Mientras estaba un día buscando que ver, encontré Don't Move en netflix y bueno ya sabemos que algunas de las películas de esta plataforma no son muy buenas pero esta no está tan mal, no dura mucho tiempo lo que es perfecto para este tipo de historias simples pero efectivas, está clasificada R por violencia y algunas palabrotas pero nada demasiado extremo, lo único que si me estresó un poco es estar escuchando la respiración pesada durante toda la película. La protagonista es Kelsey Asbille interpretando a Iris, una mujer que acaba de perder a su hijo y está a un paso de quitarse la vida, pero aparece este tipo llamado Richard que la convence de no hacerlo, lo que ella no sabe es que este tipo que aparenta ser muy bueno resulta ser un psicópata total que tiene planes muy retorcidos para ella, como que si esa mujer no tenía suficiente se topó con este loco que llegó para joderle la vida. Es una idea sencilla y directa pero hay tensión durante toda película y se siente la desesperación de la protagonista.

La historia arranca cuando Iris está en una montaña donde murió su hijo, el niño se cayó del precipicio mientras jugaba y ella por supuesto se siente culpable por no haberlo cuidado mejor, realmente no creo que yo hubiese dejado a mi hijo de cinco años jugar por un lugar tan peligroso pero bueno esto es lo que hace que se cree toda la trama, el tipo este Richard aparece justo cuando ella está a punto de saltar y le cuenta una historia sobre cómo perdió a su esposa en un accidente de carro y logra convencerla de que la vida vale la pena pero resulta que todo es una mentira para poder secuestrarla, es bastante retorcido esto. El tipo la inyecta con una sustancia que la paraliza completamente en veinte minutos, durante ese tiempo ella puede moverse cada vez menos hasta quedar totalmente inmóvil pero consciente, es desesperante pensar en estar atrapada en tu propio cuerpo sin poder hacer nada mientras un loco te persigue. Aquí la actuación de Kelsey Asbille es bastante buena considerando que gran parte de la película tiene que actuar solo con los ojos y expresiones faciales, porque uno puede sentir el terror y la desesperación aun cuando ella no puede hablar ni se mueve.

Richard me recordó a Josh Hartnett en Trap donde trata de ser encantador pero se nota que algo no está bien, aunque a veces se vuelve repetitivo cuando trata de manipular a cada persona que se encuentra, el tipo claramente es un asesino serial experimentado que hace esto regularmente, yo creo qwue el tipo está mal de la cabeza pero bueno. Por supuesto tiene una familia que no sabe nada de sus cosas y usa los fines de semana para cazar mujeres vulnerables, lo más perturbador es que dice que quiere agarrarle una trenza en el cabello a Iris, dando a entender que hace cosas muy enfermas con sus víctimas antes de matarlas, la película no entra en detalles gráficos pero deja suficiente a la imaginación para que te genere esos nervios, hay varias escenas donde Iris casi es rescatada pero Richard siempre logra salirse con la suya matando a quien trate de ayudarla, incluyendo un policía y un señor mayor que la encuentra, estas muertes lo que demuestran es que Richard no va a detenerse ante nada.

Auinque se nota que la producción es de bajo presupuesto está bien hecha, las tomas del bosque son amplias y se ve que es un lugar aislado, la música mantiene la tensión sin ser exagerada y pienso que supieron aprovechar bien los espacios naturales, Sam Raimi aparece como productor lo cual me pareció un poco raro pero supongo que vio potencial en el proyecto. La dirección es normal hace su trabajo como quien dice aunque no hay nada revolucionario, es una película que sabe lo que quiere ser y lo ejecuta bien sin tanto adorno, hay algunos momentos donde la lógica no cuadra porque Iris logra hacer cosas que no debería poder hacer estando paralizada, pero creo que es algo necesario para que uno se mantenga allí enganchado. El final es bueno aunque predecible porque Iris logra recuperar suficiente movimiento para defenderse y matar a Richard en un lago usando el cuchillo de él, aparece el barquito de juguete de su hijo que representa dejar ir el pasado y encontrar razones para vivir.

