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Orange Is the New Black

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Opinión sobre la serie "Orange is the new Black"@lumpymoon869d
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  1. Orange Is The New Black|| True Reformation Much?@wongi901d

    And for OITNB, it's a wrap…

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    I had heard so many amazing reviews about this particular series but due to personal reasons, I abstained from watching it. The very first encounter I had with the series was four years ago. A friend of mine was actively seeing it and recommended it but then I thought "orange is the new black?" What could such a movie possibly have to offer?

    However, this is me four years later making my first ever series review and it just happens to be a review of the series, "Orange is the new black". Amusing right?

    I spent over two months watching this series and this isn't due to the numerous episodes. The prolonged audience with the movie was due to the fact that I was seeing other movies intermittently.

    About the movie.

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    Piper Chapman, a vibrant and law abiding citizen, is convicted for a decade old crime of transporting drug money to her ex-girlfriend. She accepts to be sent to prison for a year and a half. Life behind bars can be utterly life changing and Piper found this out the hard way.

    The series focuses on society's marginalised voices: black and Latino women, queer and trans women,drug addicts, rape survivors and the mentally ill. It is really a swirl of personalities. For a moment, I wondered, why would the mentally ill be sent to prison? I got my answers after a few episodes.

    Jenji Kohan's series about inmates at a correctional facility is as addictive as ever, intermittently hilarious, occasionally infuriating and still very much dramatic. It's a seven seasons series with a total of ninety-one episodes. I didn't even know when I had finished all the episodes. The series is that brilliant.

    Cast

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    This masterpiece talked about a whole lot of different women with very diverse personalities. However, there were a few front runners representing each race. Some of them include; Taylor Schilling as Piper Chapman. Laura Prepon as Alex Cause. Uzo Aduba as Suzanne Warren. Danielle Brook as Tash Jefferson. Samira Wiley as Poussey Washington.

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    Piper and Alex were gay couples representing the queer fellows. Suzanne Warren was a mentally ill black lady. Tasha Jefferson was a black lady who was an advocate for change and internal reformation. Poussey Washington was the reason for change.

    I would just like to add that all the characters performed beautifully. There was harmony, unison and chemistry when needed. It was just so lovely to see.

    Major Change

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    There were two major changes during the span of the series. The first happened when the prison was changed from a public to a private facility. Many private institutions are about maximising profit with very little expenses. Also, the employees of such institutions are always more concerned with themselves and their pockets. This whole change had a significant effect on the inmates. They were treated even worse, the food they ate became less palatable and their lives became a living hell.

    The second major change occured when an easy going and basically invisible inmate–Poussey– was wrongly killed by one of the 'good officers'. But as usual, those who had the power to ensure that justice was served wanted to sweep the incident under the carpet. The inmates didn't take the injustice and this led to a riot. This particular episode made me really emotional. Not just because someone was murdered for doing nothing but because the inmate involved had a whole life outside prison. A life that she so eagerly waited to be part of once again and in a blink of an eye, that was taken away from her.

    This throws some light on the fact that people can die at any time and life would still go on. I watched as countless inmates died from drug abuse, accidents, and murder but nothing was done about it. The highest that was done was a contraband sweep and that was it.

    My Opinion.

    Honestly, I would like to join the rest of the masses to say that I wish this series never ended. Captivating,educative and extremely entertaining would be understatements if I were to truly describe how the movie was.

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    This series beat my expectations from every single angle. From the first episode I assumed that the movie was basically going to be only about Piper Chapman but soon enough, the viewers were introduced to every single inmate and as you would imagine, all of them had a story to tell.

    It was really interesting to see how the system continuously fails people and how this affects the people both directly and indirectly. I like how raw the plot of this series was. I thought certain deeds would be covered up but the producers and director showed it as it is–unfiltered.

    Life in prison is really reforming and if one isn't careful, they get reformed for the worse. Take Piper Chapman for example. She went to prison as a sweet soul and along the line, she found herself doing terrible things. She met with a part of herself that she never knew was there.

    [Source](https://youtu.be/vY0qzXi5oJg?si=H63TTFKuz5tz-4cF)

    This was one series that had a lot of take outs. Due to how captivating it was, I did a little research after the last episode and I discovered two things. First, there are actual people out there who's reality resonated with the characters in the series. As such, there was a little arrangement made for these people to share how much the series imparted their lives and shortly after sharing their stories, the characters came out to give them a warm hug. It was a really beautiful scene to behold and certainly it must have been really reassuring for the people involved.

    Second, a Poussey Washington fund was formed courtesy of the fictional character–Poussey– from the movie. This fund is very real and it is an initiative to raise money for a selection of non-profit advocacy groups with the pure aim of revolution. So if you're in search of a non-profit to invest in, you should check this out https://gofund.me/8c349caa Source.

    Recommendation.

    Orange_Is_the_New_Black_Serie_de_TV-649282262-large.jpg I would wholeheartedly recommend this masterpiece to everyone. Although it centres around female inmates and their stories, there is truly a lot to learn from this series. I believe you wouldn't regret it if you try.



    All images used are gotten from here



    Love, Wongi 🤍

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  2. 7 reasons to watch "Orange is the New Black"@herosik1867d

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    Due to the fact that I have already written 2 texts about "Orange is the New Black", this one will not be a review. In this case, I want to share with you my conclusions as to why I think this series is worth watching. You can complain about Netflix (and it is often a valid criticism, although sometimes it is wrong), but they cannot be denied that some of their productions can enrich our personalities or change our perspective on certain topics. Or at least they are a good show that makes our free time more enjoyable. OITNB is not perfect, but this is another series from this streaming giant, to which I will definitely come back more than once, learning new lessons and morals from it.

