Longform reviews of films, TV, anime, books, and audiobooks, written by the scrobble.life community and published to the Hive blockchain, so each one is owned by its author and can earn rewards from readers. 59,997 reviews and counting.
I read a book on Wattpad called Duplicity once. Turned out to be one of the best mafia books I'd ever read my entire life. I loved it so much and even risked studying for it. I came across this movie and the name stopped me in my scroll, Tyler Perry's duplicity. Now, I'm sure this movie has some history cause the name sounded weird but I didn't do any digging. I just cleared out some of my schedule for the evening and saw the movie.
Source
Let's begin with the plot of the movie. Marley Wells is a powerhouse attorney who thinks she's got life figured out until her world gets turned upside down. Her best friend Fela's husband Rodney gets shot and killed by a police officer during what should have been just another morning jog through their upscale neighborhood. The cop claims he mistook Rodney for a threat, but something doesn't sit right.
What looks like a clear-cut case of police brutality becomes Marley's most personal battle yet. She teams up with her boyfriend Kevin, a former cop who now works as a private investigator, thinking they'll expose the truth and get justice for her grieving friend. But this case has more layers than an onion, and each one makes Marley's eyes water a little more.
The deeper she digs into Rodney's death, the more she realizes that everyone in her circle is hiding something big. The people she trusts most start looking suspicious, and paranoia becomes her new best friend. Kevin and Tony, another ex-cop she once helped out, begin acting strange. Really strange. Like "let's drug Marley and kidnap her when she gets too close to the truth" strange.
Suddenly Marley isn't just fighting for justice anymore. She's fighting to stay alive in a twisted game where the rules keep changing and the players aren't who they seem. The case that was supposed to be about police accountability becomes a nightmare about betrayal, deception, and how well we really know the people we love.
Source
Every revelation makes Marley question everything she believed about her relationships, her career, and her own judgment. Sometimes the most dangerous enemies are the ones sleeping in your bed. And this just summed it up to that beautiful book! I might just reread it again. It's been five years now, I might not remember everything I hope.
Anyways, it's a peak movie if this is your type of genre. Thankyou for reading.
Conocedor de Futbol y las MMA pero malo practicando deportes, me gusta las peliculas y series por eso ahora..."Soy critico de Cine". Viviendo en Venezuela
La trilogía de "The Naked Gun", en Latinoamérica conocida como "¿Y Dónde está el Policía?", estrenada entre los años 1988 y 1994 y protagonizada por el gran Leslie Nielsen, la considero como una de las mejores franquicias de comedia en el mundo cinematográfico; las tres películas son en mi opinión son perfectas por el exagerado uso del humor físico, frases cómicas y por lo ridículo que las escenas pueden ser; todos esos elementos liderados por no solamente su gran protagonista, sino por los muy divertidos personajes de reparto y sus excelentes villanos; creo que es muy difícil buscar una franquicia del cine que sea tan completa como lo fue está y que (lamentablemente) es víctima de la necesidad o la nula originalidad del mundo del entrenamiento y muchos años después, se estrenó un nuevo film que buscar hacer crecer el legado del mítico detective "Frank Drebin".
The Naked Gun trilogy, released between 1988 and 1994 and starring the great Leslie Nielsen, is one of the best comedy franchises in the world of cinema. In my opinion, the three films are perfect for their exaggerated use of physical humor, comical lines, and the sheer ridiculousness of the scenes. All these elements are led not only by the great protagonist, but also by the very funny supporting characters and excellent villains. I think it's very difficult to find a film franchise that is as complete as this one was and that (unfortunately) is a victim of the need for or lack of originality in the world of entertainment. Many years later, a new film was released that sought to build on the legacy of the legendary detective "Frank Drebin."
Personalmente, no estaba ni muy de acuerdo con la realización de este film, ni mucho menos estuve motivado de verla en el momento de su estreno, pero nuevamente soy víctima de la opinión popular en las redes sociales, en dónde emitieron críticas positivas sobre este nuevo film dentro de la haciendo referencia primeramente a la necesidad de ver nuevamente ese estilo de comedia y que se sentía como un aire fresco para un género que desde hace tiempo pienso que en la actualidad es muy difícil de hacer. En esta nueva "The Naked Gun", la historia se enfoca en "Frank Drebin Jr.", hijo del mítico detective y del cual su imagen es tan grande que su hijo no ha podido alcanzar, ni mucho menos superar y todo es debido a la falta de ese gran caso que impulse la carrera de Frank Jr., pero un muy extraño robo de un banco, posiblemente sea la base para algo más grande y es en ese momento, en dónde el nuevo protagonista deberá mostrar sus dotes detectivescos para resolver su primer gran caso.
Para este cuarto film, ninguno de los guionistas, ni directores de las anteriores películas repitieron dicho rol, aunque si estuvieron presentes en la producción; todo eso quiere decir que quienes se encargaron de traer nuevamente está franquicia al cine son personas nuevas cómo lo fue Akiva Schaffer, director quien también co escribió el guion junto a Dan Gregor* y Doug Mand; se me hace difícil alabar el trabajo de los tres porque siendo sincero, la película no me pareció para nada buena o mejor dicho, completamente buena; existe un sin número de escenas ridículas que tratan de ser originales y otras que considero clásicas en este estilo de comedia, pero que de igual manera no genera ese impacto divertido visto en otros filmes, algo contrario sí que logra hacer funcionar el guion en donde diálogos y chistes me hicieron reír y mucho, pero al final es igual de inconstante lo que hace que se pierda ese momento de comedia.
Personally, I wasn't very keen on the making of this film, nor was I motivated to see it when it was released, but once again I am a victim of popular opinion on social media, where positive reviews of this new film were posted, primarily referring to the need to see this style of comedy again and that it felt like a breath of fresh air for a genre that I have long thought is very difficult to do nowadays. In this new "The Naked Gun", the story focuses on "Frank Drebin Jr.", son of the legendary detective, whose image is so great that his son has been unable to match, let alone surpass, and all because of the lack of a big case to boost Frank Jr.'s career. However, a very strange bank robbery may be the basis for something bigger, and it is at this point that the new protagonist must show his detective skills to solve his first big case.
For this fourth film, none of the screenwriters or directors from the previous films reprised their roles, although they were involved in the production. This means that the people responsible for bringing this franchise back to the big screen are newcomers, such as Akiva Schaffer, the director who also co-wrote the screenplay with Dan Gregor and Doug Mand. I find it difficult to praise the work of the three because, to be honest, I didn't think the film was good at all, or rather, completely good. There are countless ridiculous scenes that try to be original and others that I consider classic in this style of comedy, but which still don't generate the same funny impact seen in other films. On the contrary, the script does manage to work, with dialogues and jokes that made me laugh a lot, but in the end, it's just as inconsistent, which makes you lose that moment of comedy.
Un aspecto importante sobre porque no me gustó la película es la actuación de Liam Neeson, no me hizo reír, su trabajo se sintió flojo, sin compromiso alguno y es una lástima porque creo que como actor tiene la imagen de mostrar seriedad en momentos en dónde no debería tenerla, pero no es convincente y lamentablemente eso no le hace ser divertido; todo lo contrario me sucedió con la actuación de Pamela Anderson, su interpretación de "Beth Davenport", una mujer deseosa de justicia, con algo de tonta, pero sexy fue lo que más me gustó, su trabajo es excelente y su personaje es muy divertido, era lo que esperaba que fuese el personaje de "Drebin Jr."; lamento que Anderson y su interpretación quede atrapada entre la mala actuación de Neeson y el nulo aprovechamiento de Danny Huston como "Richard Cané" quien tenía todo el potencial de ser un gran villano como lo está franquicia siempre lo ha presentado y que lamentablemente por un muy mal desarrollo sé que queda en casi nada y digo casi nada por qué en mi opinión dice el mejor chiste del film.
An important reason why I didn't like the movie is Liam Neeson's performance. He didn't make me laugh, his work felt weak, without any commitment, and it's a shame because I think that as an actor he has the image of showing seriousness in moments where he shouldn't, but he's not convincing and unfortunately that doesn't make him funny. I felt the opposite about Pamela Anderson's performance. I liked her portrayal of Beth Davenport, a woman who wants justice, a little silly but sexy. Her work is excellent, and her character is very funny. She was what I expected the character of Drebin Jr. to be. I regret that Anderson and her performance are overshadowed by the poor acting of Neeson's poor acting and the failure to make the most of Danny Huston as "Richard Cané," who had all the potential to be a great villain, as the franchise has always presented him. Unfortunately, due to very poor development, I know that he ends up with almost nothing, and I say almost nothing because, in my opinion, he tells the best joke in the film.
