It's another beautiful day. I want to share my review of a movie that made my day better. The reason I love this movie is because it shows the length a person can go for those they love. And it also includes action, revenge and investigations.

‎The main character in the movie is one of my favorite actors, whenever I see his name in a movie cast, without being told I know that the most would be different. His own style of action is also different from others, even if he has to work with others in a movie. img sur

He looks weak on the outside and his fight skills are cool, he fights with one goal which is to bring the prey down no matter how hard it may be. ‎ ‎The name of the movie is Wrath of man 2021. The title tells you how interesting the movie will be. Patrick Hills acted by Jason Statham, he is also called H in the movie

H is a high-ranking criminal boss and a skills fighter. ‎Wrath is Man is a movie that shows what real pain feels like, and the extent to which people will go to take revenge. He waited patiently, hides his real identity just to what he wanted.

‎ This movie, tells the story of a man who lost his son and planned revenge.

A father and his son went out in their car, he stepped out to get some snacks while his son was remain in the car. At that time, cash truck was being robbed.

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The robbery caught the attention of his son and he began to watch the robbers, but he was spotted by one of the robbers, who went to his carz brought him out and shot in with the drivers of the truck. H ran to them but was shot and he pretended to be dead. He saw his son lying lifeless

H survived the gunshots and he applied as a work at the company whose cash truck was robbed that the day his son was killed.

The setting was one of the best I have ever seen. the end was true revenge. H gave the killer the exact shot his son was given. In every part.

I recommend this movie to anyone who loves this actor and hasn't seen this movie and also to those who want to try a new action movie.

Thank you for reading.

Rating: 90/100

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I have not been feeling that well lately, got the cold but nothing that puts me on bed, still took the time to watch Silo S03E02 and the level of paranoia this show keeps building on is completely nuts, just think about whats going on if you were Juliette, who the F can you actually trust?. The episode starts by revealing the algorithm has 352 years of data while speaking directly to Camille, which changes everything about this underground world, since they have apparently been calculating human behavior for centuries, and still there are wildcards here and there, those who dont fit the data. It turns very creepy when you give it a second thought, watching the system flat out tell Camille that her frustration is noted, like it is just another data point while she is out there trying to force this new narrative onto Juliette, treating human beings like lab rats in one giant experiment, measuring every little reaction to keep control. Hearing the algorithm state that six Silos total have gone through full resets, makes me feel like all this Silos are ant farms, an even their own Silo about a hundred and forty years ago was reset too, confirming that wiping out the memory of an entire population is just standard operating procedure for whoever is pulling the strings. I love how trapped this show makes you feel, watching the system track a graph with a red line and a blue line while it orders Camille to keep up the medication for two more weeks straight, tighten the security around Juliette and double her effort to convince her that she is the one person Juliette can actually trust, Rebecca is doing such a good job playing a version of Juliette that is totally lost and different from previous season.

• IMDB: https://www.imdb.com/title/tt14688458/
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Its very obvious that even though things are fuzzy, Juliette slowly fight back against the mind control they are pushing on her, one of the first actions take is that she finally spits that memory erasing vitamin down the sink drain, proving she still has that rebellious spark we have seen on previous seasons. Knox had already filled her in on how Lukas Kyle went down into the digger void before he vanished and there is this brief moment where Juliette is staring up at the stars in the cafeteria, sparks up a loose a splinter memory tied to him, which feels like a huge victory after watching her walk around in a haze. It gets even better when she slips away from her security detail by faking her security "touch" her, that was hilarious because latter on she ask her security detail to forget her in the most stone cold way, but this still proof she is getting her sharp edge back. The sequence where she finally meets up with Patrick Kennedy and the other rebels is very cool though, and the rebels using a hidden tunnel built right into the storage room to slip past the raiders makes you wonder how many more are hidden around, and will they investigate this tunnels? makes me think more and more about the ant farm. Kennedy drops the truth bomb that the helmet Juliette brought back has the number 17 inside of it, while the one they stole has the number 18 and watching her mind try to process the existence of other silos based on the helmet number, she do start to remember but cant get to understand things, you can tell her frustration and Rebecca Ferguson make it look so real.

