






https://youtube.com/shorts/VOsu2xENtow?si=kIrhHNIYu5O_mdfO
Comments
No comments yet — be the first.

Movie
2017
The Florida Project is a 2017 American drama film directed by Sean Baker, written by Baker and Chris Bergoch, and starring Bria Vinaite in her film debut, Brooklynn Prince, and Willem Dafoe, with Valeria Cotto, Christopher Rivera, and Caleb Landry Jones in supporting roles. It was many of the cast members' first film appearance. The slice of life plot focuses on the summertime adventures of a six-year-old girl who…
↗ WikipediaLongform community posts about this title







https://youtube.com/shorts/VOsu2xENtow?si=kIrhHNIYu5O_mdfO
No comments yet — be the first.
The end of innocence
El fin de la inocencia


This film by Sean Baker was also well received. It did well at the New York Critics Circle, winning two awards, directing and supporting actor. It received a nomination in different awards in that category of supporting actor for the great William Dafoe, where he played Bobby, the manager of a Motel located in Florida, especially in the vicinity of the Disney Amusement Park.
Sean Baker offers us another story with marginalized characters. Another chronicle of the average American that we don't see in the blockbusters. He also focuses his story on the side not seen by tourists who visit these amazing attractions with their families and stay in hotels where there are more amenities and beautiful views.
On the outskirts of that place, there are the motels where all kinds of people stay, especially those who don't have money for something better. Some spend the summer, living from day to day, others with jobs, also those who make a living with what comes out, because the crisis affects everyone and the famous American dream is not within everyone's reach.
The filmmaker composes a cast at the service of the story, with child protagonists that can be a little unbearable at the beginning, which causes us to get into the film to give them a slap on the wrist for their antics that are becoming more and more, but at the same time maintain their innocence. At times they are oblivious to the external dangers that may lie in wait for them, absorbed in their games and pranks, in the midst of the shit that has befallen them.
Esta película de Sean Baker también fue bien recibida. Le fue bien en el Círculo de Críticos de Nueva York, ganando dos premios, dirección y actor secundario. Recibió una nominación en diferentes premios en esa categoría de actor secundario para el gran William Dafoe, donde interpretaba a Bobby, el gerente de un Motel situado en Florida, especialmente en las inmediaciones del Parque de Atracciones Disney.
Sean Baker nos ofrece otra historia con personajes marginados. Otra crónica del americano medio que no vemos en las superproducciones. También centra su historia en el lado que no ven los turistas que visitan estas increíbles atracciones con sus familias y se alojan en hoteles donde hay más comodidades y hermosas vistas.
En las afueras de ese lugar, están los moteles donde se aloja todo tipo de gente, sobre todo los que no tienen dinero para algo mejor. Unos pasan el verano, viviendo al día, otros con trabajos, también los que se ganan la vida con lo que sale, porque la crisis afecta a todos y el famoso sueño americano no está al alcance de todos.
El cineasta compone un reparto al servicio de la historia, con protagonistas infantiles que pueden resultar un poco insoportables al inicio, lo que provoca meternos en el film para darles un tirón de orejas por sus payasadas que cada vez van a más, pero a la vez mantienen su inocencia. A veces son ajenos a los peligros externos que les pueden acechar, absortos en sus juegos y travesuras, en medio de la mierda que les ha tocado vivir.


