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Stand by Me

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Stand By Me Is One Of The Best Coming Of Age Films Ever Made Because It Understands Something Simple—Childhood Feels Small While You Are In It, But Looking Back, It Shapes Everything. It Is A Little Corny At Times, But It Is Still A Personal Classic@thefed42d
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  1. [ESP-ING] "Stand by me": Un c-drama que superó mis expectativas ✨@gigi8976d

    ¡Bienvenidos a una nueva entrada en mi blog gente linda de Hive!

    Welcome to a new entry of my blog pretty Hive people!

    Si les soy sincera las producciones chinas no son de mis favoritas, me cuesta encontrar opciones que me gusten, y es porque son demasiado fresas o demasiado tristes hahahah. Claro, no todas son así y en estos días me topé con una serie que me gustó, les hablo de:

    If I'm honest, Chinese productions are not my favorite, it's hard for me to find options that I like, and it's because they are too cool or too sad hahahah. Of course, not all of them are like that and these days I came across a series that I liked, I'm talking about:

    [Source](https://www.pinterest.es/pin/695595104974433114/)

    🍿 Stand by me

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    Es un romance dramático chino que se estrenó este año. Cuenta con 30 capítulos y está protagonizada por: Zhao Jin Mai, Bai Yu Fan y Wu Jia Kai. It is a Chinese romance drama that premiered this year. It has 30 episodes and stars: Zhao Jin Mai, Bai Yu Fan and Wu Jia Kai.

    🍿 Sinopsis

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    La historia gira en torno a Luo Qi Qi, una joven que creció en la década de los 90 y tuvo una trayectoria bastante peculiar en su juventud. Ella y sus amigos luchan por encontrar el sentido a todas las cosas que pasan en su vida, por lo que se embarcan en un viaje de crecimiento, amistad y superación. The story revolves around Luo Qi Qi, a young girl who grew up in the 1990s and had a rather peculiar trajectory in her youth. She and her friends struggle to make sense of all the things that happen in their lives, so they embark on a journey of growth, friendship and self-improvement.

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    🍿 Desarrollo | Development

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    Luo Qi Qi (Zhao Jin Mai), creció con su abuelo, pero cuándo cumplió 9 años su madre fue a buscarla para llevársela con ella, su nueva hermana y su padrastro. Lamentablemente en la escuela no le fue muy bien, y es porque no logró encajar a pesar de que era bastante inteligente, por lo que esa etapa fue bastante solitaria y en su casa no era diferente porque no se llevaba con su hermana y su madre siempre trabajaba. Y sumado a eso, su abuelo murió y eso le pegó bastante. Luo Qi Qi (Zhao Jin Mai), grew up with her grandfather, but when she turned 9 years old her mother went to pick her up to take her with her, her new sister and stepfather. Unfortunately at school she did not do very well, and that is because she did not fit in even though she was quite smart, so that stage was quite lonely and at home it was no different because she did not get along with her sister and her mother was always working. And added to that, his grandfather died and that hit him pretty hard.

    [Fuente](https://www.google.com/imgres?imgurl=https%3A%2F%2F1.vikiplatform.com%2Fv%2F1240881v%2F6a5ff346c5.jpg%3Fx%3Db%26s%3D480x270%26e%3Dt%26q%3Dg&tbnid=jrHpknJk7bn5_M&vet=1&imgrefurl=https%3A%2F%2Fwww.viki.com%2Ftv%2F40161c-stand-by-me-2023%3Flocale%3Des&docid=R5a_nS13cGGkHM&w=480&h=270&itg=1&source=sh%2Fx%2Fim%2Fm5%2F2&shem=uvafe2)

    Qi Qi conoció a un chico en una tienda de videojuegos que se convirtió en su hermano, y ya que en la secundaria estaba rebelde y seguía sin amistades, pasaba casi todo el tiempo con él y su familia. Su vida iba sin rumbo y bastante solitaria, pero todo empieza a cambiar cuando su madre quiere sacarla de la escuela para trabajar, su amigo de la infancia quién le dió la espalda vuelve a acercarse, se reencuentra con su amiga de la niñez y se enfrenta a demasiados interrogantes y problemas que la involucran a ella y a sus amigos. Qi Qi met a boy in a video game store who became her brother, and since in high school she was rebellious and still had no friends, she spent most of her time with him and his family. Her life was aimless and quite lonely, but everything starts to change when her mother wants to take her out of school to work, her childhood friend who turned her back on her comes back, she meets her childhood friend again and faces too many questions and problems involving her and her friends.

