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Swiss Army Man

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Swiss Army Man, a cinematic poem@ismaca760d
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4 more reviews

  1. Appreciating 'Swiss Army Man': A story on letting go of fear@namiks1321d

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    I do not remember the first time I saw Swiss Army Man, but it is a film I remember enjoying on the first viewing. Though recently I rewatched the film and discovered a new appreciation for its themes. Not only is the film funny, and visually impressive, Swiss Army Man comes with a heavy lesson that reminds us of life's complexities, and how society shapes us into someone we don't want to be. I found the film's consideration of society as some oppressive oddity that removes our natural selves out of fear of being scrutinised to be meaningful, one that extends into the audience as a reminder.

    Though this reminder can easily be overlooked as just the film's structure at telling a fictional story that takes place in the supposed wilderness as our protagonist finds themselves on the brink of suicide having been stranded on a small island. Met with the idea of a strange corpse that suddenly appears that seems to be alive yet incapable of moving, ultimately serving as a human Swiss Army Knife, or a multitool. His ability helping our suicidal survivor to, well, survive. Though his supposed living aspect breaks into a real curiosity regarding his own existence. Diving into the questions of everyday life: what it means to be alive; what emotions we hold and what makes us feel certain ways; we see our survivor teach him the ways of everyday life in attempt to give him some sort of recollection of who the corpse was before death.

    This sets up the film's main idea, where friendship blooms, and a curiosity for life is gained, as is the attempt to understand what it not just means to be alive, but part of modern society. The simplicities of riding the bus each day, seeing a beautiful woman, and even how we cling to our greatest fears, ultimately allowing them to control us and hold us back.

    Swiss Army Man

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    For the first half of the film, much of Swiss Army Man just toys with its idea of a human multitool saving a lost man in the middle of nowhere. The two grow a friendship as they connect over the idea of life. Endless questions from our corpse ensue, many of which result in our protagonist's realisation of life's cruelty. This cruelty propelled by his realisation that he has struggled to fit in during his entire life, forever controlled by his own fears and the external expectations others have placed upon him. His solution ultimately being to break away from society and escape it in its most drastic form. Something of which modern society does in fact face an issue with as many youth decide to merely drop out from society rather than mindlessly grind through life's hardships with no real destination in mind.

    Our protagonist slowly realises how beautiful life can be through his newfound friendship with the corpse, having an adventure, but still very much under the control of society's expectations. To which the film places much of its attention to this idea that we roam through life living for others, incapable of living without judging each other and expecting things from each other. Effectively shutting ourselves away from the world and living as another person, someone that does not at all really represent how we really feel and act. Even our most animalistic features being buried as some strange rejection of nature. To which the film continues to explore, though with its own elements of humour to show them in a lighter manner.

    Though this realisation that our protagonist has been running from the world remains. His realisation that he has given up, removed from society and rejected the world based on the rejection he himself witnessed. To not compete at all becoming the reasonable solution. This is amplified by exceptional cinematography that shows us close-up but gentle perspectives of the two cast members, showing us their real nature's up-close in a way that no other has seen them. It is a touching and deeply personal style of directing that makes us feel for them, allowing us to see them finally let go and relax, though the problem remains as the two live in the middle of nowhere, still far from society and others. Add to this a score in which the songs containing simple sounds and singing from the cast, showing a careless and more fun aspect of music. The two feel free in nature together. But are they free? Our corpse doesn't know who he was still, and is left holding the many questions of who he once was and how he died. Deeply philosophical questions that detail a struggle to understand himself, and perhaps why things turned out the way they did. Our survivor realising he was controlled by fear, but still controlled by it and failing to take control of his life still.

    Though these expectations from external sources and the fears of being judged are ultimately abandoned. Our survivor no longer caring for what others think of him, no longer allowing others to tell him how to think and act. For once he truly does understand what freedom is, and pursues it. We cut to black as the film ends, seeing no further development from his character. But witnessing the next stage of his life given he finally began to take action.