A pesar de no tener grandes expectativas con esta nueva The Naked Gun, me sentí muy decepcionado con esta película que tiene momentos buenos, pero que falla estrepitosamente en el último acto lo cual es lo que la hace peor porque si han visto o deciden ver la trilogía original se podrán percatar que justamente el cierre de todas esas películas son grandiosas, existe una gran calidad de comedia y en este nuevo film posiblemente una escena en específico hace reír por lo tonta que es y para mí, que una sola escena y no todo un cierre sea cómico, es algo malo y más para esta franquicia. En mi opinión, esta es una de las películas que menos me ha gustado en este año y sin importar que en momentos me haya hecho reír; de igual manera creo que se perdió la oportunidad de hacer algo mejor y no tengo duda de que esta es una prueba más de la necesidad de originalidad en el mundo del cine.
Despite not having high expectations for this new The Naked Gun, I was very disappointed with this film, which has its good moments but fails miserably in the final act, which is what makes it worse because if you have seen or decide to see the original trilogy, you will realize that the endings of all those films are great, There is a high quality of comedy, and in this new film, there is possibly one specific scene that makes you laugh because it is so silly. For me, the fact that only one scene is funny, and not the entire ending, is a bad thing, especially for this franchise. In my opinion, this is one of the films I've liked the least this year, and even though it made me laugh at times, I still think it missed an opportunity to do something better, and I have no doubt that this is further proof of the need for originality in the world of cinema.
The subplot of the Red Wizards makes the entire film more dark
I just finished mesmerizing myself in this movie 🎥 it's so mind-blowing and funny😁
Dungeons and Dragons: Honor Among Thieves” kicks off with this charming rogue, Edgin (Chris Pine), locked up in prison. Right away, you know you’re not getting some grim, dark fantasy. Nah, this one is gonna have jokes, warmth, and characters who feel like people you’d actually want to sit down with over drinks. Edgin is narrating his tragic backstory in the most casual way, like he’s pitching for sympathy, but you can already sense he’s a hustler. He used to be part of this secret order, lost his wife because of a Red Wizard’s cruelty, and now it’s just him and his daughter. That’s when he hooked up with Holga (Michelle Rodriguez), this badass barbarian who’s all muscle and loyalty but has a heart softer than bread inside.
It establishes the tone with that initial scene in prison, in particular, with the comedy of the council being unaware that Edgin and Holga had already made plans to escape. The movie says: it is not a film about pondering anti-heroes, it is a film about misfits that only attempt to do things right whilst continually getting things wrong.
And when they get out? Boom, betrayal hits. Edgin discovers that their so-called ally Forge (Hugh Grant, slimy to the last) has turned them in. Forge is the lord now, he lives well, he raises the daughter of Edgin like he is his own and he basically gaslights her father. That twist hurt. And you can tell how he feels because Edgin does not just desire wealth, he desires redemption; he desires to have back the life he had with his family. And then it came to me that this is not a movie about treasure hunting, but it is about people struggling to mend broken pieces of themselves.
At this point, any heist must have a crew and this is where the fun takes off. We also have Simon (Justice Smith), the insecure sorcerer unable to cast a clean spell to save his life and yet the one who has the biggest heart. We have the shapeshifting druid Doric (Sophia Lillis), who is skeptical of humans (fair, to be honest) but continues to appear before the team in epic capacities. Similar to the time she enters the castle of Forge as a fly, followed by a bird and a mouse and that hunting scene? Wild. It was almost like a viewer observing a real D&D game, dice falling either fortuitously or appallingly unluckily.
The subplot of the Red Wizards makes the entire film more dark. That mopey, dead eyed mage, Sofina, lurking in the background, had me jumpy. Something big is in the works, beyond her aiding Forge to stay in power, and how she merely sneaks around until the end? Brilliant tension.
Then there’s Xenk (Regé-Jean Page). I swear, when he showed up, I thought, “Okay, here’s the overpowered, flawless paladin who’s going to steal the spotlight.” But nope—the movie plays it beautifully. He’s noble to a fault, hilariously serious while everyone else is chaotic, and his scenes balance that “fantasy epic” vibe with comedic gold. The way he just strides in, helps them, and then strides right back out because he’s “too good” for their nonsense? I laughed so hard.
Yet the emotional gut-punches were creeping along. As, when Simon had to become his magic, and his line turns into this little hymn to all the people who ever insecurred themselves. Or Holga—oh, Holga. She is meant to be the muscle but her moment with Edgin’s daughter and even that very embarrassing, heartwrenching moment with her ex-husband (Bradley Cooper in a surprise cameo, that made me laugh) gives her such heart. She is the type of role that stays with you, as she is not just swinging axes but is carrying unspoken pain.
The finale though? Whew. It all goes bang, Forge at the arena, the confusion of the hunt in the maze, and then Sofina pouring her Red Wizard death-magic on the whole city. In this respect it is the honor among thieves that shows itself. They might have taken the treasure, and dipped, but they roll off this ingenious turnabout and redeem the people with the loot. It is the type of a conclusion that catches you unawares. Similarly, when Holga is mortally wounded and Edgin must decide whether to apply one of their magical tablets, a one-shot pill, not to revive his wife, who was the entire point of it all, but to save Holga because she is also family. That broke me a little. There was love, all right, in the crudest sense.
At the finale, you feel as though you have been part of the adventure with them, dice rolls and all. The movie made me laugh, it made me unexpectedly cry and it also gave me this feeling of warmth that is difficult to find in fantasy. It was not striving to be the grittiest, gravest, etc. epic--it was just trying to make you remember how it feels to play a sloppy, unfair game with people you love. And it nailed it.
Honestly? Walking out, I felt lighter. Like I’d been told a story around a table by friends who were just as invested in each other as they were in “winning.” That’s what made it special for me.
New movies keep coming to the big screens and that shows that directors are still working on bringing out movies of different genres and thus making it to the top with such production. Recently a movie was released, which was a big surprise for everyone, since this director had already released a couple of previous movies and they were good, so seeing him once again in action was surely to see something good, since he has an excellent way of working, where he presents us with a delivery that many emotions are at stake and see a side of people who are very few, but those that exist are very dangerous, which can become an obsession and there is no way to get out of it.
This movie is known as Dangerous Animals, which from the beginning I let myself be carried away by all that and enjoy another shark movie, which is one of the main things of all that and in my case I like many even though they are always repetitive, however, here everything changes in a very strong way, as we will see a surfer girl, doing what she likes the most, when she is kidnapped and could be food for sharks, something that is totally strong and crazy in this life, which is something that leads us to wonder Can she escape, Why do they do that, who is behind all that? And many other things, for the very fact of playing with people's lives.
Nuevas películas siguen llegando a las grandes pantallas y eso demuestra que los directores siguen trabajando en sacar películas de distintos géneros y de esa manera lograr llegar a la cima con dicha producción. Hace poco se estrenó una película, la cual fue una gran sorpresa para todos, ya que este director ya había sacado un par de películas anteriores y fueron buenas, por eso verlo una vez más en acción seguramente era ver algo bueno, puesto que cuenta con una excelente manera de trabajar, donde nos presenta una entrega que están en juego muchas emociones y ver un lado de las personas que son muy pocas, pero las que existen son muy peligrosas, que puede llegar a convertirse en una obsesión y no hay manera de poder salir de eso.
Esta película es conocida como Animales peligroso, la cual desde un principio me dejé llevar por todo eso y disfrutar de otra película de tiburones, la cual es una de las cosas principales de todo eso y en mi caso me gustan muchos a pesar de que siempre son repetitivas, sin embargo, aquí todo cambia de una manera muy fuerte, ya que veremos a una chica surfista, haciendo lo que más le gusta, cuando es secuestrada y podría ser comida para los tiburones, algo que es totalmente fuerte y loco en esta vida, la cual es algo que nos lleva a preguntarnos ¿Podrá escapar?, ¿Por qué hacen eso?, ¿Quién está detrás de todo eso? Y muchas otras cosas, por el mismo hecho de jugar con la vida de las personas.
