The Punisher

7 more reviews

1. ›Television Review: The Punisher (Season 1, 2017)@drax288d

   

   In 2017, Netflix has taught us that its new Marvel series, previously met with eager anticipation, are to be greeted with considerable scepticism, if not outright dread. It is no longer merely a matter of evident creative and financial fatigue, or even the anticipated decline in quality following the surprisingly strong debut seasons of Daredevil and Jessica Jones. Rather, it appears the Netflix superhero multi-series project, much like its cinematic counterpart, has become a victim of a process even its creators seem powerless to halt. Thus, each new series or season appears destined to be worse than the last, partly due to objective constraints, partly due to the enforced repetition of a narrative formula that results in increasingly drawn-out seasons culminating in ever more melodramatic and less convincing cliffhangers. Many had anticipated such a fate for The Punisher, the latest addition to Netflix’s Marvel roster, yet fortunately, it has largely managed to evade this trajectory.

   The protagonist, portrayed by Jon Bernthal, was first introduced in Daredevil’s second season as a significant figure and something of Daredevil’s alter ego, pushing vigilantism to brutal, bloody extremes. Frank Castle has ample justification for his actions—which have amassed an unprecedented body count among New York’s criminal underworld—given that his beloved wife and children tragically perished in a gangland shootout. Simultaneously, his bloody and highly efficient vengeance is underpinned by his credentials as a Marine special forces officer and extensive combat experience in America’s wars in Iraq and Afghanistan. His military past, during which he uncovered the dark realities of “spreading democracy” through torture and prisoner executions, as well as his superiors’ involvement in drug smuggling, remains a source of profound, unresolved trauma. A stroke of luck for Castle is that authorities now believe him dead following one of his spectacular clashes. David “Micro” Lieberman (Ebon Moss-Bachrach), a hacker and former NSA analyst, finds himself in a similar predicament: his attempt to expose corruption in Afghanistan led to the investigation turning against him, and after barely surviving an arrest attempt, he too is presumed dead. Unlike Castle, Micro’s family remains alive, and his desire to reunite with them drives his reluctant recruitment of Castle to uncover evidence clearing his name. Castle agrees only because he believes Micro’s hacking and analytical skills will aid his quest for vengeance. Complicating matters further is Dinah Madani (Amber Rose Revah), a Department of Homeland Security agent investigating Castle’s Afghan history, who becomes entangled with Castle’s former comrade Billy Russo (Ben Barnes), now the owner of a security firm lubricated by political and business connections.

   Netflix’s Marvel series distinguish themselves through a commitment to realism, rendering their plots and protagonists far more plausible on New York’s actual streets than their garishly costumed cinematic equivalents. In The Punisher, this realism reaches a new, potentially unsettling level. Frank Castle is no superhero—his abilities are entirely human, and he frequently endures the grim physical consequences of ballistic impacts. He is not even a conventional hero, owing to his morally dubious tactics, which include torture, mutilation, and killing sprees, raising questions about whether he derives a twisted satisfaction from it all. Yet Castle remains a complex character, retaining vestiges of humanity while acutely aware he can never rejoin normal society. Bernthal’s performance elevates the role, cementing Frank Castle/The Punisher as his finest work by that point.

   The decision to pair Punisher with Micro as both partner and moral counterpoint proves astute. Much as Punisher served as Daredevil’s foil, Micro—played with brilliance by the relatively unknown Moss-Bachrach—fulfils a similar role here. While rooted in the original comics, the character draws significant inspiration from Edward Snowden, avoiding geeky stereotypes. He embodies Castle’s closest approximation of a conscience, while Micro’s family, whom Castle occasionally visits, represents an idyllic substitute for all he has lost. The Punisher’s grounding in reality is most evident in its exploration of the fallout from Western “spreading of democracy” in the Middle East—a trauma from which neither the modern world nor Castle has recovered. This extends beyond the protagonist to his superiors, mired in corruption and human rights abuses, and his comrades. Here, the producers reveal their expected salon-leftist convictions: one antagonist, an alternate version of Castle portrayed by Australian actor Daniel Webber, espouses pro-Trump rhetoric, defends gun rights, and descends into deranged terrorism. Similarly, Madani’s character is reduced to clichés, functioning less as a credible federal agent than as a token emblem of “political correctness,” her authority undermined by predictable romantic subplots.