    [Source](https://images.app.goo.gl/oetiSkqUVG9QbK8S7)

    🎬 Lo bueno y lo no tan bueno | The good and the not so good

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    Puede parecer una historia bastante fresa amigos, pero no lo es, tiene buenas reflexiones, momentos fuertes que no me esperaba, situaciones que retratan de manera un poco más profunda las dudas que tenemos a medida que vamos creciendo y tenemos que tomar decisiones importantes. La química de todo el reparto y las actuaciones me parecieron geniales, la ambientación, el guión, la escenografía y la premisa me gustó bastante. It may seem like a pretty cool story friends, but it is not, it has good reflections, strong moments that I did not expect, situations that portray in a deeper way the doubts we have as we grow up and have to make important decisions. I thought the chemistry of the cast and the performances were great, the setting, the script, the scenery and the premise I liked it a lot.

    [Source](https://www.pinterest.es/pin/764063893057037398/)

    Amé la química de Zhao Jin Mai y Wu Jia Kai 🤩, ese hombre me dejó mal amigos jajajaj, con decirles que no hubo ni un beso entre ellos a lo largo de 30 capítulos y no hizo falta porque primero, no era el tema principal, y segundo porque la química compartida fue bastante fuerte. Disfruté ver la evolución de cada uno de los personajes para bien, y esta producción recalca el hecho de que cada uno de nosotros tiene su propio camino, y eso está bien, porque todos queremos cosas diferentes y a veces tenemos que adaptarnos a las circunstancias. I loved the chemistry of Zhao Jin Mai and Wu Jia Kai 🤩, that man left me bad friends hahahahahah, with telling you that there wasn't even a kiss between them throughout 30 episodes and there was no need because first, it wasn't the main theme, and second because the chemistry shared was quite strong. I enjoyed seeing the evolution of each of the characters for the better, and this production emphasizes the fact that each of us has our own path, and that's okay, because we all want different things and sometimes we have to adapt to the circumstances.

    Fuente

    Lo único que no me gustó fue el final, y no es porque fuera malo, sino que esperaba ver un poco más de todos en el futuro, además de que el hermano de Qi Qi rompió lazos con ella 😭😭😭. Me reí, lloré, reflexioné y me enamoré jajajaj, no es para todos este tipo de producciones, pero realmente disfruté ver una historia diferente con un enfoque más maduro a pesar de que es juvenil. The only thing I didn't like was the ending, and it's not because it was bad, but I was expecting to see a little more of everyone in the future, plus Qi Qi's brother broke ties with her 😭😭😭😭. I laughed, I cried, I reflected and I fell in love hahahahahah, it's not for everyone this kind of productions, but I really enjoyed watching a different story with a more mature approach even though it's juvenile.

    [Fuente](https://www.pinterest.es/pin/790452172123495009/)

    Pero bueno amigos, estaré viendo otras cosas y dándoles mi opinión. Nos estamos leyendo. But hey folks, I'll be watching other things and giving you my opinion. We are reading each other.

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  2. My opinion about the movie Stand by Me@ismaca1098d

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    I've never had friends again like the ones I had when I was 12. My God, does anyone have them?".

    With this nostalgic reflection, performed by Richard Dreyfuss' voice-over, Stand by Me (1986) culminates, a special and wonderful film that has earned, on its own merits, its place among the best of the 80s.