It is a film that changes its rhythm and it is here where new emotions come out due to the fact that it is a risky situation, where desperation, anguish and fear come out when being with sharks, since they are dangerous animals and even more so when it can be their next meal. This is something totally new in a movie like this, which is admired that they can try new things, however, it gets out of hand, and everything changes to a horror movie, since the most dangerous animal is the same human being to kidnap people and use it as food, which are those kinds of people who are sick and just to feel happy to do such acts, while sharks eat for their instinct and that is normal and that is why it is a movie full of many surprises.
Es una película que va cambiando de ritmo y es aquí donde van saliendo nuevas emociones por el mismo hecho de ser una situación de riegos, donde sale la desesperación, la angustia y ese miedo al estar con tiburones, ya que son los animales peligrosos y más aún cuando puede ser su próxima comida. Esto es algo totalmente nuevo en una película cómo está, la cual se admira que pueden probar con cosas nuevas, sin embargo, se les escapa de las manos, ya todo cambia a una película de terrorífica, puesto que el animal más peligroso es el mismo ser humano al secuestrar personas y usarla como alimento, la cual son esas clases de personas que están enfermas y solo para sentirse contentos al hacer ese tipo de actos, mientras que los tiburones comen por su instinto y eso es algo normal y por eso es una película llena de muchas sorpresas.
All takes place in the same dinner, which is the sea where the loneliness and the amount of water around is very large, which creates more tension, since there will be no one who can rescue the kidnapped and this is where comes the good part of the film in showing that side of the protagonists to escape and get out alive in that situation, by the same fact every second there is very difficult. It is here where the beautiful Hassie Harrison enters, who has an incredible role being in that situation and next to a human being who is an animal, and really puts a great effort and being able to endure all that and to become the heroine of the film, while, on the other hand, there is the bad guy, which from the beginning shows certain characteristics that one is left thinking and turns out to be more dangerous than it appears.
Todo se desarrolla en una misma cena, la cual es el mar donde la soledad y la cantidad de agua alrededor es muy grande, la cual crea más tensión, ya que no habrá nadie que puede rescatar a los secuestrados y es aquí donde viene la parte buena de la película en mostrar ese lado de los protagonistas en poder escapar y salir con vida ante esa situación, por el mismo hecho cada segundo allí es muy difícil. Es aquí donde entra la bella Hassie Harrison, la cual tiene un papel increíble al estar en esa situación y al lado de un ser humano que es un animal, y de verdad que le coloca un gran empeño y poder aguantar todo eso y poder convertirse en la heroína de la película, mientras que, por otro lado, está el malo, la cual desde un principio muestra ciertas características que uno queda pensado y resulta ser más peligroso de lo que aparenta.
It was a result that left me speechless, as I thought it would be another of those shark movies and ended up being another horror story, blood, people with a horrible mentality and willing to cause harm to other people who have nothing to do with it, so it is a bet of the director quite interesting to recreate something different, but for me it is one of those movies that will surely go to the amount of films of this genre and wait for them to bring out a new production. I give it a 5/10. So folks, if you're looking for something to watch and spend a tense moment, don't pass this one up.
Fue un resultado que me dejó sin palabras, ya que pensé que sería otra de esas películas de tiburones y terminó siendo otra historia de terror, sangre, personas con una mentalidad horrible y dispuestos a causar daños a las demás personas que no tienen nada que ver con eso, por eso es una apuesta del director bastante interesante al poder recrear algo distinto, pero para mí es una de esas películas que seguro pasará al monto de películas de este género y esperar a que saquen una nueva producción. Le doy un 5/10. Así que amigos, si buscas algo para ver y pasar un momento de tensión, no dejes pasar esta.
Atlas del 2024 me pareció que fue puro ruido de Netflix, la cosa es que cuando se trata de ciencia ficción con robot y toda la inteligencia artificial pues uno siempre espera algo diferente y más si te ponen a Jennifer Lopez de protagonista porque no es exactamente conocida por este tipo de películas, pero bueno decidí ver qué tal le va a la cantante haciendo de analista que odia la tecnología en un futuro donde los robots ya están tratando de acabar con la humanidad, lo que debo admitir es que por lo menos me mantuvo pegado a la tele todo el tiempo sin hacerme revisar el celular cada cinco minutos. La premisa es bastante directa, hay un robot súper inteligente llamado Harlan interpretado por Simu Liu que se revela contra sus creadores, mata como a tres millones de personas y después se va corriendo a otra galaxia a planear cómo acabar con todos los humanos de la Tierra, después de casi treinta años aparece Atlas Shepherd que es JLo como una especialista en datos que conoce mejor que nadie a este robot asesino porque básicamente creció con él cuando era pequeña, resulta que fue la última persona que habló con la cosa esa antes de que se volviera loca y matara a su mamá junto con millones de otras personas, así que ahora ella es la única que puede ayudar a capturarlo. El problema es que Atlas odia completamente cualquier tipo de inteligencia artificial por razones obvias, pero cuando la misión sale mal termina atrapada en una especie de armadura que es como un robot super avanzado con otra IA llamado Smith que trata de ayudarla a sobrevivir en un planeta lleno de otros robots tratando de matarla, así que tiene que elegir entre morir sola o confiar en la misma tecnología que tanto desprecia para poder salir viva de esa situación imposible.
Si yo te cuento todo eso la verdad parece super interesante pero tiene unos cuantos detallitos, lo que si debo reconocer sobre Atlas es que visualmente está muy bien hecha, Netflix puso plata en los efectos especiales y se nota en las peleas con los robots, los trajes mecánicos lucen impresionantes y todo el ambiente futurista tiene ese aire profesional que hace que no se vea como slgo de bajo presupuesto, aunque tampoco es que sea algo revolucionario porque hemos ya esto se ha visto en mil películas antes, pero por lo menos aquí todo se ve creíble y no como esos efectos baratos que a veces usa Netflix. Jennifer Lopez hace lo que puede con el papel y aunque nunca va a ser Sigourney Weaver en Alien tampoco es un desastre completo, la mujer se esfuerza y tiene algunos momentos donde realmente conecta con el personaje como cuando está hablando con Smith y discutiendo sobre si puede o no confiar en él, esas conversaciones entre humano y máquina son casi que lo mejor de toda la película porque tienen algo de humor sin ser completamente estúpidas, además Smith tiene una personalidad bien definida que lo hace mas interesante que el típico robot sin emociones que normalmente vemos en este tipo de historias. Simu Liu también hace un buen trabajo como Harlan aunque su papel es relativamente pequeño, pero hace que se sienta esa amenaza calculadora de una inteligencia artificial que se cree superior a los humanos sin caer en el típico malo que grita todo el tiempo, su personaje tiene motivaciones claras y da a entenrde por qué piensa que la humanidad necesita ser eliminada uy esto lo hace mas creíble que muchos otros malos genéricos de ciencia ficcion.
Lo que tiene muchos problemas es el guion hay varias cosas que no tienen mucho sentido como que Harlan necesite códigos específicos de Atlas para hackear las defensas de la Tierra cuando es supuestamente tan inteligente que puede controlar flotas enteras de robots, también está el detalle de que los humanos decidieran mandar exactamente a la persona mas traumatizada por los robots en una misión para capturar al robot más peligroso del universo, eso es como mandar a alguien con fobia a las arañas a capturar una tarántula gigante mutante, simplemente no tiene sentido desde el punto de vista lógico. Las escenas de acción están bien aunque no son nada del otro mundo, cuando Atlas finalmente acepta sincronizarse completamente con Smith el traje de combate se vuelve bastante mas efectivo y las peleas contra los otros robots tienen momentos emocionantes, como esa batalla final donde tiene que luchar contra Harlan mientras trata de evitar que una bomba nuclear destruya la Tierra, aunque el final es un poco apresurado y conveniente con Smith sacrificándose para salvar a todos solo para aparecer de nuevo al final como si nada hubiera pasado. La relación entre Atlas y Smith es el centro de la peli ver como una persona que odia la tecnología aprende a confiar en un IA que solo quiere ayudarla funciona mejor de lo que esperaba, aunque a veces conversaciones entre ellos parece como si fuera una comedia romántica lo cual y es algo raro porque se supone que uno es una máquina, pero Gregory James Cohan le da una voz tan natural a Smith que casi te olvidas de que no es humano.
