Hello, anime fans. Today I’m bringing you another gem from last fall’s season—an anime featuring a wide variety of short stories for all kinds of audiences. With such creative production and storytelling, it could be considered one of the best collections of short stories in the entire industry. Based on the collection of exclusive one-shots titled Tatsuki Fujimoto Before Chainsaw Man, Tatsuki Fujimoto 17-26 is an original anime for the internet (ONA) produced by Zexcs, Lapin Track, Studio Graph77, 100studio, Studio Kafka, and P.A. Works. Discover one of last year’s best gems.

Hola, fanáticos del anime. Hoy les traigo otra joya de la pasada temporada de otoño, un anime que tiene una buena variedad de historias cortas para todo tipo de públicos. Con una producción y elaboración tan creativa que se podría considerar como una de las mejores colecciones de cortos de toda la industria. Basada en la colección de one-shots exclusivos titulados Tatsuki Fujimoto Before Chainsaw Man, Tatsuki Fujimoto 17-26 es una adaptación animada original para internet (ONA) producida por Zexcs, Lapin Track, Studio Graph77, 100studio, Studio Kafka y P.A. Works. Conoce una de las mejores joyas del año pasado.

Source: IMDb.

Plot

The anime is a collection of eight stories, one per episode: 1) In a world invaded by human-eating aliens, two young people try to survive by dressing up as chickens. 2) A high school student who admires his teacher must prove his resolve as he tries to defend her from an armed lunatic. 3) A student council president decides to confess his feelings to his only friend and classmate, no matter what is happening around him. 4) A young professional assassin meets an immortal being. 5) A young piano enthusiast decides to teach a mermaid how to play. 6) A boy wakes up as a girl and begins to be teased at school. 7) A girl born with horns becomes the nightmare of an entire society. 8) Two sisters showcase their talent by painting themselves.

Trama

El anime es una recopilación de ocho historias, una por cada episodio: 1) En un mundo invadido por extraterrestres come-humanos, dos jóvenes intentan sobrevivir vestidos de gallinas. 2) Un estudiante de secundaria que admira a su maestra tendrá que demostrar su determinación al intentar defenderla de un lunático armado. 3) Un presidente del consejo estudiantil decide declararle sus sentimientos a su única amiga y compañera, sin importar qué suceda a su alrededor. 4) Una joven asesina profesional conoce a un ser inmortal. 5) Un joven fanático del piano decide enseñarle a tocar a una sirena. 6) Un chico despierta siendo mujer y empieza a recibir burlas en la escuela. 7) Una niña que nació con cuernos se convierte en la pesadilla de toda una sociedad. 8) Dos hermanas demuestran su talento pintándose a sí mismas.

Trailer & Review

Here's the trailer for the anime:

By: Prime Video

All the best.

By: Nattosheru.

*

^{Beware not to anger the human spirit, for you do not know what power it possesses.}

The Ghost of Harrenhal (S02E05)

Airdate: 29 April 2012

Written by: David Benioff & D. B. Weiss Directed by: David Petrarca

Running Time: 54 minutes

The fifth episode of Game of Thrones' second season, The Ghost of Harrenhal, demonstrates from its very first scene that this series operates under a dramatically different narrative philosophy than most conventional television. Where a typical show would build tension across an entire episode, saving its most shocking twist for a climactic final act, Game of Thrones instead places its most consequential event at the very beginning. The assassination of Renly Baratheon occurs within the opening minutes, a bold structural choice that immediately signals to the audience that the writers, David Benioff and D. B. Weiss, are more interested in exploring the consequences of cataclysmic events than in milking suspense from their mere occurrence. This willingness to upend conventional storytelling expectations is what elevates the series above its fantasy peers.

The event in question is unfolds in Renly Baratheon’s tent in the presence of Lady Catelyn Stark, who had been attempting to negotiate an alliance, and Brienne of Tarth, who was sworn to protect him. Both women are left utterly stunned when the perpetrator reveals itself to be a dark, spectral presence — the product of black magic secretly summoned by Melisandre, the red priestess in service to Stannis Baratheon. The shadow creature, born from Stannis's own seed and Melisandre's sorcery, cuts Renly down before either woman can react. Catelyn and Brienne, however, are immediately confronted with a more pressing concern than comprehending what they have witnessed: everyone in the camp naturally assumes they are the assassins. Forced to flee for their lives, the two women escape into the night. On the road, Brienne, wracked with guilt over her failure to protect her liege, swears her loyalty to Catelyn, on the condition that she be permitted to take personal vengeance against Stannis should the opportunity ever arise. It is a beautifully handled moment of character transition, as Brienne's oath transfers from a dead king to a living lady.