    Today we are going to unravel the ingredients that made this perfect recipe obtain such magnificent results, not only at an artistic level, but also by settling in the hearts of the spectators who, generation after generation, find in the film the true meaning of the word friendship.

    The adolescent, all unconditional camaraderie and sincerity, far from any interest or duplicity.

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    The first thing that strikes us about this project is the origin of its story, a novel with autobiographical overtones entitled The Body, by Stephen King.

    This writer, a true bestseller, is most famous for his horror novels, which began to be adapted to film successively after the great success of Carrie (1976, Brian De Palma).

    Hollywood is capable of recognizing the goose that lays the golden egg a mile away and did so with King.

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    The Shining (1980, Stanley Kubrick), Christine (1983, John Carpenter), Cujo (1983, Lewis Teague) or The Dead Zone (1983, David Cronenberg) paid good dividends at the box office and, practically all of them, are considered classics of horror cinema today.

    With Stand by Me, however, we discover a more emotional Stephen King.

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  3. Stand by me – La importancia de la amistad en la niñez@irenenavarroart1493d
    Saludos, en esta ocasión quiero compartir con ustedes mis pensamientos acerca de la película Stand By Me, esta es un clásico de 1985, dirigida por Rob Reiner, quien adaptó la novela escrita por Stephen King, soy amante de las películas clásicas y esta es una de ellas , sin embargo se que hay personas que aun no la han visto y esta es una de esas películas que merece la pena recomendar siempre a cualquier persona.

    Greetings, this time I want to share with you my thoughts about the movie Stand By Me, this is a 1985 classic, directed by Rob Reiner, who adapted the novel written by Stephen King, I am a lover of classic movies and this is a of them, however I know that there are people who have not seen it yet and this is one of those films that is always worth recommending to anyone.

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    Esta película es una vuelta al pasado de la vida del escritor Gordie Lachance, quien tras ver la noticia de la muerte de un amigo de la infancia en el periódico recuerda sus aventuras con ese grupo de amigos, la primera vez que vi esta película hace mucho años no tuvo el impacto en mi que tiene ahora que soy una mujer adulta y creo que podría ocurrir lo mismo para cualquier persona. En este sentido la historia trata cuando Gordie tenía 12 años, el y sus otros tres amigos, Chris, Teddy y Vern emprenden la aventura de ir a buscar el cadáver de un joven desaparecido, puesto que uno de ellos escucho decir que el cadáver estaba cerca de las vías del tren, pero aun nadie había reportado el cuerpo, los niños deciden ir a buscarlo, en su mente se imaginaban salir en televisión por ser lo primeros en encontrar el cuerpo, aprovechando un fin de semana largo salen juntos pues ellos viven en un pueblo pequeño por lo que deben cruzar la zona llena de bosque y pantano, una aventura de acampar que a todo niño o adolescente le atraería, sin embargo en el camino se llegan a conocer entre ellos a un nivel más profundo, por ejemplo a Gordie le gusta contar historias y sufre porque sus padres lo han dejado de lado luego de que su hermano mayor muriera, Chris por otro lado viene de una familia con problemas de alcohol y se ha ganado la fama de ser un delincuente juvenil, por otro lado Teddy tiene problemas de control de ira y se nota que es debido a maltrato por parte de su padre, mientras que Vern tiene sobrepeso y es muy miedoso.

    This film is a return to the past of the life of the writer Gordie Lachance, who after seeing the news of the death of a childhood friend in the newspaper remembers his adventures with that group of friends, the first time I saw this film a long time ago Years didn't have the impact on me that it has now that I'm a grown woman and I think it could be the same for anyone. In this sense, the story deals with when Gordie was 12 years old, he and his other three friends, Chris, Teddy and Vern embark on the adventure of going to look for the body of a missing young man, since one of them heard that the body was nearby. of the train tracks, but no one had reported the body yet, the children decide to go look for it, in their minds they imagined appearing on television for being the first to find the body, taking advantage of a long weekend they go out together because they live in a small town so they must cross the area full of forest and swamp, a camping adventure that every child or teenager would be attracted to, however along the way they get to know each other on a deeper level, for example Gordie he likes to tell stories and suffers because his parents have left him aside after his older brother died, Chris on the other hand comes from a family with alcohol problems and has earned the fame of being a juvenile delinquent, on the other hand he o Teddy has anger control problems and it shows that it is due to mistreatment by his father, while Vern is overweight and very fearful.