El tema de la inteligencia artificial es muy relevante en esta época donde ChatGPT y otras tecnologías están cambiando la forma en que trabajamos y vivimos, entonces ver una película donde la AI puede ser tanto salvadora como destructora es algo más cercano a cuando salieron las peliculasde Terminator hace veinte años. Lo que me parece chimbo es que Atlas no profundiza en lo que implica realmente eso de crear consciencias artificiales sino que se queda mas en el nivel superficial de robots buenos contra robots malos, lo cual está bien para una película de entretenimiento pero pierde la oportunidad de mostrar algo mas inteligente sobre nuestra relación con la tecnología. La dirección de Brad Peyton es buena, mantiene un ritmo decente y maneja bien las escenas tanto de acción como las mas íntimas entre Atlas y Smith, aunque se nota que está mas cómodo con las explosiones y las batallas que con los momentos emocionales, algunas escenas del pasado de Atlas son un poco forzadas y hay momentos donde el tono cambia demasiado rápido entre drama y comedia sin dar tiempo de entender lo que está pasando. Algunos de los efectos de sonido de los AI son algo genéricos como si los hubieran copiado de otras películas de ciencia ficcion, pero en general todo suena profesional y apropiado para el tipo de historia que están contando.
Atlas no va a cambiar el cine de ciencia ficcion pero bueno tampoco es tan mlala, es una película de Netflix hecha para ver en casa con cotufas un sábado por la noche cuando no tienes nada mas que hacer, los efectos están bien, las actuaciones son decentes y la historia aunque predecible mantiene tu atención mientras dura sin hacerte sentir que perdiste el tiempo completamente. Jennifer Lopez no va a ganar ningún premio por esta actuación pero tampoco es tan mala como la gente dice, hace su mejor esfuerzo con un personaje que no es fácil de interpretar y tiene química decente con la voz de Smith, Simu Liu también aprovecha bien su tiempo para crear a alguien malo que se sienta real. Los temas sobre confianza, trauma y la relación entre humanos y tecnología están ahí aunque no se desarrollan tan profundamente como podrían, creo que por esto y los errores del guion yo le doy un 6/10, si la vas a ver que sea en tu casa cuando no tengas nada que hacer porque no es de esas pelis que vas a recordar, slo funciona para desconectar el cerebro y disfrutar de robots peleando en el espacio.
Atlas of 2024 seemed to me to be pure Netflix noise, the thing is that when it comes to science fiction with robots and all the artificial intelligence you always expect something different and even more if they put Jennifer Lopez in the lead role because she is not exactly known for this kind of movies, but well I decided to see how the singer does playing an analyst who hates technology in a future where robots are already trying to wipe out humanity, what I must admit is that at least it kept me glued to the TV the whole time without making me check my cell phone every five minutes. The premise is pretty straightforward, there's a super intelligent robot named Harlan played by Simu Liu who rebels against his creators, kills like three million people and then runs off to another galaxy to plan how to wipe out all the humans on Earth, after almost thirty years Atlas Shepherd shows up who is JLo as a data specialist who knows this killer robot better than anyone because she basically grew up with it when she was little, turns out she was the last person to talk to the thing that before it went crazy and killed her mom along with millions of other people, so now she's the only one who can help capture it. The problem is that Atlas absolutely hates any kind of artificial intelligence for obvious reasons, but when the mission goes wrong she ends up trapped in some kind of armor that is like a super advanced robot with another AI named Smith that tries to help her survive on a planet full of other robots trying to kill her, so she has to choose between dying alone or relying on the very technology she despises so much to be able to get out of that impossible situation alive.
If I tell you all that the truth seems super interesting but has a few details, what I must recognize about Atlas is that visually is very well done, Netflix put money in the special effects and it shows in the fights with robots, the mechanical costumes look impressive and the whole futuristic atmosphere has that professional air that makes it not look like something low budget, although it is not something revolutionary because we have already seen this in a thousand movies before, but at least here everything looks credible and not like those cheap effects that sometimes Netflix uses. Jennifer Lopez does what she can with the role and although she is never going to be Sigourney Weaver in Alien she is not a complete disaster either, the woman tries her best and has some moments where she really connects with the character like when she is talking to Smith and arguing about whether or not she can trust him, those conversations between human and machine are almost the best of the whole movie because they have some humor without being completely stupid, plus Smith has a well defined personality that makes him more interesting than the typical emotionless robot we usually see in this kind of stories. Simu Liu also does a good job as Harlan although his role is relatively small, but he makes you feel that calculating threat of an artificial intelligence that believes it is superior to humans without falling into the typical bad guy who screams all the time, his character has clear motivations and gives entenenrde why he thinks humanity needs to be eliminated uy this makes him more believable than many other generic sci-fi bad guys.
What has a lot of problems is the script, there are several things that don't make much sense like Harlan needing specific Atlas codes to hack into Earth's defenses when he is supposedly so intelligent that he can control entire fleets of robots, there is also the detail that the humans decided to send exactly the person most traumatized by robots on a mission to capture the most dangerous robot in the universe, that's like sending someone with a phobia of spiders to capture a giant mutant tarantula, it just doesn't make sense from a logical point of view. The action scenes are okay though nothing earth-shattering, when Atlas finally agrees to fully synchronize with Smith the combat suit becomes quite a bit more effective and the fights against the other robots have exciting moments, like that final battle where he has to fight Harlan while trying to stop a nuclear bomb from destroying the Earth, though the ending is a bit rushed and convenient with Smith sacrificing himself to save everyone only to appear again at the end as if nothing had happened. The relationship between Atlas and Smith is the center of the movie seeing how a person who hates technology learns to trust an AI who just wants to help her works better than I expected, although at times conversations between them feels like it's a romantic comedy which and is kind of weird because one is supposed to be a machine, but Gregory James Cohan gives such a natural voice to Smith that you almost forget he's not human.
The theme of artificial intelligence is very relevant in this day and age where ChatGPT and other technologies are changing the way we work and live, so to see a movie where AI can be both savior and destroyer is something closer to when the Terminator movies came out twenty years ago. What I think is chimbo is that Atlas does not delve into what is really involved in creating artificial consciousness but stays more on the surface level of good robots against bad robots, which is fine for an entertainment movie but misses the opportunity to show something more intelligent about our relationship with technology. Brad Peyton's direction is good, he keeps a decent pace and handles both the action scenes and the more intimate scenes between Atlas and Smith well, although you can tell he is more comfortable with explosions and battles than with emotional moments, some scenes from Atlas' past are a bit forced and there are moments where the tone changes too quickly between drama and comedy without giving time to understand what is going on. Some of the AI sound effects are a bit generic as if they were copied from other sci-fi movies, but overall everything sounds professional and appropriate for the type of story they are telling.
Atlas isn't going to change sci-fi cinema but well it's not that mlala either, it's a Netflix movie made to watch at home with cotufas on a Saturday night when you have nothing else to do, the effects are okay, the performances are decent and the story although predictable keeps your attention for the duration without making you feel like you wasted your time completely. Jennifer Lopez isn't going to win any awards for this performance but she's not as bad as people say either, she does her best with a character that isn't easy to play and has decent chemistry with Smith's voice, Simu Liu also makes good use of her time to create someone bad that feels real. The themes of trust, trauma and the relationship between humans and technology are there although they are not developed as deeply as they could be, I think for this and the script mistakes I give it a 6/10, if you are going to watch it let it be at home when you have nothing to do because it is not one of those movies you are going to remember, it just works to disconnect the brain and enjoy robots fighting in space.
Hello friends, today is Sunday and as usual we all know that it is a day for reflection, relaxation and preparation. I went for morning mass early this morning and came back to have breakfast and to rest my brain.
However, as I was suffering through the internet I came across this recently released movie titled the home I decided to download it and watch what transpired in it because I saw from the brief summary that it is a psychological horror and a mystery trailer kind of movie, this triggered me and no doubt it was an interesting watch as it played around the mind of its audience before we could figure out what really happened.
Simply put, the movie titled "the home" is one that was written and directed by James the Monaco and casted by Pete Davidson, John clover, Mary Beth, Bruce Altman and so on. No doubt, the actors were brilliant at their jobs and made it a worthwhile movie.
The movie is all about a boy named Max who was adopted into a foster home at a younger age, the foster parents adopted a number of them and made it seem like they were the perfect caring parents anyone could ask for but they were the worse as they only adopt them to use them.