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    Lots of different heroines

    I like when in anime, series or books (in movies it does not always work because of too little time) there are many well-written characters. Thanks to this, even boring or simply weak stages become easier to perceive. Or you can find more threads or personality types that have had similar experiences to ours, and therefore we will be able to relate them to our life choices. So far I've only seen two series that did it very well - "One Piece", the best adventure manga, battle-shounen (at least of the more famous ones) and "Legend of the Galactic Heroes", space-opera anime, which can be summed up in one sentence - "Japanese Star Wars with more emphasis on politics, history and war". The third title that found its way to this respectable group is "Orange is the New Black". We have a huge number of diverse heroines in it, a large cross-section in the age, intellectual, sexual, personality, ethnic and racial range. We certainly do not have representatives from all groups, but I think that if I say "we will see representatives of most social groups", I will not make a big mistake. Thanks to this, we will see relationships that we would rather not see under normal conditions (or at least it would be very difficult). And believe me, there is a lot to look at, and I don't mean the bodily relationships that I will discuss in the next section. I have a better understanding of the problems of certain social groups (e.g. transsexual), individual people growing up in specific conditions (e.g. what may result in low IQ in some people or why they keep making the same mistakes), as well as partially understand the perspective of some ethnic groups perceiving the world. It is not without reason that I compared OITNB to OP or LOTGH - in this title we have many well-created figures made of flesh and blood. Although some are similar, their experiences, places and conditions in which they grew up differ sufficiently. I don't know if you guys will do the same, but I liked most of them. Some to the point that I was genuinely sad as I finished watching the final episode with my girlfriend. It did not happen often to me, I could count such examples on the fingers of both hands. Quite a good result for a 31-year-old who has met many works of culture in his life.

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    Relations between the heroines

    This is one of the things I liked in episode 1, and I didn't change my mind until the very end. And I'm not talking only about their physical close-ups, but also in the romantic and emotional sphere. "Orange ..." hinted at the beginning that there would be good sex scenes between the girls (I mean a great sequence with Nicky and Lorna, I think), and then it's only better. We get both pleasing to the eye and soul rapprochement between women, efficiently written romances with the addition of eroticism, as well as threads explaining certain behaviors that we perceive as bad or controversial topics. As for the former, the above-mentioned Nicky or the main character's partner are in the lead in this case. Both are full of sex appeal, had many partners (it is worth noting that when they were in love, they usually tried to remain faithful to quite good results) and they just like this sport. As for the second, Blanka and Diablo should definitely be mentioned, although in fact they should both be called Diablo. Although they do not look like this, they have sincere and loving feelings for each other. Observing their vicissitudes and the difficult path to happiness was very wholesome. Or the aforementioned Lorna and Nicky, although with them it looked more like a friends with benefit relationship x great friends. Both complemented each other very much, Nicky is a concrete, intelligent and down-to-earth girl (although the initial seasons may suggest otherwise) who, despite her hedonistic tendencies, knows when to have fun and when there is an important task to do. Lorna is her opposite, she suffers from various disorders, but they are not very profound. You can call her such a positive crazy who goes through life extremely lightly and stress-free. The relationship of the black Poussey from a conservative military home and the leftist activist Soso was also interesting. Poussey was a withdrawn girl who lacked affection. A little for independent reasons, and a little at her own request, because sometimes she avoided closer relations. She matched well with the extroverted Soso, who was everywhere and begged for any attention, like a Shrek kitten. Caputo and Figueori's relationship turned out great! However, I will not say anything about him, because it's better to see it for yourself. As for the next example, these are the relationships of the above-mentioned Lorna. She had several partners who quickly ran away from her due to her crazy personality, Dogget who was raised (sorry, abused and trained) by a stupid mother who purposely made her handicapped in order to extort social money (and contrary to appearances, even in Poland such situations happen), which made her quite easily abused by others, and sometimes even raped. There is also one plot from the last or penultimate season. It is an Egyptian woman who has undergone female circumcision, which is part of some African cultures. I recommend reading after that, but don't eat anything, it's fucking disgusting and sad.

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    A good combination of comedy and drama and the influence of the past on the present

    In the previous paragraph, I started writing about the sad elements. As this is a series about a prison (and later a series about refugees, which has been portrayed just as well), there is no shortage of sad elements. This is not only due to the reasons for which they were imprisoned, but also due to the difficult life situation or other factors that made their lives go the way they did. The fact is that humor is not always top flight, a few times I wondered if the dialogue was written by some high school student and moderately intelligent, but most dramatic or downright sad scenes are at least good. At least a few of them made me think seriously about my behavior so far in certain situations or with certain types of people. In this respect, it is one of the best Netflix series and even if you do not like some things, it is worth watching further, because sometimes you can be surprised by the topics that the creators touched upon. Even though I did complain about some of the jokes, it's generally a good comedy. Lots of things are genuinely funny - sometimes because of the absurd, sometimes because of the accurate and accurate commentary on life and relationships, and usually it's just a successful comedy scene. There were a few moments that needlessly watered down a serious plot or spoiled any kind of immersion, but apart from these single exceptions, that was generally fine. Such a bittersweet taste as it sometimes happens in life. When it comes to the past and the future, the series is interspersed with the present and flashbacks that show us the characters before their imprisonment. Sometimes this is only limited to the short period before going to jail, but there are a few situations in which we have a deeper insight into the characters' past. It is a truism, but the OITNB shows that there is no future without the past, or how much past events and their effects have for our present personality and views. Thanks to this series, I have more humility towards different people and their weaknesses, because I understood that it is not the end of their fault that they are like that.

