto undefeated Nazi war machine, Lord Halifax proposes an ‘elegant’ solution by accepting the offer of Hitler’s ally—and then still neutral—Italy to mediate a peace settlement that would grant the Nazis dominion over Europe. Churchill confronts the reality that many of his ministers agree this would be the least worst of all options in the current situation, as well as his own doubts, and must summon the last vestiges of moral fortitude, oratorical and political skill to persuade himself, his government, and the nation to continue what appears to be a hopeless war.
Darkest Hour is frequently compared to Lincoln, the biographical film with which Spielberg attempted five years prior to clinch another Oscar. Certain similarities undoubtedly exist, primarily in that the narrative unfolds during an epic conflict whose nature and outcome are deemed favourable, the protagonist being an almost unquestionable national icon, and the film delving into political machinations behind the scenes—matters generally uninteresting to filmmakers yet inherently fascinating. Darkest Hour met the same fate as Lincoln in this regard: Wright lost the battle for Best Picture but found solace in at least one winning campaign, namely the Oscar for Best Actor. This was undoubtedly thanks to Gary Oldman, the actor who had built a reputation as one of the foremost names among the British acting fraternity so readily employed by Hollywood. Here, he faces the demanding yet ungrateful task of portraying one of the most frequently depicted figures in British—and not only British—docudramas and historical dramas, attempting to surpass older, often-praised colleagues while simultaneously embodying an authentic Churchill and offering the public something fresh. Oldman exerts exceptional effort, aided significantly by an extraordinarily high-quality latex prosthetic mask, convincingly reconstructing both the Churchill of newsreels and the Churchill described by those closest to him—a man whose political foresight, literary and oratorical talent coexisted with military failures, an eccentric lifestyle, out-there ideas, bouts of depression, and unhealthy habits involving tobacco and enormous quantities of alcohol. Oldman’s performance is truly compelling, and the Oscar is entirely justified in his case.
However, Oldman alone cannot carry the film. A screenplay capable of delivering drama worthy of such a role is still essential. Fortunately, May 1940 was the most dramatic moment in British, one might say world, history, and in comparison to the burden on Churchill’s shoulders, the troubles afflicting the protagonist of the thematically and temporospatially close Oscar-winning film The King’s Speech appear trivial. The screenplay by Anthony McCarten, known for the not particularly impressive biographical film The Theory of Everything, largely succeeds in balancing historical authenticity, efforts to dramatise cabinet discussions, and the need to efficiently and economically provide historical context for an audience unfamiliar with the period. Darkest Hour can also be praised for adding a touch of typically British humour, which somehow functions even within the context of events that, at first glance, seem least suited to it.
Wright, of course, proves immensely helpful throughout, demonstrating a penchant for ‘showy’ framing while also exhibiting exceptional talent in incorporating all this within a relatively modest budget. Darkest Hour unfolds predominantly in interiors; the war, raging on the distant yet so proximate Continent, is reconstructed through only a few brief but striking scenes. Darkest Hour could thus be considered one of the finest achievements of Wright’s career. Assuming one overlooks the occasionally fatal Spielberg-esque lurch into pathos typical of this genre, occurring towards the end when Churchill’s character seeks inner strength to make the right decision and finds it among ordinary people—specifically passengers in a London Underground carriage. This scene feels forced and overly ‘Hollywood,’ particularly after the inclusion of a Black passenger among the commuters. This detail, however, should be understood within the context of Oscar politics—Wright’s attempt to avoid accusations of alleged racism that his rival Nolan faced due to all major characters in Dunkirk being white males. All things considered, Darkest Hour stands as one of the more accomplished—and, given certain rather disconcerting trends in today’s world, timely—portrayals of a historical period that, like the film itself, had both dark and bright moments.
RATING: 8/10 (+++)
(Note: The text in the original Croatian version was posted here.)
Movies about apocalypses with survivors are usually fun to watch because they are mainly centered around how the survivors make it in a quarantined world or in this case, a quarantined country. The hassle, struggle, slight escapes from contacting a virus, survival, procreation and in some cases, conquering and becoming freemen once again are all fun to see. Let's talk about the post-apocalyptic movie “28 Years Later” which I just finished watching.
About the movie
The movie “28 Years Later”” is an intense movie that captures the brief moments before the ‘rage virus’ infiltrates a country and how survivors live and thrive afterwards.
Directed by Danny Boyle, the movie diverts from a typical zombie apocalypse movie and focuses more on family, community and the regression of civilization in a post apocalyptic world. The movie was released on the 20th of June, 2025 and has a run time of 129 minutes.