Max is a graffiti artist who trespasses by painting on people's walls about the ills of the society. Max was taken to court and was made to perform a community service at a government facility where old people are kept and taking care of. But on getting there, he discovers that it is not just a home for the elderly people but one that preys on young people by carrying out a devious act on their bodies just for their own benefits.
At first I didn't understand the situation but after watching for a while I figured it out that they retirement home was a fully funded government facility where they deceive young people to come work in the facility just to capture them and drain their youthfulness from them. Apparently, these elderly people are draining the nectar from The Young Ones eyes, hence keeping them Young and vibrant. When they suck up the nectar from their victims they become Young while the victims become old and frail.
You would not understand the entirety of the movie at the Beginning unless you focus and what till the very end.
Note:images used here were obtained as screenshots from the downloaded movie
There are numerous ways to establish that someone enjoys the status of a critics’ darling, but few are as spectacular as when one’s film is greeted with a standing ovation at the most prestigious festival despite the “minor” detail that the film isn’t even finished. Lynne Ramsay, the Scottish director whose filmography is modest in number but who nonetheless enjoys exceptional acclaim, achieved precisely this at the 2017 Cannes Film Festival with her thriller-drama You Were Never Really Here, which would only appear in its final version several months later.
The film is based on the eponymous novel by Jonathan Ames, the writer and screenwriter renowned as the creator of the TV series Bored to Death. The protagonist is Joe (Joaquin Phoenix), a hulking and intimidating figure who earns a living by undertaking detective work, and sometimes “muscle” tasks, involving the search for missing persons on the streets of New York and beyond. Joe has acquired a reputation for brutality in criminal circles, but in reality, he is averse to violence, as it is the source of deep trauma—both from his childhood, when he was a victim of familial abuse, and from his experiences as a soldier witnessing conflict in the Middle East. The only thing keeping him tethered to reality is his elderly, half-senile mother (Judith Roberts), whom he cares for with genuine devotion. His employer, John McCleary (John Doman), hires him for what may be the most delicate case of his career. Ambitious state senator Albert Votto’s teenage daughter, Nina (Ekaterina Samsonova), has run away from home and disappeared amid his election campaign preparations, with the only clue being an SMS containing the address of a brothel specialising in underage prostitution. Joe locates it and, in his characteristically brutal yet efficient manner, succeeds in swiftly rescuing Nina. Before he can deliver her to her father, however, it emerges that both Nina and the brothel are part of a far more complex scheme orchestrated by far bigger and politically connected “fish” than the lone senator, who are prepared to exploit corrupt police and security services to eliminate Joe and everyone associated with him in a brutally straightforward manner, forcing Joe to fight for his very survival.
Among the heaps of praise received by You Were Never Really Here, frequent are those who hail the film as the “Taxi Driver of the 21st century.” Although similarities to Martin Scorsese’s classic are certainly noticeable (including scenes that can be interpreted as homages), viewers will perceive far more differences. These primarily concern what many eulogists have often cited—that although it contains nominal elements of “commercial” genres such as thrillers or action—the film is an “art house” piece, and in the “purest” sense at that. Ramsay appears to have strived to avoid any compromise with “mainstream” cinema, placing on screen only what would be applauded at festivals. The style is, to put it mildly, “hermetic,” demanding far greater patience and understanding from audiences regarding unconventional framing techniques and cinematic narrative. Events in the film are depicted exclusively from the perspective of the protagonist, whose mental instability becomes apparent very quickly, causing the main plot to constantly intertwine with flashbacks, hallucinations, and the protagonist’s fantasies. This thoroughly confuses viewers, and without Phoenix’s brilliant performance in the complex role of the tormented protagonist, even the most patient audiences would have given up on You Were Never Really Here. Ramsay occasionally crafts a strong sequence, most notably Joe’s raid on the brothel, where scenes of violence are depicted indirectly and in a quasi-documentary style using video cameras. More thorough comparisons to Taxi Driver, however, will undoubtedly be to Lynne Ramsay’s detriment.
Unlike Scorsese’s film, which firmly anchors the story of a tormented veteran turned vigilante on New York’s mean streets within the economic, cultural, and political context of the “leaden” 1970s, Ramsay seems to strive to ignore the external world—that is, everything beyond Joe’s mind. This film lacks Herrmann’s brilliant score, the memorable supporting roles of Peter Boyle or Harvey Keitel, and the Russian-American model Ekaterina Samsonova still has considerable work to do before anyone places her in the same category as Jodie Foster. It is highly unlikely that this film will inspire anyone to attempt an assassination of the US president, but if such a hyped film was meant to surpass Taxi Driver, Ramsay needed to offer something far more substantial.
RATING: 6/10 (++)
(Note: The text in the original Croatian version is available here.)
Hola Hivers espero que esten bien. Hoy recomiendo una comedia romantica. Tenias que ser tu
Anna tras pasar 4 años en pareja con Jeremy siente que ya es momento de dar el siguiente paso que es comprometerse, pero ya que Jeremy no toma la iniciativa y esta cansada de esperar, pues decide pedirle ella que se casen basada en una tradicion Irlandes que trata, que si una mujer le pide matrimonio a su chico el dia de año bisiesto este acepta. Aprovechando que Jeremy viajo a Irlanda ella va tras el.
Hello Hivers I hope you are well. Today I recommend a romantic comedy. It had to be you.
Anna after spending 4 years in couple with Jeremy feels it's time to take the next step which is to get engaged, but since Jeremy does not take the initiative and is tired of waiting, she decides to ask him to marry based on an Irish tradition that is, if a woman asks her boy to marry her on leap year day this accepts. Taking advantage of Jeremy's trip to Ireland, she goes after him.
Anna se embarca en la aventura de pedir matrimonio a su chico en Dublin -Irlanda, pero tiene muchas trabas en el camino, el avión se desvió debido a una tormenta, tomó un barco y resulto peligroso. Se queda en un pueblo y alli conoce a Declan quien se ofrece a llevarla a Dublin donde esta su novio a cambio tiene que pagarle.
Anna embarks on the adventure of proposing to her boyfriend in Dublin, Ireland, but has many obstacles on the way, the plane was diverted due to a storm, she took a boat and it turned out to be dangerous. She stays in a village and there she meets Declan who offers to take her to Dublin where her fiancé is in exchange she has to pay him.
Anna y Declan se llevan como perros y gatos pero cada uno tiene su musion, en el camino lograron acercarse un poco mas y entenderse, dando un giro a la historia. Es una comedia romantica que recomiendo.
Anna and Declan get along like cats and dogs but each one has his own musion, along the way they managed to get a little closer and understand each other, giving a twist to the story. It is a romantic comedy that I recommend.
Fuente de imagen
Esta película me dejó muy sorprendida Porque sinceramente yo esperaba una película de terror básica con sustos fáciles, pero a cambio me terminaron dando una película de terror psicológico y social bastante fuerte y muy bien llevada Eso sí en varios momentos puede ser bastante lenta pero es parte de la historia y de cómo se va construyendo cada cosa, si esperas ver una película que simplemente es gore con sustos fáciles no te la recomiendo Pero si estás esperando una película de terror que realmente te ponga a pensar que realmente te des cierto escalofrío por los temas sociales que toca la verdad es que quedarás encantada.
I don't think it's a masterpiece of cinema, but among the impressive horror films that have come out this year, I can say that I really liked it. I think it's a film that people should give a chance to see. It's true that if you came with super high expectations of what this film could do, you might suddenly be a little disappointed, but it does deliver on what it promises. and the good thing about this film is that it doesn't seek to create a franchise; it seeks to tell a story that simply wants to be told, and it ends, and you don't want it to end, but the ending is just a little strange. I think it could have been better done.
Creo que una de las mayores quejas que yo pueda dar esta película no es el ritmo que maneja sino en la manera en que el marketing La vendió, ya casi aparecer como si fuera una película básica de terror sin grandes cosas, pero al momento que te das la oportunidad de verla descubres que es mucho más, Y es que cada actuación está muy bien lograda y te mete automáticamente en la trama creo que es una de las películas de terror más sólidas que he visto no voy a decir que es mi favorita pero sí es una de las que estaría como en mi top 10.
I think one of the biggest complaints I have about this film is not its pace, but the way it was marketed. It almost seemed like it was going to be a basic horror film without anything special, but when you give it a chance, you discover that it's much more than that. Every performance is very well done and automatically draws you into the plot. I think it's one of the most solid horror movies I've seen. I'm not going to say it's my favorite, but it is one of the ones that would be in my top 10.