Para mí Don't Move es una película decente, me entretuvo por hora y media y ya, no le puedo dar un gran puntaje porque no es una obra maestra pero tampoco es la porquería que esperaba de un exclusivo de Netflix, yo le doy un 6.5/10, la actuación principal es buena, la idea también es interesante para mantener tu atención aunque sin duda tiene algunos momentos estúpidos donde los personajes toman decisiones cuestionables para extender la duración, muchas veces pensaba no lo sé Rick no lo creo jajaja, esta es una peli que puedes ver un viernes por la noche sin grandes expectativas y sin pensar mucho, pero si resultó mejor que muchas otras producciones originales de Netflix que he visto últimamente aunque el final es algo predecible.

[ENGLISH VERSION]

While I was one day looking for what to watch, I found Don't Move on netflix and well we already know that some of the movies on this platform are not very good but this one is not too bad, it doesn't last long which is perfect for this kind of simple but effective stories, it is rated R for violence and some swearing but nothing too extreme, the only thing that did stress me out a bit is to be listening to the heavy breathing during the whole movie. The main character is Kelsey Asbille playing Iris, a woman who just lost her son and is one step away from taking her own life, but this guy named Richard shows up and convinces her not to do it, what she doesn't know is that this guy who appears to be very good turns out to be a total psychopath who has very twisted plans for her, like if that woman didn't have enough she ran into this crazy guy who came to fuck up her life. It's a simple and straightforward idea but there is tension throughout the film and you can feel the desperation of the protagonist.

The story kicks off when Iris is on a mountain where her son died, the boy fell off the cliff while playing and she of course feels guilty for not taking better care of him, I really don't think I would have let my five year old son play around such a dangerous place but well this is what makes you believe the whole plot, this Richard guy shows up just as she is about to jump and tells her a story about how he lost his wife in a car accident and manages to convince her that life is worth living but it turns out it's all a lie so he can kidnap her, it's pretty twisted this. The guy injects her with a substance that completely paralyzes her in twenty minutes, during that time she can move less and less until she is totally immobile but conscious, it's desperate to think of being trapped in your own body unable to do anything while a madman chases you. Here Kelsey Asbille's performance is quite good considering that much of the film she has to act only with her eyes and facial expressions, because one can feel the terror and desperation even when she can't speak or move.

Richard reminded me of Josh Hartnett in Trap where he tries to be charming but you can tell something is not right, although at times it gets repetitive when he tries to manipulate every person he encounters, the guy is clearly an experienced serial killer who does this regularly, I think qwue the guy is messed up in the head but oh well. Of course he has a family that knows nothing about his stuff and he uses the weekends to prey on vulnerable women, most disturbing is that he says he wants to grab a braid in Iris's hair, implying that he does very sick things to his victims before killing them, The film doesn't go into graphic details but leaves enough to the imagination to give you those nerves, there are several scenes where Iris is almost rescued but Richard always manages to get away with killing anyone who tries to help her, including a policeman and an older man who finds her, these deaths show that Richard is not going to stop at anything.

Although you can tell that the production is low budget it is well done, the shots of the forest are wide and you can see that it is an isolated place, the music keeps the tension without being exaggerated and I think they knew how to take good advantage of natural spaces, Sam Raimi appears as a producer which seemed a little strange to me but I guess he saw potential in the project. The direction is normal, it does its job as they say although there is nothing revolutionary, it is a film that knows what it wants to be and executes it well without much embellishment, there are some moments where the logic does not fit because Iris manages to do things that she should not be able to do while paralyzed, but I think it is something necessary to keep you hooked. The ending is good although predictable because Iris manages to regain enough movement to defend herself and kill Richard in a lake using his knife, her son's toy boat appears which represents letting go of the past and finding reasons to live.

For me Don't Move is a decent movie, it entertained me for an hour and a half and that's it, I can't give it a great score because it's not a masterpiece but it's not the crap I expected from a Netflix exclusive either, I give it a 6. 5/10, the main acting is good, the idea is also interesting to keep your attention although it certainly has some stupid moments where the characters make questionable decisions to extend the duration, many times I thought I don't know Rick I don't think so hahaha, this is a movie you can watch on a Friday night without great expectations and without thinking much, but if turned out better than many other Netflix original productions I've seen lately although the ending is somewhat predictable.