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    Una a una se van dando a conocer las personalidades y problemas de cada niño de una forma armónica en la película, cada personaje llega a un punto de inflexión donde se abre su corazón, dejando al descubierto todas sus emociones, sin embargo la cercanía de amistad entre Gordie y Chris es más fuerte, la aventura tiene sus altas y bajas donde algunos no desean continuar mientras que los otros si, incluso llegan a tener un conflicto bastante intenso con un grupo de jóvenes mayores que encuentran también al cadáver y los amenazan con hacerles daño porque ellos quieren el crédito de descubrir el cadáver, Gordie con mucho valor lo apunta con u arma y los ahuyenta, el asunto es que los niños al ver el cadáver sienten dolor y empatía deciden reportar a las autoridades de manera anónima.

    One by one, the personalities and problems of each child are revealed in a harmonious way in the film, each character reaches a turning point where his heart opens, revealing all his emotions, however the closeness of friendship between Gordie and Chris is stronger, the adventure has its ups and downs where some do not want to continue while the others do, they even have a quite intense conflict with a group of older youths who also find the body and threaten to kill them. damage because they want the credit of discovering the corpse, Gordie with great courage points it with a gun and drives them away, the thing is that when the children see the corpse they feel pain and empathy and decide to report to the authorities anonymously.

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    Este tipo de crianza ya no es común ahora, solo las personas que se crían en los campos o pequeños pueblos podrían tener aventuras tales como las de la película la tecnología ahora rodea a todos los niños, pero hay algo que me produce emoción con esta cinta y es que solo podrías comprender lo que es la madurez cuando ves al pasado en retrospectiva, en la película el protagonista describe como después de un tiempo sus amigos de infancia se distancian, cada uno llevó una vida diferente, algunos lograron de cierto modo superar su entorno, pero al mismo tiempo no cambiaron su personalidad, como el caso de Chris que logró ser abogado a pesar de provenir de una familia disfuncional, pero que muere precisamente en una disputa, en el fondo Chris seguía siendo el mismo.

    This type of parenting is no longer common now, only people who grow up in the fields or small towns could have adventures like the ones in the movie, technology now surrounds all children, but there is something that makes me excited about this film. and it is that you could only understand what maturity is when you see the past in retrospect, in the film the protagonist describes how after a while his childhood friends distance themselves, each one led a different life, some managed in a certain way to overcome their environment, but at the same time they did not change his personality, like the case of Chris who managed to be a lawyer despite coming from a dysfunctional family, but who died precisely in a dispute, deep down Chris was still the same.

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    Como adulta, veo que mis compañeros de escuela o liceo terminaron en destinos muy diferentes, ya algunos de ellos están muertos en diferentes circunstancias muy trágicas, dos en accidentes de auto y otros dos por enfermedad, por supuesto también hay unos que terminaron en la cárcel, mientras que otros lograron un gran éxito en su vida profesional y viven en otro países o tiene sus propios negocios, cada persona maduró de forma distinta, algunos lograron vencer las dificultades del entorno mientras que otros no tuvieron otra opción, la vida es un instante y sin embargo es tan distinta para cada uno de los niños que una vez conocimos en la escuela , yo creo que esta película es simplemente maravillosa, porque a pesar de que es emocional, no es de esas películas que terminas llorando, solo terminas con nostalgia pero al mismo tiempo con un gran interés reflexivo en cuando las dinámicas sociales de los niños, de cómo crecer implica luchas mentales muy grandes, pero que aunque es un proceso normal de la vida, cada experiencia es única y cada persona es irrepetible.