In the immediate aftermath, Renly's army disintegrates with startling speed. His bannermen, still nominally sworn to the Lord Paramount of the Stormlands — now Stannis, as the sole surviving Baratheon brother — flock to his cause. The Tyrells, including Loras and Margaery, flee southwards under the protection of Petyr Baelish, apparently losing both the marriage alliance as leverage and any remaining interest in participating in the conflict. Stannis, now commanding a vastly superior force, orders Davos Seaworth to command the naval attack on King's Landing, though he accepts Davos's prudent suggestion that Melisandre should remain behind. It is a rare moment of wise counsel being heeded, and it speaks to the unique bond between the rigid king and his smuggler-turned-knight.

Back in King's Landing, the news of Renly's death is received with delight by Cersei, but Tyrion is far less sanguine. He recognises that Stannis, having absorbed Renly's forces, now holds overwhelming superiority over the Lannisters on both land and sea. Tyrion's investigation into the queen's secret activities leads him to the Alchemists' Guild, where he discovers that Cersei has ordered the production of Wildfire, an extremely flammable and dangerous substance she apparently intends to use in the city's defence. Demonstrating his characteristic cunning, Tyrion orders that production continue — but under his direction, not hers. It is a quiet coup, executed with the subtlety that defines Tyrion's approach to power.

At Harrenhal, Arya Stark, serving as Tywin Lannister's cupbearer, becomes privy to the strategic conferences of the Lannister command. Her intelligence catches Tywin's attention, though he dismisses her as nothing more than a Northern commoner, entirely unaware that he is confiding in the daughter of his greatest enemy. The scenes between Maisie Williams and Charles Dance are among the episode's finest, charged with a tension that derives from the audience's knowledge of what Tywin does not know. Arya's words — "anyone can be killed" — could serve as the series' unofficial motto, a chilling reminder of the fragility of power in Westeros. Her reunion with Jaqen H'ghar, now disguised as a Lannister man-at-arms, introduces a fascinating new dimension to her storyline. Jaqen explains that she saved three lives during the attack on the Northern prisoners, and that the Red God is therefore owed three deaths. She must name three men to be killed. She begins with the Lannister soldier who tortured prisoners for sport, and Jaqen obliges with brutal efficiency.

In Lordsport, Theon Greyjoy is given a ship called the Sea Bitch, with which he is expected to raid a fishing village in the North. He finds the crew dismissive of his lack of experience, but Dagmer (Ralph Ineson), the first mate, proves an exception — especially after Theon reveals his audacious plan to divert Northern forces from Winterfell. Back at Winterfell, Bran Stark tells of dreams in which the sea attacks the castle and his subjects drown, ominous portents that the audience understands in ways the characters cannot.

In Qarth, Daenerys Targaryen enjoys the hospitality of Xaro Xhoan Daxos and takes delight in watching her dragons learn to feed themselves and breathe fire. These creatures have become the talk of the city, and various factions vie for her favour, each apparently seeking to gain control of the dragons. One such figure is Pyat Pree (Ian Hanmore), a warlock who wishes Daenerys to visit the House of the Undying. Xaro informs Daenerys of Robert Baratheon's death and the subsequent civil war in the Seven Kingdoms, then makes his play: he asks for her hand in marriage in exchange for financing her campaign across the Narrow Sea. Jorah Mormont, however, fears that she would lose her independence by accepting, and volunteers instead to find a single ship sufficient to bring her followers once she lands in Westeros.

Beyond the Wall, the Lord Commander's troop reaches the Fist of the First Men, where they rendezvous with the experienced ranger Qhorin Halfhand (Simon Armstrong). He suggests that Mance Rayder's force, numerically superior and increasingly disciplined, can only be defeated by an assassination raid on Mance's camp. Jon Snow volunteers for the mission, eager to prove his worth.

The Ghost of Harrenhal is a very good episode, though, like its predecessor, its title refers to a storyline that is not the most important or consequential — at least at this stage. Arya's narrative is nevertheless fascinating, particularly her conversations with Tywin, which can be interpreted in myriad ways and showcase Williams delivering one of the series' most memorable performances. The relationship with Jaqen H'ghar, revealed to be a skilful assassin bound by a religion-inspired code of honour, is equally compelling.