The film centers around a boy named Spike who was born and raised in isolation after the outbreak. Spike is slowly becoming a man and his father takes it upon himself to carry Spike outside isolation(an island), to see what the real world(mainland) looks like. During the first sojourn with his father, Spike barely survives the angry and hungry “infected” but once they return, his father makes him the star of the show anyway.
Shortly after, Spike realizes his mom is gravely sick and needs the immediate attention of a medical doctor. The only medical doctor is on the main island and so Spike, alongside his mother, make the journey to the terrifying mainland without so much as informing his dad. Would he survive out there with little to no help from his weak mother? or would a search party be sent out in their favour?.
[28 Years Later](https://youtu.be/mcvLKldPM08?si=tSu-AujQa6UEbGJp)
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## My Opinion
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The movie was a blend of horror and the coming of age narrative with some moments of brutality and tenderness. I half expected this to be a jump-scare movie where everyone who came across an infected was not spared but on the contrary it wasn't.
The themes of survival, fear, anger, self-discovery, love and loss were all explored in this movie. Each character did their very best to properly poetry some or all of these characters but some more than others. I particularly found the portrayal of Spike's community endearing. These people lived with a threat surrounding them but they all still lived happily. Played their music, danced to the tunes, helped anyone who needed help and gave accolades to those who deserved some. I admired how bravely and boldly they lived, paying little heed to the virus.
The cinematography was distinctive and this greatly contributed to an unnerving atmosphere. The action sequences and the fighting scenes were all so vivid. The movie producers did this thing where he paused/ slowed down “kills” to give viewers a better image of where certain arrows or bullets passed through.
The end gave hints to a sequel because it's only in the end that a particular character I was interested in sufficed and very briefly at that. That was certainly not all this particular character had to offer and this act alone left some threads unresolved, intentionally.
Rating and Recommendation
This movie was a daring and fresh take within the horror movie genre. To be honest, I can barely call this movie a zombie horror movie because there were little to no gruesome scenes. Yes there were kills and yes there were some utterly disgusting scenes but nothing too much.
The movie was slow paced but okay to watch. I would give it a 6/10 rating because although it was a good watch, it doesn't fully meet my expectations of what a horror movie should be. I look forward to the sequel however. For some reasons, I believe that it would be a better watch.
There are anime you watch already knowing what to expect, and then there are those that shatter your expectations in a brutal way. Haven’t You Heard? I’m Sakamoto, or simply Sakamoto desu ga, fits perfectly into the second category.
When I started watching, I confess I didn’t expect much. I thought it would be just another overrated anime, with a single joke repeated to exhaustion. I figured by the third episode I’d already be tired of the main character. But I was wrong. Very wrong. What I found was a spectacle of absurd comedy, with unexpectedly emotional moments and even hidden messages about kindness and resilience.
Sakamoto isn’t just “cool.” He is the embodiment of perfection. Intelligent, athletic, stylish, mysterious, always flawless. He manages to turn mundane situations into actual action movie scenes. A simple attempt to prank him turns into an epic moment, almost as if directed by Michael Bay.
Normally, this kind of exaggeration would become tiresome.
But here, the absurd is so well-crafted that it works. The series creates a narrative where the impossible feels natural, and the humor lies precisely in not knowing what to expect.
What’s most interesting is that Sakamoto isn’t cool just to show off his abilities. He lifts up those around him. Whether helping a bullied student regain confidence, or turning delinquents into better people (yes, even when they’re just blowing soap bubbles), Sakamoto’s perfection is used to inspire and support others.
He doesn’t hand out easy solutions. He encourages people to find their own answers. This stance recalls philosophical reflections from authors like Nietzsche: instead of giving a ready-made path, he provokes individual growth.
Absurd yet intelligent humor
Humor is another highlight.
It’s not just about exaggerated situations, but about how the anime plays with the viewer’s expectations. You think you know what’s going to happen… then bam! Sakamoto does something completely unexpected, drawing laughter. And even though some jokes might seem repetitive if watched in a row, the short episodes and self-aware tone keep the experience light and fresh. The anime itself knows it’s ridiculous and uses that as narrative fuel.
At first, everyone seems like high school clichés: the bullies, the popular girls, the nerds. But as the story progresses, each character gains new layers. One example is Atsushi, who starts as an intimidating delinquent but ends up becoming one of the most charismatic and even lovable characters in the plot. Seeing that transformation was, for me, one of the highlights of the entire series.
The studio DEEN did a solid job. The art is simple but effective, and it matches the anime’s tone. The moments when Sakamoto enters “absolute cool mode” are animated with dramatic exaggerations extreme angles, slow motion, sparkles everything works to amplify the absurd.
