Parasite (Korean: 기생충) is a 2019 South Korean black comedy thriller film directed by Bong Joon Ho, who co-wrote the screenplay with Han Jin-won. It stars Song Kang-ho, Lee Sun-kyun, Cho Yeo-jeong, Choi Woo-shik, Park So-dam, Jang Hye-jin, Park Myung-hoon, and Lee Jung-eun. The film follows a poor family who infiltrate the home and life of a wealthy family.
Spoiler-free review of Parasite (2019)100@yusmelys48d
This movie left me completely baffled; I'd never seen such an ingenious and well-crafted plot. Initially, based on the title, I thought it would be about some kind of digestive illness, but the situation I encountered when things started to spiral out of control was a complete surprise. That's when I truly understood the meaning of the word "parasite".
The story introduces us to a dysfunctional family desperately trying to escape poverty, without considering the consequences of their actions. To achieve their goal, they devise a master plan that seems to be working perfectly: they manage to unethically infiltrate the mansion of a wealthy dynasty. Each member assumes a different role and, with astonishing cruelty, they get the former servants fired to take their places, cleverly concealing the fact that they are related.
However, fate had a masterstroke in store for them. Everything spirals out of control when something they least expected emerges from the basement, becoming the catalyst that causes their charade to crumble decisively and without any possible solution. From that point on, the initial comedy transforms into a suffocating thriller that will leave you speechless.
It's a film worth every minute; it keeps us on the edge of our seats and leaves us with an uneasy feeling, seeing the depths to which a lack of scruples can sink. Bong Joon-ho, the film's director, achieves a raw portrait of human desperation, where selfishness and need tragically intertwine. In the end, he shows us that the real parasites don't just live underground, but sometimes are part of society itself. This film, for me, is not just any film; it's a true gem of contemporary cinema that makes you reflect on the true values of a society and the role of the individual as a human being.
He tenido una semana de puras películas y series locas de verdad no había tenido gana de resaltar ninguna, porque ustedes saben que me gustan las películas que terminen bien y cuya trama deje algún mensaje de aprendizaje. Voy a realizar un dos en uno. A resaltar dos películas de esta semana por lo extrañas que me resultaron.
Debo resaltar pero no voy a realizar su aporte porque me dejo en el sitio de lo extraña que es: Todo en todas partes al mismo tiempo (Everything Everywhere All at Once) (2022) con Michelle Yeoh. Nos cuenta de una ruptura interdimensional altera toda la realidad, así como saltando mundo y colocados en paralelo. Mientras la veía y no es nada fácil de comprender no se porque solo pensaba que el final terminaría con un abrazo y que sencilla seria la vida si nos abrazáramos más. Si quieren una película de difícil compresión esta es la recomendada.
I've had a week of truly crazy movies and series, and I haven't felt like highlighting any of them because, as you know, I prefer films with happy endings and plots that offer some kind of lesson. I'm going to do a two-for-one: highlight two films from this week because of how strange they were.
I should highlight one, but I won't elaborate because it left me speechless with its strangeness: Everything Everywhere All at Once (2022) with Michelle Yeoh. It tells the story of an interdimensional rupture that alters all of reality, essentially jumping worlds and placing them in parallel. While watching it, and it's not easy to understand at all, I don't know why, but I kept thinking that the ending would be with a hug and how simple life would be if we hugged more. If you want a film that's difficult to grasp, this is the one I recommend.
Cuando pase a la siguiente película Parásitos me sonaba a bichitos que vivían o dependían de otras organismos. Normalmente no somos publico para películas koreanas pero mi hijo vio que tenia varias nominaciones, allí encontramos drama, suspenso y humor negro. A la final el titulo si tenia bastante que ver con la trama y observamos a una familia pobre se las ingenia para vivir a costa y con engaños de una familia rica.
Estaba esperando bichos chupando la vida a otros y a la final los mismos hombres se vuelven los que desean vivir la vida de otras personas, por sus riquezas y sus aparente vidas cómodas.
ENGLISH VERSION (click here!)
When I moved on to the next movie, Parasite sounded familiar, like little creatures that lived off or depended on other organisms. We're not usually the audience for Korean films, but my son saw it had several nominations. It was a mix of drama, suspense, and dark humor. In the end, the title did have a lot to do with the plot, and we see a poor family managing to live off and deceive a wealthy family.
I was expecting creatures sucking the life out of others, but in the end, the men themselves become the ones who want to live other people's lives, because of their wealth and their seemingly comfortable existence.
Por supuesto para llegar a convivir con estas mejoras que la familia desea; la mentira y el engaño pasa a formar parte importante de la trama. Es así como la película nos cuenta la historia de una familia de cuatro miembros que se infiltra poco a poco y teniendo gran necesidad, a base de mentiras, en diferentes puestos para ser empleados domésticos. El engaño llega a momentos extremos donde todo estalla y se cae por su propio peso, con situaciones de muerte. No todo podría salir bien en una complicada situación. Y a esto se le agrega situaciones que no esperaban osea más parásitos ocultos, de los que nadie conocía ni siquiera los espectadores.
Of course, to achieve these improvements the family desires, lies and deceit become a significant part of the plot. The film tells the story of a family of four who, driven by desperation, gradually infiltrate various domestic positions through lies. The deception reaches extreme levels where everything explodes and collapses under its own weight, culminating in death. Not everything could go smoothly in such a complicated situation. And to this are added unexpected circumstances: more hidden parasites, unknown even to the audience.
Sin duda alguna es una película de impacto escavando con un mensaje claro en esas diferencias sociales que hay por el mundo. Resulta en una crítica mordaz ante la desigualdad social y el capitalismo actual, nos muestra una relación dispareja entre los ricos (la familia Park) y pobres (la familia Kim). Poniéndonos a pensar en que harías en esa situación. Al final las dos familias son parásitos una no logra vivir sin la otra. Una para mantener su estilo de vida y otra para sobrevivir a la vida misma.
ENGLISH VERSION (click here!)
Without a doubt, it's a powerful film that delves deeply into the social inequalities that exist around the world, delivering a clear message. It results in a scathing critique of social inequality and contemporary capitalism, portraying the unequal relationship between the rich (the Park family) and the poor (the Kim family). It makes us think about what we would do in that situation. In the end, both families are parasitic; one cannot live without the other. One to maintain its lifestyle, and the other to survive life itself.
Fotos con fuente identificadas
Traducido con google (versión gratuita)
Photos with source identified
Translated with google (free version)
Hello, Internet folks, how's it going? Today I want to bring you the winner of four Oscars: Best Picture, Best Director: Bong Joon-ho, Best Original Screenplay: Bong Joon-ho and Han Jin-won, and Best International Feature Film. Parasite, a social critique turned satire about the two poles of Korean society, is a film worth watching and analysing.
Hola, gente de Internet ¿todo bien? Hoy quiero traerles la ganadora de 4 Oscar: Mejor película, mejor Director: Bong Joon-ho, mejor guion original: Bong Joon-ho y Han Jin-won y mejor película internacional. Parasite, una critica social hecha sátira sobre los dos polos de la sociedad coreana, una película digna de ver y analizar
Let's start by talking about the title of the film ‘Parasite.’ At first, I thought the film had something to do with a pandemic, zombies, or something like that, but after watching the film, we can understand why it was given that name. Parasite is about a poor family and a rich family whose stories intersect in a particular way. The son of the poor family is helped by his friend to get a job as a substitute English tutor for the daughter of the rich family (the friend of the poor family's son is going to be out of the country). By falsifying documents and using his charisma, Ki-Woo manages to get the job.
Vamos a empezar hablando de el título de la película "Parásitos" de entrada pensaba que la película tenia que ver con una pandemia, zombies o algo asi, sin embargo, al ver el film podemos entender el porque de nombre. Parásitos trata de una familia pobre y una rica que cruzan historias de una forma particular, el hijo de la familia pobre es ayudado por su amigo para obtener el trabajo de suplente para darle clases de inglés a la hija de la familia rica (el amigo de hijo de la familia pobre se ausentaría del país) falsificando papeles y con mucho carisma, Ki-Woo logra obtener el trabajo
From there, Ki-Woo manages to get his sister hired as a worker in the house and then gets the family's driver fired so he can recommend his father. Later, they get rid of the housekeeper so that the mother of the family can take her place without the owners of the house knowing that they know each other, with the intention of taking advantage of the rich family as ‘parasites’. However, things do not end well at all.
A partir de ahí, Ki-Woo logra ingresar a la casa a su hermana como trabadora y después est logra hacer que despidan al chofer de la familia para recomendar a su papá y posteriormente se deshacen de la ama de llaves para que la madre de la familia ocupe su lugar sin que los dueños de la casa sepan que se conocen con toda la intención de aprovecharsede la familia rica como "parásitos" Sin embargo, las cosa no terminan para nada bien
I have to say that what stands out most in the film's story is its criticism of South Korea's economic/social polarisation (which has been explored in other series or films such as Boys over Flowers or Squid Game), a cycle that never ends: The rich despise the poor, which generates envy, resentment and hatred among the poor, and often triggers aggression (which has in fact happened in real life and in the film).
Tengo que decir que lo más plasmable o que resalta dentro de la historia de la película es la crítica a la polarización económica/social de Corea del Sur (el cual se ha explorado en otras series o peliculas como Boys over Flowers o El Juego del Calamar) un ciclo que no termina: Los ricos desprecian a los pobres, el hecho genera envidia, rencor y odio en los pobres y muchas veces esto trae detonantes de agreciones (que de hecho ha pasado en la vida real y en la película)
The way in which everything is narrated, with a touch of humour at times and such an exaggerated ending (I don't want to give any spoilers), makes it a very well-executed and structured satire. No wonder it won the Oscar for Best Screenplay; it really is incredible. The performances were also quite good and convincing, which helps with the film's air of mystery.
La forma en la que esta narrado todo con cierto humor en algunas ocasiones y con un final tan exagerado (no quiero dar spoilers) lo convierte en una sátira muy bien llevada y estructurada, no por menos ganó el Oscar a mejor guión y la verdad es increíble. Las actuaciones también fueron bastante buenas y convincentes, ayuda con los tintes de misterio que tiene la película
The photography is also quite good, the lighting and shadows are well crafted and the shots are very well done. There are some low-angle shots and other close-ups, especially in the scenes in the poor family's house, to obviously create this feeling of oppression and claustrophobia, in stark contrast to the scenes in the mansion, where the colour palette is light and the shots are wide. The truth is that it is made with great care.
La fotografía también es bastante buena, las luces y sombras estan bien trabajadas y los planos estan muy bien hechos, hay algunos contrapicados y otros cerrados sobre todo en las escenas en la casa de la familia pobre para obviamente generar esta sensación de agobio y claustrofobia, muy contrario a las escenas en la mansión donde la paleta de colores es clara y los planos abiertos. La verdad es que está hecho con mucho cuidado
In summary, I highly recommend it. It should be viewed with a critical eye and analysed thoroughly, as it encourages us to examine and delve deeper into the social criticism embedded within it, prompting us to reflect.
En resumen, es altamente recomendada por mi, hay que verla con ojo crítico y analizarla bastante ien,los detalles que nos hace analizar y profundizar sobre la critica social que hay impresa en ella y que nos hace reflexionar
And well, people, that's all for today's post, I hope you liked it. Thank you very much as always for supporting my work, I welcome new readers, I love you all very much, I send you a hug and I'll see you in another post.
Y bueno, gente, esto ha sido todo por el post de hoy, espero que les haya gustado. Muchas gracias como siempre por apoyar mi trabajo, le doy la bienvenida a los nuevos lectores, les quiero mucho a todos, les envío un abrazo y ya nos encontraremos en otro post
I made the cover and farewell image in Canva
La imagen de portada y despedida la realicé en Canva.
›A Korean Masterpiece: Parasite Movie Review90@incublus323d
It's been over a month since I shared my first post in this community. Since then, I've been checking in on the community from time to time to see if there are any events where I can share something about myself. I know the current event is food-related, and Korean food doesn't really appeal to me, but soon my wife might share posts about us trying Korean food here. Let's not get sidetracked. Today, I'm going to share a great Korean movie with you: Parasite.
Parasite is a 2019 Korean film, and its genre is thriller/comedy. Don't wonder how these two can coexist in the same film; they are combined wonderfully. The film is a little over two hours long, so you might want to choose the weekend to watch it.
From this point on, you may encounter spoilers, but don't worry, I won't share anything detailed enough to prevent you from watching the film. The film begins with a scene in the home of a very poor family. The father has lost his job, the mother isn't working, and neither are the daughter and son. The mother constantly whines and says they need to find money somehow. They live in the basement of a building, and you can see they are truly fed up with this life. They don't even have proper phone reception where they live; they can only connect to the internet at certain points.
Later, the child's friend comes to visit and makes him an offer. His friend is teaching English to the daughter of a wealthy family and is making a lot of money from this job. The reason he makes this offer to his friend is that he likes the girl and is afraid of losing her if someone else teaches her. We can say he trusts his friend. Although the child hesitates at first, he accepts because they really need the money and goes to give lessons. The house he goes to is a truly enormous mansion, and it's very clear that he has never been to such a place before. The family he is teaching is really very naive, and the child gets the job on the first day. After a few lessons, he learns that the girl he is teaching has a younger brother with psychological problems. The child draws strange pictures in a notebook, and an idea comes to the main character. He suggests that he could teach the troubled child by pretending to be a famous painter and someone who understands psychology. The family is so naive that they accept this too and hire him, paying him a huge amount of money.
The cycle continues in this way, and all four members of the poor family start working in the rich family's house. The children tutor the family's children, the mother becomes the family's maid, and the father becomes the family's driver. They start earning a lot of money and begin to dream. Of course, nothing good lasts forever. I won't tell you what happens; you'll have to watch the movie!
When I first heard the name of the movie, I thought it was about a virus, and I started watching it with that in mind, but then I realized it's a dark comedy about a family trying to live off the backs of the rich like parasites. The rich family is portrayed as very naive in the film, but I think the reality is quite the opposite lol. Also, the conflict between the rich and the poor is well-handled. I liked that. Even while both sides respect each other, it shows how a rich person can look down on a poor person.
I really liked the film's script and the acting. Maybe it's because I wasn't expecting much from it that I enjoyed it so much, but I think it's a 9 out of 10 film and everyone should watch it. Its 8.5 out of 10 rating on IMDB is proof of its quality. I think screenplays in the film industry have been repeating themselves in recent years, and Parasite showed me that films with different screenplays still exist.
Thank you very much for reading. If you've watched the film, don't forget to share your thoughts in the comments. See you in the next post!
Regarded as one of the best films of the decade, a complete masterpiece of storytelling. South Korea has become adept at creating outstanding original stories that are layered with social commentary, the same reason they are currently leading the way when it comes to TV shows and movies. This Oscar winning movie is no exception. Welcome to one of the most riveting movies of the decade.... A movie on the ugly face of inequality.
The Plot;
Parasite follows two families in South Korea, one the poor and struggling Kim family—Ki-taek (father), Chung-sook (mother), Ki-woo (son), and Ki-jung (daughter)—, the other, The Park family, a wealthy elite who lives in a mansion.
The narrative begins when Ki-woo gets an opportunity to tutor the daughter of the rich Park family. Due to the trusting and gullible disposition of the Parks, the poor family are able to infiltrate the rich family and the house that they live in, under the guise of being something they are not. They rely on lies, cunningness and manipulation to survive. They very much have a parasitic kind of relationship.
Ki-jung becomes an art therapist, Chung-sook replaces the housekeeper, and Ki-taek takes over as the chauffeur. They weave elaborate lies to secure these positions, living off the Parks’ wealth while maintaining the façade of professionalism.
However it's not long that the family discovers they are not the only ones living off the Parks, but their former housekeeper has been harbouring her husband in a bunker beneath the Mansion, to escape loan sharks.
The poor family kills the former housekeeper in front of her helpless husband and run home to discover that their house in the basement was flooded with sewage water.
My review;
"Parasite" is all about how the members of the lower classes leech off of the upper class, the Park family while it also lets us know how the Parks also leeched off of the lower classes by using them for cheap labour. So both families are “parasites” in different ways: the Kims latch onto the Parks, while the man in the basement survives off them too. Even the Parks parasitize cheap labor without understanding their workers’ struggles.
Mr Park is oblivious to the fact that the luxuries he enjoys everyday is because of the hard labour of someone beneath him. This borders on indifference which is exhibited so clearly in Park's relationship with the poor family so much so that he thinks "the poor smell." They draw the line making sure nobody crosses it because they are not interested in the outside world, people in the subway and people who might "smell" as a result of poverty, and he maintains his status as rich and superior.
The ruling class is the wealthy Park family, so Ki-woo and his family alter their appearances to fit into the mold of higher status individuals with so much yearning to become like them, both economically and socially.
The semi-basement and the mansion offers a sharp contrast — class divide and social inequality while also showing how the poor literally live beneath the rich.
What Parasite points out is really terrifying. It points out that the relationship between the rich and the poor is largely parasitic in the opposite direction. The poor remains poor because they are not compensated fairly for their labour, in other to maximize a profit and escape destitution. In reality, only the rich, like Mr Park, only truly benefits. This is the ugly face of inequality.
Parasite is a masterpiece of modern cinema because it balances entertainment with biting social commentary. It doesn’t preach—it shows. The final act is brutal yet inevitable, exposing how class resentment simmers beneath the surface until it explodes.
The film’s ending—Ki-woo’s fantasy of buying the mansion vs. the bleak reality of him still trapped in poverty—is one of the most powerful critiques of capitalism ever put on screen. It is a brilliant, layered, and unforgettable film that forces us to confront uncomfortable truths about inequality.
I wanted to compile a list of Oscar-winning films, to make a list of those that are a must-see in our audiovisual lineup and that you can enjoy watching at your leisure during these rainy days and holidays, but the film below definitely needs a separate and complete mention to convince you that YOU HAVE TO SEE IT!
Parasite (2019) - Oscar winner: Best Picture and Best International Feature Film.
When I saw the title, it didn't catch my attention because it's not my style to watch bugs, humans being eaten, and a savior coming to help us; and that's not all, in the end, a parasite survives for a second part ☢️.
However, I was into Korean movies and plots, and since it won Oscars in so many categories, as well as other important awards, I decided to watch it.
My experience? WOW! WOW! WOW! The name doesn't do justice to everything that movie encompasses, and I'll tell you my reasons for watching it again after five years, because I feel like its plot will remain relevant as long as the world is the world.
Yo quería hacer una recopilación de películas ganadoras de Óscar, para hacer una lista de esas infaltables en nuestra parrilla de audiovisuales y que aprovechen en estos días lluviosos y de vacaciones poder ver con calma, pero es que la película a continuación necesita si o si una mención aparte y completa para convencerlos de que ¡TIENEN QUE VERLA!
Parásitos (2019)- Ganadora del Óscar: Mejor película y Mejor película internacional.
Cuando vi el título no me llamó la atención porque no es mi estilo el ver bichos, comerse a los humanos y llegar un salvador a ayudarnos; y eso no es nada, al final, quedar un parásito vivo para una segunda parte ☢️.
Sin embargo, yo estaba en la onda de las películas coreanas, las tramas y al ser ganadora del Óscar en tantas categorías, además de otros premios importantes, me animé a verla.
¿Mi experiencia? ¡WOW! ¡WOW! ¡WOW! El nombre se queda corto en todo lo que encierra esa película y ya les contaré mis razones para después de 5 años volver a verla, porque siento que su trama estará vigente mientras el mundo sea mundo.
One need only read the Bible, our oldest book, which shows us the eccentricities with which kings lived and the poverty and oppression suffered by the less fortunate. This reality has remained unchanged throughout history, and despite numerous attempts and ways of analyzing the social situation, I have come to the conclusion that the rich will always be rich and the poor will always be poor.
And all this is a product of education, access to basic services, job security, social security; in turn, this is linked to the economy, as the more money you have, the better your access to all of the above. And it seems that governments are responsible for maintaining these inequalities. It is as if it were more profitable to be poor than to help everyone to truly live in equal conditions.
Ki-woo's family is a living example of that poor class that does not know how poor it is, remains poor, and has no idea how to get out of poverty, but wants everything. With that outlook, everything starts off badly. Where does this situation lead you? To doing wrong, being dishonest, taking advantage, looking for the easy way out, or letting someone else solve your problems, and that is not right. It also leads you to limit your talents, knowledge, and opportunities because you remain poor.
All the actions taken by the family are opportunistic, emergency measures, temporary, but they do not take decisive action to escape their state of poverty. Why does it emphasize social class? Because they seek the “miracle” of wealth in the Park family's home, which is the complete opposite of the Kim family, and at any cost, they want to live the life of the rich, but without making the slightest effort to obtain their wealth in an honest, honorable way, with effort and sacrifice, as most upper-class people do.
Las clases sociales.
Basta con leer la Biblia, nuestro libro más antiguo, donde nos demuestran las excentricidades con la que vivían los reyes y la pobreza y opresión de las que eran presas las personas menos desposeídas. Esa realidad se ha mantenido durante todos los tiempos y por más intentos o formas de analizar la situación social, yo llego a la conclusión de que: los ricos siempre serán los ricos y los pobres siempre serán pobres.
Y todo esto es producto de la educación, el acceso a los servicios básicos, seguridad laboral, seguridad social; a su vez, eso viene encerrado con la economía, a mucho dinero mejor será el acceso a todo lo mencionado anteriormente. Y pareciera que los gobiernos se encargan de mantener esas desigualdades. Algo así como si fuese más negocio ser pobres que ayudar a todos para vivir verdaderamente en igualdad de condiciones.
La familia de Ki- woo, es el vivo ejemplo de esa clase pobre que no sabe como es pobre, se mantiene pobre y no tiene ni idea de cómo salir de la pobreza, pero lo quiere todo; ya con ese panorama, todo comienza mal. Esta situación, ¿A qué te lleva?, a hacer lo malo, lo falso, lo aprovechado, buscar lo fácil o que otro te resuelva la vida y eso no está bien. También a limitar tus talentos, conocimientos, oportunidades, porque te mantienes pobre😔.
Todas las acciones que realiza la familia es desde el aprovechamiento, de emergencia, temporal, pero no tienen acciones contundentes para salir de su estado de pobreza ¿Por qué hace énfasis en la clase social? Porque ellos buscan "el milagro" de la riqueza en casa de la familia Park, que son totalmente lo contrario a la familia Kim y a costa de lo que sea, quieren vivir la vida de los ricos, pero sin el mínimo esfuerzo de obtener los bienes de una manera honesta, honrada, con esfuerzo y sacrificios como lo hace la mayoría de las personas de la clase alta.
I think the whole plot is EXCELLENT, because the parasite isn't just the disgusting, bloodsucking, freeloading creature that repulses us. The parasite lives within us when we take advantage of other people, when we behave in ways that suggest we “deserve something without working for it,” when we deceive, lie, or betray others to get something we want. The parasite is the one who tramples on another person in order to obtain a benefit. Parasites live within us and feed every day on handouts, donations, our taxes, and demands for benefits that they do not obtain by working, but by being poor, and we should feel sorry for them.
The most dangerous thing is that the parasite lives with resentment and hatred for what they do not deserve, what they have not fought for, but what they consider and have been led to believe they have as many rights to as someone who has worked and fought for the material goods they can accumulate.
Yo considero que toda la trama es EXCELENTE, porque el parásito no es solo el bicho asqueroso, chupasangre, vividor que nos causa asco, el parásito vive en nosotros cuando nos aprovechamos de otras personas, cuando tenemos conductas de "merecer sin trabajarlo", engaño, mentira, traición, para conseguir algún bien; El parásito es el que pisotea a otra persona con tal de obtener un beneficio. Los parásitos viven dentro de nosotros y se alimentan cada día de las dádivas, donaciones, nuestros impuestos y exigencias de beneficios que no obtienen trabajando, sino por ser pobres y debemos sentir lástima por ellos.
Lo más peligroso, es que el parásito vive con resentimiento, con odio, por aquello que no merece, que no ha luchado, pero que considera y le han hecho creer que tienen tantos derechos como lo tiene alguien que si trabajo y luchó por los bienes materiales que puede acumular.
One of the scenes I loved was when Mr. Park is in the living room and describes Mr. Kim's smell. I didn't remember that scene, and I think it was the trigger for all the madness that unfolded at the end and ended in tragedy, because the Kim family was hiding and listening to all the derogatory statements being made about their father. I am totally convinced that Mr. Park was ABSOLUTELY RIGHT and that poverty smells and feels; and I'm not just talking about body odor, but the smell of deprivation and lack that a person with common sense and everything else has.
There are people who are undoubtedly talented and should have a future ahead of them, but the economic system itself does not allow them to advance; likewise, these are not reasons to become a leech and “squeeze” a family that has worked for everything it has.
That is why I believe that we must know and recognize these people so that we do not allow them to destroy us and wipe us out. Furthermore, we must recognize if we are the ones who are behaving like true freeloaders and are not working honestly in accordance with our principles and values in order to obtain a better quality of life.
As for the sets, the band, the acting, the effects, and the ending, I think many pages have already been written about how excellent it is, and the awards confirm this, although I certainly did not see the need for a bloody scene when everything was going so well, but that's how Korean cinema is, and it is respected. Furthermore, this does not detract from the whole plot and the two hours it keeps us entertained.
I think it's a film with a lot to offer, so I invite you to watch it and enjoy it as much as I did.
Una de las escenas que amé, fue cuando el señor Park, está en la sala y describe el olor del señor Kim. No recordaba esa escena y creo que fue la detonante de toda la locura que se presentó al final y que terminó en desgracia, porque la familia Kim estaba escondida escuchando toda la declaración despectiva que se hacía contra el padre. Yo estoy totalmente convencida que el señor Park tenía TODA LA RAZÓN y la pobreza huele y se siente; y no solo hablo del olor corporal, sino del olor a carencia y falta que tiene la persona de sentido común y de todo.
Existen personas que sin duda son talentosas y deberían tener un futuro por delante, pero que el mismo sistema económico no le permite avanzar; de igual forma, estos no son motivos para convertirse en sanguijuela y "exprimir" a una familia que ha trabajado por todo lo que tiene.
Por eso creo, que debemos conocer y reconocer estas personas para no permitir que nos destruyan y acaben con nosotros. Además, reconocer si nosotros somos los que nos estamos comportando como unos verdaderos vividores y no estamos trabajando honradamente de la mano de nuestros principios y valores para poder obtener mejor calidad de vida.
De los escenarios, banda musical, actuación, efectos, y el final, creo que ya muchas páginas hablan y los premios ratifican lo excelente que es, aunque ciertamente, no le vi la necesidad de una escena de sangre cuando todo estaba saliendo tan bien, pero el cine coreano es así y se respeta. Además, esto no le quita mérito a toda la trama y las dos horas que nos mantiene entretenidos .
Considero que es una película que tiene mucha tela que cortar, así que los invito a verla y disfrutarla tanto como yo.
The photographs have their source.
I made the cover in Canva, as well as the divider and banner.
The translator I used was DeepL.
Until next time 😊
Las fotografías tienen su fuente.
La portada la hice en Canva, al igual que, el separador y banner.
El traductor que usé fue DeepL.
Hasta una próxima oportunidad 😊.
Being a zombie movie lover, I went for the movie Parasite with the mindset that it was an apocalypse movie—especially because it appeared as a recommendation after I had watched a zombie movie. Also, the cover photo looked fishy, plus in my hood, there's something associated with anything called a parasite, and that’s “an animal eating the shelter.” So, I thought something of that nature was going to occur, but nope—it turned out to be a different perspective, yet still within the parasitic definition.
The first set of scenes almost got me dizzy because I was expecting to see a zombie breakout, probably in the big mansion that was emphasized in the movie. But no—it kept going and going until it reached a point where I was finally piqued. Not by any zombie outbreak, but instead by a real parasite—Kim’s family—slowly destroying Mr. Park’s family.