The plot can give the impression of not having a defined path. It is a succession of things, of daily events, of the daily life of the children, of their families, of Bobby. A whole world apart, but that coexists with the world of the great fantasies that dazzle all those who visit it, because while tourists are enraptured by the incredible parks that are part of the illusion of thousands of families, those who live around them can only deal with simpler things.
The more the minutes passed, the more I was spellbound by his images. Baker has a talent for making an ugly place convey beauty. He also gets very natural performances, making his characters seem very human. When we have already been offered funny moments and situations, the final part arrives, where the ice cream we have been enjoying, as children do when they share ice cream, melts, confronting us with reality and with a final sequence that will make us cry.
The performance of Brooklynn Prince, who plays the child Moonee, is fantastic, especially in the final sequence. Bria Vinaite also makes a solid portrayal of a woman to whom life does not seem to have smiled, Halley is her character and that summer she manages to sell trinkets to tourists at the doors of hotels, as long as she is not discovered, but everything will be complicated and selling her body will be the only quick option to continue subsisting. Here again Baker enters the subject of sex workers.
Willeam Defoe, as always, stands out as Bobby, a good person who must deal with the problems of the Motel on a daily basis and although he cares about Moonee, Halley and the other children, he knows that there are things that are out of his reach and that life is extremely unfair.
The Florida Project is wonderful. Charming and tough, with very human characters. Look for it on any of your streaming services and tell me what you thought of it in the comments.
La trama puede dar la impresión de no tener un camino definido. Es una sucesión de cosas, de acontecimientos cotidianos, de la vida diaria de los niños, de sus familias, de Bobby. Todo un mundo aparte, pero que convive con el mundo de las grandes fantasías que deslumbran a todos los que lo visitan, porque mientras los turistas se quedan embelesados con los increíbles parques que forman parte de la ilusión de miles de familias, los que viven a su alrededor, sólo pueden enfrentarse a cosas más sencillas.
Cuanto más pasaban los minutos, más me hechizaban sus imágenes. Baker tiene talento para hacer que un lugar feo transmita belleza. También consigue interpretaciones muy naturales, haciendo que sus personajes parezcan muy humanos. Cuando ya nos han ofrecido momentos y situaciones divertidas, llega la parte final, donde el helado que hemos estado disfrutando, como hacen los niños cuando comparten helado, se derrite, enfrentándonos a la realidad y con una secuencia final que nos hará llorar.
La actuación de Brooklynn Prince, que interpreta a la niña Moonee, es fantástica, especialmente en la secuencia final. Bria Vinaite también hace un sólido retrato de una mujer a la que la vida no parece haberle sonreído, Halley es su personaje y ese verano se las ingenia para vender baratijas a los turistas a las puertas de los hoteles, con tal de no ser descubierta, pero todo se complicará y vender su cuerpo será la única opción rápida para seguir subsistiendo. Aquí de nuevo Baker entra en el tema de las trabajadoras del sexo.
Willeam Dafoe, como siempre, destaca como Bobby, una buena persona que debe lidiar a diario con los problemas del Motel y que aunque se preocupa por Moonee, Halley y los demás niños, sabe que hay cosas que están fuera de su alcance y que la vida es sumamente injusta.
The Florida Project es maravilloso. Encantadora y dura, con personajes muy humanos. Búscala en cualquiera de tus servicios de streaming y cuéntame qué te ha parecido en los comentarios.

Gifs and separators made by me in photoshop. Translation with Deepl




More from the same genre







Orlando, Florida es una ciudad en EEUU que es conocida por ser el lugar de famosos parques de atracciones, centros de compras y diversas atracciones que atraen a numerosas familias; sin embargo, esta película trata de mostrarnos una cara distinta del que parece un lugar de ensueño. Se estrenó el 2017 siendo director Sean Baker.
Orlando, Florida is a city in the USA that is known for being the place of famous amusement parks, shopping malls and various attractions that attract numerous families; however, this film tries to show us a different side of what seems a dream place. It was released in 2017 with Sean Baker as director.
Sinopsis: Moone, una niña, vive con su madre Halley en “The Magic Castle” un motel. Moone trata de pasarla bien con sus amigos mientras realizan travesuras o visitas a diversos sitios. Mientras tanto, Halley trata de prolongar su estancia en el motel, consiguiendo dinero de diversas maneras.
Synopsis: Moone, a girl, lives with her mother Halley in "The Magic Castle" a motel. Moone tries to have a good time with her friends as they engage in pranks or visits to various places. Meanwhile, Halley tries to prolong her stay at the motel by getting money in various ways.