Translated with DeepL

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🎬 ¿Cuál ver primero? | Which One to Watch First?

📚 Principios de la alquimia y reflexión | Alchemy Principles and Reflection

👥 Personajes principales | Main Characters

😈 Los siete pecados capitales | The Seven Deadly Sins

• Lujuria (Lust) – Puede extender su cuerpo a voluntad. / Can stretch her body at will.
• Gula (Gluttony) – Come todo lo que encuentra y escupe proyectiles. / Devours anything and spits projectiles.
• Envidia (Envy) – Se transforma en cualquier persona. / Can shapeshift into anyone.
• Pereza (Sloth) – Súper fuerza y velocidad además de convertir su cuerpo en liquido. / Super strength and speed as well as turning his body into liquid.
• Ira (Wrath) – Maestro de la espada y alquimia corporal. / Sword master with body-alchemy.
• Avaricia (Greed) – Endurece su cuerpo como diamante. / Can harden his body like diamond.
• Soberbia (Pride) – Controla las sombras con ojos en todas partes. / Controls shadows with omnipresent eyes.

💬 Frases memorables | Iconic Quotes

🧠 Reflexión motivacional | Motivational Reflection

🎯 ¿Recomiendo Fullmetal Alchemist? | Do I Recommend Fullmetal Alchemist?

🙌 Agradecimientos | Acknowledgments

✍️ Créditos | Credits

Ennio Morricone, one of the most revered and influential figures in film music history, has composed some of the most iconic soundtracks in cinematic history- Over his long and prolific career, he has created a vast repertoire of scores, some of which are considered his masterpieces, while others, though less celebrated, remain significant contributions to the art form. It is ironic, yet fitting, that one of Morricone’s most universally acclaimed works—The Mission—was selected as the soundtrack for a film that, despite its artistic ambition, is not typically regarded as worthy of his soundtrack's reputation.

The plot of The Mission is loosely based on the real events of the 1750s in the remote jungle regions of what is now Paraguay, Brazil, and Argentina. The film centres on Father Gabriel, a Jesuit missionary played by Jeremy Irons, who ventures into the wilderness to convert the fierce Guarani tribes to Christianity. He succeeds and establishes a network of missions that provide education, protection, and a semblance of order in a land threatened by Portuguese and Spanish settlers, as well as slave traders. Central to this mission is Captain Mendoza, a mercenary played by Robert DeNiro, who initially joins the Jesuits after killing his half-brother Felipe (Aidan Quinn) over a love affair with Carlotta (Cherie Lunghi). Mendoza’s act of penance is joining Father Gabriel and the mission. The Jesuits’ missions become a battleground for survival when Spain and Portugal sign a treaty that redefines territorial boundaries, placing the missions under Portuguese control. The new rulers demand the closure of the missions, and the Jesuits, led by Father Gabriel, resist. The film culminates in a clash between the Jesuits, the Guarani, and a Portuguese expeditionary force, with the Jesuits ultimately choosing to protect their mission rather than surrender to colonial authority.

The film’s production team is a blend of notable names, each contributing to its epic, historical tone. Screenwriter Robert Bolt, best known for his work on David Lean’s Lawrence of Arabia (1962), brings a sense of grandeur and historical authenticity to The Mission. Bolt’s screenplay, while not as enduring as Lean’s, mirrors the epic scale and mythic quality of Lean’s films, which are set in distant, exotic historical periods with large, larger-than-life characters. The film’s setting, the 18th-century South American jungle, is a distant but recognisable period, with the Jesuits’ mission serving as a microcosm of colonial encounters, religious conflict, and the clash between indigenous cultures and European imperialism. Bolt’s script, while occasionally heavy-handed in its moralising, is a testament to his ability to craft a narrative that is both historically grounded and thematically resonant.