Kim’s family, comprising a father, mother, and two adult children, lived in a small, congested house. All of them worked to earn money to keep their lives running, but their earnings weren’t enough to let them live well. Kim Ki-Woo, the son in the family, got a recommendation from his friend—who was traveling abroad—to replace him as a home tutor for Mr. Park’s child. He went for the interview, got hired, and that was when they planned to have every member of their family employed in the Park residence. They wanted to live there, milk the family dry, and escape the poverty they were stuck in.
I won’t spoil it for you by mentioning how they managed to get all of them employed in the house. It was a trickish move, but they played it smartly and completely outsmarted Mr. Park, his wife, their children, and even the old nanny—until the real twist escalated.
The twist came when the old nanny returned one night while Mr. Park and his family were away on vacation. She begged the newly hired staff (Kim’s family) to let her into the house because she forgot something. And guess what? It was discovered that the old nanny had been secretly keeping her husband in the underground chamber of the house for many years. She had been feeding him regularly from the family’s kitchen, and no one in Mr. Park’s household was aware.
The old nanny refused to take her husband out of the house. She threatened that if she was forced out, she would report Kim’s family to the police—and they would all be swept away. But Kim’s family refused to let her stay either, because having both families in the house would ruin their plan of draining the Parks to their satisfaction.
In this movie, the suspense had me deeply interested, especially in the near-caught scenes. Kim’s family was on a wicked mission, but I found myself praying they wouldn’t get caught during those tense moments. That tells you how good the plot is.
The comic parts weren’t left out either. I’m someone who loves humor and laughter to the core. Even when I’m watching a very serious movie, I deduct points if it doesn’t have any comic relief. Parasite had a lot of comic scenes, and they were very entertaining.
I also love how the film introduced some ‘irrelevant’ parts and conversations that, in the end, added so much creativity to the story. A good example is how, once in a while, Mr. Park would complain about how his driver’s clothes smell—referring to Mr. Kim. That very smell was what almost exposed them during a critical scene in the house. That blend was so well done!
The characters did perfectly well, and Mr. Kim stood out for me. Every time he appeared in a simple, sweaty shirt, I found myself imagining the scent from his body. Lol.
It’s a good movie, and I would rate it 8/10. I initially wanted it to be a zombie movie, but though it turned out the opposite, I still found it very interesting to watch—and it wasn’t a waste of time at all.
›I watched the movie Parasite 🎥🎥 || Here's my review@roseruby486d
Parasite (2019)
A story of the have and the have-nots and what some people will do to get ahead. Bong Joon-ho's parasite is a social commentary that may not have the slant that you think it does. The Kim family is very, very poor and their son gets the opportunity to work as a tutor for the extremely wealthy Park family. After that, the families are tangled together in some unexpected ways.
This is one of those festival darlings that has was getting a ton of publicity as the must-not-miss movie of 2019. It's from the director who brought us The Host and Snowpiercer, both of which are great films, by the way.
I love how Bong Joon-ho discusses class and wealth and even contentedness in this film. He brings up issues of entitlement and status and the way that those divide people. The performances in Parasite are great. They're sometimes awkward, but they're exactly what they're supposed to be.
I just loved watching all of the interactions, whether it was with the wealthy Park family or the poor Kim family or even them interacting together in brief little moments here and there. You just you really felt a sense of genuineness to what they were doing.
The film does a good job of building up the world and leading us in the story that just begins to slowly and slowly build this sense of dread or unease. And you don't really know why exactly, but you do know that something not quite good could happen in the very near future. The tension actually rises to a palpable level in the last third of the movie.
It leads to a climax that I really think can cause some discussions on what is the right thing to do and what motivates us. The pace in this movie, it's steady. It's kind of patient, but it just maintains a slowly building pace as the tension increases.
And as the tension increases, the pace of the film also begins to ramp up. So that was nice that it it wasn't just a slow burn or boring or whatever you want to say all the way through. But it also wasn't really fast paced either. It just went the way it did. And as everything kept growing and growing, it got faster and faster. And you just your heart started to beat more and more. The tension built the anxiety even was there. But I did feel the time in this.
I cannot think of a single thing that I would cut out or even any areas that I would trim down or try to speed up. But that being said, I was aware of the time passing. There are several funny moments in this film that go along well with the tension, but it's more of the comedy or the humorous parts happen up front of the movie.
And then the tension happens at the end. So you don't have it just like interspersing or breaking that up. So you don't really get a reprieve from the tension once it begins. Once that just starts, it keeps going.
Now, because of the richness of the message in the film, I do think that this requires and merits several viewings. But that being said, also, this is not something that I would just sit down and watch regularly or even often.
I'll watch it probably once or twice more. But it's again, it's not something that I would be like, "oh, yeah, I'm totally in the mood for this. Let's go!" But it is definitely worth watching once, twice, maybe even three times, especially because I do believe that there is some layered messaging going on.
And it's really the social commentary, is so deep and it is talking about the class and the structure of who we are as people and what makes us content. And are we able to be satisfied with what we have or do we constantly have to chase something else? And then if somebody else has something that we don't, does that make them wrong? It doesn't make us wrong.
Bong Joon-ho is asking that question of, you know what? If there is a divide in class, is that necessarily a bad thing? Because if I'm up here, I can be contented and I decided to work extra hard or I decided to go after all those promotions or make the sacrifices that it takes to get to that point. Or it can be down here and I can be totally contented with my level of salary, my level of life, and I'm making it. I'm just not rich.
And that's OK, too. And it doesn't mean that these have to one has to be pushed up and one has to be pushed down, that we can live like this and we can be OK as well. And that may be controversial for some people to even think about. I don't know. But I do like that he asks the question about it, that he even brings it up, that we begin to talk about it some and that it's done in a way that leads to a climax that you're probably not totally expecting. I rate Parasite 9 out of 10.
Greetings Cinetv friends, Parasite is an intriguing film with an original mix of several genres. With small doses of classic film suspense that Alfred Hitchcock himself would applaud. It doesn't fit into any mold, although it makes nods to classic films. It made me forget about photography, analyzing the performances, or other factors, because in each scene it puts you in each sequence and in the possibilities of what can happen. With some images that will stay in my head for a long time. Intimate moments with a lot of meaning, like the physical contact between the family, the aroma, the interaction between the two families. The concept of the oriental honor of gratitude, even if it is at the expense of the leftovers of others, taken to the extreme. At times, it seems like a satire, but it feels so current and close that it becomes uncomfortable (in a good way). I think it is a reflection of the inequality in society in many countries, with which we can identify.
Saludos amigos de Cinetv, Parasito una película intrigante con una original mezcla de varios géneros. Con pequeñas dosis de suspenso de película clásica que el mismo Alfred Hitchcock aplaudiría. No entra en ningún molde, si bien hace guiños a películas clásicas. Me hizo olvidarme de la fotografía, de analizar las actuaciones, u otros factores, porque en cada escena te mete en cada secuencia y en las posibilidades de lo que puede ocurrir. Con algunas imágenes que se van a quedar en mi cabeza por mucho tiempo. Momentos íntimos con mucho significado, como el contacto físico entre la familia, el aroma, la interacción entre las dos familias. El concepto del honor oriental del agradecimiento, aunque sea a expensas de sobras de los demás, llevado al extremo. En momentos parece una sátira, pero se siente tan actual y cercana que llega a incomodar (En el buen sentido). Creo que sí es un reflejo de la desigualdad en la sociedad en muchos países, con la que nos podemos sentir identificados.
Director Bong Joon-ho tells a story that shows the parallels of two different social classes, who will relate in an affable way, until they end up in the most brutal way possible due to shocking previous acts. "Parasites" follows the hard experiences of the Kim's, a poor family. In order to earn some money and raise the social status of the family, each member will manage to get hired in the house of the rich Park family, through truth and deception. Little by little, the Kim's will take advantage of the naive Parks, and will live as "parasites" in their luxurious home: "hidden" as workers in the house, but "discovered" when the Parks are not there or do not notice. However, the unexpected return visit of the Park family's former housekeeper will lead to unexpected events, which will trigger a bloody massacre.
Su director, Bong Joon-ho, muestra una historia donde se notan los paralelos de dos clases sociales distintas, que se relacionarán de manera afable, hasta acabar de la manera más brutal posible debido a impactantes actos anteriores. "Parásitos" sigue las duras vivencias de los Kim, una familia pobre. Con el fin de ganar algo de dinero y elevar el status social de la familia, cada miembro logrará ser contratado en la casa de la rica familia Park, a través de verdades y engaños. Poco a poco, los Kim sacarán provecho de los ingenuos Park, y vivirán como "parásitos" en su lujoso hogar: "escondidos" como trabajadores en la casa, pero "descubiertos" cuando los Park no estén o no se den cuenta. Sin embargo, la inesperada visita de regreso de la antigua ama de llaves de la familia Park llevará a inesperados sucesos, que desencadenarán una masacre sangrienta.
"Parasites" won the Palme d'Or at the Cannes Film Festival, the Golden Globe and the Oscar for Best Foreign Language Film. Bong Joon-ho won the Oscar for Best Director, confirming his total mastery in his film. The symbolism and the powerful, raw and pessimistic message seem to elevate the film to levels rarely seen in recent years. A bloody social critique in the middle of 2019, awakens a revitalized interest in social hierarchies in our present day. Whether South Korea or any country is developed or not, poverty reaches everyone. A state from which many seek to escape. On the other hand, wealth brings stability, but awakens selfishness in some. A continuous emotional and mental struggle between two different social classes will be the main point of clash in the film.
"Parásitos" ganó la Palma de Oro en el Festival de Cannes, el Globo de Oro y el Óscar a Mejor Película de Habla no Inglesa. Bong Joon-ho obtuvo el Óscar a Mejor Director, ratificando su maestría total en su filme. Los simbolismos y el potente mensaje, crudo y pesimista, parecen ensalzar la película a niveles poco vistos en los últimos años. Una sangrienta crítica social en pleno 2019, despierta un revitalizado interés en las jerarquías sociales en nuestra actualidad. Sea Corea del Sur o cualquier país uno desarrollado o no, la pobreza alcanza a cualquier persona. Un estado del que muchos buscan escapar. Por otro lado, la riqueza trae estabilidad, pero despierta el egoísmo en algunos. Una continua lucha emocional y mental entre dos clases sociales distintas será el punto de choque principal en la película.
In short, "Parasites" awakens horror disguised as happiness and sadness, depending on the social context, in each one. A grim and dark reality that will never go away. We are all parasites, and we are condemned to be so, whether we are rich or poor. The end of the film is a grim reminder that in a society marked by inequality, many live in the shadows, invisible, struggling to survive. They are spectators in this film called "life", where only a few manage to rise, while others, without pain or glory, sink even further. "Parasite" is not only a cinematic masterpiece, but also a powerful reflection on the human condition and the cruel realities of modern society. I really recommend it. Until next time.
En síntesis, "Parásitos" despierta el horror disfrazado de felicidad y tristeza, dependiendo del contexto social, en cada uno. Una realidad sombría y oscura que nunca desaparecerá. Todos somos parásitos, y estamos condenados a serlo, seamos ricos o pobres. El final de la película es un recordatorio sombrío de que en una sociedad marcada por la desigualdad, muchos viven en las sombras, invisibles, luchando por sobrevivir. Son espectadores en esta película llamada "vida", donde solo unos pocos logran ascender, mientras que otros, sin pena ni gloria, se hunden aún más. "Parasite" no solo es una obra maestra cinematográfica, sino también una poderosa reflexión sobre la condición humana y las crueles realidades de la sociedad moderna. Realmente le recomiendo. Hasta un próximo contacto.
›(ENG/SPA) Parasite: When People are Society's Microbiota90@promete0sz533d
Parasite is a film that criticizes the cruelty of society and family imbalances in that environment, it does so from various points of view where some are subtle and others are much more noticeable in the story because it is as if the film hits us with the grotesque reality which generates repulsion but at the same time are momentary reflections of ourselves as viewers, family, society and human beings.
I saw a review in the community that encouraged to see this film and it caught my attention immediately because the striking thing was the murkiness of that image which is basically the promotional image of the film with those censored eyes which you can also see in this post, it is inevitable to associate that abominable strip with something bad like death and as I love death stories I was encouraged to see it on MAX since that is where it is available.
Parasite es un film que critica la crueldad de La Sociedad y Los Desequilibrios Familiares en ese entorno, lo hace desde variados puntos de vista donde algunos son sutiles y otros son mucho mas notables en la historia porque es como si el film nos golpeara con lo grotesco de la realidad lo cual nos genera repulsión pero a la vez son reflejos momentáneos de nosotros mismos como espectadores, familia, sociedad y seres humanos.
Vi una reseña en la comunidad que animaba a ver este film y me llamo la atención de inmediato porque lo llamativo fue lo turbia de esa imagen que es básicamente la promocional del film con esos ojos censurados la cual pueden ver también en este post, es inevitable asociar esa franja abominable con algo malo como la muerte y como me encantan las historias de muerte pues me anime a ver en MAX ya que allí es donde esta disponible.
Now beyond my impression, once I saw the film my thoughts are varied because I mistakenly associated it with a horror film because with that name of the film and those censorship stripes one can expect that, I think that in reality the most powerful of the film is not the murky, what most impacts the film is the ability to generate reflections as it is an intelligent film, in this review I will share mine and therefore I encourage you to see because you may have other reflections because your life experiences are different from mine.
I share with you the Trailer so you can see a slight overview of what the film is about, a lower class family in economic collapse struggles to survive even if they become metaphorically speaking parasites, this is basically the premise it offers and it is one that I love because yes, I totally think that the metaphor individuals of a nuclear family is totally equivalent to the concept Parasite that gives the film and the host is the Society.
Many may be horrified, detest this comparison I am writing but it is because they do not know that just as there are good and bad people, there are also good and bad parasites, we do not have to go very far, we are host of many parasites in our microbiota where some are good and others bad, what gives the film the conviction of being a social criticism is how society forces us to eat each other voraciously, savagely and hypocritically.
Ahora mas allá de mi impresión inicial, una vez que vi el film mi pensamiento es variado porque erróneamente lo asocié con un film de terror ya que con ese nombre de la película y esas franjas de censura pues uno se puede esperar eso, pienso que en realidad lo mas poderoso del film no es lo turbio, lo que mas impacta del film es la capacidad de generar reflexiones ya que es una película inteligente, en esta reseña te compartiré las mías y por eso te animo a ver porque puede que tu tengas otras reflexiones ya que tus vivencias de vida son diferentes a las mías.
Les comparto el Trailer para que vean un ligero panorama de lo que va la película, una familia de la clase baja en colapso económico lucha por sobrevivir así se conviertan metafóricamente hablando en Parásitos, esta es básicamente la premisa que ofrece y es una que me encanta porque sí, pienso totalmente que la metáfora individuos de un núcleo familiar es totalmente equivalente al concepto Parasito que le da el film y el huésped es la Sociedad.
Muchos se pueden horrorizar, detestar esta comparación que estoy escribiendo pero es porque no saben que así como hay personas buenas y malas, también hay parásitos buenos y malos, no hay que ir muy lejos, nosotros somos huésped de muchos parásitos en nuestras Microbiotas donde unos son buenos y otros malos, lo que le da la convicción al film de ser una critica social es el como la Sociedad nos obliga a comernos unos a otros de manera voraz, salvajemente e hipócritamente.
Social Hypocrisy
This is the most forceful reflection that the film transmitted to me, maybe that's why it reached people so much because they are things that many have lived, the film is very well made to reflect the reality of wealthy families who basically pay for company in the only thing that matters to them which are themselves and their things where you can perceive the rejection and lack of concern towards the parasites and their things but they will not tell you this because they need to use them to live.
That is why I consider the title parasite to be genius because that family of parasites that you see happily smiling in the picture can help you as well as they can use you to take advantage of your condition of monetary power, they eat you, they feed on you in a process called Work where they smile and thank you when in reality they hate you, detest you and criticize you behind your back even though you have been a good person to them.
Parents take so much care of their children, pamper them, take them to school with the greatest affection so that they can be forged, celebrate their grades, treat them beautifully, it seems like a fantasy world that ends when you go to the working world where the strongest lives and gets a job and the other perishes professionally to which I add the bad treatment at work.
It is a great film, just look at all the aspects I mention and all that is raised in the film or at least in my case I perceived it that way, I'm sure if you dare to see the film that these two reflections that I name will not go unnoticed for you.
The Social Imbalance
There is a part of the film that names for a security guard position hundreds of college students apply, this I think many of you have lived it and being graduates, these are realities that hit people.
Parents take so much care of their children, pamper them, take them to school with the greatest affection so that they can forge themselves, celebrate their grades, treat them beautifully, it seems a fantasy world that ends when you go to the working world where the strongest lives and gets a job and the other perishes professionally to which I add the mistreatment at work.
It is a great film, just look at all the aspects I mention and all that is raised in the film or at least in my case I perceived it that way, I'm sure if you dare to see the film that these two reflections that I name will not go unnoticed for you.
La Hipocresía Social
Esta es la Reflexión mas contundente que me transmitió el film, tal vez por eso llego tanto a las personas ya que son cosas que muchos han vivido, esta muy bien hecha la película al reflejar la realidad de familias adineradas que pagan básicamente por compañía en lo único que les importa que son ellos mismos y sus cosas donde se percibe el rechazo y la falta de preocupación hacia los parásitos y sus cosas pero esto no se lo dirán porque necesitan usarlos para vivir.
Por eso considero que el título Parasito es una genialidad porque esa familia de parásitos que ven felizmente sonreír en la imagen pueden ayudarte así como pueden utilizarte para aprovecharse de tu condición de poder monetario, te comen, se alimentan de ti en un proceso llamado Trabajo donde sonríen y te dan las gracias cuando en realidad te odian, te detestan y critican a tus espaldas a pesar de haber sido una buena persona con ellos.
El Desequilibrio Social
Hay una parte del film que nombra para un cargo de guardia de seguridad se presentan centenares de universitarios, esto pienso que muchos de ustedes lo han vivido y siendo graduados, son realidades que golpean a las personas.
Los padres cuidan tanto de los hijos, los miman, los llevan a las escuelas con el mayor cariño para que se forjen, celebran sus notas, los tratan lindo, parece un mundo de fantasía que se acaba cuando vas al mundo laboral donde el mas fuerte vive y consigue trabajo y el otro perece profesionalmente a lo cual añado los malos tratos laborales.
Es una gran película, solo fíjense todos los aspectos que menciono y todo eso se plantea en el film o al menos en mi caso lo percibí así, estoy seguro si te animas a ver la película que estas dos reflexiones que nombre no pasaran desapercibidas para ti.
Ki-Jung is the best character in the film
She is The Perfect Parasite because she has an enviable ability to adapt in situations, in fact she can camouflage herself in that monetary environment of power and appear to be upper class haha, it is a slight detail that is mentioned but it helps to define the personality of the character since she can swim between classes.
The Actress transmits a lot of life, a lot of irony, a lot of vital hypocrisy for the film, I believe what she says until they have to tell me that she is lying, character and actress are in perfect harmony, all the casting convinced me and of all of them, she got to me the most.
I fully recommend you to see the film, it deserves 9 out of 10 where the ending I did not like completely but the film seeks to go beyond and it succeeds, it is not just entertainment, from this narrative and conflict you can get a lot and each viewer can perceive it differently by their experiences during life as Parasite.
Ki-Jung es La Mejor Personaje del film
Ella es La Parásito perfecta porque tiene una capacidad para adaptarse en las situaciones envidiable, de hecho puede camuflajearse en ese entorno monetario de poder y aparentar ser de clase alta jaja, es un detalle ligero que se menciona pero ayuda a definir la personalidad del personaje ya que puede nadar entre las clases.
La Actriz transmite mucha vida, mucha ironía, mucha hipocresía vital para la película, me creo lo que ella dice hasta que me tienen que decir que esta mintiendo, personaje y actriz están en armonía perfecta, todo el casting me convenció y de todos ellos, llego mas a mi ella.
Te recomiendo plenamente para ver el film, se merece 9 chiquitos de 10 donde el final no termino de gustarme por completo pero que el film busca ir mas allá y lo logra, no es solo entretenimiento, de esta narrativa y conflicto se puede sacar mucho y cada espectador lo puede percibir diferente por sus experiencias durante la vida como Parasito.
I dedicate each and every one of my posts and videos to my little dog named princess, we called her chiquito, she is no longer with us but from heaven she will see that her existence was valuable and the most beautiful thing that will exist in my heart and soul.
“Parasite”, is a South Korean film directed by Bong Joon-ho, released in 2019. The story follows the Kim family, who live in poverty in a basement in Seoul.
The Kim's life changes when the eldest son, Ki-woo, gets a job as an English tutor for the daughter of the wealthy Park family.
Seizing the opportunity, Ki-woo devises a plan for his family to infiltrate the Park family's life. His sister, Ki-jung, introduces herself as an art expert, getting the Park family to hire her services.
Gradually, the Kims manage to take over the jobs of the household employees, including the chauffeur and housekeeper, without the Park's realizing her true identity.
As the story progresses, class tensions and social inequality are revealed, leading to an unexpected and dramatic twist.
The film explores themes such as the struggle for survival, ambition and the differences between social classes, culminating in a shocking denouement that leaves the viewer pondering human nature and social divisions.
The film has been critically acclaimed and has won numerous awards, including the Oscar for Best Picture, becoming the first non-English language film to receive this award.
Its mix of genres, from comedy to thriller, and its sharp social criticism have established it as a masterpiece of contemporary cinema.
›Parasite Why it deserved an Oscar?@reviewzzz547d1 view
Parasite is one of the greatest films of recent years, and it strongly deserved the Oscar in 2020. If we are going to say why this film deserved the award, we must talk about some important things from the story, content, and the way it was presented.
First of all, the story itself was full of deep and influential ideas. Parasite is not only a film about poverty and wealth, but it also talks about class disparity, and how society lives in large and tangible gaps between people. A film that takes us inside the lives of two completely different families, a poor family trying to find a place for itself in the world of rich people. But in a very clever way, it reveals the deceptive appearances in all aspects, whether from the rich or the poor class. It takes us between different feelings: laughter, sadness, anger, and in the end there is deep thinking about the bitter truth in society.
The photography was an essential part of the success of this film. Director Bong Joon-ho uses the camera very creatively to reflect this disparity, whether through the wide spaces of the rich people's homes or the narrow, dark places of the poor people's families. This not only makes the film visually beautiful, but it also allows the viewer to feel the characters' emotions more deeply.
On the other hand, the acting was more than wonderful. Every character in the film was mastered greatly. From Kim Ki-taek, the father who tries with all his might to achieve any opportunity for himself, to the character of the son Kim Ki-woo who tries to delude himself that he can change his fate. This performance not only adds depth to the film, but also makes the viewer affected by every moment of the events.
And of course we cannot forget the unexpected story in the film. At first, the film seems simple, but as the events develop, we discover that there are many interconnected threads, and a sudden change in the events makes the film more exciting and suspenseful.
This film is not just a story about poverty and wealth, it makes people think about social relations in society, and how each class can deal with its own challenges and problems. Because of the strong story, excellent direction, and great acting, Parasite really deserved the Oscar.
La película que reseño esta semana no deja indiferente. En Parásitos encontrarás comedia, crítica social, intriga, drama, incluso terror. Es una obra maestra que te deja clavado en el asiento preguntándote qué demonios acabas de ver en la pantalla.
El cine coreano lleva unos años en auge y buena parte de los motivos son películas como ésta. En mi primera incursión no imaginaba que podía encontrar tanta calidad y confieso que me ha dejado más que satisfecha. También espero que no signifique que me decepcionen las películas coreanas que vea en el futuro.
En el inicio conocemos a la familia de Ki Taek (Song Kang-ho), formada por el matrimonio y dos hijos, chico y chica. Los cuatro están sin trabajo y viven en un sucio sótano de un barrio humilde. No parece que se lleven bien entre ellos, pues se la pasan burlándose unos de otros.
Una casualidad propicia que el hijo mayor, Ki Woo (Choi Woo-sik), comience a dar clases particulares en casa de los Park (Lee Seon-gyun), una familia rica que vive en una casa de lujo. Todo lo contrario a los Taek.
Ki Woo ve la oportunidad de que el resto de su familia obtenga trabajo. Mediante mentiras y engaños consigue que los Park contraten a su hermana, luego a su padre y finalmente a su madre.
Las vidas de ambas familias se entrelazan, al principio mediante escenas cómicas, pero poco a poco la película empieza a ensombrecerse y a volverse un drama que te mantiene en tensión hasta el final.
Las interpretaciones de todos los actores me parecieron buenas. Te puedes identificar con cada uno de ellos en determinados momentos, pues representan estereotipos de personas normales. Esa es la magia de la película, que no necesita recurrir a grandes efectos especiales para que nuestro ánimo transite por todo el arco dramático posible.
Sin embargo, sentí el final como algo forzado y acelerado. Da la sensación de que tenían muy bien preparado cómo empezar, con unos excelentes elementos con los que jugar, y que después no supieron qué hacer con ellos. Mientras cada trama inicial es debidamente presentada para asimilarla, en la conclusión hay momentos en que me encontré perdida y necesitando un esfuerzo por entender lo que iba sucediendo.
Pero al fin y al cabo el cine trata de impactar, y eso en Parásitos se logra a la perfección. Si el director buscaba remover el animo del espectador desde luego lo consigue. El festival de galardones que recibió en cada convocatoria del año 2019 fue bien merecido, pues llegaron por parte de la crítica, los profesionales y los espectadores.
En cuanto a la parte técnica es una clase magistral de todo lo que se puede lograr utilizando escenas de interior. La luz, los planos, el decorado cambiante, la música y hasta el piso en el que la acción se sitúa nos permite permanecer sincronizados con lo que vemos en la pantalla, alternando entre el agobio y el respiro.
Mi recomendación es verla sin prejuicios de ninguna clase, dejándote sorprender por lo que te vas a encontrar, tal como me ocurrió a mí. Si la has visto, me encantará saber tu opinión en los comentarios.
Tráiler en español:
Créditos:
Diseño de la portada en Canva.
Todas las imágenes de la película obtenidas de IMDb.
Trailer oficial obtenido de YouTube
Hasta la próxima publicación. Mientras tanto, ¡cuídate!
The film I'm reviewing this week doesn't leave you indifferent. In Parásitos you will find comedy, social criticism, intrigue, drama, even horror. It's a masterpiece that leaves you stuck in your seat wondering what the hell you've just seen on the screen.
Korean cinema has been on the rise for a few years now, and films like this one are a big part of the reason. In my first foray I didn't imagine I could find so much quality and I confess that I was more than satisfied. I also hope that it doesn't mean that I will be disappointed with the Korean films I see in the future.
In the beginning we meet Ki Taek's (Song Kang-ho) family, a married couple and two children, a boy and a girl. The four of them are out of work and live in a dingy basement in a poor neighbourhood. They don't seem to get along well with each other, making fun of each other.
By chance, the eldest son, Ki Woo (Choi Woo-sik), starts tutoring at the home of the Park family (Lee Seon-gyun), a rich family who live in a luxurious house. Quite the opposite of the Taek family.
Ki Woo sees an opportunity for the rest of his family to get jobs. Through lies and deceit he gets the Park family to hire his sister, then his father and finally his mother.
The lives of the two families intertwine, at first through comic scenes, but gradually the film begins to darken and become a drama that keeps you on edge until the end.
I thought the performances of all the actors were good. You can identify with each of them at certain moments, as they represent stereotypes of normal people. That's the magic of the film, that it doesn't need to resort to big special effects to make us go through the whole dramatic arc possible.
However, the ending felt forced and rushed. It feels as if they had a great set-up to begin with, with some excellent elements to play with, and then didn't know what to do with them. While each initial plot is properly presented for me to assimilate, at the conclusion there are moments when I found myself lost and needing an effort to understand what was going on.