La película pone principal foco a Moone y a sus amigos, haciendo un contraste de mostrar la inocencia que tienen y viven el día a día, con la crudeza de las diversas situaciones que se muestran: desde la falta de dinero, las drogas, las enemistades, irresponsabilidades, incendios, etc. Hay bastantes situaciones que nos hará reflexionar sobre este lugar del mundo. Halley como madre intentará solucionar los problemas como puede, pero solo habrá un espiral hacia abajo, donde se prevé el resultado. Tal vez el final sea lo único que no me llega a convencer del todo.
The film puts the main focus on Moone and his friends, contrasting the innocence they have and live day to day, with the rawness of the various situations that are shown: from the lack of money, drugs, feuds, irresponsibility, fires, etc. There are many situations that will make us reflect on this part of the world. Halley as a mother will try to solve the problems as she can, but there will only be a downward spiral, where the outcome is foreseen. Perhaps the ending is the only thing that doesn't quite convince me.
Me parece original como la película es mostrada mayormente desde la vista de los niños. A su vez, también hay espacio para contar anécdotas y curiosidades, como aves típicas de la zona paseando por el motel. El trabajo en la fotografía mejora el mostrar lo llamativo y peculiar que son diversas locaciones.
I find it original how the film is shown mostly from the children's point of view. At the same time, there is also space to tell anecdotes and curiosities, such as typical birds of the area wandering around the motel. The photographic work enhances the striking and peculiar nature of the various locations.