This episode although felt a bit weird because even though the past story is interesting too it kinda throws you off, mostly because the silo environment is all dark and claustrophobic and then you got the open world, still the episode does a create job at mixing political tension through the supporting characters reminds me so much of the best moments from the first season where things were mor political between Bernard and Simms. You have Sheriff Paul Billings sitting at his desk having a full blown crisis of faith as he rewrites the sacred pact, now caught in the middle of a huge cover up investigating the disappearance of Orla Kent. Orla went missing right after raising concerns about supplies disappearing from critical stock and noticing the chairlifts could be used to move resources around without anyone noticing, and the paranoia is off the charts when you realize Billings is covering for his own wife Kat, who is secretly working with the outsiders and got her wrist smack so she can be connected to the break in at IT during episode 1. The whole thing of throwing this vitamin on the water supply does look like total chemical warefare within the Silo itself without anyone noticing, showing how the upper levels dump memory wiping vitamin compounds straight into the water supply, I only wonder when this is going to blow up, watching the barrels going up the stairs at night and nobody knowing whats going on, its like parading a nuclear bomb that will actually wipe out everyones memory. The writers did a great job on this season so far in my opinion keeping things focus on the claustrophobic terror of being trapped underground with corrupt leaders.

I do have some concerns, nothing that serious though, mnostly how certain characters are acting right now though, particularly Shirley who completely ignores Juliette at the marketplace. I get that Shirley is hurt because Juliette looked straight through her the first time she showed up in the cafeteria after her recovery, but it makes zero sense for her to armor up and abandon her best friend, and it just feels like manufactured drama to keep Juliette isolated a little longer, making Shirley look like a total asshole and at the same time the boiler about to explode. Over in the before times timeline, I am struggling with Daniel and how easily he accepts Dr Victor explaining the memory erasure process on his sister Charlotte or even how easily he gave up where her sister is to reporter Helen, they making him look too naive for someone into politics, so watching Daniel sit there nodding while the doctor talks about building a drawbridge to wipe her slate clean feels incredibly stupid, by then he must understand that if they wanted to errase her memory it was for the wrong reasons. You would expect a loving brother to be furious that some random clinic is playing God with his siblings mind, but instead he treats it like a convenient way to rewrite history, but why? he also mention there are certain things he would like his sister to forget or dont think about him, this was a big wtf for me. The jump between timelines feels abrupt too, I did mentino this above, cutting from tense Silo moments to Helen questioning Daniel, and Helen bringing up that the planes had bunker busters and old communication systems from the eighties is interesting, like the Air Force knew what they were dealing with but not the pilots. I wish they go more into details of what the hell was that black cloud Charlotte and her crew got into at Iran, there is also that black goo that eat up their F-35 making them crashed, instead of just having characters explain it based on what they remember, also I just remember Charlotte called Daniel by the name Donald, who the hell is Donald?? , its just feels odd how both the past and present get intense and they just cut it off to move between timelines, would be nice if they just do a full present or full past episode.