Director Roland Joffe, who had already gained critical acclaim for The Killing Fields (1986), sought to infuse The Mission with the same epic, sweeping quality that defined his earlier work. Joffe’s vision was ambitious, and his collaboration with cinematographer Chris Menges resulted in a visually striking film that made use of real locations in Argentina and Colombia, including the iconic Iguazu Falls. The film’s opening scene, which features a dramatic, almost mythical depiction of the falls, is a masterclass in visual storytelling, capturing the grandeur and raw power of the natural world. Joffe’s use of actual indigenous extras in minor roles added an authentic, almost tactile layer to the film, enhancing its sense of historical immersion. The film’s cinematography, which earned Menges his second Oscar, is a testament to Joffe’s ability to translate a grand narrative into visual language.

However, The Mission diverges from the grand, politically charged epics of David Lean in one crucial way: its producer, David Puttnam, was a man of left-wing convictions who sought to use the film as a parable for contemporary international politics. The film’s narrative, while loosely based on historical events, is a critique of Western imperialism, particularly the United States under President Reagan. Puttnam’s decision to frame the Guarani War as a metaphor for the exploitation of Third World countries by Western powers is a bold and provocative choice. The film takes a sympathetic view of the Jesuits, portraying them as enlightened, almost messianic figures who stand up for the rights of the indigenous people, very much like proponents of 20th Century Liberation theology in South America. This perspective, while thematically bold, is at odds with historical accuracy. The Jesuits, faced with the threat of suppression by European courts, ultimately obeyed orders and did not join the Guarani in their resistance, a fact that the film glosses over. The film’s portrayal of the Jesuits as defenders of the oppressed, rather than as part of a colonial system, is a deliberate artistic choice, but it risks alienating viewers who are more familiar with the complexities of historical events.

The film’s reception was mixed. While it won the Palme d’Or at the Cannes Film Festival, it failed to translate its critical acclaim into box office success. This disconnect between artistic merit and commercial viability is a recurring theme in film history, and The Mission is no exception. Over time, the film’s flaws have become more apparent, especially in the context of shifting geopolitical landscapes. The film’s themes, which were once seen as progressive, are now viewed with more scrutiny, particularly in light of the "White Saviour" trope and the portrayal of the Jesuits as saviours rather than part of a colonial system. Some critics have also pointed out the film’s use of the "heroic martyr" archetype, in which characters like Father Gabriel and Mendoza sacrifice their lives for the sake of the indigenous people. While this is a powerful narrative device, it can be seen as a form of romanticised, one-sided portrayal of the conflict.

One of the most glaring flaws in The Mission is the introduction of Captain Mendoza as a secondary character. The film’s focus on Father Gabriel and the Jesuits is overshadowed by Mendoza’s subplot, which, while providing a moment of moral complexity, feels like a commercial addition. Mendoza’s decision to kill his brother and then find redemption is a melodramatic, underdeveloped arc that seems to be a convenient excuse to include Robert DeNiro, an Oscar-winning actor, in the film. DeNiro’s performance is solid but unremarkable, lacking the depth or gravitas of Irons’ portrayal of Father Gabriel or Ray McAnally’s cynical Cardinal Altamirano.

Joffe’s direction, while ambitious, falters in the film’s final act. The climactic battle between the Guarani and the Portuguese is presented as a chaotic, almost nonsensical sequence, with the Jesuits’ efforts to protect their mission coming to naught. The film’s ending, which sees the protagonists die, the natives massacred, and the missions destroyed, is a bleak and depressing conclusion that fails to resonate with the film’s earlier, more hopeful tone. The film’s director misses the opportunity to create a powerful, emotionally resonant climax, and the final scenes, while visually striking, are underwhelming in their impact.

Despite these flaws, The Mission remains a film that is worth watching for its ambition, its use of Morricone’s music, and its attempt to address complex historical and political issues. The film’s soundtrack, composed by Ennio Morricone, is a masterpiece in its own right, with its sweeping, melancholic melodies capturing the essence of the story and the era. The music, which has become a cultural touchstone, is a testament to Morricone’s ability to elevate a film’s emotional and historical resonance. However, viewers should be warned that the film’s soundtrack is a key element of its appeal, and those who have heard it beforehand may find the film’s narrative lacking.