    As an adult, I see that my classmates from school or high school ended up in very different destinations, and some of them are dead in different very tragic circumstances, two in car accidents and another two due to illness, of course there are also some who ended up in jail , while others achieved great success in their professional lives and live in other countries or have their own businesses, each person matured in a different way, some managed to overcome the difficulties of the environment while others had no other choice, life is an instant and yet it's so different for each of the children we once met at school, I think this movie is just wonderful, because even though it's emotional, it's not one of those movies where you end up crying, you just end up nostalgic but at the same time with a great reflective interest in when the social dynamics of children, how to grow up involves very big mental struggles, but that although it is a process normal life, each experience is unique and each person is unrepeatable.


    # Espero les haya gustado. Les invito a leer mis próximas publicaciones y siempre estaré dispuesta a responder sus preguntas y comentarios, también pueden seguirme y contactarme en cualquiera de mis redes sociales. ¡Muchas gracias!

    I hope you liked it. I invite you to read my next publications and I will always be willing to answer your questions and comments, you can also follow me and contact me on any of my social networks. Thank you!

    Facebook Twitter Instagram Discord: irenenavarroart#0361

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  4. Stand By Me (1986) review: the essential coming of age story.@richardalexis1555d

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    All the screenshots in this post were taken directly from the movie by me

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    I recently had the opportunity to see a movie that had been on my to-watch list for a long time, nothing more and nothing less than the adaptation of The Body, Stephen King's short novel, released in 1986 under the renowned title "Stand By Me”.

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    The film, of course, is a classic, and for some reason I managed to spend most of my life without the slightest idea of ​​what it contained, I knew it had to do with children and train tracks, but everything else It would be a pleasant (or unpleasant) surprise.

    Stand By Me is one of those works that takes advantage of its own structural simplicity to stimulate other aspects that might seem unimportant but end up solidifying the heart of the film. From the quaint and nostalgic portrayal of a fictional town in Oregon, to the guys we follow through the story, Stand By Me takes all of the elements created by King and implements them with wonderful warmth and timelessness.

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    But what is the real point of this story? In superficial terms, you probably already know it, a group of 4 quite peculiar boys decide to embark on a long journey in search of a corpse… the point is that at least on a thematic level, much more is happening.

    Through the imperfect young people who star in it, Stand By Me is a film obsessed with portraying childhood in the most accurate way possible, mixing the innocence of a group of such young boys with the intrinsically twisted world we all inhabit. he never spends time romanizing the idea of ​​friendship as a perpetual concept and accepts that many times, we are but a chapter in each other's lives.

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    Rob Reiner shows us the ideal coming of age story, with a good rhythm, great photography and the ability to immerse us in an adventure for an hour and a half.

    A wonderful movie.

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    Todas las capturas de pantalla en este post fueron sacadas directamente desde la película por mi

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    Hace poco tuve la oportunidad de ver una película que había estado en mi lista de pendientes desde hace mucho tiempo, nada más y nada menos que la adaptación de The Body, la novela corta de Stephen King, estrenada en 1986 bajo el reconocido título “Stand By Me”.

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    El filme, por supuesto, es un clásico, y por alguna razón logré pasar la mayoría de mi vida sin la más mínima idea de cual era su contenido, sabía que tenía que ver con niños y los rieles de un tren, pero todo lo demás sería una grata (O desagradable) sorpresa.

    Stand By Me es una de esas obras que aprovecha su propia simpleza estructural para estimular otros aspectos que podrían aparentar no tener importancia pero terminan solidificando el corazón del film. Desde la representación tan nostálgica y pintoresca de un pueblo ficticio en Oregón, hasta los muchachos que seguimos a lo largo de la historia, Stand By Me toma todos los elementos creados por King y los implementa con una calidez y atemporalidad maravillosa.

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    ¿pero cuál es el verdadero punto de esta historia? En términos superficiales es probable que ustedes ya lo sepan, un grupo de 4 chicos bastante peculiares decide emprender un largo viaje en busca de un cadaver… la cuestión es que al menos a nivel temático está sucediendo mucho más.