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    The series debunks a few leftist lies

    What I mean by this is that some left-wing and feminist circles claim that women do not use violence and that it is the domain of men only. They show similar ignorance of racism, saying that it is the domain of exclusively (or we dominate) whites. Not to mention the fact that some people with leftist views negate the sense of working on themselves. The Netflix series beautifully refutes these statements. Sure, under normal conditions (i.e. in the wild), women are less likely to use open violence than men, at least in an open way, because there are studies that show that domestic violence against partners is increasing. This is due to the fact that, as a rule, women are weaker than men, they have other, less invasive methods (micro-aggression, they use manipulation more often, compensating for inequality in physical strength) and they care more about a positive image (I am simplifying it in a way, but these two reasons cover many cases). However, this is not the case in a prison where the only males are its staff. Then you don't have to take care of your image so much, even the bad one can be an additional advantage, and potential opponents are at our level, so there is a greater chance of success. And to quote a few smart women I have met in my life - "girls can be even worse than guys". The protagonists of the series talk quite freely about the fact that various situations happen in prison and sometimes you have to make use of your dimensions. What we see quite often, fighting with bare hands or with some equipment (knife, razor blade). The most memorable quote in my mind is - "You're bigger and heavier, you can fuck her without any problems". When it comes to racism, it's enough to just watch this series. As for the explanation, this is the nature of most people and of the animal kingdom. It is normal that if we stand out noticeably in a given environment, we will be monitored more closely and the tolerance to our mistakes will be lower. People all over the world exhibit these or similar mechanisms. Don't get me wrong - I'm not explaining negative behavior that should be stigmatized at any place and time. The point is that the Left attributes it only or mainly to white people. When it comes to working on yourself, you might disagree with Jordan Peterson (although in my humble opinion most of these allegations are wrong), but he is definitely right about the fact that everyone should clean up their life or reflect on their negative ones. behaviors. Everyone manifests them, not just people who grew up in a troubled or pathological family. Sometimes it is open aggression, sometimes too much naivety, sometimes even stupidity (then we hurt ourselves), sometimes toxic behavior.

    And since I stuck a pin in the butt of the left, I will also prick the right - contrary to popular belief, Netflix does not create progressive propaganda in its series and movies. At least it is not their main target, as some claim (I myself belonged to this group of people for some time). Sure, there is a lot of left-wing, progressive and sexual content in them, I would be a cheat if I were to say otherwise. However, this is due to another reason - they care about money, and since sex sells well + there are many more progressive people in the US (who are the main target of Netflix), they create content mainly for them. Sometimes it pisses me off a bit, but it definitely pisses me off more that they create a lot of poor / average series to clog their TV programming. To conclude this paragraph, I recommend OITNB to right-wing people to find out that if Netflix wants to, it can show the truth.

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    Education and introducing new habits is the key to self-change and rehabilitation

    As a recent US study on educating black people from poor and pathological backgrounds has shown, it is usually better to spend money on education than on benefits. Now I will not give the sources (I have not saved the links, and I heard about it on two YouTube videos), but I can describe what it is about. The first is related to the new policy in the American prison system. Instead of sending a policeman for a learning interview, you send an educated prisoner who is black himself. The policeman will fuck off his job anyhow, because he doesn't know their living standards and the problem is alien to him. Black man, on the other hand, knows how and what to talk about him, knows the problems he is struggling with, he grew up in the same or a similar environment. As for the second, I have seen American research which shows that in most cases (not all!), Social benefits do not help much, and sometimes they can even aggravate the problem. Better to spend it on educating and teaching people what to do to improve their condition. The rule is as old as the world - give a man a fishing rod, not a fish. Fish makes him lazy, teaches him that food is falling from the sky, and does not solve the problem. The rod, on the other hand, teaches him a new skill and will make him stable, at least in terms of eating. It is often not their fault that they are in such a place, but their ignorance and lack of good role models in their family home or their immediate environment. Continuing the thought from the previous paragraph - many people do not like to work on themselves and educate themselves. Or differently, maybe we like it, but on our own terms, slowly, etc. Unfortunately, it is often ineffective, too slow, we waste a lot of time, we can absorb false knowledge or negative patterns. Some left-wing circles call for laziness, not caring about their appearance and weight, because these are irrelevant problems for them. Whether or not they are relevant depends on each individual case, but the fact is that, without developing, we stand still. Stagnation can cause us to get into trouble again, or we can go back to a point that we have already passed and have to repeat our lesson. This is clearly visible in the second half of the series, when some of the protagonists get a chance to return to freedom and do not use it. Instead, they duplicate the mistakes that got them behind bars or make other, equally big mistakes. In some cases it is due to ignorance (some of the girls did not participate in rehabilitation lessons, preparing them for life outside prison), and in others they were ignored by what they had learned. Because they think they know better themselves or that they have changed with little effort. Which is not true, it is rarely possible to change your negative habits or toxic character traits easily.