And we can’t forget to mention the Opening.
It’s addictive, full of energy, and sets the viewer up for the chaos ahead. It’s the kind you listen to three times in a row and immediately add to your playlist. By the final episode (spoiler alert!!!!), the anime surprises with an ending that manages to be both funny and emotional. There’s a sense of closure, something rare in school comedies. I finished the series with a smile on my face and that alone makes it worth recommending.
Haven’t You Heard? I’m Sakamoto is not the eighth wonder of the world, but it’s a different kind of anime, one that manages to be funny, absurd, and at the same time inspiring. For those looking for something lighthearted and fun, but with hidden messages about becoming a better version of yourself, this is a great choice.
I give it an 8/10. An anime that entertains, surprises, and leaves a mark.
And you, have you watched it? What did you think of this mix of nonsense and brilliance?
I've talked about Dragon Ball so many times, I've lost count. And more than once I've said that this story should have ended many years ago. Due to the decline that the franchise has suffered in recent times.
Muchas veces hablé de Dragón Ball, ya perdí la cuenta. Y más de una vez dije que esta historia debió terminar hace muchos años. Debido a la decadencia que sufre la franquicia en el último tiempo.
Similarly, there are certain moments or stories in the manga that I would like to see animated in a new series. It's contradictory, yes, but I'm kind of stupid. 😅
Igualmente, hay ciertos momentos o historias del manga que me gustaría ver animadas en una nueva serie. Es contradictorio, sí, pero soy medio estúpido. 😅
It should be noted that although Dragon Ball Super ended as a series, the manga and its story continue to this day. Therefore, much more happened than what was seen in the anime.
Hay que tener en cuenta que aunque Dragón Ball Súper terminó como serie, el manga y su historia continua hasta el día de hoy. Por ende, pasaron muchas más cosas de las que se vio en el anime.
What I will never understand is why all that content has not yet been animated. With Dragon Ball being such a profitable franchise, I don't understand why they don't invest in a new series. Especially knowing that there are very interesting and entertaining sagas in the manga.
Lo que nunca llegue a entender es porque todavía no se llegó a animar todo ese contenido. Siendo Dragón Ball una franquicia tan redituable, no comprendo por qué no se invierte en una nueva serie. Más sabiendo que en el manga hay sagas muy interesantes y entretenidas.
Without a doubt, this is what I would most like to see animated in the future. It turns out that Vegeta unlocks a doctrine typical of the gods of destruction, unlike Goku, who unlocked a doctrine typical of angels. Basically, this doctrine consists of the user becoming stronger as they take damage. In a way, it's the opposite of ultra instinct.
Sin dudas, esto es lo que más me gustaría ver animado en un futuro. Resulta que Vegeta desbloquea una doctrina propia de los dioses de la destrucción, a diferencia de Goku qué desbloqueó una doctrina propia de los ángeles. Básicamente, esta doctrina consta en que el usuario se hace más fuerte a medida que recibe daño. En cierto modo, es lo opuesto al ultra instinto.
If tomorrow they decide to animate this transformation, I assure you it will break the internet. Not quite on par with Goku's Ultra Instinct, since at that point the anime was ahead of what was happening in the manga. So it wouldn't be a surprise to anyone. I'm very curious to see how they would animate it, what music they would use, and what effects they would add. I hope we get to see it at some point.
Si el día de mañana llegan a animar esta transformación les aseguro que va a romper el Internet. No a la altura de Goku ultra instinto. Ya que en ese momento el anime estaba por delante de lo que pasaba en el manga. Por lo que, no sería una sorpresa para todos. Me da mucha curiosidad como lo animarían, qué música le pondrán y qué efectos. Espero que en algún momento lo veamos.
Something I really regret about Dragon Ball is how little was shown about Goku's father. The manga shows a little more about what Bardock was like and how he differed from the rest of his race. He was more compassionate, empathetic, and kind-hearted.
Algo que lamento mucho de Dragón Ball es lo poco que se mostró del padre de Goku. En el manga se enseña un poco más de como fue Bardok y como se diferenciaba del resto de su raza. Al ser alguien más compasivo, empático y de buen corazón.
In the manga, we see how he protects a mother and her son on a planet that his race had been sent to conquer. In short, Bardock was able to turn against his entire race to protect a woman and her son because they reminded him of his own wife and child.
En el manga podemos ver como protege a una madre y a su hijo. Dentro de un planeta que tenían como misión conquistarlo. Resumidamente, Bardock fue capaz de ponerse en contra a toda su raza para proteger a una mujer y su hijo porque le recodaba a su propia esposa e hijo.