RATING: 6/10 (++)

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**

Hello friends, good vibes to all.

Hola amigos, buenas vibras para todos.

Source!

No soy de los que ve cosas coreanas, el drama que es lo fuerte de ellos nunca los he visto, no por nada en particular sino porque simplemente no es lo mio. Esta tendencia cambió con "Mercy for None", una serie que de drama no tiene nada que ver pero que es coreana y que además está muy bien hecha. Es una trama en donde la venganza es el motor principal, en donde el protagonista no se cansará de hacer lo necesario para que todos los responsables paguen por lo que hicieron; al final del día será un camino en donde la violencia será la única forma de responder.

Acá tenemos a Ki-Joon, un ex miembro de una banda criminal que decidió dejar ese mundo hace más de 10 años y como muestra de eso se cortó el tendón del Aquiles por lo que ahora cojea. Esa mafia con el tiempo se fortaleció al punto de dividirse en dos: Bongsan y Juwoon, las dos organizaciones que controlan la ciudad. En una de ellas trabaja Nam Ki-seok, hermano de Ki-Joon y la víctima de todo esto. Resulta que a Ki-Seok lo asesinan en una lucha poder interna lo que origina que comiencen a haber divisiones y diferencias entre todos ya que el culpable, por momentos no está del todo claro.

Source!

Source!

Ki-Joon al enterarse de lo sucedido decide volver de su retiro a buscar respuestas. Él es sumamente respetado por todo ese mundo porque conocen de lo que es capaz, es un tipo con una fuerza descomunal y una capacidad de pelea muy grande. Así que una vez hace acto de presencia y empieza a investigar y a atar cabos pues decide ir aniquilando uno a uno a todos los que estuvieron involucrados tanto directa como indirectamente. La trama básicamente es eso, impartir "justicia" a diestra y siniestra para vengar la muerte de su hermano quien además era una muy buena persona. Lo realmente atractivo de la serie es la forma en cómo se lleva a cabo todo, lo que la hace super vistosa.

Hay peleas de toda clase con todo tipo de armas menos de fuego, eso es una curiosidad. Bates, tubos, navajas y las propias manos y piernas es lo que veremos usar para impartir dolor y orden. Es muy gráfica, mucha sangre, decapitaciones, mutilaciones, huesos rotos, fracturas; a nivel visual es muy cruda de ver pero eso la hace muy entretenida para todos aquellos que les gusta el género. La historia si tiene un guión, hay una especie de línea pero muy elemental. No hay plot twist ni nada, siempre sabes que va a pasar y quien es quien. Ese factor sorpresa es quizás lo que faltó un poco.

Source!

Source!

A nivel actoral es muy buena, todos estos actores, en su mayoría hombres porque no hay mujeres acá, otra de las curiosidades, vienen de los dramas o hasta son personajes del K-Pop. Sabemos lo completo que son estas personas. Es pura acción, un thriller criminal pero si que es verdad que algo de drama hay a veces, poco pero lo hay es ahí cuando vemos la faceta interpretativa. A fin de cuentas es una serie bastante decente y adictiva de ver. Le doy un 8.5/10, está muy bien hecha, las escenas están bien logradas, buenas coreografías de peleas, buenos efectos. Vale mucho la pena. Está en Netflix y consta de 7 episodios.

Source!

***

Well my people, that's all for today, I hope you liked it. ¡Hugs to all of you, see you next time!

Bueno mi gente por hoy es todo, espero que les haya gustado. ¡Un abrazo a todos, nos vemos en la próxima!