But at the end of the day, cinema is about shock, and in Parasites that is achieved to perfection. If the director wanted to shake the spectator's spirit, he certainly succeeds. The festival of awards that it received in each call of the year 2019 was well deserved, as they came from critics, professionals and spectators.
On the technical side it is a masterclass in all that can be achieved using interior scenes. The light, the shots, the changing scenery, the music and even the floor on which the action takes place allow us to stay in sync with what we see on the screen, alternating between overwhelm and respite.
My recommendation is to see it without prejudice of any kind, letting yourself be surprised by what you are going to find, as I was. If you've seen it, I'd love to hear your opinion in the comments.
Trailer in English:
Credits:
Cover design in Canva.
All images from the film obtained from IMDb
Official trailer obtained from YouTube
Hello to all fans of good stories, I hope you are very well today... this time I want to talk about a movie that undoubtedly was a before and after for many people, this is the award-winning film: Parasite. This is a very intense movie that transmits many things... it is a cinematic roller coaster that will probably make some people who have not seen it reflect a lot, from the moment the movie starts you feel very attracted by the world of the Kim family, their struggles and their ingenious plans to improve their life situation... Director Bong Joon-ho has created a masterpiece that defies easy categorization, combining elements of drama, dark humor, thriller, and even horror into a captivating and entertaining narrative... the opening scenes of the film introduce us to the Kim family's crowded apartment also known as “banjiha” a very stark representation of South Korea's socio-economic divide, these apartments are very small spaces.. originally designed as air raid shelters, they have become a symbol of the country's housing crisis, and the ugly struggles faced by its citizens, mainly the low income or working class.
As someone unfamiliar with Korean culture, I found this aspect of the film particularly interesting, and one of the things that impressed me most was its ability to navigate complex social issues in a very realistic way. The director portrays all the harsh realities of poverty in the locals, but also avoids falling into the trap of romanticizing the experiences of the less fortunate, instead presenting a multifaceted exploration of the dynamics of different social classes.. and that made me question my own perceptions.. as normally you think you might be very bad off economically, and it's a reality check to realize that indeed in countries as developed as South Korea there are people who are having a much harder time.
Hola a todos fanáticos de las buenas historias, espero que se encuentren muy bien en el día de hoy.. en esta ocasión quiero hablarles de una película que sin duda fue un antes y un después para muchas personas, se trata de la premiada película: Parasite. Esta es una película muy intensa y que transmite muchas cosas.. es una montaña rusa cinematográfica que probablemente a alguno que no la haya visto lo hará reflexionar mucho, desde el momento en que empieza la película logras sentirte muy atraído por el mundo de la familia Kim, sus luchas y sus ingeniosos planes para mejorar su situación de vida.. El director Bong Joon-ho ha creado una obra maestra que desafía una categorización fácil, combinando elementos de drama, humor negro, thriller e incluso horror en una narrativa cautivadora y entretenida.. las escenas iniciales de la película nos presentan el apartamento abarrotado de la familia Kim.. también conocido como "banjiha" una representación muy cruda de la división socioeconómica de Corea del Sur, estos apartamentos son espacios muy pequeños.. originalmente diseñados como refugios antiaéreos, se han convertido en un símbolo de la crisis de vivienda del país, y las luchas feas que enfrentan sus ciudadanos, principalmente los de bajos recursos o la clase trabajadora.
Como alguien poco familiarizado con la cultura coreana, encontré este aspecto de la película particularmente interesante, y una de las cosas que más me impresionaron fue esa capacidad para navegar por complejos problemas sociales de una manera muy realista.. El director retrata toda la dura realidad de la pobreza en los habitantes, pero también evita caer en la trampa de romanizar las experiencias de los menos afortunados, en su lugar presenta una exploración multifacética de las dinámicas de las distintas clases sociales.. y eso me hizo cuestionar mis propias percepciones.. ya que normalmente uno cree que puede estar muy mal económicamente, y es un golpe de realidad el darte cuenta de que efectivamente en países tan desarrollados como Corea del Sur hay personas que la están pasando mucho peor.
I found the pacing of the film to be impeccable, starting with a somewhat light tone, as we see the protagonist family infiltrate the home of the Park family, who are a much wealthier family... the humor in these early scenes is very funny, although there is always a certain tension that keeps you on your toes as to what is going to happen.... As the story progresses, this tension increases, and the changes in tone become more pronounced and extremely disturbing, one of Parasite's greatest strengths is its ability to surprise you, this is something that I really like... just when I thought the story would take a certain direction, it surprised me with a shocking twist, I think some of these moments are executed with a lot of genius... they don't feel silly or random, on the contrary they serve to deepen the narrative much more, and it's nice that the movie itself makes you reconsider everything you've understood and seen up to that point.
As for the performances, they are very good, each actor brings depth and nuance to their role.. from the father of the Kim family, he constantly conveys to you a complex mix of emotions ranging from despair to pride, among others.. and the other members of the Park family are very complex, they are not simple rich and stupid people.. when we see their lack of awareness about the showers of the less fortunate, it is not portrayed with malice, but as a kind of different world view.. An entrenched view that is very frustrating, but mostly painfully believable, as it's not that they are trying to be bad, they just live in a bubble and it's hard to get them out of it.... Visually, this film is very well made, the contrast between the Kim's small cluttered apartments and the Park's spacious modern home is striking, the director uses these settings very well to convey things and all the cinematography is beautiful, there are carefully composed shots that are incredible and often carry a certain symbolic weight.
El ritmo de la película me pareció impecable, comenzando con un tono algo ligero, mientras vemos a la familia protagonista infiltrarse en el hogar de los Park, que son una familia mucho más adinerada.. el humor en estas primeras escenas es muy gracioso, aunque siempre hay cierta tensión que te mantiene atento a lo que va a pasar.. A medida que va avanzando la historia, esta tensión va en aumento, y los cambios de tono se vuelven más pronunciados y sumamente inquietantes, una de las mayores fortalezas de Parasite es su capacidad para sorprenderte, esto es algo que a mí me gusta mucho.. justo cuando creía que la historia tomaría cierto rumbo, me sorprendió con un giro impactante, creo que algunos de estos momentos se ejecutan con mucha genialidad.. no se sienten bobos ni aleatorios, sino que al contrario sirven para profundizar mucho más en la narrativa, y es bueno que la misma película te haga reconsiderar todo lo que has entendido y visto hasta ese momento.
En cuanto a las actuaciones, son muy buenas, cada actor aporta profundidad y matices a su papel.. desde el padre de la familia Kim, constantemente te transmite una mezcla compleja de emociones que van desde la desesperación hasta el orgullo, entre otras.. y los demás integrantes de la familia Park son muy complejos, no son simples personas ricas y estúpidas.. cuando vemos su falta de conciencia sobre las duchas de los menos afortunados, no se representa con malicia, sino como una especie de visión del mundo diferente.. Una visión arraigada que es muy frustrante, pero sobre todo dolorosamente creíble, ya que no es que intenten ser malos, simplemente viven en una burbuja y es difícil sacarlos de ahí.. Visualmente, esta película está muy bien hecha, el contraste entre los pequeños apartamentos desordenados de los Kim y la espaciosa casa moderna de los Park es sorprendente, el director utiliza estos escenarios muy bien sta transmitir cosas y toda la cinematografía es hermosa, hay tomas cuidadosamente compuestas que son increíbles y muchas veces llevan cierto peso simbólico.
As the plot unfolds and the film progresses, you feel it explores very deeply the social class dynamics here, and certain layers of complexity are revealed to you that go beyond the simple rich versus poor, the film presents you that the real parasites might not be who we initially assume, and the relationship between social classes is more symbolic than we would like to admit. One of the aspects I liked most about this film is how it shows you in your face uncomfortable truths about inequality and the individual and invisible struggles of the working class...the film gives you all this context, but it doesn't lecture you or give you moral lessons...
It just presents you with an unrelenting look at the realities of life in a society with deep economic divisions where the poor are treated almost like animals. This makes clear all the skill that the director has as a cinematographer, as he is able to tackle these issues while creating a very entertaining and dark film, the sound design and soundtrack also seemed very good to me... there are certain piano melodies that accompany some key scenes that I thought were very cool.
A medida que se va desarrollando la trama y la película avanza, sientes que va explorando muy a fondo las dinámicas de clases sociales aquí, y se te van revelando ciertas capas de complejidad que van más allá de los simples ricos versus pobres, la película te presenta que los verdaderos parásitos podrían no ser quienes inicialmente asumimos, y la relación entre las clases sociales es más simbólica de lo que nos gustaría admitir. Uno de los aspectos que más me gustaron de esta película es cómo te muestra en toda tu cara verdades incómodas sobre la desigualdad y las luchas individuales e invisibles de la clase trabajadora.. la película te da todo este contexto, pero no te sermonea ni te da lecciones morales..
Solamente te presenta una mirada implacable a las realidades de la vida en una sociedad con profundas divisiones económicas donde los pobres son tratados casi como animales. Esto deja claro toda la habilidad que tiene el director como cinematógrafo, ya que puede abordar estos temas mientras crea una película muy entretenida y oscura, el diseño de sonido y la banda sonora también me parecieron muy buenos.. hay ciertas melodías de piano que acompañan algunas escenas claves que me parecieron muy geniales.
As the climax of the film builds, the tension becomes very deep...the final act of the film is a masterclass in suspense, raising the stakes to very high heights. Without giving anything away to avoid spoilers, I'll just say that the ending left me emotionally drained, dealing with a lot to think about, one of the biggest strengths of this story is how it refuses to paint its characters in terms of black or white, this is something very interesting, as it presents us that the Kim family, despite being the main characters, are not all good.. as they constantly try to move on, using manipulation or deceit. And the Park's, while often clueless and privileged, are not portrayed as evil villains, there is some ambiguity in their relationship and behaviors, and it makes the characters feel much more human.
I think the way an issue like socioeconomic disparity is addressed is poignant...the film sheds an interesting focus on the struggles faced by those who live in these types of very small, gated apartments, because, let's remember this is not fiction, there are people who are really going through this.... The movie does a great job of illustrating how this stigma can impact every aspect of a person's life...from their job prospects to social interactions, in a way it made many focus on these people that they were ignoring for a long time.
A medida que va llegando el clímax de la película, la tensión se vuelve muy profunda.. el acto final de la película es una clase magistral de suspenso, elevando las apuestas a alturas muy altas. Sin revelar nada para evitar los spoilers, solo diré que el final me dejó emocionalmente agotado, lidiando con muchas cosas en las cuales pensar, una de las mayores fortalezas de esta historia es como se niega a pintar a sus personajes en términos de blanco o negro, esto es algo muy interesante, ya que nos presenta que la familia Kim, a pesar de ser los protagonistas, no son del todo buenos.. ya que constantemente tratan de seguir adelante, usando manipulaciones o engaños. Y los Park, aunque a menudo son despistados y privilegiados, no son retratados como villanos malvados, hay cierta ambigüedad en su relación y comportamientos, y hace que los personajes se sientan mucho más humanos.
Creo que la manera en la que se aborda un tema como la disparidad socioeconómica es conmovedora.. la película arroja un enfoque interesante sobre las luchas que enfrentan aquellos que viven en este tipo de apartamentos muy pequeños y cerrados, ya que, recordemos que esto no es ficción, hay personas que realmente están pasando por esto... La película hace un gran trabajo en ilustrar cómo este estigma puede impactar en cada aspecto de la vida de una persona.. desde sus perspectivas laborales hasta las interacciones sociales, de cierta manera hizo que muchos se enfocaran en estas personas que estuvieron ignorando por mucho tiempo.
On the main theme and various images, they continue in my head long after I have finished this story, and will surely lead many of you to reconsider your own place in society and the invisible barriers that can separate us from one another. It's a... I think for this is a cinematic tour de force that deserves all the glories I've received. It's a film that works on multiple levels, as a gripping thriller, a social satire, and a profound meditation on social class and, clearly, inequality. Director has created a work that is both universally accessible and deeply...inspiring...few filmmakers will be able to achieve what they did here. While the film's darker elements and complex themes may not be to everyone's taste, I think it's a must-see film for anyone who appreciates cinema and wants to know much more than the four walls in which they live. It's the kind of story that not only entertains you, but also challenges you.
It inspires you to look far beyond our own experiences, beyond what we have lived through, and consider the broader social structures. I think, for its emotional impact and deep exploration of intense and necessary issues, I give Parasite a strong 10/10. It is a film that will be discussed and analyzed for a long time to come. And I hope that people who have not seen it, mainly because it is a foreign film, will give it a chance. You will definitely experience something unique in the cinema. And well, I hope you liked this review. See you in the next ones, take care, bye bye.
Sobre el tema principal y diversas imágenes, continúan en mi cabeza mucho tiempo después de haber terminado esta historia, y seguro llevará a muchos de ustedes a reconsiderar su propio lugar en la sociedad y las barreras invisibles que pueden separarnos unos de otros. Es un... Creo que para este es un tour cinematográfico que merece todos los glorios que he recibido. Es una película que funciona en múltiples niveles, como un thriller apasionante, una sátira social, y una profunda meditación sobre las clases sociales y, claramente, la desigualdad. El director ha creado una obra que es tanto universalmente accesible como profundamente... inspiradora.. pocos cineastas podrán lograr lo que hicieron aquí. Aunque los elementos más oscuros de la película y sus temas complejos pueden no ser del gusto de todos, creo que es una película imprescindible para cualquiera que aprecie el cine y quiera conocer mucho más de las cuatro paredes en las que vive. Es el tipo de historia que no solo te entretiene, sino que también te desafía.
Te inspira a mirar mucho más allá de nuestras propias experiencias, de lo que nosotros hemos vivido, y considerar las estructuras sociales más amplias. Creo que, por su impacto emocional y exploración profunda de problemas intensos y necesarios, yo le doy a Parasite un fuerte 10/10. Es una película que será discutida y analizada durante mucho tiempo. Y espero que las personas que no la han visto, principalmente por ser una película extranjera, le den una oportunidad. Sin duda experimentarás algo único en el cine. Y bueno, espero les haya gustado esta reseña. Nos vemos en las próximas, cuídense mucho, bye bye.
Tell me... have you seen this movie? Has it caught your attention? Tell me what you thought of this review with my opinion, and tell me if it has made you want to watch this movie. You can leave me in the comments your recommendations for future publications! 😊
Cuéntame.. ¿Has visto esta pelicula? Te ha llamado un poquito la atención? Dime que te pareció esta reseña con mi opinión, y dime si te han dado ganas de ver esta pelicula. Puedes dejarme en los comentarios tus recomendaciones para las próximas publicaciones!! 😊
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›Parasite (2019) : Frightening & Intense Scenes ~ Movie Review80@vinzie1824d
Let's going to review this movie that I watch years ago that I still remember on what happened to this movie. It's been a few years already that I've watched this movie but the scenes were very clear to me. I also watch this last night if this is actually the one that I've watched before and it is true that this is the movie that I have watched after I graduated from college.
The movie is not related to the "Parasite Anime" and also it's parasite live adaptation. This one is different that the anime and this movie talks about how parasitic of these people. It is about how can they be parasitic to other people and they depends on the lives of other people so you know what I mean.
The movie itself has garnered one of the best films on that year and also awards because of its plot and story, and also their awesome actors and actresses..
You can watch the trailer below for you to get the idea about the movie. You can decide if you like to watch the full movie after you watch the trailer.
Story
The story is about a poor family, KIM family, who lived on the slums and struggle on living because of their low income salaries. They got no job because they don't like the job and the father was an alcohol addict. They were as lazy as you could imagine.
One of the family members of the poor family, KIM family, schemed on one of the rich family in their neighborhood and apply to become an English Tutor for their daughter.
Of course, they need some certification so that it will look legit. So, the sister of one of the KIM family edited his certificates and recognition so that he can get a decent job for himself and can make a living.
He get the trust of the mother of the rich family and slowly getting all of his family members to become their maid, assistant, gardener on the house. They get hired by them using a referral system and this poor family also faked their certificates as if they are good at it.
Little did the rich family knew that the poor family were leeching on this rich family. This poor family enjoyed their life in the house like it is their own house. Will they continue on living like this or not...
What I Like about the movie
I think we can relate this on this in our every day life because we do this "referral system" for people who wants to apply to to seek jobs. It wants to tell us the life of the poor people who struggle and fake their own achievements to get the better job but didn't know on what kind of job it is but as for me, as long as you can learn from the job that you applied for even if you didn't know more about it you can get that job. Not the jobs that you are not good at or pretending to be.
The end scenes tells on what happened on that house and it tells about the struggle of the poor family and how they became like that. It feels surreal that every day, they were looking for someone from afar.
Thoughts
This story tells us about life, the struggles, but cheating on your own certificates will not make you win. I can say that we need to strive as hard as we could and not to make a living like you were a rich one like you can spend all of your money on useless things and at the end of the day, you can't even feed your own self because of your selfishness and interests.
This movie is 8/10 because it tells us about life and I'm sad about the ending of the movie even though life hits them hard but you can get this life of the rich if you do your best to learn, study, and work without cheating from it.
This Korean film masterfully directed by Bong Joon Ho, and winner of 4 Oscars in the categories of Best Picture, Best Director, Best Screenplay and Best International Film, definitely brings us an unusual story about two families that due to different events get involved in different incidents that end very badly for both of them.
This movie could be considered as a comedy at the beginning, as we enjoy several funny situations where we see the colourful characters of the Woo family members, especially the parents Kim Taek(Song Kang-Ho) and Chung-Sook(Chang Hyae Jin), how they relate to their children and everything they do to survive, but as the story unfolds we can see this film become a drama where it becomes clear the marked social difference that exists in society, this film surprised me by its strong and unexpected denouement, where it leaves all viewers with great astonishment to see what a person can be capable of when feeling scorned for being of poor class.
Este film coreano dirigido magistralmente por Bong Joon Ho, y ganador de 4 premios Oscars en sus categorías de mejor película, mejor director, mejor guión y mejor película internacional; definitivamente nos trae una historia un tanto inusual sobre dos familias que por diferentes eventos se ven unidas involucrándose en diferentes hechos que terminan muy mal para ambos.
Esta película podría considerarse como una comedia al inicio, mientras disfrutamos de varias situaciones divertidas donde vemos a los personajes un tanto pintorescos de los miembros de la familia Woo, especialmente de los padres Kim Taek(Song Kang-Ho) and Chung-Sook(Chang Hyae Jin), de cómo se relacionan con sus hijos y todo lo que hacen para sobrevivir, pero a medida que se desarrolla la historia podemos ver este film convertido en un drama donde se deja claro la marcada diferencia social que existe en la sociedad, esta película me sorprendió por su fuerte e inesperado desenlace, donde nos deja a todos los espectadores con gran asombro al ver todo lo que puede ser capaz una persona al sentirse despreciado por ser de clase pobre.
The Woo family is very poor and they live in a basement where they look for a way to live from their neighbours, stealing the Wi-Fi signal, taking the food they order, taking the clothes they wear and so many other things they do to survive in an unequal world where they are without a job and without any chance to get one, But all this bad luck is about to change when a friend of Kim Taek's eldest son, Ki Woo(Choi Woo Shik), offers him the opportunity to keep his job as an English tutor to a young woman from a very wealthy family, So to achieve his goal, he prints a fake degree and prepares his resume in such a way that he gets the job, he finds out about a condition of the young son of the owners of the house and offers Mrs. Park(Cho Yeo Jeong) the services of a very good psychologist-therapist to treat the case of her youngest son, so she gets a job for her sister too, who does not hesitate to make up a fabricated profile and thus be hired to give therapy to the little boy.
La familia Woo es muy pobre ellos viven en un sótano donde buscan la manera de vivir de sus vecinos, robando la señal de wifi, quedándose con la comida que ordenan, tomando la ropa que tienden, y así muchas otras cosas que hacen para sobrevivir en un mundo desigual, donde ellos están sin trabajo y sin ninguna oportunidad de conseguir uno, ya que no tienen la preparación para lograr un puesto que les genere un buen salario, pero toda esta mala racha estará a punto de cambiar cuando un amigo del hijo mayor de nombre Ki Woo(Choi Woo Shik), le ofrece la oportunidad de quedarse con su trabajo de tutor de inglés a una joven proveniente de una familia muy adinerada, por lo que para lograr su cometido imprime un título falso y prepara su currículo de tal forma que consigue el empleo, él al verse en esta casa lujosa de la familia Park se entera de una condición del hijo pequeño de los dueños de la casa y le ofrece a la Señora Park(Cho Yeo Jeong) los servicios de una psicóloga-terapista muy buena para que trate el caso de su hijo menor, así le consigue trabajo a su hermana también, quien no duda en hacerse de un perfil inventado y así quedar contratada para dar terapia al pequeño niño.
At this point we can see the vicissitudes that this family does to get out of poverty, they all intend to stay as employees of this wealthy family, so the children join forces to get the chauffeur and the housekeeper fired by sabotaging their work and get those jobs to their own parents, And when they finally succeed, they celebrate big, the 4 were already living in the Park's house with lies and inventions, without knowing that their worst nightmare was about to begin because of the previous housekeeper who kept hanging around the house of their masters, since she could not accept her dismissal, she had a secret in that house that prevented her from leaving, so one night when the Park family was traveling she begged the new housekeeper to let her in to get her belongings, but it was the worst thing she could do, since that night a series of unfortunate events would take place that could put their own lives at risk, up to this part I will tell you, since you will have to discover the outcome for yourselves.
A este punto podemos ver las peripecias que hace esta familia para salir de la pobreza, todos se proponen quedarse como empleados de esta familia adinerada, por lo que los hijos se unen para que el chofer y el ama de llave sean despedidos saboteándoles su trabajo y conseguirle esos puestos a sus propios padres, y cuando al final lo logran, lo celebran en grande, los 4 ya estaban viviendo en casa de los Park con mentiras e inventos, si saber que su peor pesadilla estaba a punto de empezar por culpa del ama de casa anterior que no dejaba de merodear la casa de sus amos, ya que no podía aceptar su despido, ella tenía un secreto en esa casa que le impedía marcharse por lo que una noche que la familia Park estaba de viaje le suplico a la nueva ama de casa que la dejara entrar a buscar sus pertenecías, pero fue lo peor que pudo hacer, ya que esa noche se suscitarían una serie de eventos lamentables que podrían en riesgo sus propias vidas, hasta esta parte les contaré, ya que el desenlace deberán descubrirlo por ustedes mismos.
One of the crucial scenes in this film is when the chauffeur realizes that no matter how much he bathes and perfumes, his boss is bothered by his smell and lets him know with very derogatory gestures by covering his nose, he sees this reaction and feels very humiliated by this, this feeling of helplessness is internalized in Kim unleashing in him a hatred that focuses on his boss and will externalize it later. The Park family represent the wealthy, snooty class, who solve everything with money, they did not show love between them, in my opinion they lived only on appearance, without them realizing it they belittled their servants with the way they were treated, and although perhaps they were raised this way they did not realize that this behavior offended them.
Una de las escenas cruciales en esta película es cuando el chofer se da cuenta de que por más que se bañe y se perfume, a su jefe le molesta su olor y se lo hace saber con gestos muy despectivos tapándose su nariz, él al ver esta reacción se siente muy humillado por esto, este sentimiento de impotencia se va interiorizando en Kim desatando en él un odio que se centra en su jefe y lo exteriorizará más adelante. La familia Park representan a esa clase adinerada, estirada, que todo lo resuelve con dinero, no se demostraban el amor entre ellos, a mi parecer vivían solo de la apariencia, sin que ellos se dieran cuenta menospreciaban a su servidumbre con la forma como se les trataba, y aunque tal vez fueron criados así no se daban cuenta de que este comportamiento a ellos los ofendían.
In my opinion, this film is a strong criticism of the consequences that can be caused by the mistreatment of poor people by the wealthier social class, as well as the poor losing empathy and values and integrity for others in order to achieve their purposes. If you have seen this movie I invite you to leave me your appreciations and if not I recommend you to see it, since you will be intrigued until the end of the story, until another opportunity.
Por lo que esta cinta a mi modo de ver está siendo una fuerte crítica a las consecuencias que puede ocasionar el maltrato que se les ocasiona a las personas pobres por la clase social más pudientes, así como también que los pobres pierdan la empatía y los valores e integridad para los demás a fin de lograr sus propósitos. Si ustedes han visto esta película los invito a dejarme sus apreciaciones y si no le recomiendo que la vean, ya que se sentirán intrigados hasta el final por cómo termina la historia, hasta una nueva oportunidad.
Trailer oficial del Sitio || Official Movie Trailer taken from YouTube
Portada realizada con Canva || Cover made with Canva
Capturas de Pantalla de imágenes del sitio || Screenshots images of the site www.IMDb.com
›Oscar Winning Movie Review - Parasite (2019)@psyberkid931d
Greetings to the Hivers!
Welcome to my blog today I am going to share with you a review of the Korean drama thriller film Parasite [ Original title: Gisaengchung ]. The film explores the difference between the rich and the poor, revealing the consequences of economic inequality. There is a lot of suspense in the film.
Movie Summary
The film starts with Kim's family, who live in poverty and live in an apartment basement and struggle to make money. Their lives take a turn when the son, Ki-woo gets an opportunity to tutor the daughter of the wealthy Park family by his friend. Ki-woo start his tutoring under a fake name and certificate made by his sister.
When Ki-woo started tutoring Park's daughter he saw Park's son. Park's son is very naughty and makes some meaningless art. Ki-woo tells Park's wife that his son has a good sense of art he knows someone who can teach him better basically Ki-woo wants to make a job for his sister he also tells her fees will be higher. Ki-woo introduces his sister Ki Jung under a fake name.
After Ki Jung enters in Park family she tells Park's wife that her son has some psychological issue and she can fix it. That's how Ki Jung wants to permanent her job.After that Kim's family wanted to permanent their job in Park family so they made a plan to out Park family driver and housekeeper. And use the park family as a business for their house member.
After the success of getting jobs in the Park family whole Kim family was very excited they thought that they were going to be rich using the Park family. One day park family went out to celebrate their son's birthday. The Kim family uses park house as their own house. At that time old housekeeper comes and Then this film takes a twist.
About this twist I will tell you in short that Kim family knows about a hidden room where old housekeeper hides her husband after that the old housekeeper knows that Kim family is a fraud family and they had fight and old housekeeper died. At that time park family came back to the house and Kim family hide except Kim's wife because she is the housekeeper of this home. In the last park family had a party in their house and at that time old housekeeper's husband killed Ki Jung and everyone knew about Kim family fraud.
My Review
This flim is a well-written and well-performed film. I felt connected and engaged with the character throughout in the film. A popular topic of the class struggled well describe. It's a great story film great to see this film having worldwide success and win Oscare award.
Maybe you might be a person who doesn't like anime, I can understand that, however many anime contain such deep stories that many times they are better than series made by real people. "Parasyte" is one of them, it contains a very interesting plot that is worth enjoying no matter if you are an anime fan or not, it has a very developed story that contains action, dramas, and some philosophical touches about the origin of things, punishment and much more.
It all starts with a massive attack of parasites that invade the earth in search of human colonization, for that they must invade people's bodies and eat their brains, that way they can take total control of the individual and usurp their identity. Our protagonist? A high school student who lives a completely normal life, but one night everything changes when he is attacked by one of these parasites who, seeing him vulnerable, tries to enter his body, and in the middle of a strong struggle manages to enter through his right hand.
Can you imagine the situation? There are moments where "x" animal gives us a scare but imagine one that wants to enter your body, how would you respond, it would certainly be a chilling situation, but that's not all, the strangest thing would be that the next day a part of your body began to talk to you, we know that this is not and will not be possible in reality but in our series in question is what happens next. Shinichi, as our protagonist is called, begins to feel strange things in his right hand and to experience an over strength until it begins to talk to him.