   The series’ greatest flaw, particularly this season, lies in its drawn-out pacing. The narrative crawls through early episodes before accelerating near the end, still weighed down by superfluous instalments. The finale epitomises this issue, following the penultimate episode’s spectacular showdown with an anticlimactic, unconvincing confrontation between Castle and the primary antagonist. Despite these shortcomings, The Punisher was a compelling series. However, its creators had to exert extraordinary effort to prevent the anticipated quality decline in the second season.

   RATING: 7/10 (+++)

   (Note: The text in the original Croatian version was posted here.)

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2. ›Film Review: The Punisher (2004)@drax756d

   

   The success of X-Men and Spider-Man in the early 2000s proved that comic book adaptations could be lucrative and led to Hollywood's eagerness to mine Marvel Comics for big-budget film ideas. Some of those were big successes, some of them were failures. The Punisher, directed by Jonathan Hensleigh in 2004, falls somewhere in between.

   Unlike other Marvel adaptations, it's not a superhero film but a gritty, violent vigilante story based on Frank Castle, a character first introduced in 1974 as a Spider-Man adversary and later given his own comic book series. The 1989 film adaptation starring Dolph Lundgren was obscure but has since gained a cult following. The plot of new film starts with Castle (played by Thomas Jane) as FBI agent in a successful sting operation against money launderers in Florida, after which Castle is about to retire and enjoy good life with wife Maria (played by Samantha Mathis) and young son. The bust, however, also resulted in death of Bobby Saint (played by Johnny Carpinello), son of a powerful mobster who swears revenge and, using bribes and connections, locates Castle and orders hit on him and his loved ones during family reunion in Puerto Rico. Saint’s assassins massacre everyone, but fail to finish Castle off. Presumed dead, tortured by unimaginable grief and disappointed in the system that failed to protect him, Castle decides to take matters into his own hands and plot not only killing Saint, but slowly destroying his organisation from within, by manipulating Saint’s wife Livia (played by Laura Harring) and henchman Quentin Glass (played by Will Patton).

   The major problem with The Punisher is that it is out of step with the times. The character of Frank Castle as a vigilante taking care of problems the system would not have belonged more to the 1970s or 1980s, when America was infested by street crime. The early 2000s were a much more different and cynical time, with audiences caring much more about terrorists than ordinary criminals represented by the chief villain. The script could have nevertheless adapted to this situation, but constant cuts in budgets led Hensleigh and the production crew to shoot in sunny Florida, which, in turn, made the general look of the film different from the dark streets of New York City where the original comic book took place. It also compromised Hensleigh's stated intention to resurrect the look and atmosphere of the grimy and gritty action thrillers of the 1970s.

   The film nevertheless delivers the goods for fans of action cinema. Unburdened by the limitations of PG-13, The Punisher features plenty of violence and inventive action scenes, including an epic battle between the protagonist and the Russian, a henchman of the villain played by Kevin Nash.

   Thomas Jane, who initially rejected the role of Frank Castle twice, prepared very seriously for the part, reading all the comic books and spending weeks training with former Navy SEALs to get into shape. He plays Castle convincingly, especially in the first half, when he is a happy family man, only to transform into a tortured shell of his former self kept alive only by a desire for revenge.

   Jane's performance easily overshadows everyone else, including John Travolta, who plays a one-note villain, and Laura Harring, whose Lady Macbeth-like villainess lacks depth. The late stand-up comedian John Pinette, together with X-Men cast veterans Ben Foster and Rebecca Romijn, provide good comic relief as tenants in a rundown apartment building who serve as the protagonist's surrogate family.