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Saludos comunidad me presento por acá, dentro de Hive me conocen como elfino tengo ya casi 4 años en la plataforma primera vez que publicó por acá en esta comunidad pero me encanta el cine y últimamente he visto bastantes películas buenas que quiero compartir mi experiencia con ustedes y disfrutar de ese feedback que pueda generar la comunidad, en esta ocasión les quiero hablar de una película cristiana que siento deja muy buenas enseñanzas para el crecimiento personal y es una gran motivación para muchos hombres que están comenzando el camino hacia la madurez esta película se llama la forja y como su nombre lo indica se trata de forjar el carácter de un joven que simplemente aún no ha encontrado un camino a seguir, ciertamente se ve como un joven bastante perdido que aún no ha madurado y que tiene un largo camino por recorrer pero al no tener un padre presente en su vida se le hace muy difícil comparar las disciplinas que debe seguir para continuar su camino, ciertamente veo que el joven apenas buscando trabajo tiene una actitud muy negativa con todos pero consiguió un gran mentor que lo ayudó para crecer y madurar.

Greetings community, let me introduce myself here, within Hive I am known as elfino, I have been on the platform for almost 4 years, my first time posting here in this community, but I love movies and lately I have seen quite a few good movies that I want to share my experience with you and enjoy the feedback that the community can generate, this time I want to talk to you about a Christian movie that I feel leaves very good teachings for personal growth and is a great motivation for many men who are beginning the path to maturity, this movie is called The Forging and as its name indicates, it is about forging the character of a young man who simply has not yet found a path to follow, he certainly looks like a rather lost young man who has not yet matured and who has a long way to go, but not having a father present in his life makes it very difficult for him to compare the disciplines he must follow to continue on his path, I certainly see that the young man just looking for a job has a very negative attitude with everyone but found a great mentor who helped him grow and mature.

Ciertamente al ser una película cristiana por supuesto que tiene bastantes mensajes de la Biblia y muchos mensajes que pueden llenar de motivación a muchas personas para el crecimiento personal y llevar una vida cotidiana en paz sin embargo creo que forjar el carácter de un hombre es algo bastante poderoso y que esto se base en la palabra de Cristo ciertamente llama bastante la atención, en mi particular yo no me considero que soy cristiano, creo en Dios pero no creo en ninguna religión, siento que es mucha política pero Dios está en todos lados no necesitas de ir a un templo o algún lugar para encontrarlo él está siempre dentro de ti y a donde tú mires pero me encanta mucho ver este tipo de películas porque ciertamente tienen un mensaje positivo para toda la humanidad y claro se basa en la Biblia Yo también Leo la Biblia Solo, pero no asisto a ningún templo porque como les dije no creo en ninguna religión para mí Dios es uno y todas las religiones creen en el mismo Dios pero para que tengan una idea de las motivaciones que una película como ésta trae a nuestras vidas les dejo algunas frases que están en la película, considero te pueden ayudar a crecer espero les gusten estas frases la saqué directamente de la película es de mi canal secundario edité y creé el video de tal manera de no crear spoiler solamente Resaltar algunas de las de las frases más icónicas de esta película espero les guste y puedan disfrutar de ellas tanto como yo. Me despido de ustedes y si les gusto espero puedan ver pronto esta película se las recomiendo hasta luego.

Certainly being a Christian film of course it has many messages from the Bible and many messages that can motivate many people for personal growth and to lead a peaceful daily life, however I believe that forging the character of a man is something quite powerful and that this is based on the word of Christ certainly draws a lot of attention, in my particular case I do not consider myself to be a Christian, I believe in God but I do not believe in any religion, I feel that it is a lot of politics but God is everywhere you do not need to go to a temple or some place to find him he is always within you and wherever you look but I really love watching these types of movies because they certainly have a positive message for all humanity and of course it is based on the Bible. I also read the Bible alone, but I do not attend any temple because as I told you I do not believe in any religion for me God is one and all religions believe in the same God but to give you an idea of ​​​​the motivations that a movie like this brings to our lives I leave you some phrases that are in the movie, I consider they can help you grow I hope you like these phrases I took directly from the movie It's from my secondary channel. I edited and created the video in such a way as to not create spoilers. I only want to highlight some of the most iconic phrases from this movie. I hope you like it and can enjoy it as much as I do. I say goodbye to you all, and if you liked it, I hope you can see this movie soon. I recommend it to you. See you later.