Benioff and Weiss, in their script, wisely resolve the cliffhanger from the previous episode — the birth of Melisandre's shadow demon — in a practical, no-nonsense manner, immediately demonstrating what that entity can do. The assassination scene itself is not particularly well-directed, perhaps because it occurs in darkness, but its consequences are handled with far greater skill. The event drastically redraws the balance of power in Westeros, arguably making it the most consequential development since Ned Stark's execution. The script economically handles the various locations and subplots, ensuring that no storyline feels neglected.

Qarth, with its racially diverse population and exotic, Oriental-inspired costumes, offers a welcome respite from the dreary, cold, and grey aesthetic of Westeros. Yet, in an uncharacteristic return to the modesty of broadcast-era television, HBO chose to depart from Martin's source material by having the Qartheen women keep their breasts covered. It is a minor but notable concession to American network sensibilities.

Fans of history will appreciate the introduction of Wildfire, which is clearly inspired by Greek fire, the Byzantine secret weapon used to defend Constantinople from numerically superior foes in the early Middle Ages. This underlines the parallels between King's Landing and that real-life city, which was famous for its court intrigue and dysfunctional politics, marked by religious fanaticism and street violence.

Roy Dotrice, the highly respected British stage actor, appears in the role of Hallyne, the leader of the Alchemists' Guild. Dotrice, previously known for providing the voice for the audiobook versions of Martin's novels, was originally cast as Pycelle, but being in his late eighties, had to relinquish the role to Julian Glover due to ill health. When he recovered sufficiently, he was cast as Hallyne instead, a delightful bit of casting that rewards attentive viewers. The episode is also notable for featuring Snæfellsjökull, a glacier in Iceland, as one of the impressive locations that stand in for the unforgivingly cold areas north of the Wall.

In sum, The Ghost of Harrenhal is an episode defined by its willingness to upend expectations, to kill off major characters without warning, and to explore the messy, unpredictable consequences of political violence. It is not perfect — the assassination scene is visually murky, and the Qarth storyline has yet to find its dramatic footing — but it represents the series operating at a high level of craft and ambition. The episode's greatest achievement is in making the audience feel the weight of Renly's death not as a cheap shock but as a genuine turning point in the war for Westeros, one whose repercussions will be felt for seasons to come.

RATING: 7/10 (+++)

Blog in Croatian https://draxblog.com Blog in English https://draxreview.wordpress.com/ InLeo blog https://inleo.io/@drax.leo

LeoDex: https://leodex.io/?ref=drax InLeo: https://inleo.io/signup?referral=drax.leo Hiveonboard: https://hiveonboard.com?ref=drax Rising Star game: https://www.risingstargame.com?referrer=drax 1Inch: https://1inch.exchange/#/r/0x83823d8CCB74F828148258BB4457642124b1328e

BTC donations: 1EWxiMiP6iiG9rger3NuUSd6HByaxQWafG ETH donations: 0xB305F144323b99e6f8b1d66f5D7DE78B498C32A7 BCH donations: qpvxw0jax79lhmvlgcldkzpqanf03r9cjv8y6gtmk9

Released in 1996, Swingers is the kind of movie that feels small on the surface but leaves a big impression. It is not built around action or major plot twists. Instead, it focuses on characters, conversations, and the awkward reality of trying to move forward after heartbreak. That grounded approach is exactly what makes it work.

The film was directed by Doug Liman and written by Jon Favreau, who also stars in the movie. Liman keeps things simple and natural, giving the film a loose, almost documentary feel at times. Favreau’s script is sharp, funny, and very real, especially when it comes to relationships and self doubt.

Jon Favreau plays Mike Peters, a struggling actor dealing with a recent breakup that he just cannot seem to get over. Favreau is excellent in the role because he does not try to make Mike overly cool or confident. He leans into the awkwardness and insecurity, which makes the character relatable.

Vince Vaughn plays Trent, Mike’s best friend, and this is the role that really put Vaughn on the map. Trent is smooth, confident, and always talking about being “money,” even when things are clearly not going as well as he pretends. Vaughn brings a ton of energy and charisma to the role.

The chemistry between Favreau and Vaughn is what drives the film. Their friendship feels real, with a mix of support, frustration, and honest moments. Trent pushes Mike to get back out there, while Mike struggles to keep up with Trent’s fast moving lifestyle.

The plot is simple and focuses on Mike trying to rebuild his confidence and move on with his life. That includes going out to bars, meeting new people, and dealing with the ups and downs of dating in Los Angeles.