   Unfortunately, all these efforts are often compromised by a script that features poor and forgettable dialogue and descends into too much silliness, especially in the end scene that spectacularly brings the iconic skull image that was so sorely missed by Punisher fans in the 1989 version.

   While critics weren't enthusiastic, the audience was, enough for producers to contemplate a sequel. However, creative differences between Hensleigh, the producers, and Jane ultimately led to the whole project being scrapped. Instead, in 2008, a reboot titled Punisher: War Zone, starring Ray Stevenson, was made. In 2017, Netflix brought Frank Castle as the protagonist of a TV series starring Jon Bernthal, which remained on air for two seasons.

   RATING: 5/10 (++)

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3. ›Film Review: The Punisher (1989)@drax756d

   

   Marvel Comics are, or at least were until recently, viewed as a money-making machine for Hollywood studios in recent times. This was not always the case. In the 20th century, the relationship between Marvel and the big screen was quite different. Most adaptations of their comic books from that time became obscure, often for good reason. An interesting exception to this rule is the 1989 action film, The Punisher, directed by Mark Goldblatt. This film's relative obscurity can be attributed to distribution issues rather than its actual quality.

   The film is based on the comic book series about ex-policeman Frank Castle, who turns into a vigilante after his family is murdered. The character first appeared in 1974, becoming protagonist of separate comic book series in 1986. In the film’s version Castle’s character is played by Dolph Lundgren. The plot begins five years after Castle saw his family murdered by mafia car bomb. Presumed dead by everyone except his old partner Detective Jake Berkowitz (played by Louis Gossett Jr.),. he found new home in sewers and began campaign of vengeance against organised crime, which led to 125 criminals being killed. The mafia in the city is so weakened that the big boss Gianni Franco (played by Jerroen Krabe) returns from retirement to take it over and unite all families. But the weakness is also exploited by yakuza, led by Lady Tanaka (played by Kim Miyori), ruthless female boss who has all mafia bossses’ children, including Franco’s, abducted in order to submit them to her role. Castle, although primarily motivated with the desire to punish the guilty, gets involved in the conflict in order to protect the innocent.

   The Punisher was made by New World Pictures, a studio specializing in B-films and which owned Marvel Comics at the time. Despite its relatively low budget, the film is a solid piece of 1980s action cinema. Mark Goldblatt, whose real field of expertise was editing and who had quite resume with prominent 1980s and 1990s action films, has handled the material well and kept the entire affair within an hour and a half of running time. While there are obviously some corners cut and the film looks rough around the edges at times, it does provide what action cinema fans wanted at the time – shootouts, explosions, and car chases, including the scene in which Punisher uses an M-60 machine gun to demolish a yakuza-owned casino.

   The script by Boaz Yakin is simple, and the characters are mostly one-dimensional. However, they are played by a very talented and enthusiastic cast, most notably Jeroen Krabbe and Kim Miyori as the villains, and Louis Gossett Jr. as Castle's former partner. Unfortunately, Nancy Everhard's character, Berkowitz's partner, is completely wasted due to her character being underdeveloped. The real discovery of the film is Australian actor Barry Otto, who plays Shakes, a washed-up actor and Punisher's street informer. Despite his eccentricity, Otto's character serves as a moral anchor for Castle's vengeful and ultra-violent protagonist.

   The film is extremely violent, with an incredibly high body count as Punisher dispatches his enemies. While Goldblatt tries to prevent the action from becoming repetitive, he doesn't always succeed. The melodramatic soundtrack by Dennis Dreith makes it too surreal at times.

   A bigger issue for fans of the original comic book is the lack of references to the iconic skull logo that Punisher is known for. Because of this, The Punisher often looks like a generic 1980s vigilante action film rather than a part of Marvel's universe. However, fans of the action genre are likely to be pleased.