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    The series shows some valuable features

    Due to the fact that I saw the series some time ago, I managed to forget about some of them. Therefore, I will only focus on a few. Nowadays, a narrative is promoted (which is fueled by left-wing circles) that people do not have to take responsibility for their character, appearance, consequences of their behavior, decisions, etc. Of course, we do not have much influence on some things and we can only make small adjustments but we already have some of them. OITNB shows us that if we have behaved badly, karma will most likely come back to us, sometimes when we least expect it. The series reminds some (I mean the so-called "snowflakes") that each action generates a reaction - if you do or say something, you have to reckon with the fact that someone will react. In a way that is positive or negative for you, with different shades of good or bad (i.e. praising or criticizing). The creators also show us that life is unfair and this does not only apply to one side, i.e. we are bad, even though we have done nothing wrong, but also that sometimes we get something for free. Due to the fact that the OITNB action takes place in a limited area, we see these and other cases in different examples and in different configurations. Due to the dramatic and comedic nature of this series, not all of them sound strong enough, but there are so many of them that you will surely find at least one that relates to your life or at least you will be able to identify with it. The series also shows why education is so important. Thanks to it, we not only gain new qualifications, but also have a positive effect on us. It may not be a rule, but many people pay more attention to their work when it is appreciated (which is difficult for most inmates). They are even able to severely limit their addictions or give them up completely when they find it disturbing their self-fulfillment. Their level of responsibility also increases, and even if they do not, as they continue their education, they will begin to notice and even understand other things that have so far exceeded them. For example, how to break the streak of bad decisions and live like normal people.

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    It's just a good show with a well-made ending

    And the last point. Although during the screening I had a few complaints about this series, in the end I rate it as really good. Contrary to appearances, it is not that easy, especially when the action mostly takes place only in a few places. You can get bored because of it, especially with so many seasons and episodes. With this amount, it is sometimes difficult to constantly develop heroes and heroines or write them some new threads that would not be invented by force. This was not avoided in this production and if it were not for the fact that the fates of many of the heroines were interesting until the very end, we would probably not watch this series to the end. Both me and my girlfriend were annoyed by spoiled and sometimes goofy Piper, or a few side characters. Fortunately, these well-developed personas outweighed our short-term weariness and annoyance as the ending was satisfying. I don't know if others share my enthusiasm, but towards the end I was a bit sad that it was over. On the other hand, there was also a lot of joy in the few tears I shed. This is because it ended almost perfectly. Let me compare again to "Legend of the Galactic Heroes" - the threads of all heroes were closed, a certain stage in their lives ended, we got answers or clarifications to all important questions and doubts. We did not feel too hungry or overeaten. More specifically, some (including me) complained that the story could still be pulled, but that was because we didn't want to stop the great fun. Or, sticking to the culinary themes, we wanted to eat ourselves to the fullest until our stomach ached. However, it was enough to wait a day or two for emotions to subside (and in the case of food - wait 15-30 minutes to understand that our bellies are full) to find that LotGH ended at the perfect time. It is similar with OITNB, but a bit weaker. There was a bit more space to develop in Netflix's production, some threads could be better summarized. However, this does not mean that they were summed up wrong - it simply could have been done better. Just like a student who passed the test for 4, he could try a little harder and get a 5.

    Come on, it's over. I hope you will like the new series of texts. The next title in line is "Initial D". I have no idea for another title, so I'm waiting for your suggestions. Suggest an anime, series or movie. If I saw it, I will be able to write something more about it, I will probably post it after the text about the ID.

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  3. Orange is the new black and his role in the Netflix panorama@serialfiller2219d

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    Netflix would be the superpower we all know today if it didn't have the intuition and foresight to bet on a product like Orange is the new Black to launch its platform. Everything suggests that the answer is no. If you propose yourself as a technological novelty and as a game changer in the world television landscape you need to make this vision shine through your products. It was a genius to present to the world with a choral series starring only women, moreover, marginalized women and locked in a prison, winking at Oz for the setting, Breaking Bad for the characterization of the then main character and the LGBT world for the determination with which you bring the lesbian world and all its facets on the small screen. Newer, more sparkling and different than that you die. If to this we add that the series was the first one you remember to be renewed not for one season but for 4 seasons then the picture is complete. Netflix was presenting itself to the world with a fresh and risky TV series in which it believed so much that it was renewed for 4 seasons. Planning and overview that must have seemed a guarantee to the general public given the results that today are under everyone's eyes and see Netflix as the house that has obtained the highest number of Emmy Award nominations 2018, surpassing the unbeatable HBO. The sixth season of Orange Is The New Black was much awaited after a fifth one lived between ups and downs and closed with a twist that had plunged all the inmates into uncertainty. In the sixth season we explore the consequences of that conclusion articulating the entire season on different storylines that have the demerit of being too disconnected from each other. On the one hand, there is a line of justice linked to the hunt for the guilty party or parties guilty of the revolt that took place in the fifth season. On the other hand, that of the infighting among what should be the big puppets of the maximum security prison, chosen as a new environment in which to weave the plot. The guards had a lot of space through the "fantainmate" that amused at the beginning and ended up stewing in the middle of the season. A lot of space was given to Caputo, his feelings of guilt and his humanity and this was perhaps the best choice, although it lacked the flashes that made everything too flat and predictable. In the midst of all this there was the usual tram of prisoners intent on laughing, joking, dreaming of freedom but also betraying, judging and choking each other. Little to say about this season, which while maintaining the usual degree of pleasantness seemed to be really underwhelming. Just take a random dialogue (apart from a dialogue between Caputo and Taystee and other sporadic cases) to realize the lack of brilliance of this season. Dialogues often from soap operas, very lazy actresses, apart from the usual excellent Uzo Aduba and a few other exceptions. So there's a serious structural problem that makes Orange is The New Black a series with very little to say by now, with so many secondary characters that by now have exhausted their function and the primary ones that seem a bit tired like the always stubborn Red. And here we come to the second congenital defect that grips the series since a few years, that is its phantom protagonist Piper. Those who have in mind the much acclaimed first season will remember how the fortune of the series was linked to the characterization of Piper Chapman, a nice girl who plunged in prison for a minor offense started a transformation that by many was compared to the one from Walter White to Heisenberg in Breaking Bad. Thematic comparison that could fit but with obvious differences in the quality and solidity of writing and acting. Well today Piper is the shadow of that character as Orange Is The New Black has become a shadow of herself. Piper wanders in the corridors of the prison as well as the spectators wander among the episodes to look for a trace of her passage and as well as the writers wander among their ideas in search of the right one that doesn't seem to have arrived yet. Now that the season number 6 has arrived, there are many questions that the series leaves to the viewer who at this point will have to ask himself whether to continue to give credit to a discreet series with an illustrious past or leave the most famous prison of TV to go to one of the many most attractive beaches that today's television offers. It is too late, before it is too late, before it is the viewers who become prisoners of the series.