Quizás puedas ser una persona a quien no le gusta el anime, eso puedo entenderlo, sin embargo muchos animes contienen historias tan profundas que muchas veces son mejores que series hechas por personas reales. “Parasyte” es una de ellas, contiene una trama muy interesante que vale la pena disfrutarla sin importar que seas fan del anime o no, tiene una historia muy desarrollada que contiene acción, dramas, y algunos toques filosóficos sobre el origen de las cosas, el castigo y mucho más.
Todo comienza con un ataque masivo de parásitos que invaden la tierra en busca de la colonización humana, para eso deben invadir los cuerpos de las personas y comerse sus cerebros, de esa forma podrán tomar control total del individuo y usurpar su identidad. ¿Nuestro protagonista? Un joven de secundaria que vive una vida completamente normal, pero una noche todo cambia cuando es atacado por uno de estos parásitos quien al verlo vulnerable trato de ingresar a su cuerpo, y en medio de un fuerte forcejeo logro entrar a través de su mano derecha.
Te imaginas la situación? Hay momentos donde “x” animal nos da un susto pero imagina uno que quiera entrar a tu cuerpo, ¿Cómo responderías?, sería sin duda una situación escalofriante, pero eso no es todo, lo más extraño seria que al día siguiente una parte de tu cuerpo comenzara a hablarte, sabemos que esto no es ni será posible en la realidad pero en nuestra serie en cuestión es lo que sucede luego. Shinichi, como se llama nuestro protagonista comienza a sentir cosas raras en su mano derecha y a experimentar una sobre fuerza hasta que esta comienza a hablarle.
From then on there are several episodes that have comic situations, but later on we are shown the core of the story and that's where everything makes sense. The parasites that enter the human body do not know anything about people, they only want to survive and based on that they take cannibalistic behaviors to feed themselves, which depletes the population until the authorities realize and begin to do everything possible to get rid of these invaders.
In this process there are many dramatic situations that happen to our protagonist, the parasite that invaded his body was neutralized in his hand and could not reach the brain so he did not need to fall into cannibalism because it feeds on the nutrients that go through the blood of its host.
That makes Shinichi becomes an enemy of the rest of the parasites and is involved in situations he had never imagined, even witnessing the loss of loved ones and many others who became victims of the parasites. This is the main context of the story, although many things happen which I have not described in this post.
A partir de ese entonces hay varios episodios que tienen situaciones cómicas, pero más adelante se nos muestra el centro de la historia y allí es donde todo cobra sentido. Los parásitos que ingresan al cuerpo humano no saben nada de las personas, solo quieren sobrevivir y en base a eso toman comportamientos caníbales para alimentarse, lo cual va mermando la población hasta que las autoridades se percatan y comienzan a hacer todo lo posible para librarse de estos invasores.
En ese proceso hay muchas situaciones dramáticas que le suceden a nuestro protagonista, el parasito que invadió su cuerpo fue neutralizado en su mano y no pudo llegar al cerebro por lo que no necesito caer en el canibalismo pues se alimenta de los nutrientes que van por la sangre de su huésped.
Eso hace que Shinichi se convierta en enemigo del resto de los parásitos y se vea involucrado en situaciones que jamás se había imaginado, incluso presencie la perdida de seres amados y muchos otros que se convirtieron en víctima de los parásitos. Este es el contexto principal de la historia, aunque muchas cosas ocurren las cuales no he descrito en este post.
I hesitated a lot to watch it because it didn't call my attention that much, although it intrigued me a little, but once I spent time with it I regretted not having watched it much earlier. The series has only 24 chapters, at least in the anime and is not continued, that's good because the story has a beginning and an end so to speak, you can continue and you can also leave it where it left off. It is a short series and in two or three days you can watch the whole thing.
Beyond the fantasy of the parasites and the life they have, the author wants to make us think about the actions of humanity, so much so that he tries to make us think by the behavior of some characters if we humans are the monsters or are the parasites that only seek to survive. It is a criticism of humanity, especially the lack of morals and how people do not hesitate to take the life of another human for unjustified reasons and in others for no reason at all.
I think that this type of anime is very reflective, it is not so much the fantasy that comes with it but the elaborate story. For that reason I never stop watching this kind of productions because there are gems that you can enjoy a lot. Parasyte is one of them, so I recommend you to take the time to watch it, you will be surprised how much it can hook you and how much you can like it.
Dude mucho en verla porque no me llamaba tanto la atención, aunque me intrigaba un poco, pero una vez le dedique tiempo me arrepentí de no haberla visto mucho antes. La serie tiene 24 capítulos solamente, por lo menos en el anime y no queda continuada, eso es bueno porque la historia tiene un principio y un final por decirlo de alguna manera, se puede continuar y también se puede dejar donde quedo. Es una serie corta y en dos o tres días se puede ver completa.
Más allá de lo fantasioso de los parásitos y la vida que tienen, el autor de la misma nos quiere hacer pensar en las acciones de la humanidad, tanto así que trata de hacernos pensar por el comportamiento de algunos personajes si nosotros los humanos somos los monstruos o lo son los parásitos que solo buscan sobrevivir. Es una crítica a la humanidad, sobre todo a la falta de moral y como las personas no vacilan en quitarle la vida a otro humano por razones injustificadas y en otras sin ningún tipo de razón.
Pienso que este tipo de animes son muy reflexivos, no es tanto la fantasía que conlleva sino la trabajada historia. Por ese motivo no dejo de ver este tipo de producciones porque hay joyas que se pueden disfrutar sobremanera. Parasyte es una de ellas, así que te recomiendo que te tomes el tiempo para verla, te sorprenderás de lo mucho que te puede enganchar y lo mucho que te puede llegar a gustar.
Bong Joon-Ho's "Parasite" is one of the most important films of the 21st century, a merit it achieved not only by being the first foreign film to receive an Oscar for best film in 2020, but because it is an unusual mix of social criticism. with an agile and beautifully constructed drama.
I had the opportunity to rewatch this film recently and was surprised by how well put together it is. Although it sounds strange to praise this aspect of a work above everything else, it is commendable that a drama can convey such a complicated point so efficiently.
For those who have not seen it (which by the way, I recommend that you see it without knowing anything about it), Parasite is the story of a low-class Korean family that ends up infiltrating the life of another wealthy family, posing as a teacher of English, an art teacher, a housewife and a driver with years of experience.
The main attraction, then, is not only to see how they progressively gain the trust of the wealthy family (which means removing previous employees from the game), but also to suffer those moments of constant tension as everyone tries to hide their "poor" background. "and the fact that they are part of the same family unit.
Although this premise is already enough to give us an "entertaining" experience, Bong Joon-Ho goes a step further and uses every aspect of the film (both aesthetic and substantial) to highlight the contrasts that exist between both social classes.
Starting from obvious things like the spaciousness and physical appearance of the environments where they live, to other slightly more "subtle" elements like the way they express themselves or celebrate happy moments, Parasite takes a neutral position that recognizes the shortcomings of its protagonists, but at the same time he recognizes that his morally questionable decisions have a logical reason for being.
It's not as simple as saying "the poor are the good and the rich are the bad" or, "poverty is a choice," Parasite is a slightly more complicated portrait of reality, sometimes accepting it as something circumstantial and random, but sometimes it seeks to give merit to those who achieved success through effort and dedication.
Characterized by the constant use of dialogue and few moments of action (At least in traditional terms), we are faced with a film that does not feel like anything I have seen before, funny, heartbreaking, and with an ending that constantly teeters between the murky and the hopeless.
"Parasite" de Bong Joon-Ho es una de las películas más importantes del siglo XXI, un mérito que consiguió no solo al ser el primer film extranjero que recibió un Oscar a mejor película en 2020, sino porque es una mezcla inusual de crítica social con un drama ágil y hermosamente construido.
Tuve la oportunidad de volver a ver esta película hace poco y me sorprendió lo bien organizada que está, aunque suena extraño alabar este aspecto de una obra por encima de todo lo demás, es loable que un drama pueda transmitir con tanta eficiencia un punto tan complicado.
Para aquellos que no la hayan visto (Que por cierto, recomiendo que la vean sin saber nada al respecto), Parasite es la historia de una familia coreana de clasa baja que termina infiltrandose en la vida de otra familia pudiente, haciéndose pasar por un profesor de inglés, una profesora de arte, una ama de casa y un chófer con años de experiencia.
El principal atractivo entonces, es no solo ver cómo progresivamente van ganandose la confianza de la familia pudiente (Lo cuál implica sacar del juego a los empleados previos), sino también sufrir aquellos momentos de tensión constante a medida que todos intentan ocultar su trasfondo "pobre" y el hecho de que forman parte de un mismo núcleo familiar.
Aunque está premisa ya resulta suficiente para brindarnos una experiencia "entretenida", Bong Joon-Ho va un paso más allá y utiliza cada aspecto de la película (tanto estético como sustancial) para resaltar los contrastes que existen entre ambas clases sociales.
Partiendo desde obviedades como la amplitud y el aspecto físico de los ambientes en dónde viven, hasta otros elementos un poco más "sutiles" como la forma de expresarse o celebrar los momentos felices, Parasite toma una posición neutral que reconoce las falencias de sus protagonistas, pero al mismo tiempo reconoce que sus decisiones moralmente cuestionables tienen una razón de ser lógica.
No es tan simple como decir "los pobres son los buenos y los ricos son los malos" o, "la pobreza es una elección", Parasite es un retrato un poco más complicado de la realidad, que a veces la acepta como algo circunstancial y aleatorio, pero a veces busca darle méritos a aquellos que consiguieron el éxito a punta de esfuerzo y dedicación.
Caracterizada por el uso constante de diálogos y escasos momentos de acción (Al menos en términos tradicionales), estamos ante una película que no se siente como nada que haya visto antes, divertida, desgarradora, y con un final que se tambalea constantemente entre lo turbio y lo desesperanzador.
I know Oscars aren't worth anything these days but I wasn't expecting something bad. Well, maybe not bad but bad enough to get a 6/10 rating from me.
Well firstly, maybe it's not that big of a minus but popular korean movies have only one topic that could be sold to the western audience and it's bit boring at this point; yeah, the economic inequalities and their cultural impact on South Korea are crazy, delusional capitalistic dystopia, cool, but we've all seen it before, they really could get more creative picking the main problem the movie's gonna be about (hey, have you seen that one tiny Netflix series about the same thing? The most viewed drama on the platform that just so happened to be bought and produced after parasite's success?
What was it called? Octopus game? Hmmm?)
I wish I could see a big Korean movie about something else but okay, I'm just being unnecessarily petty here.
Then, the movie starts sequences that are either unfinished or so bland that they'd better be cut off. Like, the English teacher guy (sorry I'm too racist to remember any of their names) being into that girl he tutors. Okay, they like each other. Cooool, I'm gonna forget about it 5 times during the watching because it doesn't matter at all. The young child that's been into Indians? He was on edge of turning the plot into something big all the time but none of those opportunities was used to build the story (the scene where he finds out all the parasites smell the same, the fact he knows morse code and they blink from the basement, the whole ghost thingy, the nap outside scene). It seems to be on purpose not to push the action using his suspicions but it doesn't mean it's a good choice cuz they're setting up something big with his character and then absolutely nothing happens. Every little scene that should lead into some development or a twist of the plot is insignificant.
Aaaand finally the ending. Ehh, if not that ending maybe I'd give it one more star but nope.
The potential was wasted, both by the party scene and the whole voiceover sequence afterwards. Unfortunately, logic has been compromised and I don't even mean those vague events like Mr Dad stabbing Mr Park because that can be explained with some shock response or his stupid motto about not having a plan. I'll even accept how the son made it out alive after being crushed with a giant rock twice, let's call it medical plot armour. But everything else is just screaming to the audience: yooo, you're stupid, we don't have to treat you with respect because you're too damn to figure out holes in the plot!!! Ugh, the son's idea to kill the basement family is just stupid and no one in their right mind would figure out that this is the best solution right now. Okay, let's say he isn't in his right mind. Fine, but you, the writers, have to point at some point that your character is going psycho. All we got is his vague keenness for this rock and a thread with love story with a possible minor that seems to be completely forgotten after he got bashed in the head. What else? Uhh, don't know, the investigation? If this was some random Korean slums where police doesn't care I'd buy the story but I don't see that in a situation of a high class weird almost triple murder that's been on the news. And I obviously mean how they didn't find anything leading to that basement. Okay, CCTV was down, big deal. It's not like everyone was dripping blood that could easily point to the gate behind the shelves, the one that almost for sure must have left some marks on the floor, not even mentioning air flow itself.
...and the actual ending, the letters voiceover. Uhhh, very lazy writing to roll the credits with something like this. Left all the unfinished sequences open, put a big IF in the end (though, it's not even a deep one, it's really a question whether the son gets rich or doesn't, no middle grounds here) and this sort of correspondence explenation-continuation epilogues is just too cheap for my standards.
Okay enough of the rant, for the other hand if was pretty cool to watch in terms of dynamics, pictures were nice, basically the rest of the movie was alright or good. I really liked the concept of moral duality between the two families and they played the tension moments between them well. Intense scenes beginning from the whisky feast, even though lowkey funny, really engaged and it's a shame they were ruined by this finale.
›(ENG/ESP) Parasites: Doing whatever it takes to survive / Parásitos: Haciendo lo que sea para subsistir@suezoe1333d
CONTENT IN ENGLISH
Hello to all movie lovers! I recently had the opportunity to rewatch an Asian film that fascinated me from the first time I saw it, mostly because of the subject it deals with and the unexpected way in which each of the events unfolds.
Parasites, tells us the story of a family drama or, to be more exact, the way in which the Kim family risks their lives in order to survive. They do whatever it takes to get ahead, regardless of the methods they have to use for it, from robbery, blackmail or fraud, they are always willing to put together a plan that benefits them. And that's how they show it to us at the beginning, stealing the neighbors' Wi-Fi, persuading or mediocrely elaborating their work assembling boxes for a pizzeria. Still, the family is persevering and waiting for their next "big hit."
To his good fortune Ki-woo, he is visited by his friend Min, who tells him that he plans to recommend him to take his place by tutoring the daughter of a wealthy family in English. He is convinced that despite the fact that the young man could not enter the university all the times he has applied, he has enough knowledge to be able to opt for the job, not to mention that he trusts him to take care of his student while he studies abroad. This opportunity for the boy is not wasted and he decides to go to the Park's house, after gaining the trust of the naive owner of the house after his first day of teaching, the young man takes the opportunity to begin to include the members of his family , one by one in the house.
Ki-jung, is Ki-woo's sister. She is a cunning girl, with a strong character, very good at fraud, especially for editing and forging documents. She is a very good actress, getting to work in different jobs where she used her gift for improvisation, as an assistant at weddings and events. Her memory of information allows her to remember enough to be able to pose as an arts tutor and later as a private psychologist for the youngest son of the upper-class family.
The father, named Jim ki-taek a man who has worked multiple jobs throughout his life who wants the best for his family, is brought into the house to take the place of driver, who is later fired of falling into a trap. At first, he manages to get along quite well with his boss and manages to develop a certain liking for him and his wife. More over time, he discovers that things are not how he imagined.
Finally Chung-sook, the mother, who shows us that in her youth she was a lot in a sport to the point of winning a medal, is a woman with a lot of strength and therefore physical strength. She is the last of the family members to enter the Park's house, when they manage to get rid of the housekeeper so that she finally ends up taking her place.
So many years using his skills of persuasion and improvisation, will allow each member of the Kim family to gain the trust of the naive owners of the house and that is, they go so far as to rehearse their dialogues, which actors, demonstrating how far they are capable of get your cunning Once established as workers for the wealthy Parks, the Kim family feels that all their problems are over and that they finally have their lives figured out, living the good life when their bosses aren't looking... Until one night, all their Plans start to fall, just like a stack of dominoes, one after another.
Without a doubt, it is a film that, despite not having special effects or action scenes, manages to capture you and introduce you to suspense. Each step they take is unpredictable and that is their attraction. As a personal opinion, I really liked that despite the family's bad intentions of living at the expense of those in a better position, it shows that the Kim family is not really bad, but rather they had to manage in their own way to get ahead ( although in a negative way), their family union is remarkable in them, because despite everything, each one trusts the other when it comes to making their plans and despite everything, they always stay together. I think that this is a good thing to take, regardless of the bad things that happen around us, it is always good to be smart and mobilize, but without forgetting that each act has its consequence.
Here is the trailer for the movie:
It is worth mentioning that all the images used here, except for the cover, were taken from screenshots that I took myself.
Thank you very much for reading my post. I hope you found it interesting that you are encouraged to watch the movie.
Until a next opportunity!
CONTENIDO EN ESPAÑOL
¡Hola a todos los amantes del cine! Hace poco tuve la oportunidad de volver a ver una película asiática que me dejó fascinada desde la primera vez que la vi, más que nada por tema que trata y la manera inesperada en la que van sucediendo cada uno de los acontecimientos.
Parásitos, nos cuenta la historia de un drama familiar o para ser más exactos, la forma en que la familia Kim se juega la vida para poder subsistir. Ellos hacen lo que sea para poder salir adelante, sin importar los métodos que tengan que utilizar para ello, desde el robo, chantaje o la estafa, ellos siempre están dispuestos a armar un plan que los beneficie. Y así nos lo muestran al principio, robando el Wifi de los vecinos, persuadiendo o elaborando mediocremente su trabajo armando cajas para una pizzería. Aún así, la familia es perseverante y están a la espera de su siguiente "gran golpe."
Para su buena fortuna Ki-woo, recibe la visita de su amigo Min, quien le dice que tiene pensado recomendarlo para que ocupe su lugar dándole clases particulares de inglés a la hija de una familia rica. Esta convencido de que a pesar de que el joven no pudo ingresar a la universidad todas las veces que ha postulado, cuenta con el suficiente conocimiento para poder optar por el trabajo, sin mencionar que confía en él para que cuide de su alumna mientras él estudiará en el extranjero. Esta oportunidad para el muchacho no es desaprovechada y decide ir a la casa de los Park, luego de ganarse la confianza de la ingenua dueña de la casa tras su primer día de enseñanza, el joven aprovecha para comenzar a meter a los miembros de su familia, uno a uno en la casa.
Ki-jung, es la hermana de Ki-woo. Es una chica astuta, de carácter fuerte, muy buena para la estafa, sobretodo para la edición y falsificación de documentos. Es muy buena actriz, llegando a desempeñarse en distintos trabajos en donde utilizaba su don para la improvisación, como asistente en bodas y eventos. Su retentiva de información le permite memoriar lo suficiente para poder hacerse pasar por una tutora de artes y luego como psicóloga particular del hijo menor de la familia de clase alta.
El padre, llamado Jim ki-taek un hombre que ha tenido múltiples trabajos a lo largo de su vida que desea lo mejor para su familia, es introducido a la casa para que ocupe el lugar de chofer, al cual despiden luego de caer en una trampa. Al principio, logra congeniar bastante bien con su jefe y logra desarrollar cierta simpatía hacía él y su esposa. Más con el pasar del tiempo, va descubriendo que las cosas no son cómo se lo imaginaba.
Finalmente Chung-sook, la madre, quien nos muestran que en su juventud fue bastante en un deporte hasta el punto de ganar una medalla, es una mujer con bastante fortaleza y por ende fuerza física. Es la última de los integrantes de la familia en ingresar en la casa de los Park, cuando se las arreglan para deshacerse de la ama de llaves para que ella termine ocupando finalmente su lugar.
Tantos años utilizando sus habilidades de persuación e improvisación, le permitirá a cada miembro de la familia Kim, irse ganando la confianza de los ingenuos dueños de la casa y es que, llegan hasta ensayar sus diálogos, cuales actores, demostrando hasta dónde es capaz de llegar su astucia. Una vez establecidos como trabajadores de los acaudalados Park, la familia Kim siente que todos sus problemas se han acabado y que por fin tienen su vida resuelta, dándose la buena vida cuando sus patrones no los observan... Hasta que una noche, todos sus planes comienzan a caer, al igual que una pila de dominos, uno tras otro.
Sin lugar a dudas es una película que, a pesar de no contar con efectos especiales, ni escenas de acción, logra capturarte e introducirte en el suspenso. Cada paso que dan, es impredecible y es eso mismo su atractivo. Como opinión personal, me gustó mucho que a pesar de las malas intenciones de la familia de vivir a costa de los de mejor posición, se nota que la familia Kim no es realmente mala, sino que tuvieron que arregarsela a su modo para salir adelante (aunque de una forma negativa), su unión familiar es resaltable en ellos, pues a pesar de todo, cada uno confía en el otro a la hora de fabricar sus planes y a pesar de todo, siempre se mantienen unidos. Creo que eso es algo bueno a tomar, sin importar las cosas malas que ocurren a nuestra alrededor, siempre es bueno tener astucia y movilizarse, pero sin olvidarnos que cada acto, tiene su consecuencia.
Aquí les dejo el trailer de la película:
Cabe mencionar que todas las imágenes aquí usadas, a excepción de la portada, fueron tomadas de capturas de pantalla que yo misma hice.
Muchas gracias por haber leído mi publicación. Espero que les haya parecido interesante que se animen a ver la película.
Existen muchos tipos de parásitos, pero el más molesto son del tipo personas, unas que siempre están hay para quitarle todo lo que tengas, las que siempre piden y piden y nunca devuelven, tampoco trabajan y siempre quieren vivir de los demás pidiendo.
En esta ocasión mis queridos, les presentó una película llamada Parasite, entrando en los géneros de K-drama con un toque de misterio y suspenso.
Una familia con escasos recursos donde viven en un piso bajo en el poblado de Seúl, lugar donde habitan los de escasos recursos.
La vida de esta familia comienza a cambiar cuando uno de los miembros comienza a dar clases de inglés por recomendación de un amigo, incorporando a cada uno de ellos, fingiendo ser conocidos para que así puedan conseguir algo de empleo.
There are many types of parasites, but the most annoying are the kind of people, those who are always there to take everything you have, those who always ask and ask and never give back, neither work and always want to live off others asking.
On this occasion my dear ones, I present you a movie called Parasite, entering the K-drama genres with a touch of mystery and suspense.
A family with few resources where they live in a low floor in the town of Seoul, a place where people with few resources live.
The family's life begins to change when one of the members begins to teach English classes on the recommendation of a friend, incorporating each of them, pretending to be acquaintances so that they can get some employment.
Esta película me sorprende, al igual que todas las películas de corea que he visto son demasiado buenas.
Tenemos al protagonista principal de esta historia llamado Min interpretado por Park Seo-joon, un joven al que busca la forma de ayudar a sus padres para poder pagar las deudas, puesto que todos ellos trabajan para una pizzería, empaquetando cajas y preparándolas para que estos puedan trabajar de forma mucho más rápida.
Pero como son personas flojas a las que quieren hacer dinero sin mucho esfuerzo, todo lo que hagan les saldrá mal.
This movie surprises me, just like all the Korean movies I have seen are too good.
We have the main protagonist of this story named Min played by Park Seo-joon, a young man who is looking for a way to help his parents in order to pay their debts, since they all work for a pizza shop, packing boxes and preparing them so that they can work much faster.
But as they are lazy people who want to make money without much effort, everything they do will go wrong.
Un buen amigo de Min le dará la mejor oportunidad de su vida, ya que este sabe muy bien el idioma inglés y por ende quiere que sea el maestro de una estudiante de preparatoria al que no se le da muy bien el inglés, por ese motivo, Min buscara la forma de incluir a sus padres, pero sin ser advertidos, en el sentido de mentir diciendo que no son familia.
Todos ellos comenzarán a trabajar para una familia muy adinerada, por lo que sus sueños están comenzando a cumplirse.
A good friend of Min's will give him the best opportunity of his life, since he knows English very well and therefore wants him to be the teacher of a high school student who is not very good at English, for that reason, Min will look for a way to include his parents, but without being warned, in the sense of lying saying that they are not family.
They will all start working for a very wealthy family, so their dreams are beginning to come true.
Por otro lado, esta familia no lo tienen del todo fácil, ya que deberán hacer que los demás trabajadores para esta familia renuncien o bien las echen del trabajo.
Pero de una u otra forma buscarán la manera de lograrlo, entre todos conocerán las debilidades de estos trabajadores para usarlos en su contra y hacer que los echen del trabajo.
Poco a poco irán haciendo de las suyas hasta que todos estén trabajando en la misma casa, pero esto apenas está comenzando, porque después se descubrirán misterios y cosas extrañas que solo una persona con problemas mentales aria, y no me refiero a los miembros de esta familia ni mucho menos la que es adinerada.
On the other hand, this family does not have it easy, since they will have to make the other workers for this family quit or get them fired from their jobs.
But in one way or another they will look for a way to achieve it, between all of them they will know the weaknesses of these workers to use them against them and make them get fired from their jobs.
Little by little they will be doing their thing until they are all working in the same house, but this is just beginning, because later they will discover mysteries and strange things that only a person with mental problems would love, and I am not referring to the members of this family, much less the wealthy one.
El director, guionista y productor de esta película se llama Bong Joon-Ho, hasta los momentos es la primera película que veo de él, aunque hay otras entregas que me parecen interesantes como madre, el huésped y Okja.
Esta película fue estrenada el 25 de octubre del 2019.
Sinceramente, esta película me ha parecido muy interesante, aunque no al considero buena ni mucho menos mala, es ideal para pasar el rato y entretenerse, aunque si admito que los misterios que se esconde en esta película es muy intrigante.
The director, screenwriter and producer of this film is called Bong Joon-Ho, so far it is the first film I see from him, although there are other installments that I find interesting such as mother, the guest and Okja.
This movie was released on October 25, 2019.
Honestly, I found this movie very interesting, although I do not consider it good or even bad, it is ideal to pass the time and be entertained, although I admit that the mysteries hidden in this film is very intriguing.
Las cosas comienzan a salirse de control cuando una antigua trabajadora para la familia de Yeon-Kyo comienzan a darse cuenta de la clase de gente a las que metieron a trabajar, pero nunca sospecharan si son familia.
Por lo que me pareció excelente que la película no allá terminado de esta forma, sino de otra a las que no veamos venir.
Datos Extras
Los críticos han hablado muy bien de esa película y la audiencia ha sido muy elevada, Rottentomatoes se menciona que la crítica de la audiencia ha sido de un 99%, pero que ha logrado tener una audiencia del 90%.
Esta película le doy 4 estrellas de 5, ya que a mi parecer, los actores coreanos siempre nos demuestra ese sentimiento que contagia a la persona quien esté viendo esta película, la trama ha sido genial y los misterios que se encuentran en ella es fenomenal, de verdad que no tengo ms palabras para describir mejor esta película, aunque como mencione anteriormente, no es ni tan buena y mala, ideal para pasar el rato.
Things start to get out of control when a former worker for Yeon-Kyo's family starts to realize what kind of people they put to work, but they will never suspect if they are family.
So I thought it was excellent that the movie didn't end this way, but in a way we don't see coming.
Extras
The critics have spoken very well of this movie and the audience has been very high, Rottentomatoes mentions that the audience review has been 99%, but it has managed to have an audience of 90%.
I give this movie 4 stars out of 5, because in my opinion, Korean actors always show us that feeling that is contagious to the person who is watching this movie, the plot has been great and the mysteries that are found in it is phenomenal, I really do not have more words to better describe this movie, although as mentioned above, it is not so good and bad, ideal for hanging out.
›Parasites - Review and Opinion.@marivic101351d1 view
Feliz día mis amigos, espero que estén muy bien, que bueno estar de vuelta y poder seguir compartiendo con todos mis opiniones y resúmenes de grandes producciones y programas de tv.
Happy day my friends, I hope you are very well, it's good to be back and to be able to continue sharing with everyone my opinions and summaries of great productions and TV shows.
Hoy les voy a hablar de una gran producción, que estaba en mi lista de pendientes hace mucho tiempo, y por fin pude verla hace algunos días. Parásitos, una producción Surcoreana del 2019 que encanto a muchos de sus espectadores, ganando varios premios de la academia, entre ellos, nada mas y nada menos que , el de mejor película, y mejor película internacional
Today I am going to talk about a great production, which was on my to-do list a long time ago, and I finally got to see it a few days ago. Parasites, a 2019 South Korean production that charmed many of its viewers, winning several Academy Awards, including none other than Best Film and Best International Film.