   Despite its shortcomings, The Punisher has gradually built a good reputation and has achieved a cult status among fans of the original comic book. The comic book has been adapted for the big screen two times more, both times as a reboot with new actors – 2004's The Punisher starring Thomas Jane and 2008's Punisher: War Zone starring Ray Stevenson. The best-known screen incarnation of the character was provided by Jon Bernthal in the 2017 Netflix-produced TV series.

   RATING: 6/10 (++)

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4. ›The Punisher: the last Marvel/Netflix Hero@serialfiller2105d

   

   

   

   The most fruitful collaboration in recent years of television has certainly been the one between Marvel and Netflix, a collaboration that brought on screen 4 heroes such as Iron Fist, Luke Cage, Jessica Jones and Daredevil who then joined the project "The Defenders" for a rather ugly event miniseries.

   All 5 series have been recently cancelled and even if the reason seems mysterious everything suggests that behind it there is the willingness on the part of Disney to bring everything in "home" with the birth of the streaming platform Disney +.

   Daredevil has changed the TV or at least changed the comic genre on TV introducing a dark and tormented hero and dark and noir settings that have winked at the Nolan trilogy of the Dark Knight.

   From that series was born then a particularly successful spinoff that saw the protagonist "The Punisher" played viscerally by Jon Bernthal.

   At the beginning of 2019 The Punisher returned with his second season. On his mighty shoulders a great responsibility since it was the only surviving series of that fruitful collaboration.

   The very high expectations were also dictated by the fact that his first season had managed to fit into a qualitatively downward trend with an appreciated and successful vintage.

   The reason lay in having raised the bar of violence by focusing everything on an angry and ruthless vigilante who did not hide behind moral codes to clean up the criminals and traitors who had led to the extermination of his family. No redemption but only a thirst for revenge. All brought back on screen with memorable action scenes and brutal decisions that we never thought could be made by a "hero".

   The second season unfortunately fails to confirm itself.

   Disappoints strongly and not because it is bad in itself but because it does not evolve by remaining motionless for at least half a season and does not introduce new and interesting themes or characters compared to the first season.

   Even the purely action scenes have suffered with a great confusion that has reigned supreme in the moments of articulation in the duel between the punisher and Jigsaw. Very shaken up and not very decisive, they ended up being an eternal postponement of the key moment of the season that we all waited for but then ended up hating.

   "The Punisher" remains enjoyable and Bernthal's adherence to the character remains incredible but also this second season like Iron Fist and Jessica Jones implodes on itself generating a "numbness" effect and a feeling of already seen.

   It's difficult that the last Marvel/Netflix series will be renewed and given the ups and downs it's not necessarily a bad thing.

   

   La collaborazione più fruttifera degli ultimi anni di televisione è sicuramente stata quella intercorsa fra Marvel e Netflix, una collaborazione che ha portato sullo schermo 4 eroi come Iron Fist, Luke Cage, Jessica Jones e Daredevil confluiti poi nel progetto "The Defenders" per una miniserie evento abbastanza bruttina.

   Tutte e 5 le serie sono state recentemente cancellate e anche se il motivo appare misterioso tutto lascia presagire che dietro ci sia la volontà da parte della Disney di portare tutto in "casa" con la nascita della piattaforma streaming Disney +.

   Daredevil ha cambiato la tv o quantomeno ha cambiato il genere fumettistico in tv introducendo un eroe cupo e tormentato ed ambientazioni dark e noir che hanno strizzato l'occhio alla trilogia nolaniana del cavaliere oscuro.

   Da quella serie è nato poi uno spinoff particolarmente riuscito che ha visto protagonista "The Punisher" interpretato visceralmente da Jon Bernthal.

   Ad inizio 2019 The Punisher è tornato con la sua seconda stagione. Sulle sue possenti spalle una grande responsabilità visto che si trattava dell'unica serie superstite di quella fruttuosa collaborazione.