Los niños a pesar de la corta edad, logran mantener una actuación más que aceptable. El trabajo de Bria Vinaite como Halley, es el que más me convence y yo destacó. Hay música pero no es algo importante.
The children, despite their young age, manage to maintain a more than acceptable performance. Bria Vinaite's work as Halley, is the most convincing and stood out to me. There is music but it's not a big deal.
Me parece de lo mejor que he visto en este año, la originalidad en como es narrada la historia y el mostrar esa otra cara de sitios como Orlando, la hace una gran película.
I think it's one of the best I've seen this year, the originality in how the story is told and showing that other side of places like Orlando, makes it a great movie.
Երբեմն կինոարդյունաբերության աշխարհում նմանատիպ ֆիլմեր են, ավելի շատ հեքիաթ, ինչ-որ կախարդական եւ հակակշռական, մոգություն, որի նման հրաշալի ընկալումը պայմանավորված է միայն փոքր փաստերով, իսկ էկրանին պատմությունը իրականում ողբերգական է, եւ չկա ունի: Զվարճանքի պարկի հարեւանությունը եւ մանկության ընդհանուր ցուցիչը երեխաների եւ ծնողների հավերժ համեմատության մեջ պատասխանատու են «Ֆլորիդայի նախագծում» նման ուղղության համար, որը, իր բոլոր հարաբերական տգեղության համար, նշվում է անզգուշության եւ կախարդության զգացումով.
Փաստորեն, նման պարեստեզիայի պատճառները, ավելի խորը եւ խորը շոշափելի են ժապավենի վերջում, լարված են մեծ սիրո եւ համակրանքի մեջ, ժապավենի տնօրեն Շոն Բեյխերի հերոսների համար, որոնց համար այս հատվածը ստեղծագործական եւ ապրելակերպի խառնուրդ է: Նրա զգացմունքները կարելի է տեսնել ֆիլմի միակ չափահաս եւ իմաստուն հերոս հերոսում, որը նույնպես հոգ է տանում իր մոթելային հյուրերի կյանքի մասին, մի երիտասարդ աղջկա, որն իր պլատֆորմը չի գտել կյանքում, իր երեխաներին եւ բոլոր նրանց, ում մանկությունն անց է կացվում բակում իրական ուրախություն, մանուշակագույն պատերին, արհեստականորեն նկարել, բայց երբեք չի զգացել: Մանկությունը յուրահատուկ ժամանակաշրջան է, որտեղ զգացմունքները ձեր մարմնի բնական միջավայրն են, եւ հասարակությունը պարզապես սկսում է հանդուրժել դրանք գրաքննության եւ հսկողության տակ: Մանկությունը իրականությունից միակ հաջող փախուստն է: Այս փախուստը, որ ռեժիսորը փորձում է պատկերացնել իր հեռուստադիտողի համար, գծագրելով գծային եւ գլուխը խցիկի ժամանակահատվածի ճնշող մասը շտապում է այն երեխաների համար, ովքեր փախչում են, ովքեր պետք է որոշեն, թե ներքին գորշության հետ շփվող գունավոր հողատարածքների հատվածը թաքցնում է իրական կյանքը: Անհրաժեշտ է փնտրել այն, քանի որ այն առաջնորդվում է իր ճակատագրով, ինչպես որ հերոսուհին Բրիա Վինայթեդը, մայրը, Մյունին, որը ֆիլմի գլխավոր հերոսն է, միանշանակ չի հանդիսանում կյանքի ընտրության դրական ուղղություն, եթե միայն նրա բովանդակության ձեւով.
Հալլե, հերոսուհի Գինիներ, ինչպես սովորաբար նման ֆիլմերում, հասունացած երեխա է, ընդհակառակը, ինչպես ծափահարում է, ոչ թե սահմանափակումներ եւ դեռ գիտելիքների կարիք: Նրանց ճանապարհորդում են թաղամասի դստեր հետ, հավասարապես անգիտակից են, որ մեկը մյուսի համար է: Միեւնույն ժամանակ, նրանց միմյանց ընկալումը ինտուիտիվ մակարդակի վրա է: Ցանկի բոլոր բացասական իրավիճակների դեպքում, Շոն Բեյքերը կարողացավ կոնֆլիկտներ տալ արտաքին թյուրիմացությունների զգացմունքներին, պահպանելով իրենց սեփական երջանկության ստվերում գտնվող հերոսների միասնության զգացում.
Դա, անշուշտ, «աշխարհագրական» ֆիլմ է: Ֆլորիդայի կենսագրությունը որպես պետություն: Մայրուղիների մոթելների դիմանկար: Մեկ հարկանի բրոշյուր: Սա ցույց է, դեմ արեւային Ամերիկայի դեմ, որտեղ, պետության բոլոր պայծառության համար, ոչ բոլորն են բավարար «արեւ». Սա իր կախարդության մեջ տհաճ պատրանք է: Սա կեղտ է նվեր փաթաթում: Եվ, ամենայն հավանականությամբ, երեխաների մանկության լավագույն օրինակներից մեկն է, որը մանկական մեծամասնության սահմաններից դուրս է գտնվում այն օվկիանոսի սահմաններից դուրս, որը չի համապատասխանում հետեւողականության հայեցակարգին եւ ով փախչում է որոնման համար, թե ինչ կարող է ստանալ: Սա փոքրիկ տեղական ճանապարհորդություն է խոշոր երկրի միջոցով, ինչպես նշում է ժամանակի հետ: Գուցե շատ պարզ է դառնում դրաման: Սակայն, անշուշտ, շատ հմայիչ կերպով փոխանցում է միամտաբար ինքնաբերաբարություն, որը բոլորն էլ ծախսում են առանց ծանոթանալու ապագա ինքնատիպ դիմանկարին.
"All happy families are alike; each unhappy family is unhappy in its own way." The legendary sentence, written by Lev Tolstoy in 1877, seems to have put family stories forever into two categories: 1) tragic or 2) a happy ending. But there is actually a very stretchy gray matter in the middle that runs out like a sandwich before you can formulate it. That is, to try to be happy in your misery. To create your own reality that protects you from the world. That's exactly where the filmmaker Sean Baker sinks in his new film, "The Florida Project". His films are always like a submarine in the social slopes, in people you have not encountered, you do not even want, but they fill you with curiosity. And if in his previous independent film "Tangerine" (2015) shot only with the iPhone, the life of two transgender prostitutes and the repulsive world of drugs and violence they inhabit is almost as a documentary with the greatest possible sense of humor , in "The Florida Project" boldly using the original name of the Disneyland Park project, the fairytale has stretched out like a colorful arc over realism in the most unexpected way.