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    Poco da dire su questa stagione, che pur mantenendo il solito grado di piacevolezza è sembrata essere davvero sottotono. Basta prendere un dialogo a caso (a parte un dialogo tra Caputo e Taystee e altri sporadici casi) per rendersi conto della mancanza di brillantezza di questa stagione. Dialoghi spesso da soap opera, attrici molto svogliate, a parte la solita ottima Uzo Aduba e qualche altra eccezione. C'è dunque un serio problema strutturale che fa di Orange is The New Black una serie con pochissimo da dire ormai, con tanti personaggi secondari che oramai hanno esaurito la loro funzione e quelli primari che sembrano stanchi un po come la sempre ostinata Red. E qui veniamo al secondo difetto congenito che attanaglia la serie da qualche anno ovvero la sua fantomatica protagonista Piper. Chi ha nella mente la tanto acclamata prima stagione ricorderà quanto la fortuna della serie fosse stata legata alla caratterizzazione del personaggio di Piper Chapman, graziosa ragazza per bene che piombata in prigione per un reato minore iniziò una trasformazione che da molti fu paragonata a quella da Walter White ad Heisenberg in Breaking Bad. Paragone tematico che ci poteva stare ma con ovvie differenze dal punto di vista della qualità e solidità di scrittura e recitazione. Ebbene oggi Piper è l'ombra di quel personaggio cosi come Orange Is The New Black è diventa ombra di se stessa. Piper vaga nei corridoi del carcere cosi come gli spettatori vagano tra gli episodi per cercare una traccia del suo passaggio e cosi come gli sceneggiatori vagano tra le loro idee a caccia di quella giusta che non sembra però essere ancora arrivata. Arrivati alla stagione numero 6 sono tanti gli interrogativi che la serie lascia allo spettatore che a questo punto dovrà chiedersi se continuare a dare credito ad una pur sempre discreta serie dal passato illustre o abbandonare il carcere più famoso della tv per recarsi in uno dei tanti lidi più attraenti che la televisione odierna offre. A noi spettatori l'ardua sentenza, prima che sia troppo tardi, prima che siano gli spettatori a diventare prigionieri della serie.

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  4. Orange Is the new black: fine di una serie epocale@serialfiller2511d

    Non è mai facile scrivere di una serie appena conclusa, specie se quella serie ha segnato un'epoca e specie se essa ha fatto dell'affezione ai suoi personaggi un grande punto di forza.

    Agosto 2019 sarà per sempre un periodo da ricordare per i fan di Orange Is The New Black, primo prodotto originale di Netflix che chiude con la sua settima stagione un momento storico per l'industria televisiva.

    Quando fra decine di anni chiederanno con quale prodotto Netflix si tuffò sul mercato la risposta sarà: Orange is the new Black.

    L'ultima stagione è sembrata un lungo addio a temi e personaggi ma ha avuto il merito di aggiungere storie, temi e protagonisti nuovi nonostante la linea del traguardo fosse oramai vicina.

    In particolare in questa stagione è stato elaborato il tema dell'abbandono e del tempo che passa inesorabile grazie soprattutto alla storyline di Red, membro della prima ora del club delle prigioniere di Litchfield e vera e propria madre in carcere delle donne che abbiamo imparato ad amare e conoscere. Abbandono inteso come ricordi che sbiadiscono a causa dell'età o di una malattia ma anche abbandono inteso come tradimento come nel caso di Hayes o di abbandono delle speranze di vivere una vita migliore dopo la prigione come nel caso di Taystee e Dogget.

    L'elemento nuovo e dirompente di questa stagione è stato sicuramente quello dell'immigrazione.

    Attraverso l'ampliamento delle location utilizzate siamo finiti "dentro" una prigione detentiva per i richiedenti asilo. Il focus è stato spietato con storie lancinanti che mostravano madri costrette a separarsi dai figli, rifugiate di guerra rispedite nelle zone di guerra dalle quali erano scappate, donne incinte maltrattate e chi più ne ha più ne metta. Un chiaro riferimento alla contemporaneità che in America ha il nome Trump ed in Italia quello Salvini.

    Un modo coraggioso per concludere la serie, una serie che ha dato voce al movimento LGBTQ sin dal primo episodio, quando forse parlare di certi temi non era cosi di moda e cosi semplice.

    Se oggi troviamo un'enormità di prodotti che affrontano la tematica nei modi più disparati lo dobbiamo anche e soprattutto a Piper e compagne.