Parásitos, es una mezcla de suspenso, drama y yo diría, un toque de locura y humor negro, nos muestra la historia de dos familias muy diferentes, una de ellas, la familia Kim, está conformada por 4 integrantes los padres y sus dos hijos, viven en una gran pobreza, buscando cada día la forma de ganarse el pan, por otro lado esta la familia Park, también de 4 integrantes pero a diferencia de los Kim, los Parker son una familia adinerada, viven en una lujosa mansión y llevan una vida casi perfecta.
Parasites, is a mixture of suspense, drama and I would say, a touch of madness and black humor, it shows us the story of two very different families, one of them, the Kim family, is made up of 4 members, the parents and their two children. They live in great poverty, looking for a way to earn a living every day, on the other hand is the Park family, also of 4 members but unlike the Kims, the Parkers are a wealthy family, they live in a luxurious mansion and have an almost perfect life.
Un día, el hijo del señor Kim, tiene la oportunidad de conocer a los Parker, y sus destinos se entrelazan, a pesar de la arrogancia y desconfianza hacia todos de la familia Parker, los Kim, por medio de mentiras y engaños, lograron entrar todos a trabajar en su casa, con identidades falsas, hasta que empiezan a ocurrir una serie de sucesos inesperados que podrán en peligro la vida de todos, dos familias totalmente distintas, que quizás tengan el mismo final.
One day, the son of Mr. Kim, has the opportunity to meet the Parkers, and their destinies intertwine, despite the arrogance and distrust towards all of the Parker family, the Kims, through lies and deceit, managed to enter everyone to work at home, with false identities, until a series of unexpected events begin to occur that could endanger the lives of everyone, two totally different families, who may have the same ending.
Me gusto mucho esta la película, muy buenas actuaciones, y la historia te engancha muy rápido, empieza de una manera, y a medida que se desarrolla la trama, entra en un poco de tensión, te quedas como pegado a la pantalla, esperando para ver que es lo que va a suceder, eso me encanta, y el final, increíble.
I really liked this movie, very good performances, and the story hooks you very quickly, it starts in a way, and as the plot develops, it gets a little tense, you stay glued to the screen, waiting to see what is going to happen, I love that, and the end, incredible.
La verdad cuando vi el tráiler, pensé que era un poco más de terror y suspenso, pero aunque no es de terror, tiene algo de suspenso, personajes muy raros, y creo que este drama, no está nada alejado de la realidad, vivimos en un mundo en el que el tema de las diferencias sociales, cada día esta mas asentado, reina el engaño, las mentiras, las dobles caras, y mucha gente aparentando ser lo que no son, ricos y pobres, que al final tienen más en común de lo que creen.
To be honest, when I saw the trailer, I thought it was a bit more horror and suspense, but although it's not horror, it has some suspense, very strange characters, and I think this drama is not far from reality, we live in a world in which the issue of social differences is more established every day, deception reigns, lies, double faces, and many people pretending to be what they are not, rich and poor, who in the end have more in common of what they believe.
Por otra parte, me gusto también como mostraron, los dos mundos de esta personas, tan diferentes, y a la vez tan parecidos, cada familia con sus carencias, que aunque son carencias muy distintas, crean el mismo efecto de daño y destrucción, en el entorno familiar.
On the other hand, I also liked how they showed, the two worlds of these people, so different, and at the same time so similar, each family with its deficiencies, that although they are very different deficiencies, they create the same effect of damage and destruction, in the familiar surroundings.
Espero que les haya gustado el resumen de esta gran historia, sino la han visto se las recomiendo al 100%, la verdad es muy buena, siempre agradecida por leer y apoyar mis post, abrazos virtuales a todos, y nos seguimos leyendo.
I hope you liked the summary of this great story, if you haven't seen it I recommend it 100%, the truth is very good, always grateful for reading and supporting my post, virtual hugs to all, and we continue reading.
›Parasite Movie - Deprivation and corruption@rolan5551427d
"Parasite," by South Korean director Bong Joon, is a masterful depiction of the brutality of capitalism. The film takes the form of a dark comedy, filmed with elements of thriller and horror. It tells the story of the Kim family, who live in a small basement in a poor neighborhood in Seoul and struggle to survive by working a number of poorly paid temporary jobs.
The opening shot of the film shows the daily struggle of the Kim family, consisting of father Kim Ki-taek, mother Chung-suk, son Ki-woo and daughter Ki-jeong, to make ends meet. They get a job folding pizza boxes for a pittance, but their situation deteriorates further when the employer decides to reduce their meager salary on the grounds of their incompetence.
When government sprayers come to spray the neighbourhood, Kei Taek urges family members to keep the windows open. "We'll get free annihilation!" he says.
[Image Credit](ytimg.com)
Breaking Point
In the midst of this daily crush, the Kims are getting a glimmer of hope. A school friend offers Ki Woo a job tutoring a daughter from the Park family, who are a wealthy family in Seoul. The only problem is that Ki Woo has never gone to university, despite his obvious abilities, because the family can't afford it. But Ki Woo decides without hesitation to forge a college degree and get a job.
The Park family lives in a dazzling, light-flooded modern house in an upscale Seoul neighborhood, in contrast to the dark basement in which the Kims are forced to live, in a tangible image of the huge difference between two contrasting class families.
After seeing the abundant wealth of the Park family, Ki Woo decided to take a chance. He begins to plot a plot to get work for his entire family, as they maneuver to replace the Park's other servants by carrying out clever and funny sabotage.
The film heightens tension as Kim's plans become more and more violent. It turns out that the main theme of the film is to expose how the extreme poverty of those at the bottom of capitalist society drives them to struggle against each other for survival. The Kims do hateful things, but only because capitalism has pushed them to breaking point and made their lives dependent on those actions.
The Parks, on the other hand, may seem cute, but that's only because the circumstances enable them to be. Ki-taek says of Ms. Park, "She's rich, but she's cute nonetheless." His wife, Chung Suk, replies, "She's nice because she's rich." The Park family, rich in the struggle for survival thanks to their vast wealth, can do beautiful things that are not possible for the Kim family.
[Image Source](https://www.rollingstone.com)
Deprivation and corruption
The image of South Korea presented to us in the West is a colossal success story of capitalism. The "Republic of Korea" is compared with its northern neighbor to show the "horrors of communism" against the alleged astonishing technological progress country in the South. But, as every Marxist knows, behind massive development always lies the exploitation and deprivation caused by capitalism, the very deprivation into which the Kims find themselves mired.
Korea did not experience any development under the yoke of Japanese imperialism. At the end of the Korean War in 1953, the South's economy was still largely rural, with a very low standard of living. In the immediate aftermath of the war, the South was completely dependent on the United States, following the dictates of its American masters by relying on the "free market" system for development.
But when the North began to achieve a rapid pace of industrialization on the basis of a planned economy, the South stopped taking the advice of the Americans and moved towards achieving growth through the general planning of the economy. On this basis, South Korea was able to achieve a major economic transformation from a poor third world country to an advanced capitalist country.
This growth was driven by the emergence of giant state-sponsored conglomerates called Chaebols, which came to dominate the economy entirely. The chaebols were run by the country's elite families, who used their corruption and ties to the state apparatus to accumulate vast fortunes. Of course, they made sure to pass their wealth on to their children.
Hola querida comunidad de Hive, hoy quiero venir hablarles sobre una película que me exploto la cabeza no literalmente pero si me hizo reflexionar de muchas cosas que nos rodean como sociedad y personas individualmente hablando, la verdad en su época quise verla pero algo me detuvo y realmente me arrepiento y de verdad entiendo porque gano el Oscar y estoy hablando de Pasitos, una película que puedes ver por Netflix.
Hello dear Hive community, today I want to come talk to you about a movie that exploded my head not literally but it made me reflect on many things that surround us as a society and people individually speaking, the truth at the time I wanted to see it but something stopped me and I really regret it and I really understand why it won the Oscar and I'm talking about Parasites, a movie that you can watch on Netflix.
Esta película fue dirigda por Bong Joon-ho y protagonizada por Choi Woo-Shik, Park So-dam, Song Kang-ho, Cho Yeo-eong, Jang Hye-jin y Lee Sun-Kyun los cuales para mi hicieron un espectacular trabajo de actuación, la historia va de la familia Kim quien es una familia de clase baja en Corea del Sur está sin trabajo y con muchas necesidades, gracias a la ayuda de un viejo amigo de Gi Taek este empieza impartir clases en la casa de una familia adinerada los Park, los Kim diseñan un plan para empezar a trabajar todos en la casa, al conseguirlo se dan de cuenta lo dividida que puede llegar estar la sociedad y como las situaciones pueden sacar lo malo de cada uno.
This movie was directed by Bong Joon-ho and starring Choi Woo-Shik, Park So-dam, Song Kang-ho, Cho Yeo-eong, Jang Hye-jin and Lee Sun-Kyun who for me did a spectacular acting job, the story is about the Kim family who is a lower class family in South Korea is out of work and with many needs, Thanks to the help of an old friend of Gi Taek's who starts teaching at the home of a wealthy Park family, the Kims devise a plan to start working in the house, when they get it they realize how divided society can be and how situations can bring out the bad in everyone.
Los diálogos, la música, los movimientos y objetos no son de casualidad, esta película es artística pero también se combina con un humor negro con mucha peculiaridad, una sátira social que me gusto. Puedo decir que en ciertos aspecto comprendo a los Kim la necesidad tiene cara de perro dicen por ahí y por eso no los llego a rebajar a pesar de todo lo que sucedió. Para mi voy hablar de las tres cosas que me gustaron como referencias a la película y a lo que quiere transmitir, las escaleras esto de estar arriba y abajo es muy obvio en toda la película la familia Kim vive en la parte más baja de Corea mientras que los Park en la parte más baja, siempre podemos ver esta desigualdad, por otro lado tenemos a la roca esta que aparece en la película al principio, algo que me llamo la atención es como flota en el agua como que si no pesara y estuviera hueca, muchas veces decimos que llevamos peso en el camino (obstáculos) pero esta llegan a pesar esta piedra es hueca pareciera el camino fácil (mentiras, engaños, chantajes, robos) cosas que evitan que carguemos con peso, cuando Gi Taek dice en una escena que la mientras se aferraba a él era que no quería dejar ese engaño pero la suelta es cuando la deja en ese rio, cuando se dio de cuenta que el camino fácil no es siempre el mejor y por último y creo que más importante es el olor, algo que hablan varias veces en la película donde se demuestra como las personas de alta sociedad ve la desigualdad, cuando hablan del que el señor Kim huele a las personas que van en el metro y como esto del olor desencadena la última tragedia de esta película, pero como esta referencia hay muchas en esta gran muestra cinematografía.
The dialogues, music, movements and objects are not by chance, this film is artistic but it is also combined with a black humor with a lot of peculiarity, a social satire that I liked. I can say that in certain aspects I understand the Kims, necessity has the face of a dog as they say and that's why I don't demean them in spite of everything that happened. For me I will talk about the three things that I liked as references to the film and what it wants to convey, the stairs this of being up and down is very obvious throughout the film the Kim family lives in the lower part of Korea while the Park in the lower part, we can always see this inequality, On the other hand we have the rock that appears in the film at the beginning, something that caught my attention is how it floats on the water as if it did not weigh and was hollow, many times we say that we carry weight on the road (obstacles) but this one comes to weigh this stone is hollow seems the easy way (lies, deceit, blackmail, robbery) things that we can see in the film, when Gi Taek says in a scene that while she was clinging to him she did not want to leave that deception but she let go of it when she left it in that river, when she realized that the easy way is not always the best way and finally and I think the most important thing is the smell, something they talk about several times in the film where it shows how people of high society see the inequality, when they talk about Mr. Kim smells the people who ride the subway and how this smell triggers the last tragedy of this film, but like this reference there are many in this great cinematography.
La última media hora fueron lo más interesante y creo a lo que más debemos prestar atención, la escena donde la familia Kim está disfrutando de la casa es una muestra de los anhelos, como ellos disfrutan de algo que probablemente nunca tengan y es triste saber que esa referencia se junta con otras cosas que nos dan a entender muchas veces la meritocracia no existe y a veces a pesar de que te esfuerces no llegas alcanzar lo que buscas, lo de la lluvia me descoloco mucho ver esa tormenta en la casa de los ricos se veía hasta bonita pero cuando bajamos junto a los Kim a la parte más baja de Corea nos damos cuenta de la realidad, sus casas están inundadas, me hizo pensar que muchas veces lo que nos agrada o vemos hasta bonito puede llegar afectar a otros, dañarlos o traerles consecuencias pero como estamos tan metidos en nosotros ni nos damos cuenta. Toda esta película es muy realista he incluso la violencia lo llega a ser porque entiendo la reacción de cada uno, lamentablemente a pesar de que el final es desalentador y deprimente es bastante coherente, por todo lo que paso y por lo que muestran muchas personas dirán que el muchacho logro lo que se propuso pero como dijo su padre “El mejor plan es no tener uno” muchas veces lo que planificamos no sale como lo esperamos y con eso a pesar de que para muchas personas es confuso sucede en la vida real.
The last half hour was the most interesting and I think what we should pay attention to, the scene where the Kim family is enjoying the house is a sample of the longings, how they enjoy something they probably will never have and it is sad to know that this reference comes together with other things that give us to understand that many times meritocracy does not exist and sometimes even though you try hard you do not reach what you are looking for, I was very upset about the rain, seeing that storm in the rich people's house looked beautiful but when we go down with the Kims to the lowest part of Korea we realize the reality, their houses are flooded, it made me think that many times what we like or we see as beautiful can affect others, damage them or bring consequences but as we are so involved in ourselves we do not even realize it. This whole movie is very realistic and even the violence becomes so because I understand the reaction of each one, unfortunately although the end is discouraging and depressing it is quite coherent, for all that happened and for what they show many people will say that the boy achieved what he set out to do but as his father said "The best plan is not to have one" many times what we plan does not go as expected and with that even though for many people it is confusing it happens in real life.
Parasitos es la mejor película que he visto en crítica social hasta el momento, la disfrute mucho como película y como obra la ame, me encanta cuando le ponen empeño a las cosas y cada detalle esta fríamente calculado, espero que si no la han visto la vean y la vuelvan a ver para que la disfruten y entiendan tantas cosas que aparecen, nos leemos pronto.
Parasitos is the best film I have seen in social criticism so far, I enjoyed it very much as a film and as a work I love it, I love when they put effort into things and every detail is coldly calculated, I hope that if you have not seen it you will see it and see it again to enjoy it and understand so many things that appear, I will read you soon.
Parasite is one of the greatest art films in the film industry. South Korean filmmaker Bong Joon-ho made it as well as we deserve. On the 21st of May, the picture had its global debut at the 2019 Cannes Film Festival. On May 30, 2019, it was released in South Korea. With awards season in full fill his bucket, and the Academy yet to release their nominees, we still expect Parasite to take the Best International Feature Film Oscar home for South Korea after taking the Best Foreign Language Film award at the Golden Globes.
Joon described it as he said on stage "a comedy without clowns" and "a tragedy without villains". Exceptionally well-written, intense storytelling, that is simple enough to follow yet features a greater level of depth in the context of the scenes that call out some obvious moments of what it wants the audience to think but not in a distracting way.
The story starts with two families from opposite ends of the socioeconomic spectrum, a story told with the genre-fluidity that was a trademark of a murder mystery. We first meet the Kim family, headed by father Ki-Taek and mother Chung-sook, in their own home, they leaving their windows open to benefit from bug-killing street fumigation. They have nothing but one other and a basic decency of resilience and hard work. So when son Ki-woo (Choi Woo-Shik) is faced with an unexpected opportunity to home-tutor a rich schoolgirl, he grabs the opportunity by getting his gifted artist sister, Ki-Jung. She outsmarted her way into the job and into the Park mansion.
An architecture discovered in the slums of Seoul, with views not of urinating drunks but of luxurious starlit skies, this wealthy house is everything for the Kims’ pokey and weirdly isolated. At that time businessman Mr. Park is at work, and his uptight wife, want to teach his daughter and young son. It’s a lifestyle that relies upon hired help: tutors, a chauffeur, and, most importantly, a devoted housekeeper Moon-Gwang (Lee Jung-Eun), who stayed with the building after its original architect owner moved out. Ki-woo (now called "Kevin") notices an opportunity and believes that his own family could easily fill such positions, so he devises a scheme to insinuate the Kims into the Parks' wealthy lives and house. Mr. Park is habitually depicted ascending the stairs of his ultra-modern home, and the Kims are pictured scampering down city steps to their own underworld apartment, it’s clear who holds the dramatic high ground.
In this unique story have everything like adventure, a fearful atmosphere, myth, etc. The tale, on the other hand, is highly unusual and unlike anything the viewer has likely seen before. I have to mark this as a 5-star mark movie.
Hola a toda la Comunidad Hive. Bendiciones, Hoy les traigo una Película 2019 Ganadora de 4 Oscares, cuyo Director, Productor y Guionista es Bong Joon-ho, se trata de PARASITOS 2019.
¿De qué trata?
Trata de la Familia Ki, gente pobre que vivían en condiciones deplorables. Su casa o departamento estaba en el subsuelo, ya que la ventana que daba a la calle estaba por encima de ellos, el hijo Ki-woo tenía un amigo Min y este le propuso que se quedara con su trabajo, que él se iba a la universidad, el trabajo consistía en darle clases a Park Da-hye, la hija del Sr. Park una familia adinerada, Ki-woo falsificó títulos para conseguir el trabajo, luego de unos días trabajando, se entera de que la Sra. Park está buscando una terapeuta de arte para su hijo Da-song, y le recomienda una amiga Jessica que en realidad es su hermana Ki-jung, luego Ki-jung le coloca una trampa al chófer de la familia para que sea botado y colocar en el puesto a Ki-taek su papa, luego van tras la caza de Mon-gwang el ama de llaves, con una infame mentira convencen a la Sra. Park de que su ama de llave está muy enferma y podría contagiar a toda la familia, esta sin mirar despide al ama de llave y entra la Sra. Chung-sook la madre de los ki, último miembro de la familia, de allí en adelante la película da un giro, al llegar nuevamente el ama de llave a la casa, bueno me imagino que ya la han visto, así que no se las cuento.
Personajes destacados de la Película
SONG KANG-HO: Interpreta a ki-taek, padres de Ki-woo y Ki-jung.
JAMG HYE-IIN: Interpreta a Chung-sook la esposa de Ki-taek.
CHOI WOO-SHIK: Interpreta a Ki-woo hijo de Ki.taek.
PARK SO-DAM: Interpreta a Ki-jung hija de Ki.taek.
LEE SUN-KYUN: Interpreta al Sr Park.
CHO YEO-JEONG: Interpreta a Yeon-Kyo, esposa del Sr. Park.
JUNG JI-SO: Interpreta a Da-hye hija del Sr. Park y Yeon-Kyo.
JUNG HYUN-IOON: Interpreta a Da-song hijo del Sr. Park y Yeon-Kyo.
LEE JUNG-EUN: Interpreta a Moon.gwang ama de llaves de la familia Park.
PARK MYUNG-HOON: Interpreta a Oh Geun-sae, esposo del ama de llaves.
PARK SEO-IOON: Interpreta a Min, amigo de Ki-woo y extutor de la familia Park.
Opinión Personal
En mi opinión es una excelente película donde se plasma lo que el ser humano sería capaz de hacer por tratar de subsistir, una familia normal, unida padre, madre e hijos, que vive en unas condiciones deplorables, la vivienda estaba en el subsuelo, ya que la ventana que daba a la calle estaba por encima de ellos, era una familia trabajadora que le llego la oportunidad de surgir por encima de lo que fuera, se aprovecharon de gente culta, sin maldad, ingenua diría yo. La película es buena jamás me imagine el desarrollo de la trama y mucho menos el final. Es un drama con suspenso y comedia, Ki-woo el hijo entrelazo a toda su familia dentro de una sociedad alta, sin medir las consecuencias de sus actos. También se plantea la subsidencia de como esa pobre gente pierde todo ante un fenómeno natural en este caso las lluvias, todo esto unido al hedor que el Sr. Park percibía cada vez que se acercaba a Ki-taek desencadeno el caos y el final inesperado. Felicitaciones al Director, Productor y Guionista Bong Joon-ho.
Capturas tomadas de mi PC
Ki-woo es aceptado para darle clases de Inglés a Da-hye
La Familia Ki festejando
La Familia Ki es prisionera del ama de llave y su esposo
La fuerte lluvia inundo la casa de la Familia Ki
Ki-woo es atacado por Oh Geun-sae esposo del ama de llaves
Ki-jung es mortalmente herida por Oh Geun-sae
**Ki-woo y Chung-sook son Procesados
**
Hasta la próxima publicación, Dios los bendiga.
English
Hello to all the Hive Community. Blessings, Today I bring you a 2019 Movie Winner of 4 Oscars, whose Director, Producer and Screenwriter is Bong Joon-ho, it is PARASITE 2019..
What is it about?
It is about the Ki Family, poor people who lived in deplorable conditions. Their house or apartment was in the basement, since the window overlooking the street was above them, the son Ki-woo had a friend Min and he suggested him to keep his job, he was going to college, the job was to teach Park Da-hye, the daughter of Mr. Park a wealthy family, Ki-woo forged degrees to get the job, after a few days working, he finds out that Mrs. Park is looking for an art therapist for her son Da-song, and recommends a friend Jessica who is actually her sister Ki-jung, then Ki-jung sets a trap for the family chauffeur to be thrown out and put Ki-taek her daddy in the job, then they go after Mon-gwang the housekeeper, with an infamous lie they convince Mrs. Park that her housekeeper's Ki-taek is a fake. Park** that her housekeeper is very sick and could infect the whole family, without looking, she fires the housekeeper and Mrs. Chung-sook the mother of the ki, the last member of the family, from then on the movie takes a turn, when the housekeeper arrives again to the house, well I guess you have already seen it, so I won't tell you about it.
Film Characters
SONG KANG-HO: Plays Ki-taek, parents of Ki-woo and Ki-jung.
JAMG HYE-IIN: Plays Chung-sook, Ki-taek's wife.
CHOI WOO-SHIK: Plays Ki-woo son of Ki.taek.
PARK SO-DAM: Plays Ki-jung daughter of Ki.taek.
LEE SUN-KYUN: Playing Mr. Park.
CHO YEO-JEONG: Plays Yeon-Kyo, Mr. Park's wife.
JUNG JI-SO: Play Da-hye daughter of Mr. Park and Yeon-Kyo.
JUNG HYUN-IOON: Playing Da-song son of Mr. Park and Yeon-Kyo.
LEE JUNG-EUN: Plays Moon.gwang housekeeper of the Park family.
PARK MYUNG-HOON: Plays Oh Geun-sae, husband of the housekeeper.
PARK SEO-IOON: Play Min, Ki-woo's friend and Park family's extutor.
Personal Opinion
In my opinion it is an excellent film which shows what the human being would be able to do to try to survive, a normal family, united father, mother and children, living in deplorable conditions, the house was in the basement, since the window overlooking the street was above them, was a working family that got the opportunity to emerge above anything, they took advantage of educated people, without evil, naive I would say. The movie is good, I never imagined the development of the plot and much less the ending. It is a drama with suspense and comedy, Ki-woo the son intertwined his whole family into a high society, without measuring the consequences of their actions. It also raises the subsidence of how those poor people lose everything before a natural phenomenon in this case the rains, all this coupled with the stench that Mr. Park perceived every time he approached Ki-taek triggered the chaos and the unexpected ending. Congratulations to Director, Producer and Screenwriter Bong Joon-ho.
Screenshots taken from my PC
Ki-woo is accepted to give English lessons to Da-hye
The Ki Family celebrating .
Ki Family is a prisoner of the housekeeper and her husband.
Heavy rain flooded the Ki Family's home
Ki-woo is attacked by Oh Geun-sae husband of the housekeeper
Hola mis amores, hoy quiero compartir con ustedes mi pensar acerca de la película "Parásitos", ya sé que no es para nada nueva, es del 2019, pero siempre quise verla, he visto los premios que se han ganado pero la verdad es que no recordaba que la tenia en mi pc descargada y bueno ayer en la noche me puse a verla a ver que tal y hay varias cosas que me llamaron la atención y quiero conversarlas con ustedes a ver que opinan.
Para quienes no la han visto pues un resumen muy resumido jejejeje es que es una familia de 4 integrantes, una posición económica muy pero muy baja, un amigo de la familia le dice al hijo de esa familia para filtrarse en una familia de alta sociedad para que sea un tutor universitario y así poder obtener ingresos económicos, pero todo lo que van logrando es por fallada, se hacen pasar como el conocido de un amigo u familiar lejano y así pues van entrando a trabajar dentro de la casa de la familia Park.
Aquí comienzan el hijo a laborar como "tutor universitario" de la hija, pero para poder lograrlo su hermana le falsificó un documento para poder tener esos soportes académicos, pero como la señora Park no le presta atención a esos documentos pues comienza de una vez a ser el tutor, por cosas de la vida entra su hermana a trabajar también como terapeuta del niño Park, luego hacen despedir al chofer de esa familia y sugieren al padre como un "conocido de un familiar que según vive en Chicago pero tiene buena experiencia como chofer VIP" entonces bueno comienza a laborar también y por ultimo hacen despedir a la ama de casa inventando que tiene tuberculosis y bueno así es como ingresa la mama de la familia a ser la nueva ama de llaves de la familia Park.
Algo que me llamó la atención es que con la entrada de dinero que estaban teniendo los 4 integrantes de la familia Kim es como para que se hubiesen mudado a un lugar mas estable, hubiesen mejorado un poco la calidad de vida, pero ellos solo se dedicaban a comer en casa, derrochar el dinero en comida y otras cosas, nunca pensaron en que algo podría salir mal y quedarse sin nada.
Pasan demasiadas cosas pero para resumir y no generar tanto spoiler para quienes no la han visto, pues hay 2 tragedias, 1 para cada familia y pues obviamente los Kim se quedan sin trabajo, sin hogar, sin nada, quedan en la calle.
El hijo de los Kim al final pues escribe una carta para su papa diciéndole todo lo que realmente quiere lograr en la vida lo cual era una carrera universitaria, una esposa y ganar suficiente dinero para comprar la antigua casa de los Park y poder dejar a su padre en libertad, pero obviamente cuando eso ocurra pasaran años de años.
Adentrándonos un poco en lo que los Kim pudieron hacer mejor, pues si hubiesen sido tal vez un poco mas sensatos en sus acciones, hubiesen logrado muchas cosas para salir de la pobreza en la que vivían gracias al salario de los Park, pero como quien dice por ahí cuando las personas no tienen ambición pues se quedan estancados.
Para los que vieron la película que les pareció, a mi me gustó, tiene muchas formas de ver el resultado de todo, de 5 estrellas pues le doy las 5. Pero llevándolo a la realidad ustedes que habrían hecho mejor si hubiesen estado en esa posición?
Como les dije, yo hubiese continuado con el plan pero sin enamorarme de nadie, solamente haría mi trabajo para ganar dinero y poder salir de la miseria me manera mas sensata, no me habría metido con la ama de llaves en ningún momento y pues no hubiese abusado de la confianza de los Park a decir verdad.
Hello my loves, today I want to share with you my thoughts about the movie "Parasites", I know it is not new at all, it is from 2019, but I always wanted to see it, I have seen the awards that have been won but the truth is that I did not remember that I had it on my pc downloaded and well last night I started to see it and there are several things that caught my attention and I want to discuss them with you to see what you think.
For those who have not seen it, a very summarized summary hehehehehe is that it is a family of 4 members, a very but very low economic position, a family friend tells the son of that family to filter in a family of high society to be a university tutor and thus to obtain economic income, but everything they are achieving is by failure, they pretend to be the acquaintance of a friend or distant relative and thus they are entering to work in the house of the Park family.