The story tells of the 6-year-old naughty and adventurous Moonee, who lives with her young, lonely, unemployed and mother-tattooed Haley in the "Magic Castle" motel. Although painted in purple color and located on the way to Disneyland, the motel is a shelter for poor homeless people who live there week by week. Their "magical castle" is each of their small rooms, guarding the destinies of many families, criminals, disabled and crazy. And there, in this purple ship of despair, Haley and Moonee live day by day - not as mother and daughter, but as sisters and accomplices. Moonee helps her mother sell perfume at car parks in dear hotels and breaks out to make white with her friends Scooty and Jennie, who always have no consequences because Haley does not fight her and does not punish her. The two of them make the peasants, listen to bastard rap, "torture", pate pizza, sleep till noon and chase in the rain, because everything is fine. And it is not.Haley was a stripper, but as she refused to perform "services" in the back room, she was fired. However, she does not intend to do anything usual and gradually passes exactly to what she had previously pulled. Without maternal authority, responsibility and attention, the inevitability of separation between the two is predictable. The social will come and the little one will run away, but there is still time. Previously, we will meet Moonee's friends, travel with them through car parks and roads to their fictional oases and kingdoms. The places where they are begging ice cream spark fires, spit on cars, or imagine they are on a safari.

We will also meet Bobby (Willem Dafoe, the motel manager, the guardian of the Magic Castle, with enough goodness, humanity, and normality to be the glue between the world that "manages" and the real outside of the door to its tenants each week along with the bill. Willem Dafoeeasily combines this friendly, paternal, and mentor figure in an unobtrusive and emotional way. His performance was not passed by the Academy this year and was nominated for an Oscar for a supporting role. By the end, "The Florida Project" does not feel like a movie, but as a voyeur look at the lives of these people. The camera works, and we are only witnesses. That's why Sean Baker always chooses to include unprofessional actors in his projects as well. Such a hit here has installed the Bria Vinaite model as Haley. When Baker sees her on the social network, he uses it as a reference in her casting and wants "someone from Hollywood to carry this carefree and rebellious radiance," until he realizes he does not need "someone like her" . He writes a message with a suggestion that Bria herself says she initially considered "a perverse joke." Little Brooklyn Prince as Moonee turns out to be a "veteran" in their duo, and the extraordinary chemistry among them is one of the major magical ingredients of the film. Here, somewhere, the association with Andrea Arnold's "American Honey" is still concreting. The English director, equally affectionate to social outsiders, finds her free-to-be-old star, 18-year-old Sasha Lane, while watching her walk around the beach. But it's not just casting. The American Honey microcosm is built from the same dusty and heated car parks and motels, in which the already growing Moonee and the others naturally become part of Arnold's history. And what we thought was the childhood of her characters, finds her answers in Shawn Baker's film.

The operatic work of Alexis Zabbe shows a fantastic sky above Florida in all its sunsets, rainfall, clouds and light. The racings launch our perceptions of characters and history through the level of children's eyes and manage to "color" events in a variety of shades. Only Moonee's final scene was shot with a phone. Effective enough to perceive it as an illusion of the little one, maybe it really happened? Childhood turns out to be the ice-melting ice cream. And then only the spots of memories stick. Because even the abandoned, the unruly, the lush and the miserable can fulfill the absurdity and the ugly world with miracles. A super force that only childhood gives, and so the biggest tragedy is that sometimes we can not hold it while we are still small. When the film began, little Christopher Rivera, who plays Scooty, has been exclaiming all along while looking at Willem Dafoe: "I can not believe I'm working with Green Goblin!" Reality exists. The world is as we see it.
Hello my fellow Steemians!!
Today I bring you our first episode, of the new CinemaBun Series. We started some time ago, then had to stop and now we are here to stay.
He bring you good films suggestions so you know what to see.
CinemaBun, Good Movies and Cake.
Let me know what you think.
Let me know what you think.
Have you seen the film? Are you going to see it?

As always, thank you for your time.