Finally, I don't want to mention a particular moment, but rather an entire saga. The Moro arc is spectacular; without exaggeration, it's better than 80% of Dragon Ball Super.
Para terminar, no pretendo mencionar un momento en particular, sino una saga completa. El arco de Moro es espectacular, sin exagerar es mejor que el 80% de Dragón Ball Super.
A pretty good villain, an interesting plot, sacrifices, etc. It makes me angry that this isn't animated, unlike the dreadful Resurrection of Frieza saga. I really hope that at some point they deign to animate the rest of the manga. If they do it well, it could end up being a better product than DBS.
Un villano bastante bueno, una trama interesante, sacrificios.,etc. Me provoca ira qué esto no esté animado y si la espantosa saga de la Resurrección de Freeza. De verdad espero que en algún momento se dignen a animar lo que resta del manga. Si lo hacen mediante bien, podría terminar siendo un producto mejor que DBS.
Translator Deepl.com
All images edited by me using Photoshop
Traductor Deepl.com
Todas las imágenes editadas por mí usando Photoshop
Y volviendo a las pantallas el hombre de acero. El superhéroe que debería ser invencible y ha muerto más que Batman ja ja ja… Empiezo así para seguir con la continuidad del humor de la película. Es cierto que Warner se estaba arriesgando nuevamente con este nuevo relanzamiento del universo D.C porque no está fácil olvidar a los antiguos actores. A aquellos que ya ocupan un lugar especial en muchos de los fanáticos de este universo.
And returning to the screens, the man of steel. The superhero who should be invincible and has died more than Batman, ha ha ha... I'll start like this to continue with the humor of the film. It's true that Warner was taking a risk again with this new relaunch of the DC universe because it's not easy to forget the old actors. Those who already occupy a special place in the hearts of many fans of this universe.
La esperaba con ansias, pues, soy más fanático de los DC que de Marvel. Aunque debo de confesar qué bueno, sé que sus películas no han estado a la altura de las de Marvel con los Vengadores. Las películas del universo DC no han sido tan taquilleras aun cuando se esperaba que Batman vs Superman pudiera ser un gran cierre del universo que conocíamos. Porque acá, nos trasladan a otro y no está nada mal. La película tiene una duración de dos horas y media las cuales son necesarias para la compleja historia que estaremos por observar. Una historia que ha sido bastante criticada por su la ligereza y el humor de la película, que contrasta con una de las historias más sombrías del universo DC.
I was eagerly awaiting it, as I am more of a DC fan than a Marvel fan. Although I must confess that, although I know their films have not been as good as Marvel's Avengers films, the DC universe films have not been as big a box office hit, even though Batman vs. Superman was expected to be a great finale to the universe we knew. Because here, they take us to another one, and it's not bad at all. The movie is two and a half hours long, which is necessary for the complex story we are about to see. A story that has been heavily criticized for its lightness and humor, which contrasts with one of the darkest stories in the DC universe.
Me emocionó mucho ver en la película aquel cuartel que veía de niño llamado La Liga de la justicia. Y aunque la propuesta al desarrollo de cada personaje no era lo que esperaba fue un giro bastante curioso que tal vez pueda ser útil. Por ejemplo, el papel de Nathan Fillion Linterna verde, Isabela Merced como Hawkgirl y a Edi Gathegi Mister Terrific. Ellos eran el grupo que se reunían en este nuevo Cuartel de la Justicia. No fueron tan relevantes en la historia pero sí formaron parte de ella.
I was very excited to see the headquarters I used to see as a child called the Justice League in the movie. And although the development of each character was not what I expected, it was a rather curious twist that might be useful. For example, Nathan Fillion as Green Lantern, Isabela Merced as Hawkgirl, and Edi Gathegi as Mister Terrific. They were the group that gathered at this new Justice Headquarters. They weren't that relevant to the story, but they were part of it.
David Corenswet es como el primo hermano de Henry Cavill ja ja ja… En serio, creo que intentaron buscar a alguien con un gran parecido. En fin, este nuevo Clark Kent el actor ha destacado su capacidad y profesionalismo para combinar la simpatía y la intensidad necesaria para el papel. No cabe duda que la producción buscó que este Clark Kent diera una interpretación que mostrara su humanidad como la misma fuerza de Superman y creo que Corenswet estuvo muy bien en su actuación. Espero que en esta segunda película, ya que no tiene a Krypto, quizás sea un poco más serio de lo que nos tenía acostumbrados.