What makes Swingers stand out is how honest it feels. It does not glamorize everything. There are plenty of awkward moments, failed conversations, and uncomfortable situations that feel true to life.

At the same time, the film is very funny. A lot of the humor comes from the dialogue and the situations the characters get themselves into. The answering machine scene is one of the most memorable and painfully relatable moments in the movie.

The supporting cast adds to the overall feel of the film. Ron Livingston appears as one of the group’s friends, and Heather Graham has a small but important role that helps bring the story full circle.

Doug Liman’s direction keeps everything moving without making it feel forced. The film flows naturally from one scene to the next, which adds to its authenticity.

The setting of Los Angeles also plays a big role. The bars, clubs, and late night diners give the movie a specific atmosphere that fits perfectly with the story.

Swingers is also about friendship as much as it is about dating. The way the group interacts, supports each other, and sometimes calls each other out adds depth to the film.

By the end, the film does not try to deliver a huge dramatic conclusion. Instead, it gives a simple and satisfying resolution that feels earned and realistic.

Swingers remains an excellent film because it captures a specific time and feeling in such an honest way. It is funny, relatable, and full of memorable moments.

Hello there, and welcome to a movie review article on the latest comedy series I am watching. It is Ted Lasso, and it has more comedy than anyone would expect. It all started off as a means to sit back and relax while keeping my mind distracted from thinking about other things. Now it has turned into something I am glad I decided to watch. It is all about an American Football coach called Ted Lasso, who is given the job to coach a Premier League club in London. Given the distance and how different America is from London, and not to mention the differences between American football and soccer, Ted Lasso still takes up the challenge. Jason Sudeikis is the man playing this character called Ted Lasso.

He comes into the club with all his strong will and relentless belief that things will work out for him due to his optimism. I have to admit that Ted Lasso's energy is truly contagious, right from how he interacts with the players and people, with warmth and interest. This makes him a man who has become difficult to root against. The genesis of his hire is on the basis that he will fail catastrophically, since he has zero experience in coaching a Premier League team. It was a reason out of spite from the owner of the club against her ex-husband. It becomes amusing how Ted Lasso comes in and starts making some changes by uplifting the spirit of the team through his belief mindset.

What started as a simple sports comedy gradually develops into the growth of its characters in different ways, as they begin to work on their flaws towards being better people. You get starstruck by the characters and how funny they can be. It does not matter who the character is, but their perception is strongly admirable. The way they act and what makes them special. In no time, you will find yourself rooting for the club, AFC Richmond. Just like that, you are now a part of something big.

More characters in the series will constantly keep you glued to your screen, but the best part is how they grow as individuals. There is Miss Welton, the owner of the club, who was rooting for the club's failure in the league, down to Roy Kent, the angry Captain turned mentor, who is just a big baby underneath the angry personality. Nobody has anything figured out as they all scale through their challenges and individual differences.

A shock for me was how the movie got emotional as well, when I was expecting it to be all comedy with laughs and more laughs. I felt emotional when things began to get serious because I was not expecting that right away. You get to see that underneath these funny characters and their acting, they are also people who are trying to deal with life as well, and it is so relatable, no matter who you are.

Within the underlying comedy and emotions, there are vital lessons that can be learned from the movie, and that is to believe and support. This is one thing I actually noticed was predominant. There is a need for a support system for these characters as they go through things and face challenges. It is not all comedy but motivational as well.

My Rating: 8/10

♟♟♟♟♟♟♟♟♟

Posted Using INLEO

Source Imagen

Source Imagen 2

The Inner Light (S05E25)

Airdate: 1 June 1992

Written by: Morgan Gendel & Peter Allan Fields Directed by: Peter Lauritson

Running Time: 46 minutes

Star Trek: The Next Generation and its seven-year run is almost universally hailed as the Golden Age of Star Trek, and many aficionados consider it the finest piece of the entire franchise. The consistently high quality throughout the seasons, however, made the answer to the question of which TNG episode is the very best very difficult to answer. One of the candidates, at least in the latter stages of the series, and certainly one of the most memorable instalments, is The Inner Light, the penultimate episode of Season 5.

The plot begins in the Pevenium system, where the USS Enterprise-D, during routine exploration, notices a mysterious space probe. The probe emits a nucleonic beam that strikes Captain Picard; he is rendered unconscious and brought to sickbay where Dr Crusher must fight for his life. This inciting incident sets the stage for one of the most intimate and unusual stories in the Trek canon.