    Por medio de los jóvenes tan imperfectos que la protagonizan Stand By Me es un filme obsesionado con retratar la infancia de la forma más acertada posible, mezclando la inocencia propia de un un grupo de muchachos tan jóvenes con lo intrínsecamente retorcido del mundo que todos habitamos, nunca gasta tiempo romanizando la idea de la amistad como un concepto perpetuo y acepta que muchas veces, no somos más que un capítulo en la vida de los demás.

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    Rob Reiner nos muestra la coming of age story ideal, con un buen ritmo, una fotografía estupenda y la capacidad de sumergirnos durante hora y media en una aventura.

    Una película maravillosa.

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    Twitter/Instagram: Alxxssss

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  5. 'Stand By Me' and the Difference Between Sentiment and Sap@janenightshade2717d

    StandByMe.jpg Boys will be boys in Stand by Me. Photo courtesy of the IMDb.

    #film #movies #cinema #comment #review #horror #fantasy

    This may surprise some of my readers, but I don’t mind a “happy ending” in a horror or dark fantasy film. I also don't mind elements of levity or sentimentality--in fact, I think moments of lighter relief are essential for a truly good "scary" film.

    What I hate is inauthenticity. Inauthenticity is what you get when a film maker starts to feel sorry for his characters and tacks on a “happy ending” that totally contradicts the overall tone of the film.

    For a “happy ending” to work, it most be authentic--i.e. it must grow organically from the character, tone, and plot development of the overall film. The inauthentic type of “happy ending” is what I call “sap.”

    Sap does not belong in a horror or dark fantasy film in any way, shape, or form. Actually, it doesn’t belong in any film at all, but it especially doesn’t belong in a horror or dark film.

    Note, there is a difference between sap and sentiment. Rob Reiner’s 1986 masterpiece, Stand By Me, is an example of a sentimental film that has a significant dark element, but which is never sappy.

    Possibly the loveliest film ever made about childhood friendship, Stand By Me is based on a long short story by Stephen King called The Body; from a purely literary standpoint, it’s one of the best things King ever wrote. The story concerns the friendship of four twelve-year-old boys, each from working class backgrounds in rural Maine (rural Oregon in the movie). These four boys make up a set of archetypes that are all-too-familiar from our own childhoods: there’s a smart kid (Gordy); a fat kid (Vern); a tough kid (Chris), and a weird kid (Teddy.)

    Acting on a rumor that there’s a dead kid’s body lying near the railroad tracks about thirty miles from home, the four friends decide to take an overnight hiking trip to search for the body. Along the way, they have several character-making adventures, including a scary confrontation with a group of nasty, older bullies who torment them constantly at home.

    Stand By Me can be said to have a “happy ending”, in that the boys finally find the body--and more important, finally stand up to their bullies. However, there are no sappy montages showing unrealistic endings for these working-class boys. Gordy does grow up to be a successful author, but Chris, a victim of child abuse, dies young. Weird Teddy, another victim of child abuse, grows up to be a petty criminal. Chubby Vern marries straight out of high school and becomes a working-class schlub who never leaves his home town.

    The famous last lines of the film, as tapped out by a grown-up Gordy on his 80s word processor, are a tearjerker. However, they are not sappy, because they ring so true:

    “I never had friends later on like the ones I had when I was twelve. Jesus, does anyone?”

    Personal note: I saw this movie in the theater in its first run in 1986, and I have thought about those last lines at least once a week ever since then--because for me, it certainly was true.

    Contrasting Sentiment with Sap

    Now, contrast the sentiment of Stand By Me with one of the worst examples of sap in a dark film that I can think of: Steven Spielberg’s A.I.: Artificial Intelligence (2001).

    A.I. is a "dystopian future" film about a world destroyed largely by environmental issues. Sophisticated androids that can think and feel perform many functions in the future world. One of those sophisticated androids is a cute boy figure named “David.” He has been “adopted" by a human couple who believe that their own son is dying. David develops deep affection for his “parents,” especially his “mother.”