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    Swiss Army Man takes a very human approach to the modern problems of our society. It reflects on the idea that fear controls us too much, stopping us from being able to enjoy the extremely limited time we do have to live. That idea that this limited duration of life should not be wasted caring what others think or expect from you, and that you should live for yourself. The film's writing sets up two characters both with similar questions, one more deeper and philosophical as it's too late for him to find answers, already dead and gone. The other still alive and discovering who he really is in the density of nature.

    Watching the film, it's hard to not feel sorry for our two characters. Their engagements show ones of connection and struggle, watching the two slowly bond over their attempts to understand themselves. A friendship is formed over their mutual feeling of being lost. Not knowing themselves but wanting to. Asking all the right questions but never really having the right answers to them. This allows them to be seen in a very human way; the film pursues the idea of empathy, showing us that we all feel these ways, but hide it and all suffer as a result.

    Each step the film takes is one that pursues the idea of self-discovery. Learning to be independent and survive alone, learning to be happy with yourself. Rather than attempting to live for others. I found this profoundly engaging, and it gave me such a newfound appreciation for the film having realised what it wanted to tell us all: just stop caring.

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  2. Movie Review: Swiss Army Man@thatanimesnob3011d

    Swiss Army Man is a hard to appreciate movie if you are not in the proper mood for it. It is full of gross humor as it is full of mindfuck moments. It seems simple at first and gets multilayered later on. It starts as a comedy and changes into a drama.

    If you go in completely blind, and you are not in a mood to watch something completely retarded, chances are you will walk out after 15 minutes. The premise is essentially the dumb version of “Cast Away”, which is hardly enough to excuse its existence as a parody of it. The only actual hook the film has is watching the actor who played Harry Potter being ridiculed in a hundred different and disgusting ways. Seriously, unless you seek some sadistic pleasure out of watching that stupid wizard and his overrated books getting some weird G-mod treatment by getting tossed around like a rug doll, you won’t be laughing. You will be cringing.

    And boy, are there lots of cringe moments in this movie. It goes for all the low blows by having fart jokes, puke joke, erection jokes, poop jokes, and so much more. Half the time it’s like a bottom tier slapstick comedy you watch once and forget the following day.

    The other half of the movie though tries to excuse it as part of the deranged mentality of the protagonist. He is a loser with nothing good going on in his life, thus all the ridiculous things that happen to him are part of his characterization. If they were not that extreme and lame, you wouldn’t understand his mental suffering. So basically, you should be viewing all the mindfuck moments as the delusions of a mentally unstable person. You know, like a Japanese chuuni, who constantly makes up stories so he can cope with his social anxiety.

    And here is where the movie suffers from a major tonal whiplash. On one hand the gross aspect is excused as a mental projection of how he feels. On the other hand, many of the things Manny Potter is doing cannot be excused as delusions. They actually happen in real life and makes it very hard to appreciate the psychosis of the protagonist. It’s something like “Weekend at Berie’s” where the corpse part is actually happening and the audience knows it can’t be taken seriously regardless of the characters not seeing it in-story.

    But then the movie wants you to take it seriously towards the end without taking out the ridiculousness. You are just standing there, confused, wondering how you are supposed to react to something like this. It ends in a much more satisfactory way than it begins but not by changing into a completely different genre. It’s more like a second genre mixing in and there is not much transition between the two styles, so you don’t know how you are supposed to react.

    It could have been so much better if it wasn’t as gross at first, or if it was stripping away all supernatural aspects in the last act. Yet even with those issues, it is way better than a mindless goofball comedy, and you at least get to see a cork plugging Harry Potter’s ass from farting so hard, he turns into a freaking jet-ski.

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  3. "Swiss Army Man" - a really original movie!@godflesh3015d

    "Swiss Army Man "by Dan Kwang and Daniel Shaintner is the best romantic film for the 2016 year, in the way that"Sausage Party"proved to be the best political satire. Wonderful and absurd, the movie will laugh at you with the first fart and will make you cry with the last one. Tragicomedy begins with Hank (Paul Daino), who tries to hang himself while staying on something that looks like an uninhabited island. While humming the last tune of his favorite song, the guy sees a corpse lying on the shore (Daniel Radcliffe). Gas-induced convulsions convince him that the dead body is alive. Hank rides his way to the horizon, pumping the gasses like a water scooter.