At the end Season 3 is turning way better than Season 2 and thats withouth even getting into the real sauce, when Juliette finally recovers her memory, makes me wonder if they will keep this for the end. There is this dread sense that you can feel when the algorithm lays out that graph for Camille, showing how much risk Juliette can be for the Silo and the system if the memory protocol fails, is phenomenal and Camille is stuck force feeding Juliette a fake story about a refuge hut, knowing the system is prepared to dump that memory wiping compound into the water the second it decides she is too much of a risk. It is a smart way to set that set of tension without needing big action or any kind of confrontation, yet, mostly going entirely on psychological manipulation and the terror of losing your own identity. I mostly interested in seeing how Juliette uses these tiny splinters of memory to dismantle the machine from the inside, now that she knows the pills are the enemy. Despite my frustrations with the before times shananegans and Shirley acting so poorly, the core mystery of the Silo is still one of the most engaging puzzles for this series, when we though after S02 that Juliette was going to get real answers going back to Silo 18, that fire at the entrance screw up everything. I am giving this episode a very 8/10, because it delivers some crucial answers about the memory drugs while setting up a sense of silent panic around getting that vitamin compound into the water before things spiral down any further. Towards the end its going to be a battle between the Algorithm and humans, and honestly I do think there is someone behind all this and not just an algo.

#silo, #appletv, #scifi, #dystopian, #juliet, #algorithm, #memoryloss, #conspiracy, #underground, #bunker, #television, #review, #episode, #seasonthree, #rebeccaferguson, #mystery, #thriller, #secrets, #rebellion, #outsiders, #pact, #sheriff, #artifacts, #relics, #truth

Rating: 80/100

Originally posted through scrobble.life/tv.

Here's the trailer for the movie:

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	My name is Nattosheru. On Hive, you can find me as @nattosenpai, but you can call me Natto. I'm a young Venezuelan who likes to talk about anime, movies, and music on my Hive Blog. I'm 28 years old and I'm working toward my dream of "living doing what I love" online. My profile picture was created by Gemini AI based on the main character from the movie Blade Runner 2049, but with my real face.

Rating: 80/100

Rating: 87/100

Rating: 45/100

The Scientific Razor's Edge: A Reflection on 'Replicas'

Spanish

Last night episode is one I was really looking forward and oh boy did it surpase my expectations, it had a few minor details and the ending felt a bit wtf, even on real life people dont understand is better to be free and alive than dead or locked up, even if that means you got to get separated from love ones because at least alife and free you can somehow get back to them, if you locked up or dead there is nothing you can do about it, this is exactly what happen to Sasha. The episode opens on the Venera 7 spacecraft interior wrecked from the depressurization fire, despair radiating off Sasha and Lakshmi as they float through the wreckage. There is this sceen where Sasha snaps and starts choking Valya in the zero gravity module, so it was not all peaceful trip, he was looking crazy since neither of them has anything to basically life for, both were better off death because they were basically sentence to die as traitors of the state, and Lakshmi has to pull them apart before he kills the guy. Valya gave them an apology after all, recognizing how screw up things are because of his actions, some of them very childish. The crew realizes their course is knocked off target, the atmosphere fouled and the equipment fried from the fire, very little to do and this is where only desperate solutions work, just like a few episodes ago when Anastasia was told to open a hole on her suit to release build up gasses.

• IMDB: https://www.imdb.com/title/tt32140872/
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The best part of this finale is the quiet spy game playing out back on Earth, starting with Sergei visiting the Chief Designer, who is stuck under house arrest. His wife plays it cool, talking loudly about cooking recipes while Sergei leans over the table and traces the word ALIVE in the spilled flour, I have to mention that I appreciate how even though the series is in English, everything written remains in Russian, so there are always things you got to look up to get the small details. The Chief Designer looks overjoyed, but they realize going back to the Soviet Union could mean prison or worse since the government already declared them dead, so they come up with a desperate plan to change the landing coordinates to Finland, using Sergei to manipulate the part of the crew at the communication center so all this invermation can get to Salyut 1 where Anastasia would transmit to Venera 7. Anastasia sneaks the new Finnish coordinates to Sasha and Lakshmi during a radio blackout window, right under the noses of the distracted comrades and it shows she is a lot sharper than just a famous face for state propaganda. Lakshmi figures out the hidden message is new landing instructions, and that sets up a rough radio call where Sasha asks if they will ever see each other again. Anastasia tells him to stick to the plan and he promises he will be waiting on the other side, his voice cracking with how desperate he sounds. Having these two stuck thousands of miles apart gives the whole political mess actual weight, something to risk your life for and even with the KGB breathing down on everybody, forcing whispers and coded messages, the show never lets that swallow the human side of the story.

