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Arrested Development

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Arrested Development (series): A good comic relief supplement to a serious repertoire@netflixr200d
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3 more reviews

  1. Arrested Development Season 3 (2005) review: The greatest season of television in comedy history.@richardalexis1803d

    https://static.wikia.nocookie.net/arresteddevelopment/images/7/74/Season_3_-_Character_Promo_05.jpg/revision/latest?cb=20111023065401 Source The screenshots in this post were taken by me directly from the series Separador.png

    Disclaimer: Although most of my comments refer to the third season of Arrested Development - a consequence of my recent viewing - they do not have any specific spoilers and could well be extended to the entire series.

    If there is a particular genre that I am passionate about when it comes to television series, it is comedy, and it is that although it is often looked down upon by general critics and considered inferior to deep dramas, few series challenge both the conventions of modern storytelling as well as a good comedy.

    Examples are not exactly scarce: The office, parks and recreation, Brooklyn Nine Nine, Silicon Valley or more traditional products such as Seinfeld or Two And a Half, if they have reached the Olympus of the great series it is not because they are extremely entertaining, but because they know how to execute their ideas very well.

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    One of the crucial factors for any work to work is rhythm, good comedy must ALWAYS know how to use this resource.

    I extend a bit explaining all this because few series manage to handle the idea of ​​having a "rhythm" so well, like Arrested Development, a series that until a few years ago was little appreciated and progressively acquired a cult of followers -Very well deserved, by the way-.

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    To talk about Arrested Development is to talk about great actors, extremely recognizable faces today: Michael Cera, Jason Bateman, Will Arnett, Jessica Walter and the brilliant David Cross, all delivering a brutal performance in what has been one of the best-written series in all history.

    Today, after a marathon in its third season, I would like to explain quite briefly why I have nothing but praise for Arrested Development.

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    While the entire series is pretty decent (Even the fourth and fifth seasons, which are a bit disastrous), the third part of Arrested Development has managed to marinate its entire cast of characters to perfection and takes them to my favorite moment of their arcs. narratives.

    Not only this, but it adds several of the best gags of the entire series and knows how to embrace its chaotic nature with extreme comfort (something that was lacking in the first and second seasons), full of callbacks and foreshadowing, if a series like The office It's Chinese checkers, talking about Arrested Development is three-dimensional chess.

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    Its unbridled rhythm and its lack of intentions to take us by the hand between joke and joke are what create this unique and dense style, a style that deserves more than one viewing to correctly absorb everything that they are showing.

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    Not only is it a great series in isolation, but It created a whole creative school inspired by it, and its influence continues to be seen today.

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    For me next to giants like The Sopranos or Breaking Bad Arrested Development can sit without any problem and its third season is a perfect example of that. This is why I consider it one of the best television seasons that have ever existed.

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    https://static.wikia.nocookie.net/arresteddevelopment/images/7/74/Season_3_-_Character_Promo_05.jpg/revision/latest?cb=20111023065401 Source

    Las capturas de pantalla que acompañan este post fueron tomadas directamente de la serie por mi

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    Disclaimer: Aunque la mayoría de mis comentarios se refieren a la tercera temporada de Arrested Development -Consecuencia de mi reciente visionado - no cuentan con ningún spoiler concreto y bien podrían extenderse a toda la serie.

    Si existe un genero particular que me apasiona cuando se trata de series de televisión es la comedia, y es que aunque muchas veces es menospreciada por la crítica general y tomada como inferior a los dramas profundos, pocas series desafían tanto las convenciones del storytelling moderno como una buena comedia.

    Los ejemplos no son precisamente escasos: The office, parks and recreation, Brooklyn Nine Nine, Silicon Valley o productos más tradicionales como Seinfeld o Two And a Half, si han llegado al Olimpo de las grandes series no es porque resulten extremamente entretenidas, sino porque saben ejecutar sus ideas muy bien.

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    Uno de los factores cruciales para que cualquier obra funcione es el ritmo, la buena comedia SIEMPRE debe saber emplear este recurso.

    Me extiendo un poco explicando todo esto porque pocas series logran manejar tan bien la idea de tener un “ritmo”, como Arrested Development, una serie que hasta hace algunos años era poco apreciada y progresivamente fue adquiriendo un culto de seguidores -Muy bien merecido, por cierto-.

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    Hablar de Arrested Development es hablar de grandes actores, caras extremadamente reconocibles hoy en día: Michael Cera, Jason Bateman, Will Arnett, Jessica Walter y el brillante David Cross, todos entregando un desempeño brutal en lo que viene siendo una de las series mejor escritas en toda la historia.

    Hoy, luego de un maratón de su tercera temporada, me gustaría explicar de manera bastante resumida por qué no tengo más que alabanzas para Arrested Development.

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    Si bien la serie completa es bastante decente (Incluso la cuarta y quinta temporada, que son un poco desastrosas), la tercera parte de Arrested Development ha logrado marinar todo su elenco de personajes a la perfección y los lleva a mi momento favorito de sus arcos narrativos.

    No solo esto, sino que añade varios de los mejores gags de toda la serie y sabe abrazar su naturaleza caótica con extrema comodidad (Algo que hacia falta en la primera y segunda temporada), llena de callbacks y foreshadowing, si una serie como The office es damas chinas, hablar de Arrested Development es ajedrez en tres dimensiones.

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    Su ritmo desenfrenado y sus carentes intenciones de llevarnos por la mano entre chiste y chiste son lo que crean este estilo único y denso, estilo que amerita más de un visionado para correctamente absorber todo los que están mostrando.

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    No solo es una gran serie de forma aislada, sino que creo toda una escuela creativa inspirada en ella, y su influencia sigue viéndose hoy en día.

