The first four James Bond films starring Roger Moore had one thing in common – the producers tried to exploit popular genre and cinema trends of the time. In *Live and Let Die* it was blaxploitation; in *The Man with the Golden Gun* it was the kung fu film phenomenon; and *The Spy Who Loved Me* tried to capitalise on the popularity of *Jaws* and similar films with maritime-related plots. *Moonraker*, the 1979 film d…More