Even with all that tension, the episode find a way to put the drama in orbit, specailly with how the KGB interrogation played out. Irina pieces together a changed routine from Stepanov and his contact with Sergei and takes it straight to Colonel Raskova, and Sergei gets dragged out to the house in the middle of the night and thrown into a room where guards are viciously beating a man covered in blood, like what a blood hound she is that smell all that and put the pieces together to caught everyone with their pants down. Sergei breaks down crying and screams that the crew is heading to Finland once the beating turns into a threat to shoot the man in front of him, which feels like a cheap way around fighting a ruthless government. Once they throw him back in the truck he sees the real Chief Designer sitting there completely fine, so that bloody scene back at the house was staged just to trick him, it was probably some other guy getting all beat up and the episode just never bothers telling us who that other guy actually was, but there is nothing wrong with that, it becomes irrelevant. That whole scene does felt off to me, because after a full season of these brilliant scientists outsmarting the military state, having Sergei crack that fast makes him look naive, like the writers just needed a fast way to get the Finland plan out in the open, but at the same time this is an extreme situation, you already know when three guards get to you and then you enter a room with a man all bloody and beat up, his brain automatically without double checking tells you thats the Chief Designer. The Chief Designer still hugs him in the truck and says they sent human beings to Venus and back and nobody can take that away from them, a strong line. The blood and screaming make it clear just how far the Soviets will go to protect their image, and the terror on the face of Sergei as the officers drag him away keeps that whole raid feeling like a nightmare and actually scary.

This final chase felt like a mix of a classic Cold War thriller and a disaster movie, I couldnt believe this Russian guards were that bad when trying to shoot down Sasha and Lakshmi, there is also the Mig missing the shot when it shoot a missile to the space pod, also how the guards at the border didnt start shooting back? Russians where shooting with AK47 that could easily reach them. The jet fires a missile that explodes just outside the capsule and knocks it off course, forcing Sasha and Lakshmi to crash land two kilometers short of the Finnish border, their bodies weak from nine months in zero gravity, every step pure agony while Soviet guards slowly close in. Then the episode leaps into pure television fantasy when Anastasia uses the tiny emergency escape module on Salyut 1, it happens that without much calculation and all the drama that Chief Designer and Sergie went through to get Sasha to Finland, Anastasia did it without much thinking. Her fellow cosmonauts covering for her was probably the biggest underrated surprises, I was betting my right hand that they where going to tell on her and she would have to take the emergency pod by force, then she just touch the ground and very convinient a heavy truck was close from local farmers who at first were scary of what the pod was and who was inside. In the meantime Sahs and Lakshmi were running for ther border and Lakshmi takes a shot to the leg but still scramble into Finland and secures her freedom, while Sasha stops dead the moment he sees Anastasia driving toward him. Instead of running for the border and leaving her behind, he raises his hands and surrenders to the military, which I took as him refusing to be taken away from her again, turning what could have been a standard action escape into a deeply romantic and tragic surrender, I couldnt believe he did all that for nothing, and not only what he did but what Anastasia did for him, she did all that not for him to come back to the Soviet Union, now they both going to jail or getting executed.