Creo que muchas personas dejarán esta película a un lado porque el marketing la vende como si fuera una película de terror básica Pero si te das la oportunidad de verla creo que vas a darte cuenta que es mucho más te pone a pensar la película una vez termina incluso tienes cierto impacto social en ti como persona creo que da la oportunidad de verla Eso sí repito se están esperando ver una película que sea entretenida de sustos fáciles o muy gore por ser de terror creo que ahí sí no deberían verla porque de verdad es una película más cercana al arte que al entretenimiento en sí.
I think one of the biggest complaints I have about this film is not its pace, but the way it was marketed. It almost seemed like it was going to be a basic horror film without anything special, but when you give it a chance, you discover that it's much more than that. Every performance is very well done and automatically draws you into the plot. I think it's one of the most solid horror movies I've seen. I'm not going to say it's my favorite, but it is one of the ones that would be in my top 10.
If I start talking about Kengan Ashura like I can’t help myself because it’s still rattling around in my chest.
Here’s the thing—I went in expecting a brainless brawl anime. You know, muscles, sweat, screaming, punches that defy physics. And yeah, it has all that in spades. But what I didn’t expect was how much it would feel. There’s this strange intimacy in the way the fights are framed—like every blow isn’t just flesh on flesh, but life colliding with life. These guys aren’t just fighting for money or pride. Some of them are fighting for dignity, for the people who believe in them, for the kind of validation they’ve never gotten anywhere else. That’s what hooked me.
Tokita Ohma, man, he is not one of those guys who fights because of justice. He is mean, brash, near beastly. But as I continued to stare at him I was starting to come to the realization that he is bringing this hunger to prove something, not only to the world, but to him. Each time he entered the ring, he had this cockiness and desperation in his eyes and I could not take my eyes off him. It struck me because, on some level, have we not all thought that there is something to prove, even though we do not state it aloud?
However what impressed me more was Kazuo Yamashita- the middle-aged salaryman who finds himself in charge of Ohma. Frankly speaking, he is the one who anchored me to the entire show. And to see this commonplace, nearly invisible man trip into a land of titans and yet discover his voice? That was unexpectedly emotional. There is a scene when Kazuo literally begins fighting on behalf of Ohma--not with his fists but with his belief--and I felt my throat narrowing. It was as though a person suddenly recalls that he is alive, that he is important. That plot remained in my mind well afterwards when the battles were over.
And, by the way, fights are very tough, almost savage at times. There were places where I flinched, such as I felt myself to be hit. But there were moments, too, when I laughed--such as in the silly nicknames, the extreme introductions, the extreme absurdity of the whims of some of the fighters. It is wild, and it is also humanly weird. Since behind all that blood and broken bones, it is only people that are struggling to give meaning to the only language they understand, which is fighting.
When the anime ended, I didn’t just remember who won or lost. I remembered the weight in Kazuo’s eyes, the smirk on Ohma’s face before a fight, the quiet moments between chaos that reminded me this wasn’t just spectacle—it was survival, connection, and identity. Watching Kengan Ashura felt less like entertainment and more like sitting ringside in a world where every punch carried someone’s whole story.
It’s raw, it’s ridiculous, it’s heartfelt—and that combination is why it stuck to me.
Thumbnail is designed by me on pixelLab and other images are screenshot from the movie
Hello everyone, fans of good stories, I hope you're all doing great, this time I want to share with you all a new review, I'll talk a little about one of my favorite Marvel series right now, I was really looking forward to talking about: X-Men '97... I'll be honest, a few months ago when I started watching it, I had a lot of doubts, I mean, on one hand I was really excited because, well, it's the X-Men, but on the other hand, I was already preparing for disappointment... you know how it is: sometimes these sequels are just to make some easy money off nostalgia, I remember watching the first trailer and thinking: "Ok, the animation looks... weird? Is it going to be like What If...?", which, let's be honest, wasn't my favorite... but how wrong I was, I was super satisfied, to begin with, that intro! When the first notes played, remixed but immediately recognizable... goosebumps! It was like going back in time, it wasn't just cheap nostalgia; it felt deserved, as if they were saying: "Here we are back and we respect what came before." Everything was brilliantly prepared.
And the animation? Remember when I was worried? Forget it! It's brutal, they achieved something incredible: it feels exactly like the old series but at the same time it looks modern, polished... they found the exact point, it seems like it's almost all 2D, but they put in 3D to support the action scenes and it looks great! It's fluid, dynamic, and the character designs... are incredible, straight out of a comic, but with luxurious animation. They even sometimes added that subtle touch of a VHS filter, without going overboard, just enough to give it that retro 90s vibe without making it look old, it's as if they had captured the vibe of the time, not just its limitations.
It feels like a real evolution, not a replacement. Now, I know some of you might not have seen the original and that’s another thing they handled really well, the show picks up right where the other one left off, like a year later.. but you don’t have to have seen the previous five seasons to get it, especially in the first few episodes, they do a good job of adding context and reminders of who’s who and what’s up. Yeah, okay, maybe they do throw a little bit of info at you all at once like I thought they would, but it really felt necessary so that everyone was on the same page, old fans and new ones. I never felt like I was being treated like an idiot, more like they were giving you a heads up before they turbocharged the story. My girlfriend, who never saw the original, watched it with me and really liked it, she would ask questions and the show itself would answer them pretty quickly.
Hola a todos, fanaticos de las buenas historias, espero que estén super bien, en esta ocasión, les quiero compartir a todos ustedes una nueva reseña, les hablaré un poco de una de mis series favoritas de Marvel actualmente, ya tenia muchas ganas de hablar de: X-Men '97.. les soy sincero, hace unos meses cuando empecé a verla, iba con muchas dudas, o sea, por un lado estaba emocionadísimo porque, ¡pues son los X-Men, pero por otro lado, ya me estaba preparando para la decepción.. ya saben cómo es esto: a veces estas continuaciones son nomás para sacar plata fácil con la nostalgia, me acuerdo de ver el primer tráiler y pensar: "Ok, la animación se ve... ¿rara? ¿Va a ser como What If...?", que, seamos honestos, no fue mi favorita.. pero qué equivocado estaba, estaba súper satisfecho, para empezar, ¡esa intro! Cuando sonaron las primeras notas, remixeadas pero que reconoces al toque... ¡la piel de gallina! fue como volver al pasado, no fue solo nostalgia barata; se sintió merecido, como si dijeran: "Aquí estamos de vuelta y respetamos lo de antes".. preparó todo de forma genial.
Y la animación? ¿Se acuerdan que me preocupaba? ¡Olvídense! Es brutal, lograron algo increíble: se siente igualita a la serie vieja pero al mismo tiempo se ve moderna, pulida.. encontraron el punto exacto, parece que es casi todo 2D, pero meten 3D para apoyar en las escenas de acción y ¡queda genial! Es fluida, dinámica, y los diseños de los personajes.. están increíbles, salidos del cómic, pero con una animación de lujo. Hasta le metieron a veces ese toquecito sutil de filtro VHS, sin pasarse, lo justo pa' darle esa onda retro de los 90 sin que se vea viejo, es como si le hubieran agarrado la onda a la época, no solo las limitaciones.
Se siente como una evolución de verdad, no un reemplazo.. ahora, yo sé que a lo mejor algunos de ustedes no vieron la original y eso es otra cosa que manejaron súper bien, la serie arranca justo donde terminó la otra, como un año después.. pero no tienes que haber visto las cinco temporadas viejas para entenderle, especialmente en los primeros capítulos, hacen un buen trabajo metiendo contexto y recordatorios de quién es quién y qué onda. Sí, ok, tal vez al principio sí te sueltan un poco de info de golpe, como pensé al inicio, pero la verdad se sentía necesario pa' que todos estuviéramos en la misma página, los fans viejos y los nuevos.. nunca sentí que me trataran de tonto, más bien como que te ponen al día antes de meterle turbo a la histori, mi novia, que nunca vio la original, la vio conmigo y le gustó mucho, hacía preguntas y la serie misma se las iba contestando bastante rápido.