Picard wakes up near a strange woman (Margot Rose) who addresses him as "Kamin". He leaves the house and comes to a town square where a local dignitary named Battai (Richard Riehle) is holding a speech. It is revealed that the community is called Ressik, that Batai is "Kamin"'s good friend, and that the planet is called Kataan. Picard is at first sceptical, but none of the people have heard about aliens and space travel, and Picard gradually begins to play along and accept his new identity. The slow unveiling of this world is masterfully handled, drawing the viewer into the same confusion and eventual acceptance that Picard experiences.

The years pass, and Kamin, like the rest of the community, experiences a devastating drought. He suggests some technical solutions to Battai, but they are rejected by the local authorities. Picard/Kamin starts playing a flute, with the melody of Frère Jacques the only reminder of his old life. This musical motif becomes the emotional anchor of the episode, a thread connecting his two existences.

More years have passed, and Kamin has an enlarged family – a son named Batai (played by Daniel Stewart, Patrick Stewart's real son), named after Batai who had died, and a daughter named Meribor (played by Jennifer Nash). Kamin and Meribor discover that the soil has begun to be affected by radiation, threatening all life on the entire planet. Even more years pass and Kamin learns that the planet is doomed, with the Kataans and their primitive space technology being able only to launch a space probe that would tell the universe of their existence. The tragedy is all the more poignant because the viewer knows, as Picard knows, that this civilisation is already extinct.

Kamin, now visibly aged, comes to attend the launch ceremony, but, much to his surprise, he sees his old friend Batai alive and in his prime, together with younger versions of his friends and family. They tell him that they are part of the probe which has been seeking for the "teacher" – a conduit for their experience and lore. This revelation reframes the entire experience: Picard was not merely a passive observer but the chosen vessel for an entire civilisation's memory.

Picard is awakened on the Enterprise and learns that the whole experience lasted for only half an hour. The probe is traced to a star system that has been destroyed by a supernova thousands of years ago. It was Kataan's probe that found him and helped him resurrect the dead people in his own mind. At the end of the episode, Picard is given the flute from the probe and he begins to play it in the way he has learned in his vision, a haunting and deeply moving conclusion.

The episode originated from Michael Piller's idea that an episode of TNG should depict Picard's unlived life, a piece of pure speculation. The refinement of the concept was a very hard and arduous process, with Morgan Gendell, co-author of the script, being inspired by memories of the Holocaust among Jewish people and the difficulties of those horrors being imagined by newer generations. The title was taken from a relatively obscure 1968 song by The Beatles, the B-side to the Lady Madonna single, lending the episode an additional layer of cultural resonance.

The episode, directed by Peter Lauritson, excels at the slow burn, with Picard's condition and the mystery of his alternative life being only gradually resolved. The result is very strong and very emotional. The tragic fate of the Kataans is in some ways inspired by real-life concerns of late 20th Century Earth about environmental apocalypse caused by the ozone layer hole or global warming, giving the story a prescient and urgent subtext.

Patrick Stewart probably delivered the greatest performance in the series, managing to convey an almost entire lifetime, with changes from disbelief to acceptance, in the manner of less than an hour of screen time. His physical transformation, the subtle shifts in posture, voice, and bearing as Kamin ages, is nothing short of extraordinary. The episode also excelled in direction, production, and costume design, which made the Kataans look Earth-like yet alien enough, creating a believable and lived-in world.

Richard Riehle, a character actor known for playing middle-aged or elderly characters, here plays an unusually young character who, unlike any other Kataan character, never ages. This is a clever narrative device: Batai remains eternally young because he exists in the probe's simulation as a fixed point, the friend who greets each new "teacher".

The production team later admitted that the impact of the episode was much greater than they had anticipated. Having lived an entire life, experiencing growing old and having a family, has profoundly changed Picard from the character introduced at the beginning of the series. The TNG staff had to address these issues and refer to them in the next two seasons and the TNG feature films, making The Inner Light not just a standalone masterpiece but a pivotal character moment that rippled through the rest of the franchise.

The episode is considered one of the highest rated on IMDb and on many fan lists. It won the Hugo Award for Best Dramatic Presentation, the third Star Trek episode to do so, and the first of two TNG episodes to achieve that honour. In the end, The Inner Light succeeds because it dares to slow down, to be quiet, to be sad. It is a meditation on memory, legacy, and the value of a single life lived fully, and it remains, by any measure, one of the finest pieces of television ever produced.