    Ed è proprio Piper la protagonista mancata della serie non nel senso negativo ma più che altro che lei che sembrava essere assoluto centro della storia è diventata solo una delle tante voci da ascoltare. Questo è stato un bene per la serie che è riuscita a raccontarci decine di vite, decine di aspetti della vita di ognuna delle protagoniste, riuscendo ad esempio a rendere centrale la figura di Caputo che nelle prime puntate sembrava solo costruita per dare un tocco maschilista ad alcune scene ed esaltare il resto del cast. Cosi non è stato e quella di Caputo, insieme a quella di Taystee probabilmente è stata la storyline più riuscita e meglio gestita, condita da un parallelismo con le vicende del movimento metoo pienamente riuscito e pregnante.

    Natasha Lyonne con la sua Nicky ha provato fino in fondo ad essere figlia, sorella e amica di tante compagne ma è finita per ritrovarsi ad esser o almeno a provare di essere la nuova madre della prigione in un percorso molto bello e commovente.

    Alex e Piper hanno avuto il loro lieto fine? Forse si.

    Ancora una volta è stato bello il viaggio, un viaggio folle come e più dell'amata Crazy Eyes che riscatta la sua pazzia dolcissima divenendo finalmente più umana agli occhi di tutti, divenendo per tutti Suzanne.

    Orange is The New Black conclude alla grande un percorso che tra alti e bassi l'ha consacrata in tutto il mondo come una delle serie migliori di sempre, aggiungendo una pietra miliare al catalogo Netflix e facendo conoscere a tutti il termine "dramedy" prima di essa mai utilizzato.

    Guardando l'ultima stagione ci si accorgeva seduta stante che il panorama televisivo non sarebbe stato più lo stesso senza Orange is The New Black.

    Una sensazione palpabile che ci porteremo dietro per molto molto tempo nella nostra prigione interiore mai cosi colorata come in questi 7 anni.


    SerialScore: 8,5

    Posted using Partiko Android

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  5. Orange Is The New Black: Fine vicina per la bandiera colorata di Netflix@serialfiller2667d
    Immagine priva di diritti di copyright

    Orange Is The New Black Dopo  6  anni  la noia inizia a fare capolino

        Litchfield is gone  
        Welcome in maximum security  

    Netflix sarebbe quella superpotenza che oggi tutti conosciamo se non avesse avuto l'intuito e la lungimiranza di puntare su un prodotto come Orange is the new Black per lanciare la propria piattaforma.
    Tutto lascia pensare che la risposta sia no.
    Se ti proponi come novità tecnologica e come game changer nel panoramo televisivo mondiale hai bisogno di far trasparire dai tuoi prodotti questa vision.
    E' stata una genialata quella di presentarsi al mondo con una serie corale con protagoniste sole donne, per di più donne emarginate e rinchiuse dentro una prigione, strizzando l'occhio ad Oz per l'ambientazione, a Breaking Bad per la caratterizzazione dell'allora personaggio principale e al mondo LGBT per la determinazione con cui porti sul piccolo schermo il mondo lesbo e tutte le sue sfaccettature.
    Più nuovo, frizzante e diverso di cosi si muore.
    Se a questo aggiungiamo che la serie fu la prima che si ricordi ad essere rinnovata non per una stagione ma per 4 stagioni allora il quadro è completo.
    Netflix si stava presentando al mondo con una serie tv fresca e rischiosa nella quale credeva a tal punto da concederle un rinnovo per 4 stagioni.
    Progettualità e visione di insieme che devono essere sembrati una garanzia al grande pubblico visto i risultati che oggi sono sotto gli occhi di tutti e vedono Netflix come la casa che ha ottenuto il maggior numero di nominations agli Emmy Award 2018, superando la da sempre insuperabile HBO.


        Nuova Location, vecchi discorsi  

    La sesta stagione di Orange Is The New Black era molto attesa dopo una quinta vissuta tra alti e bassi e chiusasi con un colpo di scena che aveva fatto piombare nell'incertezza tutte le detenute.
    Nella sesta stagione si esplorano le conseguenze di quella conclusione articolando l'intera stagione su diverse storyline che hanno il demerito di essere fin troppo scollegate tra loro.
    Da una parte un filone giudiziari legato alla caccia della colpevole o delle colpevoli della rivolta avvenuta nella quinta stagione.
    Dall'altra quella della lotta intestina fra quelle che dovrebbero essere le grandi burattinaie del carcere di massima sicurezza, scelto come nuovo ambiente entro cui tessere la trama.
    Le guardie hanno avuto molto spazio attraverso il "fantainmate" che ha divertito all'inizio finendo per stufare già a metà stagione.
    Si è dato molto spazio a Caputo, ai suoi sensi di colpa e la sua umanità e questa è forse stata la scelta migliore, pur difettando di guizzi che hanno reso tutto troppo piatto e prevedibile.
    In mezzo a tutto questo c'è stato il solito tram tram di detenute intente a ridere, scherzare, sognare la libertà ma anche a tradirsi, giudicarsi e strozzarsi a vicenda.

