The drug trade has long been a staple of cinema, but most narratives position viewers as outsiders—observing addicts’ desperation or law enforcement’s crusades—rather than immersing them in the perspective of the dealers themselves. *Super Fly*, Gordon Parks Jr.’s 1972 blaxploitation classic, bucks this trend with unflinching audacity. Unlike films that romanticise or vilify addiction, *Super Fly* delves into the ca…