RATING: 9/10 (++++)

Blog in Croatian https://draxblog.com Blog in English https://draxreview.wordpress.com/ InLeo blog https://inleo.io/@drax.leo

LeoDex: https://leodex.io/?ref=drax InLeo: https://inleo.io/signup?referral=drax.leo Hiveonboard: https://hiveonboard.com?ref=drax Rising Star game: https://www.risingstargame.com?referrer=drax 1Inch: https://1inch.exchange/#/r/0x83823d8CCB74F828148258BB4457642124b1328e

BTC donations: 1EWxiMiP6iiG9rger3NuUSd6HByaxQWafG ETH donations: 0xB305F144323b99e6f8b1d66f5D7DE78B498C32A7 BCH donations: qpvxw0jax79lhmvlgcldkzpqanf03r9cjv8y6gtmk9

Source

Episode four, Gloves Off, is the one this season has been building toward and Dex finally gets his screen time to do more than aura farm in blue light. The episode opens with him folding his bed and flipping eggs while acting completely normal, its just another morning yoga for him, and you can already feel what is going on with a guy who is calmly planning to murder an entire task force right after breakfast, just standing there in his kitchen like he is having a normal Thursday. It is a trip to watch him go through his whole morning routine with that weirdly zen energy before he goes out to hunt people and it sets the tone for the rest of the hour because you can tell the writers are done playing around with the buildup. Dex just looking as a regular guy doing his own thing, pretending to be a scared citizen at the diner is legit, especially the way he manages to hold that killer instinct back right up until the moment he decides its show time. He is sitting there looking like a regular guy just having banana milkshake and then all of a sudden he starts using a toothpick, random silverware, glass shards and a whole live lobster to take out the Anti Vigilante Task Force one by one, Im like how the hell does he turns anything into a sharp object?, its easily the most creative and ridiculous violence we have seen this season so far. The ketchup logo moment while he casually claims to be one of the good guys feels just perfect and if you were still on the fence about whether this show had it in it to go full Bullseye, this episode answers that pretty well that the guy is not over, I always though they took him out of the screen too fast on Season 1 but ends up they were just keeping him in the bench for Season 2.

• IMDB: https://www.imdb.com/title/tt18923754/
• Platform: DISNEY+

Not everythign was great during the episode because after such openiong then it starts to slow down but the cast still made it watchable when Jack decides to leave out of nowhere mostly because after escaping I think he is panicking and who wouldnt. The whole transition feels forced because we are just supposed to accept this man is suddenly gone and now the team has all this money to operate with, and the show does not really explains much of that, it just needs Jack out of the picture so it can move on, but seeing the core team interact keeps the momentum going even when the plotting is doing them no favors. Matt and Karen are out there letting Angela deliver an SD card even though she is just as wanted as they are, which makes you wonder if Matt is losing his edge or just getting desperate, because she is a teenage girl with zero training for street level work and sending her out there is the kind of call that should have at least one person in the room pushing back on it harder but this is entertaiment so I say lets just go with it. There is a decent moment where Angela asks Matt if he was actually ready when he first became Daredevil and that conversation carries a double edge because it is about the cost of putting on the mask and what it does to the people around you and Angela is basically at the edge of turning into White Tiger, but they cut it off almost as soon as it starts going somewhere interesting. That is a real shame because Matt reflecting on what wearing that identity actually took from him is exactly the kind of context that make the story more interesting, probably its just me that I really enjoy those time jumps going back and forward.

Fisk returning to his roots in the boxing gym is a strong choice because it brings back that classic agression from the first season, its just weird how sometimes feels the series makes a lot of effort to keep Fisk under control and not let him loose his cool. He is always at his best when he is trying to take control over a room with just his presence rather than through muscle but sometimes he just loose it, but he really knows when to. Meanwhile Matt is juggling too many things at once and his relationship with Karen feels strained in a way the show is not always giving much details of their inner problems but you can feel it in the scenes, how he is now the one trying to walk the line of justice while Karen is just getting farther away and more focus in vengence, its just both of them carrying the weight of everyone they have already lost and neither one really talking about it directly. The way the episode builds toward the big confrontation at Fogwell Gym actually takes some time to show the strategic side of how these characters move against each other and that is what makes the danger and risk feel like they are rising higher way before things just hit boiling point. Dex is just amazing and I would really like seen much more of him, recently there are some rummors of him making it out to an MCU movie, I can already see him doing a way better job than Hawkeye, just getting closer to his target while using ordinary objects as weapons keeps the threat feeling unpredictable in a way that a lot of villain characters are not so detail and creative, only very few ones like Thanos where everything is plan out with details in mind, and it is good to see a character who does not need a super suit to make you fell his presence in the room, he just needs a good arm and whatever happens to be sitting on the table.