    Immagine priva di diritti di copyright

        Il guzzo che manca  


    Poco da dire su questa stagione, che pur mantenendo il solito grado di piacevolezza è sembrata essere davvero sottotono.
    Basta prendere un dialogo a caso (a parte un dialogo tra Caputo e Taystee e altri sporadici casi) per rendersi conto della mancanza di brillantezza di questa stagione. Dialoghi spesso da soap opera, attrici molto svogliate, a parte la solita ottima Uzo Aduba e qualche altra eccezione.
    C'è dunque un serio problema strutturale che fa di Orange is The New Black una serie con pochissimo da dire ormai, con tanti personaggi secondari che oramai hanno esaurito la loro funzione e quelli primari che sembrano stanchi un po come la sempre ostinata Red.
    E qui veniamo al secondo difetto congenito che attanaglia la serie da qualche anno ovvero la sua fantomatica protagonista Piper.
    Chi ha nella mente la tanto acclamata prima stagione ricorderà quanto la fortuna della serie fosse stata legata alla caratterizzazione del personaggio di Piper Chapman, graziosa ragazza per bene che piombata in prigione per un reato minore iniziò una trasformazione che da molti fu paragonata a quella da Walter White ad Heisenberg in Breaking Bad.
    Paragone tematico che ci poteva stare ma con ovvie differenze dal punto di vista della qualità e solidità di scrittura e recitazione.
    Ebbene oggi Piper è l'ombra di quel personaggio cosi come Orange Is The New Black è diventa ombra di se stessa.
    Piper vaga nei corridoi del carcere cosi come gli spettatori vagano tra gli episodi per cercare una traccia del suo passaggio e cosi come gli sceneggiatori vagano tra le loro idee a caccia di quella giusta che non sembra però essere ancora arrivata.
    Arrivati alla stagione numero 6 sono tanti gli interrogativi che la serie lascia allo spettatore che a questo punto dovrà chiedersi se continuare a dare credito ad una pur sempre discreta serie dal passato illustre o abbandonare il carcere più famoso della tv per recarsi in uno dei tanti lidi più attraenti che la televisione odierna offre.
    A noi spettatori l'ardua sentenza, prima che sia troppo tardi, prima che siano gli spettatori a diventare prigionieri della serie.


    ---

    Follow Me Perso tra le montagne di Twin Peaks mi ritrovai ad Albuquerque dove un furgone mi trasportò a Westeros e a Westworld successivamente dove ritrovai una cabina telefonica inglese con un Dottore pronto a giocare a Basket o a Calcio con me e a parlare di sociale, politica, futuro, persi come fossimo sull'isola di Lost.


    Attenzione! Leggere i miei post può creare dipendenza!

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  6. Նորաձեւության գույնը (Orange Is the New Black, 2013-2018)@panza2750d

    Օրինապահ քաղաքացուն բանտ, կարծես հրեշավոր, որը գրավում է բոլոր մակաբույծները հասարակության, կրելով միայն տառապանքը իր անդամների եւ ոչնչացումը տխրահռչակ սյուներից: Սակայն, ոչ բոլորը, այստեղ եւ այժմ պատվելու է օրենքի տառը, եղել են ողջ կյանքի ընթացքում: Եւ եթե ինչ որ մեկը սահմանափակ ավտոկայանատեղի տոմսերը, որոշ արարած քոլեջի ուսանողներին, օգնել գումար ամբողջ սահմանի իրենց. Երբեմն այնպես է պատահում, որ սխալները երիտասարդության իրոք, պետք է վճարել, եւ մի ընդհանուր արտահայտություն վերածվում է իրական վիճակը. Սա ինչ տեղի է ունեցել, որի ինքնակենսագրական վեպը էր հիմք է շոու, իսկ հեղինակի անձը եղել վերածվեց կենտրոնական բնույթի.

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    Ծրագիրը արդեն լցոնված մի ձեռքը ստեղծել մթնոլորտ ընդհանուր խելագարության, որ շրջապատում է միջին խավի, երբ նրանք կոխել մեջ անդունդ է հանցագործության. Ութ հաջող մրցաշրջան բառը, որի մայրը ընտանիքի եւ նախկին տնային տնտեսուհի է արվարձաններում անվտանգ է կենդանի է թմրանյութերի առեւտուրը, դրա ապացույցն է: Այստեղ եւ այնտեղ մի թիմ գրողների մանրադիտակի տակ վիճահարույց կանանց հոգու: Դա այդ հոգին, միեւնույն ժամանակ, ցանկանում է վտանգի եւ ճեղքում մնացորդները մտքի պես ուժեղ պոռթկում է քամու արկածային, բայց միեւնույն ժամանակ, ագրեսիվ խաբում է ինքն իրեն, եւ ձեւացնում է բարեկեցիկ: Հիմնական հերոսն է առաջին անգամ հստակ եւ դեմ շրջապատող ազատազրկման միջավայրը, հրաժարվելով ճանաչել Բանտարկյալները ընկերներին դժբախտության.

    Նրա մեծագույն վախն է, որ նա բաց կթողնի նոր սեզոնը շոուի, մի քանի տարբերակները Սթիվ Ջոբսի ստեղծման եւ կարգավիճակի սոցիալական ցանցերում չի թարմացվում ամսվա ազատազրկման: Միայն հաջորդ տեղում է ցուցակում իր փորձառությունների անհապաղ խնդիրներ: սեփական անվտանգությունը, հիգիենայի, զզվելի սննդի նման դասավորության արժեքների բազմիցս մտնում, որոնք սպառնում տարբեր խնդիրների, սկսած հարկադիր հացադուլի եւ վերջացրած հանկարծ հայտնվեց «կին», ի դեմս մեկն նայում. Մի սխեմա, որի վատ նստել է կյանքի վայրի բնույթի, որը տեղադրված է խուսափեց մինչեւ այս շրջանակը աշխատում շոուի, որը թույլ է տալիս դիտողին հանգիստ ավարտվել չարաբաստիկ եւ գաղտնի կարծում եմ, որ նա, անշուշտ, մի բան, որ այս իրավիճակում պարզապես չի կորցնի: Դա շատ աբսուրդ տեսք թշնամիների ազատազրկման, եւ պաշտպանների կարգով իր պատերի, մտածելով միայն իրենց սեփական բարեկեցության, ծույլ ու թքից վրա իրենց անմիջական պարտականությունների հետ.