Here the son begins to work as a "university tutor" of the daughter, but in order to achieve it his sister forged a document to have those academic supports, but as Mrs. Park does not pay attention to these documents, he begins to be the tutor at once, by things of life his sister also enters to work as a therapist of the child Park, then they fire the driver of that family and suggest the father as an "acquaintance of a relative who according to live in Chicago but has good experience as a VIP driver" then well he starts to work too and finally they fire the housekeeper inventing that she has tuberculosis and well that's how the mother of the family becomes the new housekeeper of the Park family.
Something that caught my attention is that with the income that the 4 members of the Kim family were having, they could have moved to a more stable place, they would have improved their quality of life a little, but they were just eating at home, wasting money on food and other things, they never thought that something could go wrong and they would be left with nothing.
Too many things happen but to summarize and not to generate so many spoilers for those who have not seen it, there are 2 tragedies, 1 for each family and obviously the Kims are left without a job, without a home, without anything, they are left on the street.
The Kim's son at the end writes a letter to his father telling him everything he really wants to achieve in life which was a college career, a wife and earn enough money to buy the Park's old house and be able to let his father go free, but obviously when that happens it will be years and years later.
Going into what the Kims could have done better, if they had been perhaps a little more sensible in their actions, they would have achieved many things to get out of the poverty in which they lived thanks to the Park's salary, but as they say when people have no ambition they remain stagnant.
For those who saw the movie what did you think, I liked it, it has many ways to see the result of everything, out of 5 stars I give it 5. But taking it to reality, what would you have done better if you had been in that position?
As I said, I would have continued with the plan but without falling in love with anyone, I would only do my job to earn money and get out of my misery in a more sensible way, I would not have messed with the housekeeper at any time and I would not have abused the Park's trust, to tell the truth.
›Parasite: (Review) The movie with the best plot twist. [ENG/ESP]80@fabian981894d
Hello to all the moviegoers community, when last year they announced that parasito had won so many oscars I was very surprised, since it was the first time that a science fiction film had won so many oscars, at that time I thought that parasito was a film that was about an alien virus in the style of alien covenant. But when I saw it a few days ago I noticed that it was absolutely nothing like what I thought, it turned out much better because with the twists in the plot, I was very shocked by the quality of the work and although they say it is overrated, I think that for an independent film, it is a really great story.
Parasito, is a South Korean film directed by Bong Joon-ho, and tells the story of the Kim family and their arduous con artist style task to achieve their goal: Being rich.
The story of Parasite begins with the Kim family living in the basement houses in South Korea, none of them have a stable job and therefore suffer many shortages, they try to survive with a low paid job of arranging pizza boxes but they do not succeed, the dream of the Kim family is to have a lot of money to get out of where they are since the living conditions are extremely horrible.
But everything changes for the family when a friend gives them a relic, a scholar's stone or Gongshi, which he tells them will bring them wealth and good fortune and after that, that same friend proposes a job as an English tutor to Ki-woo (the son) where he tells him that he will work teaching the daughter of some millionaires.
So with the help of his sister who makes some fake documents, he manages to get the job and also falls in love with the girl he is going to teach. Ki-woo realizes that the rich family also needs a tutor for the other son, as he is an imperative and very unstable child, so Ki-woo comes up with the idea of recommending his sister for the job, and the next day he gets it.
And when his sister gets the job they go to great lengths to make the whole family succeed in getting the other jobs in the house like being the millionaire husband's chauffeur and the family housekeeper. So after playing a trick on the chauffeur and getting him fired, Ki-woo's sister recommends his father to the millionaire family to be a chauffeur.
Then Ki-woo, his sister, and his father work together to get the housekeeper who has been serving the rich family for a long time fired, so after another elaborate scheme, the mother also gets the job. And now as the whole family has jobs they mention that they can raise the money for better housing.
But the plot twist occurs when after the rich family goes camping, the Kim family stays in the house where they work reveling in the luxuries and get drunk joking about having a rich life, but when the former housekeeper Moon-gwang knocks on the door asking to come in, the Kim family is a little suspicious, but after so much insistence by Moon-gwang to look for something she had left behind, the Kims let her in but follow her closely and upon learning that she has her husband in a bomb shelter to prevent loan sharks from killing him, but the mother of the Kim family asks her to leave and take her husband with her. But everything gets out of control when Moon-gwang discovers that the Kim family is a fraud and records a video with plans to expose them.
So he has them blackmailed until he gets careless and the Kims take the opportunity to lock Moon-gwang and her husband in the basement since the rich family is back, but in that attempt to avoid being found out the Kim family's mom hits Moon-gwang downstairs, causing a severe concussion that kills her.
The rich family doesn't suspect or know anything, so the Kims' life working for the rich family continues as normal, but the next day the rich family throws a birthday party for their son and asks the Kim family to attend. And while the son, Ki-woo, is making out with his student, he decides to go down to the basement where Moon-gwang and her husband were locked up to give them the fortune stone so that they can succeed as well.
But when he gets to the basement he realizes that Mrs. Moon-gwang is dead and her husband now ties him with a wire and ties him to a pipe to kill him in revenge for his wife's death, but Ki-woo manages to escape from the basement, but when he gets to the kitchen Moon-gwang's husband kills him with the same stone he was going to give him. Then Moon-gwang's husband takes a knife from the kitchen and starts stabbing Ki-woo's sister and stabs her in the heart which kills her, also Moon-gwang's husband attacks the mother of the Kim family, cutting her in different parts of her body, but she kills him by stabbing him with a spit stick.
Amid all the chaos, the father of the rich family asks Mr. Kim for the car keys, but Mr. Kim, worried that his daughter is dying, throws them near the corpse of Moon-gwang's husband, the father of the rich family is disgusted by the smell of the corpse because he thinks that's how poor or common people smell, and also the father of the rich family told him that Mr. Kim smells like that too.
Then Mr. Kim, stubborn of this rejection and discrimination, takes the knife from the floor and stabs it into the heart of the father of the rich family, killing him on the spot, so he runs to hide and goes to the basement, where he stays hidden for a long time until everyone forgets about him.
Then Ki-woo is seen recovering in the hospital, and one day when he visits the house from the mountain and observes it, he realizes that someone is sending morse code through a light bulb, so Ki-woo copies the whole message and deciphers it and realizes that his father is in the basement of that house, so he starts to make a plan where he earns enough money to buy the house and free his father.
What I liked the most: I think it was the 180-degree turn in the plot, since the end where the murders occur was unpredictable, also the film keeps you in constant suspense either to know if they will be discovered or if their plan will succeed.
Also, I was impressed by the degree of realism with which they show the situation of people living in dire conditions, being that true as South Korea is one of the most prosperous countries in the world but still without escaping that there are people in poverty or extreme poverty, also South Korea is a country divided by inequality, as it is a place where people of the lower class are very discriminated against.
They also show how trying to be rich at any cost has a price that all those who yearn for wealth must pay, whether it is not educating the family long enough as was the case of the father of the rich family or doing illegal things as in the case of the Kim family.
What I didn't like: I think what I didn't like is that they don't give a complete closure to the story, because they don't say what happened to the millionaire family, where they went, Ki-woo's student met him again, also if Ki-woo's friend came back from the US, these are things that even if they are not part of the plot, they would have just mentioned them additionally to complete the story.
Also, a sequel was missing, although HBO announced that they will make a series where they will tell stories of the people between the sequence of the movie (since you can see many stories) they don't plan to continue with the story of the Kim family, so I think it would be a good idea to make a sequel but not on the big screen but in a mini-series but centered on the Kim family and their goal to compare the house that keeps Mr. Kim prisoner.
Anyway, this movie was amazing, I think it is not overrated because it shows a reality that is lived not only in South Korea but all over the world, where discrimination and social inequality abound everywhere making divided families and hatred and resentment grow.
As this movie is adapted to reality, I think it deserves an 8/10, the two missing points were for lack of a direct continuity in the story of the Kim family.
But what about you, have you seen this movie, what did you think of it? Let me know in the comments, thank you very much for reading my review, remember that none of the pictures used are my property and that's why you will see the sources listed where I took them from.
Hola a toda la comunidad de cinéfilos, cuando el año pasado anunciaron que parasito había ganado tantos oscares me sorprendí mucho, ya que era primer vez que una película de ciencia ficción había ganado tantos oscares, en ese momento pensaba que parasito era un película que se trataba de un virus alienígena al estilo de alíen covenant. Pero cuando la vi hace unos días pues note que no era absolutamente nada de lo que yo pensaba, es más resulto mucho mejor ya que con los giros en la trama, me quede muy impactado por la calidad de la obra y aunque digan que está sobrevalorada, pienso que para una película independiente, es una historia realmente grandiosa.
Parasito, es una película surcoreana dirigida por Bong Joon-ho, y cuenta la historia de la familia Kim y su ardua tarea al estilo de estafadores para lograr su objetivo: Ser ricos.
La historia de parasito comienza con la familia Kim que vive en las casas sótano en sur corea, ninguno tiene un empleo estable y por lo tanto sufren muchas carencias, ellos tratan de sobrevivir con un empleo mal pagado de acomodar cajas de pizza pero no tienen éxito, el sueño de la familia Kim es tener mucho dinero para salir de donde están ya que las condiciones de vida son sumamente horribles.
Pero todo cambia para la familia cuando un amigo les regala una reliquia, una piedra de erudito o Gongshi, que les dice que les traerá riqueza y buena fortuna y luego de eso, ese mismo amigo le propone un trabajo de tutor de inglés a Ki-woo (el hijo) donde le dice que trabajara dando clases a la hija de unos millonarios.
Así que con la ayuda de su hermana que hace algunos documentos falsos, logra conseguir el puesto de trabajo y también queda enamorado de la chica a la que va a enseñar. Ki-woo se da cuenta que la familia rica también necesita un tutor para el otro hijo, ya que es un niño imperativo y muy inestable, así que a Ki-woo se le ocurre la idea de recomendar a su hermana para el puesto, y al día siguiente lo consigue.
Y cuando su hermana obtiene el puesto hacen lo imposible para que toda la familia logre obtener los otros puestos de trabajo de la casa como ser chofer del esposo millonario y el ama de llaves de la familia. Así que después de jugar una treta al chofer y que lo despidan, la hermana de Ki-woo le recomienda a la familia millonaria, a su padre para que sea chofer.
Luego Ki-woo, su hermana y su padre trabajan juntos para que despidan a la ama de llaves que lleva mucho tiempo atendiendo a la familia rica, así que después de otro elaborado plan, también la madre consigue el puesto. Y ahora como toda la familia tienen los puestos de trabajos mencionan que pueden reunir el dinero para una mejor vivienda.
Pero el giro de la trama ocurre cuando luego de que la familia rica fuera de campamento, la familia Kim se queda en la casa donde trabajan deleitándose con los lujos y se emborrachan bromeando con tener una vida de ricos, pero cuando la anterior ama de llaves Moon-gwang toca la puerta pidiendo entrar, la familia Kim desconfía un poco, pero al cabo de tanta insistencia por Moon-gwang para buscar algo que se le había quedado, los kim la dejan entrar pero la siguen de cerca y al enterarse de que tiene a su esposo en un refugio antibombas para evitar que los prestamistas lo maten, pero la madre de la familia Kim le pide que se vaya y que se lleve a su esposo. Pero Todo se sale de control cuando Moon-gwang descubre que la familia Kim es un fraude y graba un video con los planes de exponerlos.
Así que los tiene chantajeados hasta que se descuida y los Kim toman la oportunidad para encerrarlos a Moon-gwang y a su esposo en el sótano ya que la familia rica está de regreso, pero en ese intento de evitar ser descubiertos la mama de la familia Kim golpea escaleras abajo a Moon-gwang, causándole una severa contusión que la mata.
La familia rica no sospecha ni se entera de nada, así que la vida de los Kim trabajando para la familia rica continua con normalidad, pero al día siguiente la familia rica organizan una fiesta de cumpleaños para su hijo y le piden a la familia Kim que asista. Y mientras el hijo Ki-woo, esta besándose con su alumna, decide bajar al sótano donde encerraron a Moon-gwang y a su esposo para darles la piedra de la fortuna y que así tengan éxito también.
Pero al llegar al sótano se da cuenta que la señora Moon-gwang está muerta y el esposo de ella lo ahora con un cable y lo amarra a una tubería para matarlo en venganza por la muerte de su esposa, pero Ki-woo logra escapar del sótano, pero cuando llega a la cocina el esposo de Moon-gwang aparentemente lo asesina con la misma piedra que le iba a dar. Luego es esposo de Moon-gwang toma un cuchillo de la cocina y comienza a acuchillar a la hermana de Ki-woo y le da una puñalada en el corazón que la mata, también el esposo de Moon-gwang ataca a la madre de la familia Kim, cortándola en diferentes partes del cuerpo, pero ella lo mata apuñalándolo con una vara de asador.
En medio de todo el caos, el padre de la familia rica le pide al sr Kim las llaves del auto, pero el preocupado porque su hija está muriendo se las arroja cerca del cadáver del esposo de Moon-gwang, el padre de la familia rica se asquea al oler el cadáver ya que para el así huelen las personas pobres o comunes, y también el padre de la familia rica le ha dicho que el sr Kim huele así también.
Entonces el sr Kim, obstinado de ese rechazo y discriminación toma el cuchillo del suelo y se lo clava en el corazón al padre de la familia rica matándolo en el acto, así que corre para poder esconderse y llega hasta el sótano, donde permanece escondido mucho tiempo hasta que todos se van olvidando de él.
Luego se ve a Ki-woo recuperándose en el hospital, y un día que visita a la casa desde la montaña y observarla, se da cuenta de que alguien está enviando clave morse a través de un bombillo, así que Ki-woo copia todo el mensaje y lo va descifrando y se da cuenta de que su padre está en el sótano de esa casa, así que empieza a elaborar un plan donde gane tanto dinero que le permita comprar la casa y así liberar a su padre.
Lo que más me gusto: Pienso que fue el giro de 180 grados que hubo en la trama, ya que el final donde ocurren los asesinatos fue totalmente impredecible, además la película te mantiene en constante suspenso ya sea por saber si los descubrirán o si su plan tendrá éxito.
También, me impacto el grado de realismo con que muestran la situación de personas que viven en condiciones nefastas, siendo eso totalmente cierto ya que corea del sur es uno de los países más prósperos del mundo pero siguen sin escapar de que hayan personas en pobreza o extrema pobreza, también corea del sur es un país dividido por la desigualdad, ya que es un lugar donde a la gente de clase baja son muy discriminados.
Además muestran como tratar de ser ricos a toda costa tiene un precio que todos los que anhelen riquezas deben pagar, ya sea el no educarle suficiente tiempo a la familia como fue el caso del padre de la familia rica o hacer cosas ilegales como el caso de la familia Kim.
Lo que no me gusto: Pienso que lo que no me gusto es que no le dan un cierre completo a la historia, ya que no dicen que fue de la familia millonaria, a donde se fueron, la alumna de Ki-woo se volvió a ver con él, también si el amigo de Ki-woo volvió de los estados unidos, son cosas que aunque no forman parte de la trama, aunque sea solo las hubieran mencionado adicionalmente para completar la historia.
Además falto hacer una secuela, aunque HBO anuncio que hacia una serie donde contaría historias de las personas entre la secuencia de la película (Ya que se pueden ver muchas historias) no planean continuar con la historia de la familia Kim, así que pienso que sería una buena idea hacer una secuela pero no en la pantalla grande sino en una mini serie pero centrada en la familia Kim y su objetivo de comparar la casa que mantiene prisionero al sr Kim.
En fin, esta película estuvo realmente increíble, pienso que no está sobrevalorada ya que muestra una realidad que se vive no solo en sur corea sino en todo el mundo, donde la discriminación y la desigualdad social abunda por todos lados haciendo que crezcan familias divididas y el odio y rencor.
Como esta película se adapta a la realidad, pienso que merece un 8/10, los dos puntos faltantes fue por falta de una continuidad directa en la historia de la familia Kim.
¿Pero qué me dices tú? ¿Has visto esta película? ¿Qué te ha parecido? Házmelo saber en los comentarios, muchas gracias por leer mi reseña, recuerdo que ninguna de las fotos usadas son de mi propiedad y por eso acabijo vera las fuentes enumeradas de donde las tome.
›[2019] PARASITE Review ( Wealth inequality and our society )@zioland1947d
A new study has emerged on the increasing concentration of wealth in the United States.
American universal citizens are working hard to achieve the American dream, but the wealth of the 400 richest people (0.00025% of the population) owns more than 150 million adults in the bottom 60%, Washington. Post (WP) paper analyzed.
About 18,000 members of Deep State's Cabal, a financial aristocratic force that aims to become a single government in the world, are said to be the majority of the world's wealth.
Is the wealt gapd okay?
Official Trailer
A globally recognized film
Cannes Film Festival Golden Palm Award, Golden Gloves Foreign Language Film Awards, Oscars, etc.. Film Parasites that have won many awards.
It's a running time of about two hours, and there's no time to be bored at all.
The subject of the whole family entering a rich house and cheating (?) is also fresh, but in the thrilling movie scenes, I did not forget the comedy.
In my case, I like watching the movie while predicting the flow of the movie to some extent, but the moment the reversal appeared, it felt like I was beaten in my head.
Even after watching the trailer or until the middle of the movie, this reversal was not expected at all, and I think it can be said to be a really fresh reversal.
Director Bong Joon-ho's McGuffin was perfect.
It seems that the reason why winning films are reluctant is a preconceived notion that there will be too many philosophical or difficult parts.
After seeing in-depth reviews from critics, he is hesitant that the film will become difficult, but 'Parasite' is an interesting movie.
There are many reviews on YouTube and the Internet that put great significance on each prop, but it's really fun to watch without paying attention to such details, and even after the movie is over (as the creator's intention), an unpleasant lingering lingering remains.
The past distorts the present.
When the half-basement house where Ki-taek (Song Kang-ho) lives is submerged in water,
Among the items Ki-taek brought, the medal and award received by Ki-taek's wife Jeong-soon (Jang Hye-jin) through the exercise is a symbol of a legacy that can remember life on earth.
Ki-taek's family now lives in a semi-basement, but in the past, Ki-taek's family must have had a different life from now.
The splendid past is the link between living in the present
If there is no past, the existence itself is denied, so even in a water crisis, medals and awards become a legacy symbolizing the past and a link that enables us to live the present.
The scene where the whole family depends on Wi-Fi and the appearance of Diestrammena coreana, where Gordioida lives, symbolizes Ki-taek's family as a parasite.
#'Line' that separates classes
Director Bong Joon-ho expressed the space of the train divided into Cannes and Cannes in the Snowpiercer in an unequal class.
In Parasite, the class was divided into ground and underground to express the class around the line.
(The white and black lines on the poster show that'line' is used as the standard for classifying classes)
If the underground space is the space of people who are stuck with the past and stopped, the space above the ground is a developing world that advances forward.
The future progress that Ki-woo (Choi Woo-sik) mentions while tutoring is hopeful in that he dreams and expects a different life from Ki-taek.
Ki-woo, who plans his life on the space above the ground to rescue his father (Ki-taek), constantly expects a change to life on the space above the ground.
The fact that CEO Park (Lee Seon-gyun)'s job is in the IT industry is also a symbol of life on the upper class .
The square window in Ki-taek's house is a line that separates the basement and the ground, and the fact that Park's house has many squares and right angles is a metaphor that Park is obsessed with the line.
CEO Park attaches great importance to not crossing the line. If he crosses the line he cannot be with him.
Classes that are thoroughly separated cannot be easily crossed, and if they try to cross the line in an improper way, there is only dire punishment, that is, death.
The day CEO Park's family goes camping, Ki-taek and his family spend a good time drinking at Park's house.
When CEO Park's family returns home earlier than scheduled, Ki-taek's family scatters and hides.
It's like a cockroach that scatters when you turn on the fire.
The Ki-taek family is just a parasite living in Park's, and is deceived from the outside, but the essence, that is, the smell, can never be hidden.
Just pretend. Ki-taek's family gradually moves to the earthly space where Park's family lives.
It is crossing the line that should not be crossed.
Centering on the line, the person below and the person above cannot coexist, and when they are forced to coexist, they will eventually be separated again through death.
A gisaeng can only live as a gisaeng, and can never be a host.
The world divides the life of the lower class and the upper class again, and peace comes.
Director Bong Joon-ho, who has sublimated class society into a well-structured script and black comedy genre, consistently throws a message on whether there will be equality in human society.
In the modern society where many people live together, an invisible class absolutely exists, and the social system for maintaining that class is still in effect.
However, in a house that is soaked in the rainy water, he comes out with his friend's flint, who is a hope and a superstition that one day our house will be able to rise to life on the space above the ground.
In the latter part of the movie, Gi-woo puts the flint back on the river, which means he will no longer believe in superstition.
Father, Ki-taek said No Plan! In the end, the Plan is a life who cannot escape from the underground life, and Kiwoo throws away flint and makes a specific plan to rescue his father.
The plan may be wrong. However, I think director Bong Joon-ho is saying that plans and attempts are the way to get life on the ground.
In fact, it is too sad to conclude that the parasite is inevitable in the appearance of Gi-woo, who makes a rather vague plan than a concrete plan.
It is somewhat vain, but I would like to conclude that plans and attempts are certainly hopes that may lead us to a new world.
Overall review
I want to evaluate the story of the parasite as the best in all the stories of the novels and movies I have seen.
From the subject matter, the twist, and the MacGurfin, who deceives viewers, are all perfect films.
Even if you write down more than 100 expected reversals before watching the movie, there is a high possibility that you will be beaten in the back of the head by a remarkable reversal.
Other than that, not to mention the inserted songs and productions of movies. The camera angle and music induces you to immerse yourself in the story of the movie, and the actors' acting also contributed to making this movie a masterpiece.
›[ESP-ENG] Análisis de Parásitos, la película coreana que rompió esquemas - Parasite analysis, the Korean movie that broke schemes@alinsonchangir1973d
Parásitos no es la típica película basada en las luchas de las clases sociales, en esa idea que contempla a los ricos y los pobres como dos ángulos diferentes de la sociedad, más bien, ridiculiza este concepto al mezclar esos dos ámbitos aparentemente diferentes como la parte de un todo, una mega estructura donde cada pieza encaja de lo más bajo a lo más alto, como un efecto dominó acuñado en pilares. Si una pieza cae, las demás también caerán con ella.
Parasite is not the typical film based on the struggles of social classes, on that idea that contemplates the rich and the poor as two different angles of society, rather, it ridicules this concept by mixing these two apparently different areas as part of a whole, a mega structure where each piece fits from the lowest to the highest, like a domino effect wedged into pillars. If one piece falls, the others will also fall with it.
Tal metáfora se personifica en la familia Kim, una estirpe de 4 integrantes que viven en un semisótano de mala muerte, rodeados de basura, borrachones y el agua fétida de las alcantarillas. Ellos personifican la fundación de la torre que sostiene al resto de la sociedad, ese pilar fundamental del edificio al que le toca la tierra y la oscuridad, y que siempre permanecerá ignorado y opacado por las piezas de más arriba, aquellas que solo brindan una estética vacía y casi innecesaria.
Such a metaphor is personified in the Kim family, a lineage of 4 members who live in a seedy basement, surrounded by garbage, drunks and the fetid water of the sewers. They personify the foundation of the tower that supports the rest of society, that fundamental pillar of the building touched by the earth and darkness, and which will always remain ignored and overshadowed by the pieces above, those that only provide an aesthetic empty and almost unnecessary.
La suerte de esta familia desdichada la conlleva a sobrevivir de unas cuantas monedas para costear lo importante, sin oportunidad de lujos o comodidades. A pesar de que han sobrevivido entre la inmundicia, cada uno de los Kim tiene una necesidad dramática en común: Salir de aquella miseria y de aquel hueco ignorado para igualar la estética de las piezas más altas de la sociedad.
The luck of this unfortunate family leads her to survive on a few coins to pay for what is important, without the opportunity for luxuries or comforts. Although they have survived amid the filth, each of the Kim has a dramatic need in common: to get out of that misery and that ignored hole to match the aesthetics of the highest pieces of society.
Tal deseo se les cumple como por arte de magia. En un par de escenas la familia Kim logra infiltrarse en el círculo de la adinerada familia de los Park mediante mentiras y estafas. Ya no están en aquel lugar podrido y estrecho con olor a huevo podrido, ahora disfrutan de las comodidades más exquisitas. Grandes jardines, una mansión ventilada, comida en abundancia y una familia demasiada ingenua de la cual se aprovechan con mucha facilidad, todo a cambio de unas cuantas falsificaciones. Este fuerte mensaje aclara el oportunismo y vanidad de una manera espléndida. Los Kim deseaban vivir como ricos, estar despreocupados como ricos, ser felices como ricos, y lo habían logrado después de varías desfachateces. ¿El fin justifica los medios? ¿Podemos aprovecharnos de alguien que se aprovecha de nosotros?
Such a wish is fulfilled as if by magic. In a couple of scenes, the Kim family manages to infiltrate the circle of the wealthy Park family through lies and scams. They are no longer in that rotten and narrow place with the smell of rotten eggs, now they enjoy the most exquisite comforts. Large gardens, a ventilated mansion, food in abundance, and an overly naive family who are easily taken advantage of, all in exchange for a few fakes. This strong message clarifies opportunism and vanity in a splendid way. The Kims wanted to live like rich, be carefree like rich, be happy like rich, and they had succeeded after various impudence. The end justifies the means? Can we take advantage of someone who takes advantage of us?
El propio nombre de la película saca a relucir el lado más oscuro de una sociedad ultrajada de todas las maneras posibles. Vemos como los Kim, o más bien el agente invasor, va invadiendo el cómodo cuerpo del Huésped, personificado por la familia Park. Lentamente los van devorando en sus engaños, pero, a la vez, hay otro mensaje de trasfondo. Los Park, escondidos bajo una cara ingenua, son parásitos mucho peores en un huésped mucho más grande, porque ellos consumen y devoran bajo la ley de narcicismo y la soberbia. Entonces, nos encontramos con una batalla de parásitos devorándose los unos con los otros en una guerra sin tregua.
The very name of the film brings out the darker side of an outraged society in every possible way. We see how the Kim, or rather the invading agent, is invading the comfortable body of the Guest, personified by the Park family. Slowly they are devouring them in their deceptions, but, at the same time, there is another background message. The Park hidden under a naive face are much worse parasites on a much larger host, because they consume and devour under the law of narcissism and pride. Then, we find ourselves with a battle of parasites devouring each other in a relentless war.
La ética y la moral quedan enterradas en el baúl, y ya no hay ninguna muestra de humanidad ni siquiera en los Kim. Convivir con los Park los ha convertido en personas egocéntricas. Al ver la película pensé mucho en ese concepto del “solo importo yo, los demás me valen un bledo”. Mirar la manera tan nefasta en que los Kim se fueron infiltrando en la familia Park bajo mentiras y engaños sacó en mí más de una sonrisa. De una manera satírica la película nos muestra lo egoístas que podemos ser cuando solo pensamos en nosotros mismos, o, en palabras más duras “cuando dejamos que el mundo se pudra aun pudiendo salvarlo”.
Ethics and morals are buried in the trunk, and there is no longer any sign of humanity even in the Kim. Living with the Park has made them self-centered. When I saw the film, I thought a lot about that concept of "I only matter, the others are worth a damn to me." Watching the nefarious way in which the Kim infiltrated the Park family under lies and deceptions brought out more than a smile from me. In a satirical way the film shows us how selfish we can be when we only think of ourselves, or, in harsher words, “When we let the world rot even though we can save it”.
