I love sniper movies; when I was young, I wanted to enlist in the army to be one, which is why I never miss any related stories. I've always felt they are decisive when it comes to deciding a combat, and that's usually what we see in the movies—a man with extraordinary skills like intelligence, stealth, patience, good observation, etc.

Sniper movies usually tell the story of a lone operative facing an enemy that outnumbers and out-resources them. When I read the title and saw that it was about seven, I immediately thought it would be great, plus I found it very original that this time the role was played by an actress. The story begins with Chris (Radha Mitchell) on a farm with her teenage daughter Anja (Annabel Wolfe), target shooting while receiving advice from her mother.
Anja is rebellious and skips school, spending the night away from home with her boyfriend. Chris receives a visit from a man whose attitude she doesn't like, so she confronts him and ends up killing him. This is where we learn that Chris is a retired sniper from the Australian army who is being hunted by a man nicknamed the Dragon. Upon finding out she's been tracked down, Chris calls her old unit for help; two of them respond accompanied by 3 new soldiers.
So far so good; the premise, although packed with clichés, worked well. However, it only takes a few minutes to realize this is the kind of movie where secondary characters are just filler—less than an NPC—because, boom, in a matter of seconds, their heads are blown off, leaving the main characters alone once again, with no chance for any other character to develop.
Not to mention the script; it's full of long silences where it looks like something is going to be said, but the character just turns around and starts doing something else. They left no room for drama, something that could have been exploited much better—come on, they're snipers holed up in a house, besieged by a super-soldier! They should be scared shitless, which some of them say in a few lines but don't reflect in their acting. Add to that the mediocre development of the action choreography and tactical movements—how they aim, how they hold their weapons, how they position themselves—you can tell preparation was lacking.
The only redeeming quality is the character of the Dragon, played by Tim Roth. For me, he does a good job; it reminded me of the soldier character he played in the 2008 movie The Incredible Hulk, where you can see he's really committed to the role. He transmits that same energy in Seven Snipers; even though he's the antagonist, his stage presence and sniper tactics are convincing, and at times they keep you from abandoning the movie and make you stay to see how the story ends.
Rating: 30/100






[Source](https://www.hulu.com/series/house-of-the-dragon-%28with-asl%29-c9fb36d4-8b5f-4fd5-a892-9e14cff4dc48)
[Source](https://www.hulu.com/series/house-of-the-dragon-%28with-asl%29-c9fb36d4-8b5f-4fd5-a892-9e14cff4dc48)
The end of the episode was so so crispy spicy when Criston Cole gave us his saddest moments because his clever plan turns into a march he already knows his men cannot survive, they even mention how they only have half of the man they started with, some have deserted and others dead. His attacks slow the Rivermen at first but once the traps cripple the horses so badly his own men have to put them down, and the Rivermen cross first and burn the bridge behind them, the mission is over, they got no food, no coin, way less men, the only thing that Criston is holding to is his "honor" and that someone will remember his doing during this war, as he describe himself as the greatest warrior this army has, referring to the Green's army. Gwayne offers the smart way out, joining Ormund at Tumbleton, but Criston says no, winning is not really the goal anymore, he wants to die in battle and be remembered as a great warrior, maybe get a song written about him. I get why he does not want to serve another house after a life spent depending on powerful people who could toss him aside, but marching his soldiers toward certain death for that reason is still selfish, he is picking his own ending and making them pay for it. That is basically the whole episode, everyone from Rhaenyra to Criston is trying to grab back control by making someone else carry the cost, Ormund is just better at hiding it, the Gold Cloak murders prove how far ahead he already is, and Alicent and Helaena trapped in that secret passage is one more problem waiting to blow up. Even though this episode spends more time setting up the next round of fights than delivering one, still create so many small scenarios that add so much intensity to the bigger problems, its the political moves that are strong enough to carry that, it makes Ormund the real threat, gives Aegon a reason to move again, and leaves Rhaenyra and Daemon in a weaker spot than ever because they still cannot agree on what they are even fighting.
















