How they close out this season leaves you wanting more, the ending is very quiet with Sasha and Anastasia getting arrested making you wonder where they will end up now, in a sense Anastasia is valid because she is a political figure for woman in the Soviet Union and Sasha the pilot that went to Venus, not necesarly the Soviet Union would put him back on a ship but he is the one with the expirience. We see Irina outside a home with her daughter, her standing within the KGB is very clear because after this she might go up in the ranks, she is listening to her daughter play the same piano song Tanya used to love. The camera then takes us to Paris, where Tanya has escaped and dyed her hair blonde, walking the streets soaking in her freedom, but that gets cut short when someone trails her through the crowd, it was that same woman who approach Anastasia in France pretending to be an American but in fact was with the KGB, Tanya is still being watched no matter how far she runs. It is a real open ending, the kind that does not try to wrap everything up neatly and it leaves the fates of Sasha, Anastasia, Sergei and the detained Chief Designer completely up in the air, right now I bet the mission to Venus is going to happen on next season and we might start getting that cross over characters within spin off. The people behind this show balance the scientific triumph of the space race against the crushing weight of the Soviet Union political machine and the whole thing hooks you hard, in my case mostly because of the political aspect and I would love the space missions to be as risky as on For All Mankind. The production stays top tier after all its an AppleTV production. That episode left me with nothing to complain about other than how convinient Anastasia using that exit pod and get to Sasha, like how Moscou didnt see that on their radar?, there were a couple of the narrative choices needed a leap of faith, because the performances is just top of the top. I am giving this first season a massive 9/10, yes because when I saw Chief Comander sitting there in the dark it was a HUGE WTF moment, completely blown away by how they managed to merge this love story with a full blown action series.

#starcity, #seasonfinale, #appletv, #scifi, #spydrama, #cosmonauts, #kgb, #coldwar, #sasha, #anastasia, #chada, #valia, #sergey, #chiefdesigner, #venusmission, #spacecraft, #television, #tvreview, #episode8, #thewolves, #espionage, #thriller, #blogpost, #tvblogger, #mustwatch

Rating: 90/100

Originally posted through scrobble.life/tv.

A few days ago, I really enjoyed the movie Obsession—it has everything I love about cinema. Even though I started watching it without any expectations, it gave me a truly satisfying experience. I didn’t know it existed or who the actors were; I just picked it while scrolling through the menu.

Obsession is a psychological thriller—one of my favorite genres—along with romance and horror. If we combine these genres, we can already guess the main plot: unrequited love.

The esoteric, spiritual, or magical has always captured my attention, and I prefer movies about heartbreak to those about romantic love 😆, so Obsession had everything it needed to hook me—which is exactly what happened.

Hace unos días quedé complacida con la película Obsesión, es todo lo que me gusta del cine y aunque comencé a verla sin ninguna expectativa me brindó un tiempo de satisfacción, no sabía de su existencia ni conocía a los actores simplemente la escogí mientras escroleaba el menú.

Obsesión es del género thriller psicológico uno de mis favoritos adicional a este es de romance y terror. Si relacionamos los géneros ya podemos intuir su argumento principal, un amor no correspondido.

Lo esotérico, espiritual o mágico siempre ha captado mi atención y me gustan más las películas de desamor que de amor romántico 😆 así que Obsesión tenía todo para engancharme como al final sucedió.

Synopsis

A shy guy has been in love with one of his coworkers for years, but he feels unable to express his feelings. He rehearses ways to confess and looks for opportunities to do so, but he can’t bring himself to tell her. He lives alone with his cat, and through a spell, he manages to get the girl’s attention, triggering a series of dramatic events due to the obsession he’s sparked in her.

Sinopsis

Un chico tímido está enamorado desde hace años de una de sus compañeras de trabajo, pero se siente incapaz de expresar sus sentimientos, ensaya formas y busca oportunidades para declararse, pero no logra decírselo, vive solo con su gato y por medio de un hechizo consigue obtener la atención de la chica desencadenando una serie de eventos dramáticos por una obsesión que generó en ella.

I’m one of those people who believe that spells are always bad when cast on another person—there’s no such thing as a “good” spell, even if the intention behind it is good. That’s why this kind of magic usually goes wrong. What’s unique about this movie is that it’s not a woman who casts the spell, but a man.