But here, people, is where the series goes too far: the tone... forget about Saturday morning cartoons, this has matured, it matured with us! It's much more mature, the drama hits you hard, and honestly... it gets really, really dark, really tragic... they're not afraid to take risks with the story, to put the characters in some... terrible situations! There were moments, especially around the middle of the season, that left me speechless, really, incredibly powerful things happened that have real consequences, a brutal emotional weight, it's not that it's dark just for the sake of being dark, it's that everything that happens, everything they risk, feels real, you believe it!
The script, the dialogue... are much, much better than the original, which, let's be honest, was sometimes kind of... simple. Here the interactions between the characters are cooler, more layered, the problems are more complicated, deeper, and the emotional moments... hit you right in the heart. And the characters! God, they're so well done! Cyclops? People, CYCLOPS IS GREAT! He's awesome! After so many years of seeing him half-forgotten or as the 'boring leader' in the movies, this series reminds you why he's the leader. He's a strategist, he's tormented, he's fully dedicated to Xavier's dream, but he's also full of passion and visually... it's crazy when he unleashes himself!
Wolverine is still Wolverine – you know: grumpy, loyal, with that thing he has with Jean – but he doesn't monopolize all the attention, and that's good! Let the other characters shine... and Magneto! Wow, his arc, his story in the show... phenomenal. The show delves into how complex he is in a way I haven't seen outside of the comics, really... he's not just 'the bad guy'; you fully understand his reasons, his pain, his argument for why mutants should rule, especially after everything they've been through. There are times when you really think: 'maybe Magneto has a point...', and that's exactly how it should be! He's super powerful, he's truly scary, but at the same time he's a super complex character, with a ton of layers... Rogue's thing is great too, how she deals with her powers, her past, her relationships... it really draws you in.
She carries a lot of the heart and conflict of the show, that constant struggle to connect with people when your own touch is dangerous... it's not just that her power is a curse, right? They explore the strength and even the empathy that's there... and Storm and Jean! The two of them go through some super powerful stories, of recovering, of returning to their true selves after going through really harsh traumas and manipulations. Seeing their strength, but also their vulnerable side, and how their friendship grows stronger as they fight together was beautiful. They're not just action figures; they feel like real people, dealing with extraordinary, and often horrible, things.
Pero acá, gente, es donde la serie se pasa: el tono.. olvídense de los dibujitos de sábado en la mañana, esto maduró, ¡maduró con nosotros! Es mucho más madura, el drama te pega fuerte, y la neta... se pone bien, bien oscura, bien trágica.. no le tienen miedo a jugársela con la historia, a meter a los personajes en unas situaciones... terribles! Hubo momentos, sobre todo por la mitad de la temporada, que me dejaron con la boca abierta, de verdad, pasaron cosas fuertísimas que tienen consecuencias de verdad, un peso emocional brutal, no es que sea oscura nomás por ser oscura, es que todo lo que pasa, todo lo que arriesgan, se siente real, ¡te lo crees!
El guion, los diálogos... son mucho, mucho mejores que los de la original, que, seamos sinceros, a veces era medio... simplona, acá las interacciones entre los personajes tienen más onda, más capas, los problemas son más jodidos, más profundos, y los momentos emotivos... te pegan directo al corazón. ¡Y los personajes! Dios, qué bien los hicieron! ¿Cíclope? ¡Gente, CÍCLOPE ES GENIAL! ¡Es un crack! después de tantos años de verlo medio olvidado o como el 'líder aburrido' en las pelis, esta serie te acuerda de por qué él es el líder, es estratega, está atormentado, tiene esa dedicación a full con el sueño de Xavier, pero también está lleno de pasión y visualmente... ¡es una locura cuando se desata!
Wolverine sigue siendo Wolverine – ya saben: gruñón, leal, con ese tema que trae con Jean – pero no acapara toda la atención, ¡y eso está bueno! Deja que otros personajes se luzcan.. y Magneto! wow, su arco, su historia en la serie... fenomenal, la serie se mete en lo complejo que es de una forma que yo no había visto fuera de los cómics, la verdad.. no es nomás 'el malo'; le entiendes perfecto sus razones, su dolor, su argumento de por qué los mutantes deberían mandar, sobre todo después de todo lo que viven. Hay ratos en que de verdad te quedas pensando: 'igual y Magneto tiene un punto...', ¡y justo así tiene que ser! Es súper poderoso, da miedo de verdad, pero al mismo tiempo es un personaje súper complejo, con un montón de capas.. lo de Rogue también es genial, cómo lidia con sus poderes, su pasado, sus relaciones... te atrapa muchísimo.
Ella carga con gran parte del corazón y el conflicto de la serie, esa pelea constante por querer conectar con la gente cuando tu propio toque es peligroso.. no se quedan solo en que su poder es una maldición, ¿eh? Exploran la fuerza y hasta la empatía que hay ahí.. y Tormenta y Jean! las dos pasan por unas historias súper potentes, de recuperarse, de volver a ser ellas mismas después de pasar por traumas y manipulaciones bien duras, ver su fuerza, pero también su lado vulnerable, y cómo su amistad se hace más fuerte mientras luchan juntas fue lindo, no son solo figuritas de acción; se sienten como personas de verdad, lidiando con cosas fuera de serie, y muchas veces, cosas horribles.
And that brings me to the topics, look, the old series already had that vibe of talking about prejudice, but here, in '97... they go straight, but straight with intolerance and persecution, they don't beat around the bush, they throw it in your face... they connect the whole mutant movement with super real problems of today, discrimination, hate, and it feels super current, very necessary, they show you all sides: the fools who hate for no reason, the normal people who are afraid, the mutants who just want to survive against those who seek peace... they get into those complicated gray areas, what it costs to defend yourself, that trauma of being pointed at all the time... The truth is, it feels super powerful, how they use this superhero story to touch on some of our really fucked up and real issues... and not to mention the action? It's a spectacle, people, the way they animated the powers is super creative, dynamic... the combos they send as a team are insane!
You see the characters using their abilities in new ways, and you’re like, “Wow!” Storm unleashing the fury of nature, Cyclops blasting everything with lightning, Magneto bending metal like crazy… it all looks spectacular! So much better than the original series could have done, a thousand times over… it feels very Marvel, but the good Marvel, that giant universe, not so much the MCU. There are cameos and nods, but they feel natural, part of this world, not something forced to connect with the movies, I loved that, it’s a breath of fresh air… the pace is also, wow!, it doesn’t stop, one episode leaves you wanting more, and almost all of them end with a cliffhanger that leaves you saying “Nooo, I need to watch the next one NOW!” We couldn’t stop, it was like “come on, one more, just one more…” It’s addictive!
And as I was saying, the series isn't afraid to give you a good blow. There's one episode in particular, roughly halfway through the season... Look, I'm not going to give you anything, no spoilers, but... brace yourselves... it changes all the rules of the game and shows you the terrible, and lasting, consequences of hatred and violence. It's one of those things that sticks with you. It makes it clear that this isn't just about reminiscing, not at all! They're telling an important story, and often it's very sad.
Y eso me lleva a los temas, miren, la serie vieja ya tenía esa onda de hablar del prejuicio, pero acá, en '97.. van de frente, pero de frente con la intolerancia y la persecución, no se andan con vueltas, te lo tiran en la cara.. conectan toda la movida mutante con problemas súper reales de hoy, la discriminación, el odio, y se siente recontra actual, muy necesario, te muestran todos los lados: los tontos que odian porque sí, la gente normal que tiene miedo, los mutantes que solo quieren sobrevivir contra los que buscan la paz.. se meten en esos grises complicados, lo que cuesta defenderse, el trauma ese de que te señalen todo el tiempo... La verdad, se siente súper potente, cómo usan esta historia de superhéroes para tocar temas bien jodidos y reales nuestros.. y ni hablar de la acción? es un espectáculo, gente, la forma en que animaron los poderes es súper creativa, dinámica.. los combos que se mandan en equipo son una locura!
Ves a los personajes usando sus habilidades de maneras nuevas, que te dejan como "¡Wow!". Tormenta desatando la furia de la naturaleza, Cíclope reventando todo con los rayos, Magneto controlando metal a lo bestia... ¡todo se ve espectacular! Muchísimo mejor de lo que podía hacer la serie original, mil veces.. se siente muy Marvel, pero el Marvel bueno, ese universo gigante, no tanto el MCU. Hay cameos y guiños, pero se sienten naturales, parte de este mundo, no una cosa forzada para conectar con las pelis, eso me encantó, es un aire fresco.. el ritmo además es ¡uf!, no para, un capítulo te deja picando para el otro, y casi todos terminan con un cliffhanger que te deja diciendo "¡Nooo, necesito ver el siguiente YA!".. no podíamos parar, era como "dale, uno más, solo uno más...". ¡Es adictiva!