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    Both find themselves on a vast beach surrounded by rocks and tall trees. Hank moves the corpse on his back (and in the meantime pushes a cork stopper in his ass) and they both enter the unknown forest, which will become their home in the coming weeks. It turns out that the corpse can talk, his name is Manny and he has many questions about life, love and everything else. They have a strange friendship, and Hank faces his biggest fear - to talk to the girl of his life. How do you ever talk about such a movie? I wanted the review to be just a description of the first ten minutes that are a perfect short film and contain more surprises and excitement than half of the corporate output that came out this summer, but it seems inevitable to get away with the issue that may be maturing in your heads, "What the hell is this?" As I wrote in the first paragraph - it's a romantic film. You can look like a romantic film between two boys. One of them is alive, the other (at least temporarily) is dead. "Swiss Army Man" is as much a film about friendship as about reconciliation, the challenges of growing up and the painful clash with reality. A Don Quixote story about another mad dreamer, driven out of society, and found salvation in his delusions. But how beautiful and intimate are these delusions. Who has the right to reach them?

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    The level of detail in the production is amazing. When the two boys are in their improvised shelter, dozens of inventions, symbolic marks, and references to popculture can be found. There is also a girl in the film, Sarah (Mary Elizabeth Winchester), who appears in Hank's memories and visions. She is the girl on the bus, which he never talks about. What is love, what is sexual attraction and why is it so difficult to explain these concepts to a corpse? The heart of the film is somewhere between the two love stories - the one between the two boys and the unrelated between Hank and Sara. I accidentally came across a curious article where, through illustrations, attention is drawn to something quite obvious, yet easy to omit - the homosexual subtext. From the phallic symbols, through the asses, and the moral lesson that Hank learns, we can beat the film as an allegory for a young boy who reconciles with his body. Phrases like Manny's: "Oh God I'm disgusting. My body is disgusting "are quite eloquent about the direction. But there is no need to have just one explanation. The film is multi-layered and open to interpretation so you can create your own personal story or connect it with something of your personal life. Paul Daino and Daniel Radcliffe - fantastic. Daino alternately exchanges different states - despair, excitement, panic, hysteria, even dressing and playing a girl in a perfectly glamorous and romantic-seductive way. Radcliffe is flawless as a corpse. When he must be dead (using an easy, but spectacular trick like a lazy eye), former Harry Potter looks cold and insensitive, but when the emotions begin to rush into his body, Radcliffe is unique.

    "Swiss Army Man" is a heartbreaking debut for writers and directors Dan Kwan and Daniel Shaintner who quickly kill the sentimental without slipping into the trap of the cynical. The film is shocking for some, but definitions such as "shuffle" and "elementary" do not even hit what the creators have set out. A simple allegory for the reconciliation of two incompatibilities and the cliché line.

    Image source: 1, 2

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  4. Daniel Scheinert and Daniel Kwan's 'Swiss Army Man' Review@namiks3205d

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    Swiss Army Man is a film that that exists simply because it can. It's a nonsensical story that boasts its arthouse cinematography and writing.

    The film opens with a serious tone: a male preparing to hang himself. He's lost on an island and void of all hope, until the body of Manny washes up on the beach in front of him.

    Manny is a swiss army man; he's capable of performing impossible tasks as nothing more than a corpse. Hank begins to use Manny for various survival tasks throughout the forest, and eventually befriends him upon discovering he can talk. Swiss Army Man eventually becomes a tale of life and survival through friendship as they both learn new things and fight towards living.

    A large portion of the film is filmed through artsy montages of the duo enjoying the little things in life: Hank uses Manny to build shelters and teach him lessons of life, leading to Manny questioning his own existence; whether he had a family, a job, love, happiness, and how he may have died. That said, the film focuses on the survival of Manny, after all, we did see him attempt to commit suicide in the beginning.

    Hank and Manny find solace in each other, Manny becomes Hank's motivation to get home and show him the life he lost. The life he had and Manny could possibly have once again.

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