After hearing Matt talk about his father and how he start to become Dare Devil, makes me think how Fogwell Gym becomes such an important place for the characer, the place tied directly to Murdock senior and the boxing world that shaped so much of who Matt became, so the whole place carries weight beyond just being a regular gym. The dark atmosphere with low yellow lights in there make things feel thick and you can tell Fisk chose this place specifically because it means something to him as much as it means something to Matt, Im sure this is all mind games he is playing because of all arenas he choose this gym??. Dex arrives and turns the whole event into a nightmare, not just for Fisk but for everyone including Matt himself and the way he moves through the crowd is like watching something that cannot be stop and was meant to be, or slowed down by regular people, which is exactly how Bullseye should feel when he is operating at full capacity, everything can be turn into a deadly weapon, they can can take out one of his teeth and kill you with it. The speed of everything makes it hard to keep track of who is still standing and then Vanessa shows up even though Fisk had specifically arranged for her to be somewhere else, which is the kind of coincidence the show throws at you that makes me laugh because how unlucky can Fisk be, its just perfect payback from the heavens, and the actors sell it so good and the scene has enough momentum that you go with it. Vanessa got to shoot Dex is a solid blow, Matt smashing him out a window is satisfying just on time at the last minute, for a second it looks like the threat is contained for the night but then a glass shard catches Vanessa in the temple and she goes down hard. That changes everything, because the one person Fisk actually protects is lying there bleeding in a boxing gym and the episode ends on Fisk looking at her, and you do not need any dialogue to know what that means for the next few episodes.

I am giving this an 8 out of 10 because Dex finally has a real story that hooks you with all the action and even the drama is getting better and its not anymroe just a guy lurking in the background waiting for someone to point him at a target. This episode was exactly what the season needed to get out of the slow early hours and it lands on a cliffhanger that actually matters to the bigger picture of where this war is heading. The balance between the street level drama and the over the top Bullseye action is handled well enough that neither side feels like it is pulling the episode in two different directions. Matt is in a corner, Fisk is about to go on a rampage because the one person he loves is down badly and Dex is still out there somewhere probably looking for a place to work on his wounds because he is hurt badly, Vanessa really got him good. The production quality holds up and seeing the show lean back into the more violent side of this world is something people online have been asking for since the Disney Plus era started softening the edges, so getting it here feels like the show remembering what it actually is.

#daredevil, #bornagain, #bullseye, #kingpin, #wilsonfisk, #mattmurdock, #dexpoindexter, #glovesoff, #marvel, #mcu, #disneyplus, #action, #violence, #boxing, #vanessafisk, #karenpage, #hellskitchen, #review, #tvseries, #episode4, #slaughter, #chaos, #revenge, #drama, #banger

Posted Using INLEO

Hola mi gente bella espero que todos esten super bien, un gran abrazo para todos ustedes, y un gran abrazo. Hoy mi gente seguimos con las ediciones sobre las novelas de nuestro pais. Vamos al articulo.

Calypso fue una de las producciones más ambiciosas de Venevisión al cierre de los 90. Escrita por César Miguel Rondón, la novela se alejó de los estudios de grabación tradicionales para filmarse casi en su totalidad en escenarios naturales de la costa venezolana (específicamente en la Isla de Margarita), dándole una estética de realismo mágico y una factura visual impresionante.

-Titulo Original: Calypso. -Productora: Venevisión. ​-Año: 1999. ​-Guion: César Miguel Rondón. ​-Protagonistas: Chiquinquirá Delgado (Margarita Luisa Volcán) y Luis Fernández (El Simón). -​Elenco Estelar: Juan Carlos Vivas, Caridad Canelón, Alberto Alifa, Karl Hoffman, Félix Loreto y Beatriz Valdés. ​-Participación Especial: Chantal Baudaux (quien interpretaba a María del Mar, la hermana de Margarita). ​-Tema musical: "El farolito", interpretado por Juan Luis Guerra.

La trama se centra en el pequeño y místico pueblo de Puerto Calypso. Allí vive Margarita Luisa Volcán (Chiquinquirá Delgado), una mujer de una belleza legendaria que parece hechizar a todo aquel que la mira. Su vida cambia con la llegada de Simón (Luis Fernández), un hombre enigmático y náufrago de su propia vida que llega al pueblo buscando paz, pero termina envuelto en el aura magnética de Margarita.