These things aren’t to be toyed with, and I love that the story portrays how it all began innocently and that the protagonist considered making amends for his actions. Although the film ultimately crosses the line into fiction by creating unrealistic events, I appreciate how it brings to life the terrible consequences that can result from sorcery.

As for the performances, they were fantastic; the characters felt authentic and relatable, just like real people. They were developed to convey tension, suspense, and stress as the minutes ticked by.

Soy de las que creen que los hechizos siempre son malos cuando son enviados hacia otra persona, no existe un hechizo bueno aunque su intención al realizarse sea buena. Por lo que este tipo de magia siempre suele salir mal, en la película se tiene la particularidad que no es una mujer la que lanza el hechizo sino un hombre.

Estas cosas no son para jugar y me encanta que la historia haya planteado que todo inició de forma inocente y que el protagonista pensara en remediar tal acción. Aunque es una película que al final sobrepasa la ficción creando hechos irreales me gusta que pueda recrear cosas terribles que pasan con la hechicería.

En cuanto a las actuaciones estuvieron estupendas, sentí a los personajes auténticos, cercanos como cualquier persona, desarrollaron los personajes para que transmitieran tensión, suspenso y estrés a medida que pasan los minutos.

It’s not a production with a large cast—just the right number of actors needed to tell a good story. As for the makeup, costumes, and atmosphere, they’re great—spot on. The protagonist’s costumes made her come across as a sexy, self-assured woman who changed a lot because of what she was going through, and her makeup was a plus for generating fear and anxiety in the viewer; and the atmosphere transformed what should have been a welcoming place into somewhere you’d never want to end up.

It’s a relatively new movie from 2025. I recommend it if you like this genre; I’d give it a 9 out of 10. If you’ve seen it, tell me what your favorite part was!

No es una producción con muchos actores solo los justos que necesitan para crear una buena historia. En cuanto al maquillaje, vestuario y ambiente es genial, no tuvo pérdida, el vestuario de la protagonista me hizo verla como una mujer sexi y segura de sí misma que cambió mucho por lo que pasaba y su maquillaje fue un plus para generar miedo y ansiedad al espectador; y el ambiente mostró como un lugar que debería ser acogedor en un sitio al que no quieres llegar.

Es una película del 2025 relativamente nueva, la recomiendo si te gusta este género, yo la calificó con un 9 /10. ¿Si la viste cuéntame qué parte fue tu favorita?

Hlo guys I hope everyone is okay and having a good day So today I brought another movie that u should watch So let's get into he movie,

So

The sheep detectives is 2026 movie,

And i will say don't judge a movie by its title bcz, I will be honest with u guys, when I first saw this movie and heared about it I laughed and that's true,

A detective movie about sheeps or what? It sounded like one of those films made only for little kids—something cute, forgettable, and filled with silly jokes. I expected talking animals, a simple mystery, and ninety minutes of harmless entertainment before moving on with my life. ‎

‎I couldn't have been more wrong. ‎ ‎Sometimes the strangest movie titles hide the biggest surprises, and The Sheep Detectives is one of those rare movies that quietly sneaks into your heart without asking for permission. ‎ ‎It doesn't try to be loud. ‎ ‎It doesn't rely on explosions or endless action. ‎

‎Instead, it tells a surprisingly emotional mystery through the eyes of characters that most people would never expect to care about: a flock of sheep. ‎ ‎And somehow... it works. ‎

‎In fact, it works far better than I ever imagined. ‎

‎The movie is based on Leonie Swann's novel Three Bags Full and follows a flock of sheep whose beloved shepherd, George, regularly reads detective novels to them. Unknown to him, the sheep understand every word. When George dies under mysterious circumstances, the sheep decide they must solve the case themselves because the human investigators don't seem capable of uncovering the truth. ‎

‎What impressed me most wasn't the mystery itself. ‎

‎It was the confidence of the filmmakers. ‎

‎Imagine pitching this idea in a meeting. ‎ ‎"Let's make a murder mystery where the detectives are sheep." ‎ ‎Most studios would probably laugh. ‎ ‎Yet director Kyle Balda and writer Craig Mazin treat the story with complete sincerity instead of turning it into a parody. That decision makes all the difference. Critics have praised the film for balancing humor, grief, and classic detective storytelling rather than relying only on its unusual premise.