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Hello movie lovers! Today's review will be delved into a film titled I Hate Luv Storys. This is a Hindi romantic comedy which came out in the year 2010. It's quite a fun movie. It was directed by Punit Malhotra and produced by Karan Johar's Dharma Productions. It provides us with a lot of charming moments and of course its usual music performances which appeared intermediately between the scenes.

On the other end is Simran (Sonam Kapoor), an art director who is a complete romantic at heart. She lives and breathes the kind of dreamy, larger-than-life romances that Jay frowns at. Simran seemingly has it all: a perfect life, a job she loves, and an ideal fiancé, by the name Raj (Sameer Dattani).

As Fate would have it, it brings Jay and Simran together as they're forced to collaborate on a new romantic film. Their contrasting worldviews clash in no time. Jay's zero tolerance for nonsense attitude offloaded on Simran, leading to constant disagreements. However, as they spend more time together, working closely on set and navigating their own "love story" in the making, an undeniable friendship begins to take form.

This friendship gradually makes Simran question her perfect relationship with Raj, while Jay's mindset begins to change slowly as he finds himself developing genuine feelings. The film then delves into the classic love triangle, exploring whether Jay can overcome his disbelief in "luv" and if Simran will choose her existing relationship she tries to convince herself to be worth being in or the complicated reality of a new connection.

The film possesses a pretty nice concept to it. The protagonist in this case is not one who opposes good people, but one who simply opposes romance. There were a bunch of funny scenes, singing and dancing sequences, and dramatic declarations of love. This humor was a breath of fresh air for me because I was beginning to get tired of predictable romantic narratives.

The chemistry between Imran Khan and Sonam Kapoor is another I would like to point out. The both made a perfect pair in the film. Their youthful energy and differences in their personalities created a dynamic that got me engaged as I watched. I'm not a huge fan of the singing and dancing aspects though but there were quite a few songs they sang along the course of the film which I kind of loved the vibes contained in them.

Another thing I would like to point out is that it seemed to me that Jay's shift from the hardened guy who does not believe in romance to a lover boy was kind of rushed. It's like he wasn't that hardened after all. And also it seemed like the priority was more on the lighthearted fun and comedy that the deeper feeling of its characters' relationships.

This is a watchable and enjoyable Bollywood romantic comedy. It writes a love story not the conventional way like other movies. I rate the film 7.5/10.

Images from IMDb

THE PLOT The floor opens with a young fine girl Hannah by name, who is been seen in a family where she was been maltreated by her step mother called madam Rita after the passing away of her father.

Hannah saw herself in a stranger bed trying to relocate what happened last night, the stranger who turns out to be Kelvin picked her up after she was been maltreated and assaulted at where she works in a bar restaurant.

Kevin was opportuned and out of pity took her home to his home to ensure her safety. Hannah is been seen as a girl who has been passing through a lot that it was only through her part time work in the bar restaurant that she used to take care of herself but still her stepmother never still allow her to rest.

Her stepmother went further in denying this pretty lady her admission into higher institution but in all wanted to enforce an old man into marrying Hannah. What will be the fate of Hannah in getting married to chief??

Hannah was a sophisticated girl that she vowed that never will she marry someone who is everly older than her father all because of greed and money which the chief had been loading her step mother with.

It turns out that she found that she recently feel feverish and after some test were been runned. It all came out positive complicating her life the more but the question is who is responsible for her pregnancy.

It all started the night Kelvin brought her back home,been drunk that she forces herself to Kelvin and they ended up having raw sex. At this point she felt her life has come to an end knowing the kind of stepmom she has, she did all she could to hide it from her stepmother but eventually it turns out that her stepmother got to know about it and hasten to enforce her into marrying chief.

Lets say luck run out from madam Rita as Hannah made her way away from home and went in search of Kelvin atleast where she could feel a bit relax and fortutely for her kelvin took her in and stood out for her.

Now what's could be the fate of madam Rita having been collecting money from chief in respect to Hannah becoming one of his wives? Is the unborn child truely Kelvin? Will kelvin later fell in love with Hannah??

These questions will be answered by you when you get down to the bottom of this movie. This is super amazing, am leaving you in suspense to finish up Expecting your comments on the comment section and thank you all for taking your time to read.