David Corenswet is like Henry Cavill's cousin, ha ha ha... Seriously, I think they tried to find someone who looked a lot like him. Anyway, this new Clark Kent actor has shown his ability and professionalism in combining the charm and intensity needed for the role. There is no doubt that the production wanted this Clark Kent to give a performance that showed his humanity as well as Superman's strength, and I think Corenswet did a great job. I hope that in this second film, since he doesn't have Krypto, he will perhaps be a little more serious than we are used to.
En Venezuela y gran parte del mundo cinematográfico de Hollywood estaba en la espera de ver actuar a la venezolana en la gran película de Superman pues el tan solo hecho de pertenecer a la gran lista de actores con experiencia y renombres ya era nombrada en muchas revista y programas de TV. Aunque no tuviera mucha presencia, fue una villana bastante acorde. Pero fue más propaganda que lo que apareció en las dos horas y media de la película ja ja ja… Ok ok, por algo se empieza. Y ni hablar de este Lex Luthor Interpretado por Nicolas Hulot. Un actor que lo hemos visto en comedia hasta thrillers y fantasía, acá el actor aporta una gama que va desde la frialdad controlada hasta destellos de pasión y humor negro lo que puede hacer de este Luthor un personaje mucho más complejo que aquel villano tradicional. Lamento que tengan mucho que leer pero tal como la película, es necesario resalta estos detalles.
In Venezuela and much of the Hollywood film world, people were eagerly awaiting to see the Venezuelan actress perform in the big Superman movie, as the mere fact of belonging to the long list of experienced and renowned actors had already earned her mentions in many magazines and TV shows. Although she did not have much screen time, she was a fairly convincing villain. But it was more hype than what actually appeared in the two and a half hours of the movie, ha ha ha... Okay, okay, you have to start somewhere. And let's not even talk about this Lex Luthor played by Nicolas Hulot. An actor we've seen in everything from comedy to thrillers and fantasy, here the actor brings a range that goes from controlled coldness to flashes of passion and dark humor, which can make this Luthor a much more complex character than the traditional villain. I'm sorry you have so much to read, but just like the movie, it's necessary to highlight these details.
Para finalizar y no seguir alargando la cosa, quiero mencionar que esta es una gran película que nos presenta una amenaza que pone a prueba el liderazgo de Superman, su verdad y su esperanza para la humanidad. Es una buena mezcla de acción, drama humano y momentos de reflexión que comenta sobre poder, responsabilidad y sociedad. Sinceramente, esperaré con muchísimas ansias su segunda propuesta en este nuevo universo DC.
To conclude and not drag things out any longer, I want to mention that this is a great film that presents us with a threat that tests Superman's leadership, his truth, and his hope for humanity. It's a good mix of action, human drama, and moments of reflection that comment on power, responsibility, and society. Honestly, I will eagerly await his second offering in this new DC universe.
Imagino que muchos la han visto, pero para quienes no, evitaré spoilers. Esta es solo mi opinión, y los invito a compartir la de ustedes.
I imagine many of you have seen it, but for those who haven't, I'll avoid spoilers. This is just my opinion, and I invite you to share yours.
A bordo de la nave
me despido, mi querida familia.
❤LOS QUIERO❤
When I first saw the poster, the red background and a fierce red hair lady with a sword I said to myself “This is it” I took a deep breath and dived in.
Honestly, watching this film felt like being thrown into a whirlwind of swords, betrayal, and pure grit. You know when you meet a character, and from the first scene you just know her life is about to become a storm of fire and blood? That’s Red Sonja. Her story doesn’t start with her being powerful; it starts with her being broken. She loses her family, her home is destroyed, and she’s left with nothing but rage, grief, and this burning need for vengeance. Right from the jump, I could feel the weight of her loneliness, and it made me want to root for her, almost like I was standing in her corner.
One of the earliest scenes which remained in my mind was when she was transformed into a warrior. It is not this fabulous montage - no, it is rough, painful, nearly brutal. Each cut, each blow, each trip in the training was another chisel driving her on the path to becoming this iron-willed woman that was not going to allow the world to step on her again. Factually, it made me sit back and think about my own scars, the things that I survived to be able to stand here today. That part resonated in a different way, as though the movie was not about her but about anyone who has ever had to rise from ashes to ashes.
Next is the evil queen who is as villainous as they come. She is not only lusting after power, but scheming and mean in that fashion that makes you want to scream at the screen. There was this one scene when she displayed her superiority with magical artifacts and the smirk on her face was enough to give me chills. The queen is not only an obstacle in the way of Sonja, but also her reflection of everything that Sonja despises: oppression, arrogance, power abuse. Watching Sonja deal with her was like watching a person go against their worst nightmares.