En parásitos convergen esos duros contrastes entre dos sociedades contrapuestas. Por un lado, la familia Kim que anhela una vida mejor, más cómoda y más justa. En cambio, los Park solo orientan sus ambiciones a destacar por encima de los demás, tal vez con principios y valores, pero con un egoísmo palpable por donde quiera que lo mires. Ambas familias ambicionan, desean, anhelan aunque en circunstancias diferentes. En pocas palabras, mientras unos sufren porque no hay comida en su alacena, otros lloran porque el auto último modelo que les regalaron es de color azul y no rojo como lo querían.
In parasites these stark contrasts converge between two opposing societies. On the one hand, the Kim family who yearn for a better, more comfortable and more just life. Instead, the Park only guides their ambitions to stand out above the rest, perhaps with principles and values, but with a palpable selfishness wherever you look at it. Both families ambition, desire, yearn although in different circumstances. In short, while some suffer because there is no food in their cupboards, others cry because the latest model car they were given is blue and not red as they wanted it to be.
Parásitos es una película que rompe algunos convencionalismos de las clases sociales, usando el humor negro, el suspenso y el horror para matizar este concepto. Su brillante guión y dirección la destacan como una historia diferente y hermosamente realista, hecho que la llevó a ganar 4 premios Óscar de la academia. Te invito a darte en paseo por este largometraje que sin duda te hará reír, llorar, y te dejará más de un pelo de punta.
Parasite is a film that breaks some conventions of social classes, using black humor, suspense and horror to qualify this concept. Its brilliant script and direction set it apart as a different and beautifully realistic story, a fact that led to it winning 4 Academy Awards. I invite you to take a walk through this feature film that will undoubtedly make you laugh, cry, and leaved you more than a hair on end.
›#Review: "PARASITE" |Crítica |Opinión “ENGLISH AND SPANISH”@bigcarrillo2000d
PARASITE a Reality difficult to accept but very common in Society.
I will be totally honest with you, the first time I heard about the movie I thought it was about diseases or Zombies, I did not even see the TRAILER I just got carried away by the name and let it go. Not even the fact that it won several Oscar cousins caught my attention because of the simple fact that I thought it was about zombies.
It was the worst mistake I've ever made in scoring one. Movie without actually seeing what it was about.
PARASITE una Realidad difícil de aceptar pero muy común en la Sociedad.
Seré totalmente sincero con ustedes, la primera vez que escuché sobre la película pensé que trataba de enfermedades o de Zombis, ni siquiera vi el TRAILER solo me deje llevar por el nombre y la deje pasar. Ni siquiera el hecho que ganó varios primos Oscar llamo mi atención por el simple echo que pensé que trataba sobre zombis.
Fue el peor error que he cometido en marcar una. Película sin antes ver realmente de que trataba.
THE COVER WAS EDITED WITH IMAGES FROM THE FILM "PARASITE" AND IMAGES OF MY OWNERSHIP.
Seeing the film made it clear to me the reasons why it won so many awards and was cataloged as a jewel of current cinema and perhaps it will become a Cult movie.
Parasite is simply the living flesh sample of what is lived in the world and how the individuals that are part of it struggle to survive, but unfortunately they have been separated or discarded as useless people or that they have no value, other than what they can do to make life easier for those above.
Ver la película me dejó claro las razones por la que gano tantos premios y fue catalogada como una joya del cine actual y quizás se convierta en una película de Culto.
Parasite es simplemente la muestra en carne viva, de lo que se vive en el mundo y como los individuos que forman parte de ella luchan por sobrevivir, pero lamentablemente han sido apartados o desechados como personas inservibles o que no tienen valor, fuera de lo que pueden hacer para hacerle la vida más fácil a los de arriba.
ALL IMAGES ARE SCREENSHOTS FROM MY NETFLIX ACCOUNT FROM THE MOVIE "PARASITE" USED TO GIVE VISUAL CONTEXT TO THE POST.
In this post I am not going to investigate much about what the film is about, since I am sure that 75% of the community and followers of good CINEMA have already seen the film, I will touch on interesting points that touch the most delicate fiber of the human being.
LET'S START
We live divided by societies and classes that mark the distance due to avoid dreaming of something better. This has always been reflected in a more independent, but selfish world where the one who is well only thinks of his interests without thinking of the one who suffers, he totally lives calmly and his problems have a solution.
En este post no voy a indagar mucho sobre de que trata la película, ya que estoy seguro de que un 75% de la comunidad y seguidores del buen CINE ya han visto la película, tocaré puntos interesantes que tocan la fibra más delicada del ser humano.
COMENCEMOS
Vivimos divididos por sociedades y clases que marcan la distancia debida para evitar soñar con algo mejor. Esto siempre se ha visto reflejado en un mundo más independiente, pero egoísta donde el que está bien solo piensa en sus intereses sin pensar en aquel que sufre, total vive tranquilo y sus problemas tienen solución.
For the less fortunate, things are different and they tend to fall into a dark well with no way out, since they depend on who is well to be able to feel that they are also well under the shadow of another person.
We see this in detail in the film, it shows us that reality without censorship, it takes subtle parts and turns it into a reality that affects most of the people in this world.
Para el menos afortunado las cosas son diferentes y suele caer en un pozo oscuro y sin salida, ya que depende del que está bien para poder sentir que también está bien bajo la sombra de otra persona.
Esto lo vemos detalladamente en la película, nos muestra sin censura esa realidad, toma partes sutiles y la convierte en una realidad que afecta a la mayoría de las personas en este mundo.
But it also shows us the other part of society that is forced or simply seizes an opportunity to make the most of it no matter who it hurts or ruins in the process.
As humans we always look for that which gives us peace and security, where worries are not our daily bread, we only want to live in peace to be happy that simple.
Pero también nos muestra la otra parte de la sociedad que se ve obligada o simplemente aprovecha una oportunidad para sacar el mayor provecho posible sin importar a quienes lastime o arruine en el proceso.
Como humanos siempre buscamos eso que nos dé tranquilidad y seguridad, donde las preocupaciones no sean nuestro pan de cada día, solo queremos vivir en paz para ser felices así de simple.
This is something that the majority look for, but that very few achieve, which generates in the majority an anxiety or discouragement for not obtaining those opportunities. Within the film we see a family with great economic resources and a life let's say "Perfect" so to call it and on the other side a family with few resources and hunger to get something that will take them out of that dark hole that is their life .
We can confuse opportunities with achievements and that is very common in our society, as people we think that if we are doing badly it is because of our financial situation or the lack of opportunities and we see those who are successful with thinking in many of the wrong cases as if They have an easy life for being born in a golden cradle or what is known for having opportunities that lead them to success.
Esto es algo que la mayoría busca, pero que muy pocos consiguen, lo cual genera en la mayoría uma ansiedad o desánimo por no conseguir esas oportunidades. Dentro de la película vemos una familia con grandes recursos económicos y una vida digamos "Perfecta" por así llamarla y del otro lado una familia con pocos recursos y hambre de conseguir algo que los saque de ese hoyo oscuro que es su vida.
Podemos confundir oportunidades con logros y eso es muy común en nuestra sociedad, como personas pensamos que si nos va mal es por nuestra situación financiera o la falta de oportunidades y vemos a los que son exitosos con un pensamiento en mucho de los casos equivocados como si ellos tienen la vida fácil por nacer en cuna de oro o lo que se conoce por tener oportunidades que los lleven al éxito.
Parasite shows us those nuances and lets us see the reality, although a little pessimistic and dark, it makes the message very clear. Which brings us to the critical point of abuse or blatant exploitation of a situation that can get more out of it than it has already given.
Abusing the trust of the people who give you a chance is a mistake, but even more so taking things to the extreme and not knowing when to stop. We see how the family creates an environment where everyone is a winner taking advantage of lies and organized deception. What the scam would be for many.
Parasite nos muestra esos matices y nos deja ver la realidad aunque un poco pesimista y oscura nos deja muy claro el mensaje. Lo cual nos lleva al punto crítico del abuso o el aprovechamiento descarado de una situación que se le pueda sacar más de lo que ya ha dado.
Abusar de la confianza de las personas que te dan una oportunidad es un error, pero más aún llevar las cosas al extremo y no saber cuando detenerse. Vemos como la familia crea un ambiente donde todos son ganadores aprovechándose de las mentiras y el engaño organizado. Lo que sería para muchos la estafa.
But we have to live on something and this low-income family makes the most of it regardless of the limits.
This is not justified, but the SYSTEM does not collaborate with the less fortunate and indirectly or directly throws them into this type of situation, not at the same level, but with the same consequences, that is, failure.
Pero de algo tenemos que vivir y está familia de bajos recursos lo aprovecha al máximo sin importar los límites.
Esto no se justifica, pero el SISTEMA no colabora con los menos afortunados y de manera indirecta o directa los arroja a este tipo de situaciones, no al mismo nivel, pero si con las mismas consecuencias, es decir el fracaso.
Families or people with power or stability who have the power to bring happiness or tranquility to other people in many cases have a particular way of abusing and subduing those who need it and this marks nuances within the film that generates rejection in the viewer , but it also makes it clear that the world does not revolve around those who need it but around who makes the world go round.
Parasite, there is no taboo in expressing that reality and seeing how things develop in the same direction where the rich and the poor can exist, but in the end death or life separates them again.
Las familias o personas con poder o estabilidad que poseen el poder para llevar felicidad o tranquilidad a otras personas en mucho de los casos tienen una forma particular de abusar y someter al que necesita y esto marca matices dentro de la película que genera en el espectador rechazo, pero también nos deja claro que el mundo no gira alrededor de los que necesitan sino alrededor de quien hace girar el mundo.
Parasite, no tiene tabú alguno en expresar esa realidad y ver como las cosas se desarrollan hacia una misma dirección donde los ricos y los pobres, pueden existir, pero que al final la muerte o la vida los vuelve a separar.
Without a doubt, it is a movie that you must analyze and see in detail.
THE GOOD
Being the winner of several Oscars is not the only reason that makes this movie valuable or the point of attention. It has great potential on a social level to be used and well interpreted by those who have the opportunity to see it.
Sin duda alguna es una película que debes analizar y ver con detalle.
LO BUENO
Ser la ganadora de varios premios Oscar no es la única razón que hace valiosa o punto de atención de esta película. Posee a nivel social gran potencial para que sea aprovechada y bien interpretada por quienes tienen la oportunidad de verla.
His photography is practically a jewel, it shows you different nuances and points of view, where the environment, that is, the setting, is part of the story and perhaps for many it goes unnoticed, but it is part of it.
It starts from point A to point B, there is no filler or poorly structured plot, it has original ideas that make it an addictive plot.
Su fotografía es prácticamente una joya, te muestra diferentes matices y puntos de vista, donde el entorno es decir la ambientación forma parte de la historia y quizás para muchos pase desapercibido, pero es parte de ello.
Parte desde un punto A hasta un punto B, no existe ningún relleno o argumento mal estructurado, posee ideas originales que la vuelve una trama adictiva.
The contrast of reality with fiction is minimal and that is appreciated, we do not want to see a film that exaggerates situations without necessity or logic, the film knows how to work that in a wonderful way, nothing is exaggerated, or out of place everything flows naturally.
THE BAD
I would like to say that it is perfect or radiant like a diamond, but it would be false and not very objective, of course I do not consider myself a genius or great connoisseur of cinema to say that I have the last word or that my opinion on a movie has weight or power in society .
But if I use a personal criterion and opinion about what I see, the film has only one flaw and that is its end.
El contraste de la realidad con la ficción es mínima y eso se agradece, no queremos ver una película que exagere las situaciones sin necesidad o lógica, la película sabe trabajar eso de manera estupenda, nada es exagerada, ni fuera de lugar todo fluye naturalmente.
LO MALO
Quisiera decir que es perfecta o radiante como un diamante, pero sería falso y poco objetivo, claro no me considero un genio o gran conocedor del cine para decir que tengo la última palabra o que mi opinión sobre alguna película tiene peso o poder en la sociedad.
Pero si manejo un criterio y opinión personal sobre lo que veo, la película solo tiene un fallo y es su final.
It left me with the feeling that something was missing, it did not close that sad chapter in the lives of the less fortunate and left them worse than they already were, as if the cycle will never close. Maybe I'm wrong, but I get that weird feeling.
FINAL THOUGHT
We live in an unequal world where those who have much can live and conquer and those who have little must fight to survive.
Where opportunities are few but present, where the will to win and succeed is a dream for many but a reality for few.
Me dejó con la sensación de que algo le faltó, no cerró ese capítulo triste en la vida de los menos afortunados y los dejó peor de lo que ya estaban, como si el ciclo nunca se cerrará. Quizás me equivoco, pero me quedo esa sensación rara.
PENSAMIENTO FINAL
Vivimos en un mundo desigual donde el que tiene mucho puede vivir y conquistar y el que tiene poco debe luchar para sobrevivir.
Donde las oportunidades son pocas, pero están presentes, donde la voluntad de vencer y triunfar es un sueño para muchos pero una realidad para pocos.
It is not about SOCIALISM or CAPITALISM, not even fighting against a SYSTEM goes further, it is about creating opportunities from nothing. Perhaps difficult to understand but not difficult to create.
I leave you with this phrase that perhaps makes it easier for you to understand my final thought: The salary is a drug that they give you so that you forget about your dreams.
No se trata de SOCIALISMO o CAPITALISMO, ni siquiera de luchar contra un SISTEMA va más allá, se trata de crear oportunidades a partir de la nada. Quizás complicado de entender pero no difícil de crear.
Los dejo con esta frase que quizás les hago más fácil entender mi pensamiento final: El salario es una Droga que te dan para que te olvides de tus Sueños.
He tells Korean Bong Joon Ho that during his university studies he considers that he has turned, for cash, to show a child to a wealthy person, and that he actually remembers not long ago, when he was a working-class child, this strange and terrifying inclination he had after observing the family home from Excessive exuberance. unexpectedly.
From this individual experience, and frankly from this inclination, came the main seed of his movie "Parasite," which won the Palme d'Or at this year's Cannes Film Festival, making Bong Joon the main South Korean to win this. Overall great and glamorous movie scholarship.
To live as a parasite
Parasitology is characterized as a creature that lives dependent on another organism known as the host. Bong Joon-ho discovered from the beginning of his movie "Parasite" that stealth is the lifestyle that the Kim Ki-tech family lives in. The main sentence we hear in the movie from the child's lips: "We are done, we are no longer free Wi-Fi," after the woman at the highest level changed the password. At this stage, we see the rest of the family members upset about this, especially since the Internet is their solitary method of correspondence with the rest of the world after separating the broadcast communications department from their phones.
The child begins to search for another Wi-Fi organization that can be accessed, and finds a tag for another organization inside the bathroom in a place where he must reduce the request for the mark. The girl and the girl are sitting quietly by the toilet, the highest point in their basement, to get the signal. The ease with which they manage conditions confirms that they have experienced this path for a long time, and that this interruption is their usual way of life.
Their lifestyle is enhanced by their move to the wealthy Mr.Park family, but the revelation of the ex-servant's wife who has been living as a ghost in the basement below the family home for so long turns her into a fierce and horrific battle for endurance.
With this man / apparition it turns out that there is more hopeless than life as a parasite. Park says her son has had epilepsy since he saw a ghost in the house, after he tested the ex-servant's wife as he climbed around evening to get food. She revealed to her new servant that her grandfather used to say that appearing at home brings abundance, and that their monetary situation has really worsened after the ghost appeared.
the story
The film, written by Bong Joon-ho with Jin Won Han, tells the story of two indistinguishable families, each consisting of four members, a father, a mother, a child and a young girl. The primary recommendation for naming the film was "decalcomania," which is a creative and specialized term for rendering and moving an image from one surface to the next.
The most common form is to draw an image on a portion of a white sheet evenly insulated below the center, at which point it overlaps the paper and presses outwards to print an exact copy of the image onto the other part of the sheet.
The suggested title was unexpected, we have two indistinguishable families, but the daily routine that each family experiences is completely different from the other, and the sheer distance between the photos of two indistinguishable families is the focal point of Bong Joon Ho. We have a frustrated Kim Ki-tik family (four without a job). They get it by collapsing pizza boxes for a restaurant, and they live in a storm cellar that alone neglects the Earth's exterior through a solitary window. Also, Mr. Park's family is wealthy and lives in a luxurious home.
The child of a miserable family succeeds, at the suggestion of one of his comrades, in obtaining a new line of work as a mentor for a young girl from the well-to-do family, at that stage with some trick and deception, the weak family prevails in the matter of the full enjoyment of the well-to-do family. What would happen to the two families if they met under the same roof? What is the effect of the struggle between two forces for this polarization?
Work area
The venue here in "Parasite" is not just a cover or event staple, but rather it is related to the drama and the film's significance. The majority of the film is shown in the basement of the miserable family and the residence of the well-to-do family.
Current social assumptions consider the spot as a living element, a living piece of the social body generated by the class battle. The dwelling of the two families, at that point, reflects the wide gap between their two classes, and this terrifying irregularity in the spot space and the diffusion of light (which is a special event for all). The child of a miserable family imagines that he is claiming the place of the well-off family, and that when that happens he will be in the nursery in light of the fact that the daylight there is wonderful. This association with light is natural for a person who lives in a basement, as daylight enters through a secluded window.
It is clear that the impression of a wide gap between the two classes can be observed in the area of separation of the miserable family from the home of the rich family after their sudden return, in an open film, the family takes many steps on their way to the basement of the storm, as if the distance between the two points is an endless descent.
The movie relied on occasional messaging on the alleged Morse code, a rudimentary method of messaging that is not currently used in conjunction with the rescue and assistance field in the event that current messaging methods are disturbed. This confirms that the social and financial situation depicted in the film is a dangerous circumstance that needs decisive mediation in order to save. Before the disaster strikes.
The movie begins and ends with a similar shot to the family vault, which helps the circumstance continue as before. What's more, if the first shot is in the daytime, confidence is through the light streaming in from the window, at this point the full shot is reduced in ambiguity.
And finally
In the end, these words are directed towards denouncing the broken monetary framework in the period of free enterprise, where the poor become less fortunate and the rich become more extravagant, as if we are facing the economy of cannibals, taking advantage of living spirits.
As though the presence of individuals living like ghosts is the thing that makes the rich become rich. The last picture shown in the movie is questionable who is the parasite here, who lives on whom? Are the classes that have been subjected to abuse who live in high society, or vice versa?
Una de las buenas noticias que tuvo este año 2020 antes de la pandemia y el confinamiento, fue la victoria de esta cinta surcoreana en dos de las principales categorías de los premios de la academia, Mejor Director y Mejor Película. Para muchos fue un triunfo merecido, pero a muchos otros les sorprendió no sólo porque competía con otras buenas películas sino - y sobre todo - porque no la habían visto y no esperaban que la academia entregase el premio de la noche a una película de habla no inglesa por primera vez en la historia.
Por supuesto que la reacción de muchos que no la habían visto fue correr inmediatamente a enmendar ese error y a ello ha contribuido la reciente incorporación de esta cinta a la plataforma de streaming Netflix en donde ya contaban con algunas películas de su director Bong Joon-ho e incluso habían financiado una, Okja. Bien, pasados algunos meses y superado el calor del momento gracias al cual algunos espectadores, imbuidos por el triunfo entonces reciente de la historia pudieron haberla visto un tanto condicionados, me dirijo en especial a quienes aún no la han visto, para que se acerquen a ella, no como una ganadora histórica del Oscar, sino como una gran película, al margen de su éxito y su procedencia, así que trataré de hablar de Parasite sin incurrir en spoilers y sin analizar muchas escenas puntuales para no arruinar la experiencia de quienes se acerquen a ella por vez primera.
La película cuenta la historia de una familia surcoreana que vive de las sobras, al menos al principio. Con ello me refiero a que están desempleados y recurren a trucos y mañas para sobrevivir, tales como robarse la señal de WiFi de un vecino, tener ocupaciones temporales y esporádicas en trabajos muy particulares e intentar organizar de esa forma una economía doméstica que les permita vivir aceptablemente. Sin embargo, a los pocos minutos nuestra percepción de ellos cambia y dejamos de sentir un poco de lástima y empatía para comenzar a maravillarnos y divertirnos con lo atrevidos e impostores que pueden llegar a ser. En Venezuela diríamos que son vivos. Muy vivos. Porque cuando el hijo mayor comienza a dar clases particulares de inglés a la hija adolescente de los Park, una familia adinerada, la situación de ambos hogares comienza a cambiar.
Hay cierta simetría especular entre las dos familias, ambas constan de cuatro personas, con una pareja heterosexual, un hijo y una hija; en el caso de los Park, hay que incluir a la ama de llaves y al chofer, puestos que tras circunstancias manipuladas, ocuparán la madre y el padre de nuestra familia protagonista que ingresa a la mansión de sus patrones y a su núcleo familiar como parásitos en un huésped. Recordemos que el parasitismo es un tipo de simbiosis entre un organismo, el parásito, y otro, el huésped, en el cual, en la mayoría de los casos, la relación resulta perjudicial para el receptor y beneficioso para el parásito. De allí ya puede deducirse el tipo de relación que surgirá entre ellos y el por qué el nombre de la cinta.
La película puede sorprender a los espectadores, incluso a los más conocedores del cine asiático porque aunque tiene elementos propios del mismo y de alguna forma condensa el trabajo anterior de Bong Joon-ho, también incluye algo si no novedoso, por lo menos sí poco común y es la forma en que la película va mutando. Clasificar Parasite en un género es difícil porque toma de varias fuentes, pero a diferencia de otras películas que mezclan drama con comedia y otras cosas, en esta película en particular sentí que en lugar de mezclarlos, más bien era una sucesión de géneros. Inicia como una comedia que muta a drama, a thriller, un poco de terror y gore y luego acaba con un emotivo final. Para mí es una película de por lo menos 9/10, hay risas, lágrimas, sangre, denuncia social y muchas reflexiones sobre la familia, la identidad, la vida, el dinero y otros temas, que dejan una sensación confusa, revuelta, abrumadora, pero para nada indiferente. Así que más allá de los premios que haya ganado, es una de las mejores películas de los últimos años y sin duda una cinta que deberían ver o volver a ver.
›Parasite “An Oscar-winning social critic - Una crítica social Ganadora del Oscar” [Review] 🐝🎬100@virgilio242144d1 view
"Es rica pero aun así es amable. No, es amable porque es rica, si yo tuviera ese dinero también sería amable. " Chung-sook
"She is rich but still kind. No, she is kind because she is rich, if I had that money I would be kind too." Chung-sook
Hace unos días se estrenó para la plataforma más grande de contenido audiovisual Netflix, la obra de arte ganadora del Oscar el año pasado a mejor película entre otros muchos premios, cubierta de grandes elogios por parte de la crítica tanto conocedora y para los amantes del buen cine, en esta review relataremos el por qué fue tan premiada, sus aciertos y como se ha convertido para mí en las mejores películas del último tiempo.
A few days ago, the Oscar-winning artwork for best film, among many other awards, was released for the largest audiovisual content platform Netflix. Covered with great praise from critics and for lovers of good cinema, in this review we will relate why it was so awarded, its successes and how it has become for me the best films of recent times.
Parasite escrita y dirigida por Bong Joon-ho, que ya con esta obra queda claro que es de los mejores directores de la actualidad; debo admitir que es mi primera obra del director y la primera película asiática que he visto de este género, que vamos me dio a entender que se hace excelente cine en estas tierras, “si desean pueden dejarme recomendaciones sobre películas asiáticas”.
Parasite written and directed by Bong Joon-ho, who is already one of the best directors of the present time; I must admit that it is my first work by the director and the first Asian film I have seen of this genre, which gave me to understand that excellent cinema is made in these lands, "if you wish you can leave me recommendations on Asian films".
[Boon Joon Ho con sus oscar de Mejor Film Y La de mejor Direccion - Boon Joon Ho with his Oscars for Best Picture and Best Director ](https://www.entornointeligente.com/bong-joon-ho-toda-una-carrera-dedicada-a-la-crtica-social/)
Siguiendo con la reseña hagamos una pequeña sinopsis, la historia trata de una pequeña familia de muy escasos recursos que vive en un suburbio de corea del sur, su casa es un sótano de espacio muy reducidos, esta familia intenta sobrevivir como sea, con pequeños trabajos para una pizzería o hasta engañando a personas para aprovecharse y recibir un beneficio económico, hasta que un día el hijo menor de la familia consigue una oportunidad de trabajo dándole clases particulares a una joven de una zona muy adinerada del país, a partir de este momento la historia cambia para la familia de la mejor manera, pero que tarde o temprano las cosas no serán como ellos imaginaron.
Continuing with the review let's make a small synopsis, the story is about a small family of very scarce resources that lives in a suburb of South Korea, their house is a basement with very reduced space, this family tries to survive as it is, with small jobs for a pizzeria or even deceiving people to take advantage and receive an economic benefit, until one day the youngest son of the family gets a job opportunity giving private lessons to a young woman from a very wealthy area of the country, from this moment the story changes for the family in the best way, but sooner or later things will not be as they imagined.
[The Family Park](https://www.makma.net/tag/cine-coreano/)
Parásitos está lleno de una crítica social al sistema, como los pobres son menos beneficiados, tanto por las oportunidades y también por la misma mentalidad de aprovecharse de la situación; como los ricos viven en un mundo de ingenuidad, en donde no sucede nada alrededor de ellos y sus riquezas, como en cada momento del film nos demuestra esas diferencias tan marcadas, cada cuadre, cada escena, cada plano todo gira entorno de las distinciones que separan a estas clases sociales, ejemplos como cuando muestran a los ricos en la cima de la sociedad “La familia Park viviendo en la parte alta de la ciudad” y como los pobres se encuentran en el escalafón más bajo “La familia de Ki-woo viviendo en la decadencia de un sótano”, Fotogramas paralelos en escenas como cuando llueve, por un lado los ricos recibiéndolo como una bendición y por otro lado la familia pobre sufriendo la agonía de una inundación.
[Aqui se observa que la clase alta esta en la cima de la ciudad - Here you can see that the upper class is at the top of the city ](https://www.dondeir.com/cine-y-tv/parasitos-lo-bueno-lo-malo-y-lo-feo/2019/12/)
[Y Aqui La clases pobre marginada - And here the poor marginalized classes ](https://www.glamour.mx/tu-vida/articulos/parasite-serie-de-television/14832)
[La lluvia un desastre para los pobres - Rain a disaster for the poor](http://elagentecine.cl/criticas-2/parasite-1-la-forma-del-agua/)
Parasites is full of a social criticism of the system, as the poor are less benefited, both by the opportunities and also by the very mentality of taking advantage of the situation; how the rich live in a world of naivety, where nothing happens around them and their wealth, how in each moment of the film we show these differences so marked, every frame, every scene, every shot everything revolves around the distinctions that separate these social classes, Examples such as when they show the rich at the top of society "The Park family living in the upper town" and how the poor are at the bottom "Ki-woo's family living in the decay of a basement", parallel frames in scenes such as when it rains, on one side the rich receiving it as a blessing and on the other side the poor family suffering the agony of a flood.
[A blessing for the rich](https://www.pinterest.com/pin/489555421999200579/)
En fin, existe tantos elementos en esta obra de Bong Joon-ho que nos cansaríamos de hablar de la genialidad, una película íntima y muy original en su argumento, con giros en la trama que te dejaran boquiabierto digno de los mejores thrillers del momento, una ganadora digna de su premio ademas siendo la unica internacional que lo ha ganado y con una crítica social simple, sencilla y muy bien lograda sin forzar nada en su argumento, una película recomendadisima por mi parte, su calificación final es un claro:
10/10 👍
In short, there are so many elements in this work by Bong Joon-ho that we would get tired of talking about genius, an intimate and very original film in its plot, with twists in the plot that would leave you speechless and worthy of the best thrillers of the moment, a winner worthy of its prize, besides being the only international one that has won it and with a simple, straightforward and very well achieved social critique without forcing anything in its plot, a film that I highly recommend, its final rating is a clear one:
Il film del regista Sud Coreano Bong Joon Ho con enorme sorpresa di molti ha letteralmente stracciato la concorrenza durante l'ultima premiazione dei premi Oscar. Parte della critica ha avuto da ridire su questa scelta, d'altronde ci sarà sempre chi non é d'accordo con determinate scelte.