    Orange2.jpg IMG

    Բայց հանկարծ, ստիպված է իր ճանապարհը փշոտ մետաղալար ծաղրանկարի ռուս եւ աջ հակառակորդների Բարաք Օբամայի, առատաձեռն մասերում, օճառ քնարական շեղումներ են բոլոր սպառման կրքի, այնպես որ հաճախ միջեւ պահակների եւ կարեկցական բանտարկյալների ցույց հայտնի ուղու վրա իդեալական հարաբերակցության դրամայի համար մեկ րոպե էկրանի ժամանակ, հաջողվել է սայթաքել, նույնիսկ (ինչպես մենք լսել ենք, թե ինչ սպառնում է ընկնում է օճառով բանտում). Ստացվում է, որ ամենամեծ դժբախտությունը, որ կարող է պատահել մարդկանց նույն բլոկների է ինքնավար ից մնացած աշխարհի փոքրածավալ կոչվում է գաղութ դա չի վախենում է անվտանգության իր մարմնի վախը լինել միայնակ ինքներդ, եւ տեսնել, թե ինչ է այնքան ուշադիր Այն թաքնված է առավել անհասանելի անկյուններում գիտակցության: Ապրելով իմ թոքախտավոր կյանքը, օր օրի, մարդկության, եւ դրա հետ, չի պատրաստվում վատնել ժամանակ պարապ Ժողժուռ իմաստի վրա իր գոյության. Բայց այստեղ, մեկը մեկի հետ ձեր ներքին «ես» բնույթ չգիտի, թե ով է նա եւ ինչ է նա ուզում է կյանքի.

    Դա եղել է նրա հետ հարաբերությունները, մի գողտրիկ հիմար փեսացու իրական, թե դա պարզապես մի կազմ է լինելու ցանկությունը մաշված ամբողջ աշխարհով, առանց որեւէ պարտավորության եւ առանց անհանգստություններից. Այն կարող է դեռ լողավազանում գլխով շտապում բանակցություններից եւ հանդուգն ռիսկերի առանց հաշվի առնելու հետեւանքների համար, կամ, այն պատրաստ է կարգավորել ներքեւ. Արդյոք ես պետք է այն ամենը հանգիստ գոյությունը զենքի չինական սննդամթերքի փաթեթավորման, կամ տարիների ընթացքում ապրած կյանք, պարզապես փորձ է ստանալ հեռավորության վրա, դնում եւ ներսում էր սպառվում իր հարաբերությունները պատերին բանտերում, թե դա պարզապես ցանկությունն է շոշափելի կոնտակտը, որում նա փափագում է եղանակի լիակատար մեկուսացման.

    Orange3.jpg IMG

    Ըստ էության, դա խաչմերուկում, այլեւս իմանալով, թե արդյոք դա այնքան տարբերվում է մնացած, քանի որ այն թվում էր սկզբում ընկած: Այդ հարցերի պատասխանները, որոնք մշտապես փնտրում է հերոսուհին, դարձնելով մեկ սխալը մյուսի հետեւից, եւ հրում բոլոր սիրելիներին, ովքեր դեռ անտարբեր է իր ճակատագրի շատ հետաքրքիր էր զարգացման ուղի չէ, քանի որ կատարվել է հեռուստատեսությամբ, եւ դեգրադացիայի: Ցնցող եզրափակիչը առաջին մրցաշրջանում չի տալիս եզակի հնարավորություն է դատել, թե արդյոք բնույթը հասել է բարոյական «վերադարձ չկա», բայց, անկեղծ ասած ակնարկելով դրան: Հարկ է նշել, դերասանի խաղը, որը «գերազանց» է տվել ողջ ներկապնակից զգացմունքների իր բնավորությունը մանկական ցեղերի.

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  7. Orange is the new black review.@noemilunastorta3157d

     
    I'm at the third season of this fabulous series.  What do you mean, have not you seen it yet? To remedy!  As I put netflix it was the first series I started watching and although I'm not slow, I'm recovering the missing episodes.  The characters are incredibly characteristic and you will love some of them, which will waver your tireless heterosexuality.  What is this series about? Of the detainees. 

     
    Piper Chapman, a sweet blond of Connecticut, is being charged with a minor crime and locked in Litchfield's female prison.  Arriving there meets her ex-lover, a sensual and ambiguous drug dealer, Alex Vause. Despite Piper having an adorable boyfriend at home, his passion for Alex explodes again and between them begins a relationship  Meanwhile, inside the jail, the stories of other detainees, the sweet dandy, the unkempt boo, the mad crazy eyes, the Red Cook cook and their stories intertwine with that of Piper and Alex, create a network of relationships from strange dynamics, grudges, loves, wars.  As the series continues, some characters go away, others enter. 

     
    The cast is exceptionally beautiful, there is the beautiful Laura Prepon and the tattooed Ruby rose model.  The series is original Netflix created by Jenji Kohan, very much the theme of love and sex between women, this series tells ironically various taboo themes, not just about sexuality, but also an un idealized female universe and a lot of other forbidden stuff.  A series of nothing at all masked, in a universe of women, each with its precise and unique personality, sometimes in conflict with each other, sometimes in union, in a succession of shots and flashbacks about life before the prison.  The characters are so well characterized that you can not help but love them and you will definitely have your favorites.  Never trivial, unpolluted characters, which, during the seasons, grow, change, transform.  In short it is a series not to be missed. Full of burning themes, from religion, to sex, to family, to lgbt, transgender, to jail, to abuses, to death. 

    Images from : http://www.imdb.com/ 


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