The Florida Project is an ultra-realistic drama about a trio of unsupervised young children living in cheap motels in the Orlando area, just minutes from Walt Disney World. Children engage in all kinds of frightening, open-field antics, running alone, entertaining themselves with daring adventures and occasionally getting in and causing trouble. Adults around him often curse, smoke and drink frequently in front of children. There is strong language ("fuck", "shit" and more), very dubious behavior (children accidentally catch fire, for example, and do not understand that they must show remorse for their actions), sexual innuendo (a character becomes) sex worker) and mature themes (poverty, child protection, prostitution, etc.) that make the film the best for older and older adolescents. But, ultimately, it promotes empathy in the way he portrays his characters.
The film is directed by Sean Baker, writer / director known for the films nominated for the Spirit Award, Take Out (2004), Prince of Broadway (2008) and Starlet (2012) (winner of the Robert Altman Spirit Award). His latest film, Tangerine (2015), premiered at the Sundance Film Festival and will be premiered by Magnolia Pictures in the United States.
He is also one of the creators of the long-running comedy television show Greg the Bunny (2005) and his spin-off Warren the Ape (2010).
WHAT'S THE STORY? THE FLORIDA PROJECT focuses on a trio of young children, largely unsupervised, whose families live in cheap motels just minutes from Walt Disney World, just outside of Orlando. Six-year-old Moonee (Brooklynn Prince) is a resident of the Magic Castle Motel, a purple, bed bug-infested place that would love to cater to tourists, but actually attracts unemployed or working-class people who can not afford the deposits of security. For $ 38 per night, Moonee and her relaxed young mother, Halley (Bria Vinaite), live there every night except one per month (the one night rule prevents them from establishing their residence and activating tenants' rights). Moonee spends her summer days without school wandering through Kissimmee, Florida, with her downstairs neighbor, Scooty (Christopher Rivera), whose mother, Ashley (Mela Murder), is a waitress who traps Moonee and Halley with daily bags of food in exchange of child care. Scooty and Moonee also meet with Jancey (Valeria Cotto), a girl who lives with her young grandmother in the motel next door. Presiding over Magic Castle is his stoic administrator, Bobby (Willem Dafoe), who is serving as a reluctant father figure to his motley crew of guest residents.
MOVIE INFO Rating: R (for language throughout, disturbing behavior, sexual references and some drug material) Genre: Drama Directed By: Sean Baker (II) Written By: Chris Bergoch, Sean Baker (II) In theaters: Oct 6, 2017 Runtime: 115 minutes Music: Lorne Balfe Studio: A24 Films Cast: Willem Dafoe, Valeria Cotto, Bria Vinaite, Christopher Rivera

The Florida Project es un drama ultrarealista sobre un trío de niños pequeños sin supervisión que viven en moteles baratos del área de Orlando, a solo minutos de Walt Disney World. Los niños se involucran en todo tipo de payasadas atemorizantes, de campo abierto, corriendo solos, entreteniéndose con atrevidas aventuras y ocasionalmente metiéndose y causando problemas. Los adultos a su alrededor a menudo maldicen, fuman y beben con frecuencia frente a los niños. Hay un lenguaje fuerte ("joder", "mierda" y más), comportamiento muy dudoso (los niños accidentalmente prenden fuego, por ejemplo, y no entienden que deben mostrar remordimiento por sus acciones), insinuación sexual (se convierte un personaje) una trabajadora sexual) y temas maduros (pobreza, protección infantil, prostitución, etc.) que hacen que la película sea la mejor para adolescentes mayores y mayores. Pero, en última instancia, promueve la empatía en la forma en que retrata a sus personajes.
La película está dirigida por Sean Baker, Escritor/director conocido por las películas nominadas al Premio Spirit, Take Out (2004), Prince of Broadway (2008) y Starlet (2012) (ganadora del premio Robert Altman Spirit Award). Su última película, Tangerine (2015), se estrenó en el Festival de Cine de Sundance y será estrenada por Magnolia Pictures en los Estados Unidos.
También es uno de los creadores del programa de televisión de comedia de larga duración titulado Greg the Bunny (2005) y su spin-off Warren the Ape (2010).
SINOPSIS Sigue a una precoz niña de seis años y su pequeño grupo de amigos cuyo verano estará lleno de maravillas infantiles, posibilidades y un gran sentid de la aventura, contrastando con sus padres y los adultos que la rodean, que viven sumergidos en los malos tiempos.
FICHA TÉCNICA Clasificación: R Género: Drama Dirección: Sean Baker (II) Guión: Chris Bergoch, Sean Baker (II) Fecha de Estreno: 6 de octubre de 2017 Duracion: 115 minutos Música: Lorne Balfe Producción: A24 Films Reparto: Willem Dafoe, Valeria Cotto, Bria Vinaite, Christopher Rivera

The Florida Project is a low-budget ($2 million) independent film designed to win awards. The film is off to a slow start in limited release, but is likely to be a money-maker and might even make it into wider distribution. The film reminds me a little bit of Beasts of the Southern Wild due to the young protagonist and the marginalization of adults in her life. It is a serious film that manages to be heart-warming, engaging and fun while also feeling a bit incomplete.