The fights, however -- you see. Not all the battles that Sonja engages in are just about the swinging of the swords; it is more like a dance of death and life. One of the scenes was this one in the ruins when she got surrounded and it seemed like she was not going to get out. And I swear I was holding my breath and watching her as she parried and struck, and her red hair went flying like flame itself at the heart of the carnage.
It wasn’t just about her surviving — it was about her proving that no matter how many times the world tried to cage her, she was always going to break free. That scene had my heart pounding, and when she finally struck down her enemies, I actually let out this shaky laugh, like damn, she did it.
However, the twist is that although she is fierce and deadly, she has this vulnerability about her, Sonja. She keeps her trauma like a sword that is invisible and fastened to her back. There are times that her eyes are vulnerable, moments that the loneliness comes back to her and it reminded me that she is still a human under all that armor. I think that that is what made me identify so much with her: she is not invincible. She bleeds, she hurts, she doubts herself but keeps on fighting, anyway.
And I must not forget the betrayals either-- because, of course, in a world such as hers not every one who smiles at you is a friend. There is a point where someone Sonja had believed she could trust betrays her and I was just sitting there thinking oh no not again. This sting of betrayal was more evident because it resembled real life whereby the knives that hurt the most are those that we often held close to our hearts.
The climax of the struggle between her and the queen? Whew. That was fire and thunder in one. The stakes were apocalyptic, the sort of fight where one wrong move would bring everything to an end. There was the sound of their swords not only physical but symbolic as well as two opposing forces of will collided. And when Sonja at last stood triumphant, bloody, but unconquered, it was like this burst of relief, pride, and naked power.
I felt as though I had walked along with her and had a little bit of her strength with me. It is a movie that tells you that you can live the fire also. And honestly? That struck me severely
Hola Hivers cinéfilos, espero estén bien. Viendo películas que quería ver pero que no ví del año pasado, sigo aprovechando mi tiempo libre para ver películas que necesitaba ver si o si, una de ellas era aún estoy aquí, película brasileña ganadora del Oscar a mejor película extranjera, no saben lo tanto que me emocionó que ganará está película lo celebré como sí hubiera sido un logro para mí país pero recordemos que está película estaba compitiendo con Emilia Pérez que fué una película bastante criticada en Latinoamérica por eso me encantó que ganará aún estoy aquí y luego de ver la película rectifico mi opinión, pero ahora vamos a hablar de la película.
Hello Hivers cinephiles, I hope you are well. Watching movies that I wanted to see but didn't see last year, I keep taking advantage of my free time to watch movies that I needed to see, one of them was I'm still here, a Brazilian movie that won the Oscar for best foreign film, you don't know how excited I was that this movie won, I celebrated it as if it had been an achievement for my country but let's remember that this movie was competing with Emilia Perez which was a very criticized movie in Latin America, that's why I was delighted that it won, I'm still here and after watching the movie I rectify my opinion, but now let's talk about the movie.
Eunice Paiva debe enfrentarse a la dura realidad del secuestro y desapareción forzada de su esposo Rubens Paiva quién es acusado por el gobierno actual de Brasil de ser cómplice de grupos de guerrilleros contra el gobierno Y de apoyar a la oposición, en un Brasil de la década de los 70 marcados por una dictadura brutal que dejó ciento de desapariciones políticas, que al sol de hoy se desconocen el paradero de muchos de los cuerpos de los privados de libertad, aún estoy aquí es una película cruda que no trata de romantizar actos tan atroces como estos pero sí busca tratar de mostrar la otra cara del hueco que puede dejar la muerte de un padre que pudiera ser tan duro como en cualquier parte del mundo, Eunice es un vivo ejemplo de resiliencia quién logró salir adelante con sus cinco hijos, quién nunca dejó de buscar y de levantar la voz pidiendo justicia pero también siendo parte del cambio, fué y es una figura importante en la historia de Brasil y la película logra transmitir eso.
Eunice Paiva must face the harsh reality of the kidnapping and forced disappearance of her husband Rubens Paiva who is accused by the current Brazilian government of being an accomplice of guerrilla groups against the government AND of supporting the opposition, in a Brazil of the 70's marked by a brutal dictatorship that left hundreds of political disappearances, that to this day the whereabouts of many of the bodies of those deprived of freedom are unknown, Eunice is a living example of resilience who managed to get ahead with her five children, who never stopped searching and raising her voice asking for justice but also being part of the change, she was and is an important figure in the history of Brazil and the film manages to convey that.