Rimane comunque il fatto che Parasite ha vinto e stravinto, con un bottino di 4 Oscar tra i quali miglior regista e miglior film del 2019. Me l'aveva consigliato qualche tempo fa un utente proprio qui su Steemit, oltre ad avermi consigliato un altro lavoro dello stesso regista che avevo già visto anni fa e mi era piaciuto davvero un sacco, Snowpiercer, piacevole sorpresa che mi é rimasta molto impressa soprattutto per la forte critica alla società e la differenza tra classi sociali.
Ecco quindi che il buon Bong non si smentisce e con questo suo ultimo lavoro riesce a tirar fuori il meglio di sé. Questa pellicola mi ha colpito un sacco, prima di tutto non é semplice seguire esclusivamente i sottotitoli mentre non capisci nulla del reparto audio, con estrema disinvoltura le immagini ti coinvolgono talmente tanto già dai primi minuti che tutto il resto passa in secondo piano.
Questo film racconta la storia di una famiglia composta da quattro persone costretta alla povertà, la quale vive in un seminterrato, ciò che sembra preoccuparli di più sono le comodità della tecnologia moderna, sfruttare gratuitamente la connessione WiFi del vicino é per loro di gran lunga più importante di trovarsi del cibo decente o un lavoro dignitoso, che inizialmente per il padre é piegare cartoni delle pizze comodamente seduto per terra. Quando il padre rischia il licenziamento per aver svolto male il proprio lavoro ci pensa la figlia a corrompere il suo capo facendogli cambiare idea.
Dopo aver pensato di aver visto il peggio, ci pensano gli stessi protagonisti a smentirci nuovamente. Il giovane figlio riesce grazie ad un amico ad andare a lavorare presso una ricca famiglia dando lezioni private a loro figlia, arrivando fino a sedurla er ottenere maggiori vantaggi, poco prima però il giovane falsifica un diploma con grande e sbalorditivo piacere del padre che quasi lo idolatra per questa sua conquista della quale si dice commosso.
Film Screenshot
Da qui partirà la "scalata al successo" della famiglia, il ragazzo riuscirà a far lavorare per la stessa famiglia sua sorella, dopodiché quest'ultima con uno stratagemma diabolico riuscirà a far diventare il padre l'autista, oltre che a farlo diventare un vero e proprio attore il quale studia a memoria una parte con l'intento di far rimpiazzare dalla propria moglie l'attuale governante che si trovava in quell'immensa e bellissima casa da anni.
Tutti e quattro ora sono in totale possesso della situazione, una sera, mentre i padroni sono fuori casa, si alcolizzano assieme con il scopo di impossessarsi della villa, ma proprio quella notte succede di tutto.
L'ex governante tornerà a far visita ai suoi ex datori di lavoro ma al loro posto troverà la famiglia impegnata a festeggiare, la donna ha dimenticato qualcosa nel bunker anti atomico, anzi qualcuno. Eh sì perché sottoterra vive suo marito, caduto in disgrazia, per risparmiare, vive sotto la casa tutto solo in un posto ormai dimenticato dai padroni.
Film Screenshot
Scene di isteria quando la donna scopre i loschi piani della famiglia e li ricatterà con il proprio smartphone filmandoli mentre si chiamano con i propri nomi familiari, tutto ciò finirà in tragedia, la coppia verrà legata e rinchiusa nel bunker mentre i padroni stanno tornando a casa per via di un imprevisto. L'ex governante morirà durante un tragico incidente e il marito darà di matto cercando di comunicare tramite codice Morse con un interruttore che si trova nella "sua" dimora che illumina le scale della casa sovrastante.Qui un piccolo appunto personale, ci viene proposta la scena che egli illumina le scale a mo' di luce automatica quando queste vengono calpestate, cosa assai improbabile e non molto sensata, comunque evento isolato e abbastanza irrilevante per lo svolgimento della storia.
Due elementi molto importanti sono anche il barbone che urina davanti al seminterrato della famiglia, la quale si arrabbia e vorrebbe fargliela pagare ma non ne ha il coraggio, con il tempo acquistano confidenza e fiducia, arrivando a ribellarsi a quest'uomo, mentre si sentono al settimo cielo per le proprie conquiste lavorative.
Film Screenshot
Secondo elemento fondamentale é il cattivo odore. Loro, che approfittano delle finestre aperte di casa per sterminare gli scarafaggi mentre per le strade della città é in atto una disinfestazione, sono infastiditi dell'essere denigrati dai benestanti per questo motivo. Questo verrà evidenziato alcune volte fino a quando il ricco padrone dimostrerò tutto il suo rigetto non fermandosi neanche davanti alla morte, evento che farà scaturire la follia del povero padre che accoltellerà il proprio capo per poi sgattaiolare lui stesso nel bunker e vivere di nascosto dalla società che gli darà la caccia.
Da lì sotto cercherà di comunicare con il codice morso con il figlio, quest'ultimo cercherà di rispondere e far di tutto per acquistare la casa e liberare il padre dalla latitanza, queste scene si vedono e sembrano vere, in realtà sono soltanto frutto dell'immaginazione.
Gran bel film, mi é piaciuto davvero molto ed é stata per me una piacevolissima sorpresa, regala emozioni, fa riflettere e riesce a rimanere impresso. Bong ha colpito nel segno, é riuscito a scioccare e attrarre con una storia semplice e diretta, raccontando lati molto oscuri della natura umana ed estremizzare su dove potrebbe spingersi, fino ad arrivare ai limiti della realtà.
Grazie per aver letto, un grosso abbraccio ed a presto!!
This award-winning Korean film takes a deeply disturbing, yet insightful, look at the consequences of the income gap and the lack of mobility between socio-economic classes. We watched it with English sub-titles. I've not had the chance to see much of Korean life, but it shows us a side of S. Korea that I didn't know about, having almost exclusively dealt with upper-middle and higher classes of Koreans in my life (in Indonesia).
Two families are juxtaposed through opportunity and chicanery into a parasitic relationship.
The Parks are an obscenely rich family with nothing to want for. There is some dysfunction in the family because the daughter is somewhat ignored due to the behavior of her little brother. They are nice, pay well, naive and the perfect target for...
The Kims, who are obscenely poor. They're not lazy - they just seem to have a lot of bad luck (or so it's portrayed, although my experience tells me that it's a combination of what opportunities are available and your mindset, but I agree that many things are outside the control of the masses). They live in a terrible basement apartment and are struggling mightily, until the son's friend gives him a break by introducing him to a rich family whose daughter he tutors. The purported reason for this is a "scholar's stone" that the same friend gives them, which is supposed to bring wealth. I don't want to spoil the movie but it aptly portrays how a family that is held down long enough will become very selfish when it comes to fulfilling its own needs, at the expense of their victims. Yet, we can see that this family is actually more unified than the Parks are, and they're good to each other in a somewhat dysfunctional way. We also learn the fatalistic attitude of some people in this condition, that it is pointless to plan because things won't turn out your way no matter how hard you try.
This film is not appropriate for pre-teens, and I would not suggest it for anything other than older teens as it deals with multiple themes that may not be appropriate, such as a sex scene (I covered my daughter's eyes for it), multiple scenes of violence and death, inappropriate relations between a tutor and an under-age student, fraud, counterfeiting and more.
Despite the darkness that runs through most of the film, and the depths to which the situation sinks, this is a beautifully executed film that simultaneously excuses both the rich in their lofty towers and the poor in their pits while also condemning them. It is very moving and provides a final commentary on how hard it is for a family to recover from disaster. It will shock you, it will bring tears to your eyes, it will cause you to despise and it will cause you to understand. Given the tendency of most movies to portray every rich family as evil, I think this is probably the fairest portrayal you can find. I highly recommend it for adults!👍
If you're curious as to the final death in the film, there's a spoiler at the bottom of this review.
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SPOILER!
First, Mr. Kim kills Mr. Park because of the repeated comments about the "dirty rag" smell of Mr. Kim, which culminates in the looks of disgust he sees on Mrs. Park's face in the car, and Mr. Park's face when he grabs the car key from under the dying man. This small affront, after all he's suffered through all of his life, is more than he can bear and he goes temporarily insane, which you can see by his reaction afterwards.
In addition, and probably more importantly, Mr. Park insisted on taking his son who had fainted to the hospital in his car and completely ignored Mr. Kim's dying daughter - not even thinking to bring her or call an ambulance for her. I guess it boils down to: "You care so little for your son's tutor, my daughter, that you offer no consolation, no help, no consideration? I shall wipe you from the face of the Earth!"
›El porque Parasite ganó Oscar a mejor película@takeru2552347d1 view
Parasite es una película que está ahora en boca de todos. Cuenta con cuatro Oscars y es la primera película que no es de habla inglesa en ganar Oscar a mejor película. Por muy buena que sea, y por más que se le pueda analizar de cualquier forma, teniendo tomas que ya de por si harían que un director se volviese loco con la gran cantidad de información que se puede crear con tan poco, también hay que admitir que no es la mejor película “extranjera” que se ha hecho, o por lo menos, no es la primera que merece Oscar a mejor película. Entonces, ¿por qué si fue la primera en ganar esta categoría?
Para tocar ese tema también me gustaría hablar de lo sorpresivo que han sido los Oscars estos últimos años en cuanto a sus premiaciones a mejor director. En los últimos años solo ha logrado ser ganador un estadounidense, con Lalaland, mientras que por otra parte ha habido tres mexicanos y un coreano. Me parece grandioso lo mucho que han cambiado los Oscars, y aunque tengo muchas quejas con muchas de sus categorías, nominados y sus premios, me alegra ver como a pesar de todo a veces premian lo que se debe premiar y no lo que es más inclusivo o lo que daría más de que hablar.
Grandes películas (y sí, estoy aprovechando esto para recomendar más películas) han debido ser ganadoras de esta categoría, o por lo menos, estar nominadas, un ejemplo de esto es: memorias de un asesino, oldboy, Roma, el secreto de sus ojos, I saw the devil y otras. Si me preguntan a mí, incluso películas de animación han debido estar nominadas a categoría de mejor película, pero los críticos tienden a ser muy retrogradas en cuanto a eso se trata.
Me hubiese encantado ver Relatos Salvajes nominada a mejor película, y a pesar de que ganó como mejor película extranjera, no puedo evitar sentir un poco de impotencia al saber que ni siquiera estuvo pensada en ser nominada como mejor película, solo por ser de Argentina, cosa que también pasó con El Secreto de Sus Ojos, una película imperdible para cualquier persona. Es entendible que hace años fuese impensable que una película así fuese a ganar un Oscar, porque los Oscars se basaban mucho más en todo lo de Hollywood; para todo lo demás, todas las otras premiaciones, que muchas veces han sido más aclamadas por la gente dentro del medio que los Oscars, por ser de alguna forma más realistas a la hora de premiar, basándose en la calidad y no en el país o en sí una historia será o no será bien recibida para la audiencia.
Lo que pasa es que ahora hay una “moda” en volver todo más inclusivo, y darle la oportunidad de romper las barreras del idioma (como dijo el director) a una película haciéndola ganadora de algo tan grande como un Oscar, haría que los Oscars volviesen a tener prestigio en el medio, además de dar algo de qué hablar haciendo no solo algo bueno, sino lo correcto. A decir verdad yo al principio pensé que ganaría Once Upon a time In Hollywood, ya que la vi como la “Roma de Tarantino”: un poema a su infancia y dónde creció, y siendo nada más y nada menos que Hollywood, en serio pensé que una premiación que sea tan apasionada por Hollywood, le daría el premio a una película así. Luego, pensé que sería 1917, ya que se estaba hablando mucho de una guerra, y además de ser una gran película, también está dedicada a un héroe de guerra.
Una semana antes de que fuesen los Oscars pensé en algo que antes de la premiación parecía demasiado descabellado: a pesar de que 2019 fue un gran año para las películas, se la va a llevar la que en serio se la merece, Parasitos. La película había estado en boca de todos este año, trataba un tema importante e inclusivo, y además era la oportunidad para los Oscars de hacer algo sorpresivo y nuevo, siendo Parasitos la primera en su tipo en ganar Oscar a mejor película, esto sería titular en muchos periódicos y esto era una estrategia de marketing perfecta en un ganar y ganar que a todos nos encantó.
Sea para ser inclusivos o no, Parasitos es una película que, si merece sus cuatro oscars. Para todos fue una sorpresa desmedida que la película ganara ese premio, es como si algo que en serio quisieras que pase fuese pasado, por más que tuviese todas las de perder. Me alegra que haya ganado a mejor película y que así, poco a poco los Oscars vayan dejando atrás los tabús con las nominaciones y premiaciones a películas de diferentes culturas, y empiecen a notar que la calidad supera todo tipo de barreras, cuando algo se hace con cariño. Parasitos es una película que si aún no has visto, deberías hacerlo, y si no entiendes porque hay tanto revuelo con la película, tal vez esto te haya ayudado a entender: marketing. Tal vez, como dije antes, no debió ser la primera película extranjera en ganar Oscar a mejor película, pero es grata la sensación que se tiene al saber que poco a poco le están dando su merecido crédito a todo el talento que tiene cada rincón del mundo.
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›Parasite/Gi-saeng-chung really best movie ?50@kingsmind2362d
SPOILERS AHEAD, DONT READ IF YOU DIDNT WATCH.
This is a good movie and i love KR cinema, watch ie Stranger series on Netflix 비밀의 숲 but i dont think this movie was good enough for best movie of the year. I bet there are better KR movies than this and plenty of nominated ones were better too - IMHO.
From nominated i would give award to ONCE UPON A TIME IN HOLLYWOOD
So what about Parasite/Gi-saeng-chung ?
The plot: When Ki-woo gets a job as a tutor to a daughter of a wealthy marriage, he comes up with a way to secure employment for the rest of his family.
Imho everything goes too fast on the scam, too easy then rest of story doesnt make sense. There should be more scenes on how they prepare the scam, ie make fake documents and such. Here people just tell each others phone numbers and all meet. Where is contracts, bank accocunts, name verifications... I doubt in KR people let others live in their house without checking their background and watching cameras at home.
I rate this movie 5/10 due to many stupid actions. Of course amazing for KR to get 4 Oscars just i think they have better movies or even tv shows than this in 2019.
Also if you are not aware there is black and white version of the movie that now some cinemas start to show.
›Korean film with Best Picture - the first foreign film in 92 years to do so@gooddream2365d
A little while ago I wrote an article about a Korean film that I had recently seen called Parasite and I believe my advice at the end of that write-up was "skip everything else you were considering watching and go and see this film immediately."
It is extremely rare for a foriegn-language film to be considered in the Best Picture category. Normally these movies, regardless of how good they are get relegated to the "Best Foreign Language" section. Which is still really prestigious but not nearly as great an honor as the overall Best Picture.
Not only did Parasite win what many consider to be the top award at the ceremony, but Bong Joon-ho's crew walked away with Best Screenplay, Best International Feature Film, and Best Director.
The Oscars have been around for nearly 100 years and there has never been an instance where a foreign film has won Best Picture.
Why is this film so good? Well, I'm not gonna try to get all artsy fartsy on ya but I think it is many reasons. For one thing it is a wonderful portrayal of the massive divide that exists between the haves and have nots of societies all around the world and how members of either sector of life have no idea of what exists in the other's world.
The poor can't believe the extreme opulence that the rich consider to be commonplace and the rich are disgusted and annoyed with the way the poor "choose" to live their lives.
This film also uses magnificent directing mechanisms (there is certainly a better way of explaining this in real terms) that are able to create tension without explicitly making you feel that way via jump-scares or simply a driving soundtrack.
Parasite also intertwines comedic elements without turning the film into a full on comedy. However, even though you are reading the subtitles I can all but guarantee the humor is not lost in translation.
The elements of love for family and how a person can be driven to feel great rage when someone else attempts to hurt a relative that you yourself hurt on a regular basis rings so true to a part of all of us. It certainly did for me and made me think about how my sister and I would fight constantly when we were growing up but if someone else threatened her it would bring out the demons in me.
It was also heartwarming when the speeches ran over because of translation the music started playing as the Oscars attempted to keep things moving by cutting the microphone but then the crowd, filled with celebrities that this film had just defeated, began a rich-people protest chant until the production team allowed director Bong Joon-ho to finish speaking.
At one point, struggling with speaking English, the director said "Thank you, I am ready to drink tonight."
If you have not yet seen Parasite I will once again strongly suggest you go and do so because not only do i think it definitely deserved this award, I also think it is one of the best films that I have ever seen.
›Parasite (New Korean film): Find a way to watch this immediately@gooddream2422d
I have been a fan of Korean cinema for quite some time. I was first introduced to it many years ago and I can say without a doubt that the South Koreans make some of the finest movies in the world, particularly in the "thriller" category.
Parasite would have just passed me by without me even knowing about it but i had heard that it was good enough that it was being considered at the Oscars to not only for "Best Foreign Language Film" but also to perhaps invade the major categories as well, which is extremely rare for a film that isn't in English.
I'm going to tell you almost nothing about the plot because it is important to go into this film blind..
What makes this film great?
The main thing is that the story is not predictable and incorporates so many different genres which would normally be confusing and / or dumb. However, despite that there is a bit of horror, major thriller aspects, serious societal issues that we all face, and a bit of comedy, it all simply WORKS.
Basically it involves two families: One that is extremely poor and struggles to have enough money to eat
and one that has such an unimaginable wealth that they fuss over what the average person would find dream-like such as elaborately themed birthday parties
The two families end up coming together and all seems wonderful, for a time.... and that is all I'm gonna say.
This movie will make you feel a full range of emotions and even though you are almost certainly going to be reading the subtitles (unless you are Korean, obviously) you don't even mind because there is almost no wasted dialogue and the story moves as such a gripping pace that there are no moments where you have a chance to be bored. The director deserves a lot of praise for this because I think most films, even good films suffer from at least a bit of "filler" in order to make it to the obligatory one and a half hours mark.
From the [Madman Films](https://www.youtube.com/channel/UCuF-f_kairxTjOyHSItrmtg) official channel
Look, i know I recommend a lot of films, some would argue too many. Despite that I want you to know you can go ahead and skip everything else I have ever recommended and head straight to this one. This is the best film I have seen in 2019 and probably one of the best films I have seen in my life.
It is quite simply, a masterpiece.
It is extremely rare for a Korean language film to do well in North America but that is exactly what happened with Parasite. Seriously, get out there and find a way to see this film. It is not on Netflix but it is on Amazon Prime in selected regions. There are of course, other ways, but they are less than legal and I'm not gonna help you with that.
My overall rating! 11/10

the highest "Wowsers!" I have ever awarded
La industria cinematográfica internacional, y más concretamente la asiática, ha demostrado estar a la altura y muchas veces incluso por encima de la de Hollywood, con producciones discretas que son una maravilla desde el punto de vista creativo de la trama, destacando por el desarrollo de los personajes más que por el uso de efectos especiales o CGI.
De hecho, últimamente me he propuesto ver todo lo que puedo del cine asiático y recientemente me encontré con una maravillosa película llamada "Parasite" que al principio pensé que era una versión en vivo de un manga llamado así, pero no, la historia es totalmente independiente pero realmente increíble.
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# Profundizando en la historia.
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Parasite es una comedia algo difícil de definir porque tiene varios géneros en su trama principal, a veces podemos pensar que es algo aterrador, a veces la historia está más inclinada a la comedia negra y por alguna razón siempre termina teniendo tintes dramáticos. La historia se centra en una familia que uno por uno encuentra un trabajo y se mete en la vida de una familia super millonaria y rica, pero extremadamente elitista; básicamente para esa familia millonaria las otras personas son insectos (literalmente lo dicen). Lo interesante es que al principio pensé que era la historia de cómo un grupo de inadaptados se aprovechaba de una familia millonaria, pero no fue así y la historia va en ambos sentidos, tanto los pobres como los millonarios se aprovechan del otro.
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La trama se desarrolla a un ritmo y con un ambiente tenso brillante, vemos cómo la familia de pobres lucha por satisfacer los caprichos de la familia millonaria con miedo a ser descartados si no cumplen con las expectativas, mientras que para los millonarios todo es un juego, están decididos a ver hasta dónde son capaces de llegar los demás para obtener algunos beneficios. El comportamiento de la familia rica es tan despótico y cínico que incluso traen a otra familia pobre para luchar con la otra familia y así desencadenar un juego macabro para sobresalir en la casa.
La película es una obra de increíble distinción de clases, cada ambiente, cada escenario y cada diálogo se construye para mostrar diferentes puntos de vista de una sociedad que es capaz de llegar muy lejos para sobrevivir. El guión hace que todos los personajes destaquen en algún momento, dándoles una trama muy amplia para que sus personajes sean libres de desarrollarse orgánicamente sin subtramas tontas o superficiales que nos alejen de la crítica social que quieren transmitir.
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# Las Familias
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Si el guión y la trama están muy bien desarrollados, el trabajo de los personajes es magnífico, cada actor logra una interpretación maravillosa llevando a su personaje a lugares oscuros, mostrando de qué es capaz una persona cuando quiere salir del agujero en el que ha vivido toda su vida.
Cada personaje está cargado de emoción y una intensidad que rara vez se ve en Hollywood, vemos personajes completos, adultos e historias fuertes que nos hacen conectar con ellos de una manera mágica. Los actores que interpretan a la familia pobre son fantásticos, cada uno asumiendo el papel de sobreviviente de una manera espléndida, comprometiéndose al servicio de los ricos y siendo capaces de hacer cosas repugnantes que los mantienen a flote. Mientras que los millonarios me recuerdan mucho a una familia de psicópatas que son capaces de aprovechar su situación económica para empujar a un grupo de pobres más allá del abismo en el que se encontraban, empujándolos cada vez más a mostrar lo lejos que pueden llegar, haciéndolos humillarse en cada escena de cualquier manera posible; es realmente increíble las pocas emociones positivas que pueden transmitir, caracterizan perfectamente una apariencia dura e imponente que no se rompe en ningún momento.
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# Opinion Final.
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Esta es una de las películas más extrañas pero más divertidas que he visto, me arrepiento de haberla pospuesto tanto tiempo pensando que era una recreacion en vivo de un manga cuando en realidad es una mezcla perfectamente desarrollada de géneros y con personajes que brillan por su excelente interpretación y lo bien que se las arreglan para hacer crecer a sus personajes en la película. Una película que critica duramente a la sociedad, pero que no sólo se concentra en ser intensa, sino que también es divertida y muy espeluznante, llegando a pensar que en algunas situaciones los creadores han ido demasiado lejos para demostrar algo.
En resumen una de las mejores películas de este año y películas asiáticas que sigue demostrando que las historias y personajes están por encima de los efectos especiales y el CGI.
The international film industry, and more specifically the one from Asia, has proved to be up to the level and many times even superior to the one made in Hollywood, with discrete productions that are a wonder from the creative point of view of the plot, standing out for the development of the characters more than committing to the use of special effects or CGI.
In fact lately I've set out to see as much as I can of Asian cinema and recently I came across a wonderful film called "Parasite" that at first I thought was a live action version of a manga called like that, but no, the story is totally independent but really incredible.
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# Going deeper into story.
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Parasite is a comedy something difficult to define because it has several genres in its main plot, at times we may think it is something terrifying, at times the story is more inclined to dark comedy and for some reason always ends up having dramatic dyes. The story focuses on a family that one by one finds a job and gets into the life of a super millionaire and wealthy family, but extremely elitist; basically for that millionaire family the other people are insects (they literally say so). The interesting thing is that at first I thought it was the story of how a group of misfits took advantage of a millionaire family but it was not so and the story goes both ways, both the poor and the millionaires take advantage of the other.
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The plot unfolds at a pace and with a tense atmosphere brilliant, we see how the family of poor battle to meet the whims of the millionaire family with fear of being discarded if they do not meet expectations, while for millionaires everything is a game, they are determined to see how far the others are able to go for some benefits. The behavior of the rich family is so despotic and cynical that they even bring another poor family to fight with the other family and thus unleash a macabre game to excel in the house.
The film is a work of incredible class distinction, each environment, each scenario and each dialogue is built to show different points of view of a society that is able to go very far to survive. The script makes all the characters stand out at some point, giving them a very wide plot so that their characters could be free to develop organically without silly or superficial sub-plots that would take us away from the social criticism they want to convey.
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# The Families
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If the script and plot are extremely well developed, the characters' work is magnificent, each actor achieves a wonderful interpretation by taking his character to dark places showing what a person is capable of when he wants to get out of the hole in which he has lived all his life.
Each character is charged with emotion and an intensity that is rarely seen in Hollywood, we see complete characters, adults and strong stories that make us connect with them in a magical way. The actors who play the poor family are fantastic, each taking on the role of survivor in a splendid way, committing themselves to the service of the rich and being able to do disgusting things that keep them afloat. While millionaires remind me a lot of a family of psychopaths who are able to take advantage of their economic situation to push a group of poor people further into the abyss they were in, pushing them more and more to show how far they can go, making them humiliate themselves in each scene in any way possible; it is really incredible the few positive emotions they can transmit, they perfectly characterize a hard and imposing semblance that doesn't break at any moment.
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# Final Thoughts
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This is one of the strangest but most entertaining movies I've ever seen, I regret having postponed it for so long thinking that it was a live action of a manga when in fact it's a perfectly developed mix of genres and with characters that shine for their outstanding performance and how well they manage to make their characters grow in the film. A film that harshly criticizes society but not only concentrates on being intense but is also funny and very creepy, coming to think that in some situations the creators went too far to prove a point.
In short one of the best films of this year and Asian films that continues to demonstrate that the stories and characters are above the special effects and CGI.
›'Parasite' by Bong Joon-ho Review: A crazy story that you won't expect@namiks2503d1 view
Director Bong Joon-ho was one of the first Korean filmmakers that introduced me to the creativity of Korean cinema: Memories of Murder and The Host being some of the earliest films I saw that really began to make me aware of how much I enjoyed films and wanted to learn more about the filmmaking process. The sheer difference between the way characters are written and the way stories are told just felt completely different to that of the west.
With Bong Joon-ho and Song Kang-ho joining forces yet again for Parasite, we've been given a completely different film to what we're used to seeing, but one that certainly doesn't disappoint for its sheer peculiarity of a narrative.
From the start we're introduced to a hardworking family experiencing the struggles of poverty and low pay in a business that pays terribly and has no future growth; folding pizza boxes for a living is hardly a career to keep the lights on.
In a moment of pure luck, the son is offered a position in privately tutoring the girl of an incredibly wealthy family, of which will definitely pay well. He, of course, takes up this offer. As time progresses, it's blatant that this wealthy family is incredibly gullible, falling for all kinds of exploitative acts, of which I won't be mentioning in this review given how easy of a film this is to spoil.
This film takes a complete turn of events, as its already strange narrative gets stranger. New characters introduced in insane methods that only heightens your need to know more. This is a film that already has you expecting something to go horribly wrong, but it bumps that up a few notches and adds in even more insanity.
The film makes use of its very wide cinematography, making this home of the wealthy family a haven in which nothing could go wrong. A space of dreams and peace. It manages to capture a lot of happenings on screen in terms of characters and their actions. As more characters begin to appear in the house, the feeling of tension is heightened, we see more chances for something to go wrong. Various inconsistencies that might be caught on by the wealthy family, but that's actually the only beginning of the film.
Frequently we are given the perspective of an outsider quietly observing from the garden, into the house's large and open windows that shows everything; this is something that actually rather effectively used later on within the story. As a result, the audience is constantly given this perspective of being an intruder themselves, as the characters show signs of being discovered, we feel that very threat ourselves. It's an incredible story built alongside excellent directing that only makes the experience that much more entertaining.
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