   Le aspettative altissime erano anche dettate dal fatto che la sua prima stagione era riuscita ad inserirsi in un trend qualitativamente al ribasso con un'annata apprezzata e riuscita.

   Il motivo risiedeva nell'aver alzato l'asticella della violenza puntando tutto su un vigilante rabbioso e spietato che non si nascondeva dietro codici morali per fare pulizia di criminali e traditori che avevano portato allo sterminio della propria famiglia. Nessuna redenzione ma solo sete di vendetta. Il tutto riportato su schermo con scene action memorabili e decisioni brutali che mai avremmo pensato potessero essere prese da un "eroe".

   La seconda stagione purtroppo non riesce a confermarsi.

   Delude fortemente e non perchè sia di per se brutta ma perchè non evolve restando immobile per almeno metà stagione e non introduce temi o personaggi nuovi ed interessanti rispetto alla prima stagione.

   Anche le scene puramente action ne hanno sofferto con una gran confusione che ha regnato sovrana nei momenti di snodo nel duello fra il punitore e Jigsaw. Molto raffazzonate e poco determinanti, sono finite per essere un eterno rinvio del momento chiave della stagione che tutti aspettavamo ma che poi abbiamo finito per detestare.

   Resta godibile "The Punisher" e resta incredibile l'aderenza di Bernthal al personaggio ma anche questa seconda stagione come quella di Iron Fist e Jessica Jones implode su stessa generando un effetto "intorpidimento" e una sensazione di già visto.

   Difficile che l'ultima serie Marvel/Netflix venga rinnovata e visto l'andazzo non è detto sia un male.

   

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5. ›The Punisher: l'ultimo eroe Netflix@serialfiller2704d

   La collaborazione più fruttifera degli ultimi anni di televisione è sicuramente stata quella intercorsa fra Marvel e Netflix, una collaborazione che ha portato sullo schermo 4 eroi come Iron Fist, Luke Cage, Jessica Jones e Daredevil confluiti poi nel progetto "The Defenders" per una miniserie evento abbastanza bruttina.

   Tutte e 5 le serie sono state recentemente cancellate e anche se il motivo appare misterioso tutto lascia presagire che dietro ci sia la volontà da parte della Disney di portare tutto in "casa" con la nascita della piattaforma streaming Disney +.

   Daredevil ha cambiato la tv o quantomeno ha cambiato il genere fumettistico in tv introducendo un eroe cupo e tormentato ed ambientazioni dark e noir che hanno strizzato l'occhio alla trilogia nolaniana del cavaliere oscuro.

   Da quella serie è nato poi uno spinoff particolarmente riuscito che ha visto protagonista "The Punisher" interpretato visceralmente da Jon Bernthal.

   Ad inizio 2019 The Punisher è tornato con la sua seconda stagione. Sulle sue possenti spalle una grande responsabilità visto che si trattava dell'unica serie superstite di quella fruttuosa collaborazione.

   Le aspettative altissime erano anche dettate dal fatto che la sua prima stagione era riuscita ad inserirsi in un trend qualitativamente al ribasso con un'annata apprezzata e riuscita.

   Immagine priva di diritti di copyright

   Il motivo risiedeva nell'aver alzato l'asticella della violenza puntando tutto su un vigilante rabbioso e spietato che non si nascondeva dietro codici morali per fare pulizia di criminali e traditori che avevano portato allo sterminio della propria famiglia. Nessuna redenzione ma solo sete di vendetta. Il tutto riportato su schermo con scene action memorabili e decisioni brutali che mai avremmo pensato potessero essere prese da un "eroe".

   La seconda stagione purtroppo non riesce a confermarsi.

   Delude fortemente e non perchè sia di per se brutta ma perchè non evolve restando immobile per almeno metà stagione e non introduce temi o personaggi nuovi ed interessanti rispetto alla prima stagione.