Y como les decía, la serie no tiene miedo de darte un buen golpe bajo, hay un episodio en particular, más o menos a mitad de temporada... Miren, no les voy a contar nada, cero spoilers, pero... prepárense.. cambia todas las reglas del juego y te muestra las consecuencias terribles, y para siempre, del odio y la violencia. Es de esas cosas que se te quedan grabadas, te deja claro que esto no es solo para recordar viejos tiempos, ¡para nada! Están contando una historia importante y, muchas veces, es muy triste.
Well, my final opinion? Look, for me this is one of the best things Marvel Studios has released in YEARS, eh.. be it animation, series, whatever you want, they have a tremendous respect for the original but at the same time they take it further, the characters are worked, it looks incredible, the action is good and it touches on complex issues with head and heart, it made me laugh, scream at the screen, stand with my mouth open, and yes... I'm not going to lie to you, if you're sensitive, it might bring a few tears to your eyes. My score? A 9.5/10, easy! It's not perfect, mind you, maybe at first they throw a lot of data at you at once, but it exceeded everything I expected, it made me remember why I love these characters so much, seriously, people, if you have a minimum of affection for the X-Men, or simply like good animated stories, with real substance, you have to see X-Men '97... and well, that would be all... I hope you liked this new review, take care! Bye-bye!
Bueno, mi opinión final? Miren, para mí esto es de lo mejorcito que ha sacado Marvel Studios en AÑOS, eh.. sea animación, serie, lo que quieran, te tienen un respeto tremendo a la original pero al mismo tiempo la llevan más allá, los personajes están trabajados, se ve increíble, la acción es buena y toca temas complejos con cabeza y corazón, me hizo reír, gritarle a la pantalla, quedarme con la boca abierta, y sí... no les voy a mentir, si eres sensible, te puede sacar algunas lágrimas. ¿Mi puntaje? Un 9.5/10, ¡fácil! No es perfecta, ojo, quizás al principio te tiran mucha data de golpe, pero superó todo lo que yo esperaba, me hizo acordar por qué amo tanto a estos personajes, en serio, gente, si le tienen un mínimo de cariño a los X-Men, o simplemente les gustan las buenas historias animadas, con sustancia de verdad, tienen que ver X-Men '97.. y bueno, esto sería todo.. espero que les haya gustado esta nueva reseña, cuidense! Byebye!
Tell me... have you seen this series? Has it caught your attention? Tell me what you thought of this review with my opinion, and tell me if it has made you want to watch this series. You can leave me in the comments your recommendations for future publications! 😊
Cuéntame.. ¿Has visto esta serie? Te ha llamado un poquito la atención? Dime que te pareció esta reseña con mi opinión, y dime si te han dado ganas de ver esta series. Puedes dejarme en los comentarios tus recomendaciones para las próximas publicaciones!! 😊
📲 My social media:
See you next time! 👀🎞💗
Traduced with DeepL
Banners y separadores hechos con Canva Pro. Banners and dividers made with Canva Pro.
While I’m away in a small villa with little to no access to the internet, I’ve had the chance to watch a lot of movies. One of them is Lucy, which I’ll be reviewing in this post.
Lucy is very much my kind of movie; it’s a thriller with an interesting storyline and a good dose of sci-fi. It kept me entertained and thrilled from beginning to end.
Lucy is a 2014 science fiction action thriller directed by Luc Besson and starring Scarlett Johansson, Morgan Freeman, Choi Min-sik, and Amr Waked. The movie explores themes of human potential, evolution, knowledge, power, and what it really means to be human.
The Storyline
We’ve always heard that humans only use about 10% of their brains. Isn’t it surprising, looking at all the things we can already do with just that? Especially in the 21st century, where our brains are much more advanced than those of early humans. LUCY takes this idea and pushes it further by exploring what could happen if humans unlocked the full potential of their brains through a synthetic drug called C.P.H.4.
The story begins with Lucy, an ordinary student who gets tricked by her new boyfriend into delivering a mysterious briefcase to a dangerous man named Mr. Jang. She has a bad feeling about the job, and her instincts are right. Instead of a simple delivery she is captured and forced to become a drug mule for the C.P.H.4. that was in the briefcase.
The drugs are surgically placed in her stomach, but after a brutal kick from one of the guards, the bag tears open and the drug leaks into her system. From there, Lucy begins to acquire superhuman physical and mental abilities such as telekinesis, instant learning, controlling matter and even manipulating time. She no longer feels pain or fear.
Then there's Professor Norman (Morgan Freeman), a scientist who has spent years researching the brain. Lucy reads all of his research in minutes and contacts him for guidance. When she asks what she should do with her growing knowledge and power, he tells her the best thing is to pass it on.
At 60% brain capacity, she was already smarter than any existing technology and I was on the edge of my seat waiting to see what she would do at 100%.
Source
This movie wouldn't be complete without the great action scenes. The fights between Lucy and Mr. Jang’s crew add the excitement needed to balance the sci-fi elements.
As the movie reachess its climax, Lucy rushes to meet Professor Norman and his team before her brain reaches 100%. She sits in a lab as her body begins to transform spreading black matter and creating a massive, advanced supercomputer to store all her knowledge. While this is happening, Mr. Jang and his men storm the building in a desperate attempt to kill her and reclaim the drugs.
But by the time Jang reaches the lab and points his gun at Lucy’s head, it was already too late.She has already reached 100% brain capacity and transcends her human form disappearing completely into space. All that’s left behind is the supercomputer, which then condenses into a small flash drive for Prof. Norman.
My Thoughts
Lucy is a brilliant and thought-provoking movie that I would definitely watch again. The storyline is well developed, the action is thrilling, and the way her powers were explored felt unique and original compared to some superhero movies.
Source
What stood out most to me was how the movie explored the possibilities of the human brain. It reminded me of something my biology teacher always used to say: “You haven’t even used 1% of your brain.” He loved to remind us how big our brain is, how it can process information faster than any textbook we complain about, and how much potential lies untapped within us. Watching Lucy brought that memory back and made me think deeper about what humans could achieve and what the world would look like if more of our potential isunlocked.
Source
The only part I didn't like is the ending. I don’t know if there could have been a better one, but I personally wanted to see more of Lucy and how the computer she created would be used. Still, I was satisfied with how she achieved her purpose of leaving behind all the knowledge she had gained, stored in a form humans could access.
Recommendation
If you enjoy action mixed with sci-fi and a little philosophy about human potential, then Lucy is a must-watch. It’s thrilling, thought-provoking, and unique in its approach. I would give it 4.7 out of 5.
Have you seen LUCY? I'd love to hear what you thought of it.
Source
Let's begin with the plot of the movie. Marley Wells is a powerhouse attorney who thinks she's got life figured out until her world gets turned upside down. Her best friend Fela's husband Rodney gets shot and killed by a police officer during what should have been just another morning jog through their upscale neighborhood. The cop claims he mistook Rodney for a threat, but something doesn't sit right.
What looks like a clear-cut case of police brutality becomes Marley's most personal battle yet. She teams up with her boyfriend Kevin, a former cop who now works as a private investigator, thinking they'll expose the truth and get justice for her grieving friend. But this case has more layers than an onion, and each one makes Marley's eyes water a little more.
The deeper she digs into Rodney's death, the more she realizes that everyone in her circle is hiding something big. The people she trusts most start looking suspicious, and paranoia becomes her new best friend. Kevin and Tony, another ex-cop she once helped out, begin acting strange. Really strange. Like "let's drug Marley and kidnap her when she gets too close to the truth" strange.
Suddenly Marley isn't just fighting for justice anymore. She's fighting to stay alive in a twisted game where the rules keep changing and the players aren't who they seem. The case that was supposed to be about police accountability becomes a nightmare about betrayal, deception, and how well we really know the people we love.
Source
Every revelation makes Marley question everything she believed about her relationships, her career, and her own judgment. Sometimes the most dangerous enemies are the ones sleeping in your bed. And this just summed it up to that beautiful book! I might just reread it again. It's been five years now, I might not remember everything I hope.
Anyways, it's a peak movie if this is your type of genre. Thankyou for reading.