Sin duda un película que tienes que ver si o sí, con actuaciones magistrales como la de Fernanda Torres quién hizo historia llevándose una nominación al Oscar como mejor actriz y sin duda un reconocimiento merecido. Espero les haya gustado este post, nos vemos en la próxima.
Undoubtedly a must-see film, with masterful performances by Fernanda Torres, who made history by winning an Oscar nomination for Best Actress and undoubtedly deserved recognition. I hope you liked this post, see you in the next one.
This wasn’t just an anime about time travel. It was about pain, missed chances, and the desperate hope to rewrite a past that still bleeds into the present. From the very first episode, it hooked me..
We are introduced to Satoru Fujinuma, a poor manga artist who has a peculiar weight on his shoulders he has a phenomenon which he terms as Revival, where he is taken back to the time leading to a disaster and given an opportunity to change the situation, to prevent it. However, suddenly his life is taking a shocking twist: his mother is killed and Satoru is accused. Instantly, his Revival places him not mere minutes, but eighteen years back in the past--back in childhood in 1988. Back to the time when a row of kidnappings rattled his hometown.
That change came as a blow to my breast. One minute you are in his depressing now, the next you are a ten-year-old running in the snow, but having the mind of an adult. Here we find Kayo Hinazuki, a quiet withdrawn classmate who has bruises under her sleeves. Satoru does not look at her like a child would- like someone who is aware of what is about to happen and is desperate to prevent them. Each word, each look, each little disruption in the routine seems a thin thread that is able to change everything.
What is so clever about Erased is that it makes you feel the burden of those small decisions. It is not the issue of catching a killer, it is the issue of empathy, it is the attempt to save a person who is being attacked by the invisible monsters in his or her house. The snowy sceneries are nearly symbolic, cold, mute, concealing the dark side of it. And the tension… it does not release. Despite the smiles and the laughs, you still can never shake off the creeping fear that things still can go back to the past.
However, this anime is very human in spite of the mystery. It is a story of friendships which blossom out of the blue, the sweet-sad memories of childhood, and the terror of knowing that you are going to fail when you need it the most. In some scenes I caught myself holding my breath, and in my mind I was saying, don t leave her alone. Not this time.” By the end of the story when it comes to the final confrontation the emotional reward is a heartbreaking and healing one.
Erased is not flawless, there are scenes where it loses its pace, but it is hard to deny its emotional core. It is suspenseful but not hollow and also touching but not sentimental. Rolling the credits, I sat in silence and contemplated my own life and how I wished I could have saved people in my life, things I wished I could have said.
Thumbnail is designed by me on pixelLab and other images are screenshot from the movie
Who doesn't know game of thrones from the gaming platform, to movies and even books. But if you haven't watched it then run to your movie list and make adjustments 😁
Honestly, Game of Thrones , that series was a rollercoaster of betrayal, love, war, and shocking deaths that left me staring at the screen like, “Wait, did that just happen??”
So picture this: it all starts with the Starks in Winterfell. You know, Ned Stark, honorable to the core, the kind of man you’d trust with your life. He gets dragged into King’s Landing politics, thinking it’s all about justice and truth. But my dear, that place is crawling with snakes. The Lannisters, especially Cersei and Jaime, are out here plotting and hiding dark secrets like the fact that Cersei’s kids are not the king’s children at all, but her brother Jaime’s. When Ned discovers this, I was like, “Ah, it’s over for him!” And true to form, instead of playing the game smartly, Ned stands on honor—and what happens? Boom. They chop off his head in front of everyone, even his own daughters. I swear, that scene broke me. I couldn’t believe the “main character” just died like that.
And then the whole thing goes crazy. Bobby Stark, the son of Ned, stands up and fights back to restore honor to his family. I was rooting so hard for him, like yes go Robb! Then there was the Red Wedding. It still causes my chest to tighten just to think about it. Think of being at a feast with drinking, laughing, celebrating and then all of a sudden you hear the doors shut, the music changes and arrows are flying. His wife, his mother, almost his whole army were all cut to pieces at the dining-table. I felt cheated as though I was at the wedding. This scene taught me that there are no safe people in Game of Thrones.
Imagine you’re watching, you’re already tense, and then Littlefinger, this guy, honestly—he never just speaks, he plants. He whispers in ears like poison dripping slow. Remember how he nudged Ned Stark right into that trap? He promised loyalty, made Ned believe he had the City Watch backing him. And then boom—the second Ned tries to play honorable, Petyr literally tells him, “I did warn you not to trust me.” I swear, my chest tightened. It wasn’t just betrayal; it was the coldness of his words, like someone slamming a door on hope. That scene made me realize the game wasn’t for good men. And I hated how right Littlefinger was.