   Anche le scene puramente action ne hanno sofferto con una gran confusione che ha regnato sovrana nei momenti di snodo nel duello fra il punitore e Jigsaw. Molto raffazzonate e poco determinanti, sono finite per essere un eterno rinvio del momento chiave della stagione che tutti aspettavamo ma che poi abbiamo finito per detestare.

   Resta godibile "The Punisher" e resta incredibile l'aderenza di Bernthal al personaggio ma anche questa seconda stagione come quella di Iron Fist e Jessica Jones implode su stessa generando un effetto "intorpidimento" e una sensazione di già visto.

   Difficile che l'ultima serie Marvel/Netflix venga rinnovata e visto l'andazzo non è detto sia un male.

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6. ›Crítica a The Punisher (Netflix)@sangoro972862d

   Después de haber sorprendido al mundo con su Universo Cinematográfico, Marvel ha seguido expandiéndose a través de series live-action de sus personajes producidas y distribuidas por el servicio de streaming Netflix. Gracias a ésto, pasamos de conocer a The Defenders y sus distintas series individuales hasta llegar en noviembre de 2017 a The Punisher, básicamente un spin-off de la serie de Daredevil, protagonizada por el personaje secundario que causó mayor impacto en su segunda temporada: Frank Castle (Punisher). En esta miniserie nos presentan la vida del protagonista tras supuestamente haber matado a todos los responsables de la muerte de su familia, pero pronto descubrirá que tras éste hecho se esconde una conspiración perpetrada por altos mandos del ejército y el gobierno, dándole nuevas razones a Punisher para continuar su venganza.

   Como es lo habitual en las series o películas de superhéroes; su protagonista, en este caso Jon Bernthal, se roba todo el espectáculo cada vez que aparece en pantalla, no solo porque su personaje logra imponer miedo, respeto, y en ocasiones, lástima; sino porque su actuación es el motor para que todo ésto se dé. Bernthal es el mejor Punisher que se hemos tenido en un producto audiovisual sin duda alguna. Y así como Frank Castle, la serie está llena de personajes complejos que hacen aún más emotiva la historia; como lo son Micro, la agente Madani, Billy Russo, entre otros. Y algo que obviamente no podía faltar en una serie de Punisher es la violencia explícita, siendo junto al protagonista, lo mejor que vemos; además de que percibimos en casi todo momento un ambiente oscuro, violento y decadente en el aspecto social. Por eso, The Punisher puede ser fácilmente la serie más realista que haya tenido Marvel.

   Pero la serie no es perfecta y no está ni cerca de serlo. ¿Por qué? pues debido al ritmo lento que es provocado por la gran cantidad de subtramas, las cuales quitan tiempo a las escenas del protagonista y retrasan la búsqueda de su objetivo, haciendo que la serie se vuelva aburrida en muchas ocasiones. Incluso llegan momentos en que pides a gritos que retomen la historia de Frank Castle. De hecho, los últimos episodios son donde de verdad sientes que estás viendo una historia de Punisher,y tiene un final poco o nada satisfactorio. Durante gran parte del tiempo, The Punisher se dedica a desarrollar y humanizar a sus personajes, lo cual se agradece; pero aunque la acción sea de lo más intensa, se siente que queda en un segundo plano, así como el que debería ser el objetivo principal de la serie.

   Comparándola con las otras producciones de Marvel en Netflix, The Punisher es una de las menos logradas. Puede tener algunas de las mayores virtudes de Daredevil, Jessica Jones o Luke Cage; como un protagonista imponente, una estética propia y una realización muy cinematográfica; pero también comete las mismas fallas que le restan calidad a Iron Fist y The Defenders: un ritmo muy lento y no causar suficiente impacto, respectivamente. The Punisher es una muy buena serie, aunque tienes que ser muy paciente a la hora de verla.

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7. ›Punisher on Netflix - 10/10@evoman13106d

   

   Marvel does it again. This time on Netflix. This series is fantastic. Especially in 4k HDR offering on Netflix. Definitely worth the time to bang this series out. Binge away my friends.

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