    However, when the couple’s real son recovers unexpectedly, David becomes a fourth wheel, and is eventually abandoned by his “mother” in the woods. David is forced to defend himself in a cruel and dystopian world while constantly trying to get back to his “mother,” whom he loves with all his heart.

    Now, for about 40 percent of its run time, A.I. is a masterpiece. It’s dark; it’s scary; it’s emotionally affecting. For those who don’t know the history of this film, a short digression. It is based on a short story that appeared in Esquire magazine, the films rights of which were purchased by Stanley Kubrick. Yes, the Stanley Kubrick.

    A notorious perfectionist, Kubrick spent years preparing for his films. A.I. was no exception; he made copious notes on how he wanted to shoot the film and commissioned a script that went through his typically numerous revisions. In the meantime, he developed a close friendship with Spielberg. In the mid-90s, Kubrick apparently decided that Spielberg should make A.I., and he turned over his rights, notes and scripts to the younger director.

    After Kubrick died suddenly and unexpectedly in 1999, Spielberg greenlit the project as a kind of “memorial” to his friend. Watching A.I., it’s pretty obvious to me that Spielberg followed Kubrick’s notes diligently—for the 40 percent of the film that’s a flat-out masterpiece. And then, something happened; I suspect that Stanley’s notes ran out. So Spielberg filled in the rest of the film with his own ideas.

    Since it’s Spielberg, the film eventually and perhaps inevitably drifts into sap. The final ending goes on forever and is a jaw-dropping exercise in thick, shameless, utterly embarrassing sap. A happy ending, completely at variance with the dark tone of the overall film, was found for poor little David, just when you thought he was destined to spend eternity in a frozen, underwater grave. It is pukeworthy. If I'd first seen it in the theater I would have walked out in disgust. Instead, I threw a fast-food wrapper at my TV screen after the last horrible pixels from the rented DVD faded out.

    Now, obviously, Spielberg is an extremely talented director who knows how to deliver superb chills and thrills. Unfortunately, he has a weak spot for sap, which has gotten worse as he’s gotten older (and richer). Kubrick, who didn’t have a single sappy bone in his entire body, should have known better. Did he not see Hook (1991)? Did he not realize that Spielberg would have allowed Hallorann to survive the ax attack in The Shining?

    A.I. is not the only example of a promising dark film destroyed by sap. Peter Jackson’s 2009 film, The Lovely Bones, is a drama about a sweet, 14-year-old girl named Susie who is raped and murdered by a creepy serial killer. He dumps her remains in a landfill where they are never found.

    This film moves along quite well until about the middle, when Susie ends up in heaven, gamboling about happily under candy-colored, CGI skies with the souls of other victims of the serial killer. What-the-everloving-f*ck? These scenes do not belong anywhere near this type of film. How did they get there?

    Peter Jackson’s first true break-out film was Heavenly Creatures (1994), which is also based on the story of a disturbing murder. There is nothing sappy about Heavenly Creatures whatsoever; it’s a wonderful film that’s true to both its characters and the dark nature of the subject matter. So we know that Jackson can direct a dark, gripping murder tale quite well. What happened?

    Well, it may help to just take a gander at the IMDb credit list for The Lovely Bones. There, you will find a credit for one Steven Spielberg, executive producer. Mystery solved.

    Spielberg, the Sapmeister General, forced those dreadful, happy-in-heaven scenes on Peter Jackson. Of course, Jackson, not Spielberg, was the one who took the hit from the critics, who rightly excoriated The Lovely Bones.

    Frankly, this is why I no longer watch Spielberg-directed films. In fact, I haven’t seen any of his movies since the dreadful fourth Indiana Jones film in 2008 (which features plenty of horrible sap). The last good Spielberg film I saw was Minority Report in 2002, in which the Sapmeister General uncharacteristically kept his sap tendencies mostly under control.

    Too bad he doesn't re-screen Stand by Me a few times before he starts hacking away at a new script.

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