Then there’s Cersei—oh, Cersei. If Littlefinger plays with whispers, she plays with fire. Literally. That wildfire explosion at the Sept? I still can’t get that out of my head. The slow build was torture: Loras Tyrell’s trial, Margaery’s subtle panic when she realizes something’s off, the High Sparrow still smug in his self-righteousness. And then—green fire swallowing everything. Dozens, hundreds gone in seconds, their screams drowned in the roar. Margaery, one of the few people who could match Cersei’s cleverness, gone in the blink of an eye. I remember clutching my pillow like it was a lifeline, whispering, “No, no, no…” And the way Cersei just sipped her wine as her enemies burned? That’s the kind of cold-blooded ruthlessness that made me both hate her and, weirdly, admire her audacity.
And of course there is Daenerys. Her arc was me screaming. She begins as this meek girl who is sold off into marriage to Khal Drogo and comes out as the “Mother of Dragons.” And that its first time that she laid eggs in the fire? Chills. Pure chills. The more powerful she grew, the more dangerous also. She liberates slaves, takes the cities, and you begin to see this merciless side. By the time she burns King Landing- innocent people and all I was torn. Yes, she wanted to break the wheel, but did she have to break children as well? I did not know which to cheer for and which to cry.
Then the North. Let’s talk about Jon Snow. This man, eh! Loyal, brave, kind of brooding in that attractive way. When he got stabbed to death by his own men at the Wall, I nearly threw my laptop. I said, “Nooo, not Jon!” Then the next season, boom—he comes back from the dead. That moment felt like resurrection for me too. His battle scenes, especially the Battle of the Bastards, were insane. When he stood in front of Ramsay Bolton’s charging army alone, sword drawn, ready to face death… my heart was in my throat. And Ramsay—don’t get me started on him. The way he fed people to his dogs, tortured Sansa, made her suffer… I’ve never hated a character so much. Seeing Sansa feed him to his own hounds? That was justice. I clapped in my room like someone at a football match.
And oh, the Night King. From the first moment he appeared, with those icy blue eyes, I felt this dread. The whole time I kept asking myself, “How can they even defeat this thing?” When the White Walkers crashed into Winterfell, the whole episode had me sweating. Arya sneaking around in the dark, soldiers dying left and right, dragons battling in the night sky it was pure chaos. And then out of nowhere Arya Stark leaps and takes him down with a dagger. I screamed like she was my sister. “Yesss Arya!!!” That was such a satisfying twist.
The betrayals did not have to be big explosions. Occasionally, they were these tiny daggers that went between the ribs. As in the case of Jon Snow being betrayed by his own brothers at Castle Black. I could relate to each and every one of those, as a stab in my own gut. Seeing that knife go in and in and in and then Ollie,--cute little Ollie,--the death stroke? I don?? nehell concerns myself with the fact that I have never screamed at a screen louder than this. I was actually heartbroken The screwed up part is? It taught me how tenuous loyalty is in that world. One minute they are hailing you as Lord Commander, the next colder than the snow you are left bleeding.
And I don t even want to talk about the Red Wedding. And that is not only betrayal- it is trauma. The scream of the violins, the sound of the doors shutting, the scream of Catelyn when she sees what is going on. Seeing Robb, Talisa and even his unborn child slaughtered in the most sudden, dishonorably way- it was like someone had yanked the rug out of my feet. It made me empty, like… what is the point of cheering on anyone in this world when hope just continues to be slaughtered?
But you know the thing that really shook me? The ending. All that bloodshed, betrayal, war and prophecy leave Bran as king. Bran! The boy who spent the larger part of the time rolling around in visions and riddles. I did not know whether to laugh or just accept it. It somehow felt anticlimactic, but then again, perhaps it is supposed to. In a world so uncertain the person who did not even seek power was given it.
Reflectively, Game of Thrones has left me with all sorts of emotions, including anger, grief, joy, betrayal and relief. It revealed to me how power can corrupt you, how love can make you blind, how honor can kill you and how sometimes in order to survive, you need to be ruthless. But I kept watching, in spite of the heartbreak.
From Littlefinger’s whispered lies to Cersei’s wildfire inferno, every betrayal hit like a gut punch. And I’ll be honest with you: it left me shaken, sometimes angry, sometimes even a little numb.
I swear, telling you this now, it’s like I’m right back there, watching those betrayals unravel in slow motion, my heart racing like I could change the outcome if I just yelled at the screen loud enough.