​La historia no es solo un romance; es un enfrentamiento entre la modernidad y las tradiciones, las leyendas de pescadores y los secretos de familia. Margarita debe lidiar con la envidia que provoca su belleza y con el peso de ser el centro de todas las pasiones en un pueblo donde el mar y el viento parecen tener voz propia.

Se destaca que este fue el papel que consolidó a Chiquinquirá Delgado como una actriz de peso en la televisión venezolana, tras su paso por el Miss Venezuela. Su interpretación de "La Bella Margarita" fue icónica, capturando la esencia de la mujer caribeña: fuerte, sensual y misteriosa.

​La química con Luis Fernández fue uno de los puntos más altos de la novela, al igual que las actuaciones de primeros actores como Caridad Canelón y Félix Loreto. La dirección de Luis Alberto Lamata y el guion de Rondón lograron que la novela se sintiera como una extensión de la literatura de autores como Jorge Amado o Gabriel García Márquez, pero con un sello puramente venezolano.

Calypso es recordada como una obra de arte televisiva. Gracias a la presencia de Chiquinquirá Delgado, la novela se convirtió en un referente de belleza y calidad narrativa. Es una producción que rompió esquemas por su corta duración (80 capítulos), su música caribeña y su capacidad para transportar al espectador a un paraíso donde el amor y la leyenda se confunden.

Bueno mi gente espero que sea de su agrado todo este gran articulo. Nos vemos en la proxima ediciòn.

Sometimes you just press play without knowing exactly what you’re getting into… and that’s exactly the mood I was in when I chose Companion.

I returned home yesterday after almost 13K steps walking and I wanted to see this movie, that is already #8 in the top films in Greece

Companion, 2025 Dark comedy, AI, Psychological Thriller, Sci-Fi

A weekend getaway with friends at a remote cabin turns into chaos after it's revealed that one of the guests is not what they seem.

From the very beginning, you feel the mystery. The story starts to unfold from the point of view of the lead actress of the movie, Iris who is played by Sophie Thatcher

A lovely, warm love story is unveiled. A couple is on their way to a gathering, at a great house that is located at a remote and secluded spot. The girl who seems to be very attached to her boyfriend, expresses some of her doubts and worries about potentially saying something wrong. She really wants to be liked by the friends.. One of the persons who is at the house (another woman named Kat), does not like Iris at all, and it is evident..

The viewer is about to view a story of some friends having fun, as they learn about their personal experiences.

https://www.imdb.com/title/tt26584495/?ref_=mv_close

The movie has a moving plot. There are no slow moments, even though there are some logical gaps and some un-answered questions during the time.

At its core, this is not just a simple story. It plays with themes of connection, loneliness, control, and what it really means to “belong” to someone. Relationships are at the center, but they create questions that feel increasingly uncomfortable as the story unfolds. How much of what we feel is real?

The performances are ok. I had not known the actors to be honest, but it was interesting to watch them act.

After a while, the viewer starts question every glance, every pause, every reaction. Something unexpected happens and then a plot twist that makes you try to read between the lines

Now, to be fair, there are moments where the logic feels a bit stretched, where certain decisions or developments might leave you raising an eyebrow.

A few gaps here and there could have been presented in a better way. I think there were gaps in the story/scenario and the actors/directions are doing the best they can. Oddly enough, these imperfections don’t break the experience. (at least not enough for me to stop watching as I do when I dont like a movie - either O stop watching or I fall asleep, lol)

The movie invites you to anticipate what’s coming next, to question motives, to stay alert. It builds curiosity in a quiet, persistent way rather than relying on loud twists or dramatic reveals.

I will not say more about the story or its ending, I have tried not to include anything that may spoil this for you.

All in all, although there is some blood, not many scenes are disturbing. It is an easy-to-watch movie, there were only a couple of scenes I turned my head the other side. It is NOT A GREAT MOVIE, but it can serve as one hour and a half of something to watch with friends or with partner and talk about it, there are many discussion topics that could arise from it.

The movie has a generous 6.9/10 in imdb. I would not put more than 6.

If you decide to watch it, I would like to know what you thought about it :)

I am not sure if the trailer has spoilers, but I would recommend not to watch it in advance. Let the movie surprise you all the way!

Posted Using INLEO