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    Para mi al lado de gigantes como Los Soprano o Breaking Bad puede sentarse Arrested Development sin ningún problema y su tercera temporada es una muestra perfecta de ello. por esto la considero una de las mejores temporadas de televisión que han existido.

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    Twitter/Instagram: Alxxssss

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  2. Arrested Development Season 1: An atemporal comedy.@richardalexis1865d

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    I've been revisiting some episodes of Arrested Development for a few days now, and I wanted to talk a bit about my experience.
    I have always loved this series, I consider it to be one of the culprits of my reborn love for comedy, released in 2003 on FOX and created by Mitchell Hurwitz, Arrested Development was ahead of its time, with a fast-paced, single format -camera and tons of gags per minute, it's almost as if cable TV isn't ready for them. Although they received a large number of awards and nominations, during its original duration of 3 seasons it always suffered in terms of ratings.

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    Netflix and the streaming era revived it, there it found a passionate cult audience, which keeps it more relevant than ever.

    The first season of Arrested Development especially, features hit after hit, focusing on the Bluth family, their financial crises and how Michael Bluth tries to keep everything in order.

    The heart of Arrested Development is in its characters and how they interact with each other, Jason Bateman, Michael Cera, Will Arnett, David Cross and the brilliant Jessica Walter create a toxic and dynamic environment where every interaction is pure gold. Most of the gags in the series are built on their characters and how they react to the actions of others.

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    All of this, enhanced by the iconic storytelling of Ron Howard, who does nothing more than add layers and layers of depth to a disastrous and comical cocktail.

    Arrested Development not only survives the passage of time (even in its most bitter and not politically correct moments) but it is also benefited by it, the return visits, and enjoying its episodes almost in a loop allow each of its jokes to be absorbed.

    A testament to good direction and the importance of a solid script, a script that can leave series from the past, present and future in diapers.

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    AD, to put it in analogies, works like a hard drug, rendering all those that were softer useless.

    Irreverent and surprising, two terms that have applied to her since 2003, only now we notice it much more easily.

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    Desde hace unos días he estado revisitando algunos episodios de Arrested Development, y quería hablar un poco sobre mi experiencia.

    Siempre he amado esta serie, considero que es uno de los culpables de mi renacido amor por la comedia, estrenada en 2003 en la cadena FOX y creada por Mitchell Hurwitz, Arrested Development fue adelantada a su época, con un ritmo acelerado, un formato single-camera y muchisimos gag por minuto, es casi como si la televisión por cable no estuviese lista para ellos. Aunque recibieron una gran cantidad de premios y nominaciones, durante su duración original de 3 temporadas siempre sufrió en términos de rating.

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    Netflix y la era del streaming la revivieron, allí encontró un público de culto apasionado, que la mantiene más relevante que nunca.

    La primera temporada de Arrested Development especialmente, cuenta con un hit tras otro hit, centrada en la familia Bluth, sus crisis económica y como Michael Bluth trata de mantener todo en orden.

    El corazón de Arrested Development está en sus personajes y en como interactuan entre si, Jason Bateman, Michael Cera, Will Arnett, David Cross y la brillante Jessica Walter crean un ambiente tóxico y dinámico en donde cada interacción es oro puro. La mayoría de los gags de la serie se construyen sobre sus personajes y el como reaccionan a las acciones de los demás.

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    Todo esto, repotenciado por la icónica narración de Ron Howard, quien no hace más que agregar capas y capas de profundidad a un coctail desastroso y cómico.

    Arrested Development no solo sobrevive el paso del tiempo (Incluso en sus momentos más amargos y poco políticamente correctis) sino que se ve beneficiado por el, las revisitas, y el disfrutar sus episodios casi que en loop permiten absorber cada uno de sus chistes.

    Un testamento a la buena dirección y a la importancia de un guión sólido, guion que puede dejar en pañales series tanto del pasado, del presente y del futuro.

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    AD, para ponerlo en analogías, funciona como una droga dura, que deja inservibles todas aquellas que eran más suaves.

    Irreverente y sorprendente, dos términos que han aplicado para ella desde el 2003, solo que ahora lo notamos con mucha más facilidad.

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    Twitter/Instagram: Alxxssss

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  3. Make America BLUTH Again!@blewitt2963d

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    As Netflix is gearing up to the May 29th release for the first half of season 5 of Arrested Development, folks are starting to go bananas!

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    A wise man once said, “There’s Always Money in the Banana Stand”. Ok...I take “wise” back, but that fact that Netflix teamed up with Ben & Jerry’s yesterday in Burbank to hold a promotional event in honor of the new season of one of my favorites is indeed...a wise move.

    As my Man on the Street, Ron O reports...

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    Over 500 people lined the street in front of the Ben & Jerry’s in Burbank California on Thursday to partake in the shenanigans. There were plenty of fun events for fans of the show. A claw machine was popular with folks trying to win either a stuffed cow that got you some free tasty ice cream at the Ben & Jerry’s or a red Make America Bluth Again hat. Pretty funny...

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    While the shows opening jingle blasted through the street, fanny packs, posters, buttons, and bumper stickers were passed out to those that were braving the lines. You were able to pose and snap pics at the mock up Bluth’s Banana Stand (which sadly was not selling bananas) and chat with the friendly promo team.

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    All in all I love marketing like this. It gets people excited and involved and ultimately...talking. Kudos Netflix!!

    The first half of Arrested Development Season 5 will be available to binge on May 29 on Netflix. The second half is set to be released sometime later in the year.

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    Ron O is my buddy and my new “man on the street” for fun events in the So Cal area. Look forward to more from him in upcoming pieces.

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