At six years of age, Moonee (Brooklyn Prince) has the run of the town. Or at least the strip of low-rent motels in the shadow of Disney. Her best friend, Scooty (Christopher Rivera) joins her on dangerous adventures and impish shenanigans. Early in the film, we catch the spitting on a car and calling the owner a "beyotch." Raw language for six-year-olds. Interestingly, the owner of the car has a little girl the same age as Moonee. Moonee becomes quick friends with the girl, Jancey (Valeria Cotto). The trio explore their surroundings with a freedom not normally granted to such young children. Moonee's mother, Halley (Bria Vinaite) doesn't have a job, making rent by hustling. She is the epitome of an unfit mother. The motel has a surrogate father, a kind-hearted manager (Willem Dafoe) with a blindspot when it comes to Moonee and her deadbeat mother. Poor decisions and a dangerous environment lead to consequences followed by loose ends that are never tied together. This is one of those films that leave the ending to the viewer.

The Florida Project is a character study. And maybe, in some sense, it is an allegory as well. Or a paradox. The ending sort of left that to the imagination. The film is set in the shadow of Disney. The magic of the kingdom appears to end at the front gates. But the setting is also filled with bright colors and interesting shops that add a bit of glitter (or fool's gold) to the otherwise bleak neighborhood. The film rests on the performance of a six-year-old. Moonee is the central character in this story, which leaves Brooklyn Prince with the weight of carrying this film. She definitely rose to the challenge. The writers made her simultaneously a foul-mouthed troublemaker and a lovable child. It is a dichotomy that works on the power of Brooklyn's performance. The characters have the kind of complexity necessary to make a film like this work. If not, the film would be a waste of time. Instead, we get some harsh realities along with the stuff that warms your heart.
Brooklyn Prince has three films coming out in 2017. But she is a newcomer. At six, that makes sense. With her performance, it also makes sense that she is in demand already. She manages to maintain the innocence of a six-year-old while delivering the aggravation and hijinx of a teenager. Her body language and facial expressions often defied her age. I am sure the Director, Sean Baker, had a lot to do with getting those reactions out of her, but they made this film. The other child actors in this film also carried it. Cotto and Rivera were both rock solid. The trio had a friendship that seemed genuine. These kids had to be friends off set. They went so far as to lick the same ice cream cone. No trick photography there. Just kids enjoying one ice cream, cooties and all. Willem Dafoe was the steadying presence one would expect. His character seemed stuck in a rut, but incredibly kind. His empathy was visible in many small ways, and sometimes portrayed more extremely. Vinaite was frustrating in the way that her character should have been. She is the person we all know who is not capable of making a good decision. The cast was exceptional. For a character film, the casting was spot on. It made the film work and added credibility to the characters.

This is a film driven by child actors. But it is not a film for children. The MPAA gave The Florida Project an R-Rating. The rating is based on plenty of foul language, drug use, alcohol use, prostitution, sexual situations, a potential child predator situation (which was one storyline I thought could have been better) and violence. The rating is properly applied. I would consider teenagers to be mature enough to handle this film. It may be a bit much for younger viewers.

I enjoyed The Florida Project. I enjoyed it enough to suggest it is worth seeing at the theater. It won't lose anything if you wait for it streaming, but it is just a solid film. Brooklyn Prince is a phenomenal actress. Her performance put this film over the top for me. The story was interesting, if not frustrating at times. The pacing was a bit slow at times, but the story was engaging enough to hold your interest. The scene with the child predator was a bit confusing. The acting was done in a way that suggested a mental disorder or cognitive disease. I wish it had been played a bit more "straight." Overall, this was a warm film about growing up near the magic kingdom without the faerie dust. There was probably a message here, but the ending left me wanting a bit more closure. My recommendation is high regardless. 8/10.