The movie

So from the opening scenes the countryside looks peaceful Birds singing and everything looks calm But if you've watched enough detective stories, you know peaceful places often hide the darkest secrets.

That calm atmosphere slowly change's bcz the movie becomes uncertain.

Every smile becomes a silent question and every conversation feels important,

The audience thinking what I miss?, what conversation I miss?

And that's what kept me engaged from start to an end of the movie.

In animated shows the animated animals is always same maybe some are brave but here very sheep is different,some argue some panic at everything and some quietly observing that everyone ignores

Their conversations made me smile more than once because they react exactly the way ordinary people would if they suddenly found themselves solving a murder.

Sometimes they completely misunderstand human behavior,

The heart of the movie, however, is George. ‎ ‎Played by Hugh Jackman, George isn't just "the shepherd." ‎ ‎He's the emotional center of everything. ‎ ‎Every evening he reads detective novels aloud, believing the sheep cannot understand him, while the sheep hang on every word. That simple routine becomes the emotional foundation of the mystery and gives the investigation genuine meaning. ‎ ‎Without giving away spoilers, I'll simply say this: ‎ ‎George's kindness shapes every decision the sheep make. ‎ ‎They aren't trying to solve the mystery because they're heroes. ‎ ‎They're trying to solve it because someone they loved deserves the truth. ‎ ‎That emotional motivation gives the story surprising weight.

One thing that surprised me most is how much respect the movie has for its audience. ‎ ‎This movie talks about grief, loss, friendship, fear, and courage without becoming overly dark. Many viewers have highlighted this balance noting that it addresses the difficult topics while remaining accessible and heartfelt for family. ‎ ‎By the time the first act ended, I had completely forgotten I was watching sheep solve a mystery. ‎ ‎I wasn't thinking about talking animals anymore. ‎ ‎I was thinking about clues.

The Mystery That Became More Than a Mystery.

So by the time I watched second half of the movie I figure out something.

The sheep detectives didn't want to be like Sherlock Holmes or knives out

The sheep detectives wanted to solve and show us the mystery through an unusual perspective.

And this movie succeed s well and what I like the most is the mystery didn't feel like excuse to move the story forward.

As the investigation continues The Sheep Detectives quietly reminds us that understanding people is often harder than solving a crime.

Many families movies rush from one joke to another but the sheep detectives take a approach, the sheep detectives takes characters time to think time to argue and time to make mistakes.

The soundtrack of The Sheep Detectives deserves praise well.

The soundtrack never overwhelms the story,during scene's the music quietly supports the scene instead of demanding attention.during moments it builds tension without becoming dramatic.

It is one of those soundtracks you do not consciously notice while watching. You would definitely notice if it were not there.

In a time when many films rely on budgets, endless visual effects and constant action The Sheep Detectives proves that memorable characters and honest storytelling are still enough.

My final rating.

1. Story: 9.2/10 ‎
2. ‎Characters: 9.5/10 ‎
3. ‎Mystery: 9/10 ‎
4. ‎Humor: 8.8/10 ‎
5. ‎Visuals: 9.3/10 ‎
6. ‎Music: 9/10 ‎
7. ‎Emotional Impact: 9.4/10 ‎
8. ‎Rating: 9.6/10

And my final verdict,

When I started The Sheep Detectives I expected a lighthearted family adventure with talking sheep. ‎ ‎When I finished it I found myself thinking about friendship, grief, loyalty and the quiet strength that ordinary people—or ordinary sheep—can show when they are faced with something ‎

And overall I love it soo much.

So that's was all for today and if u want like this movies and review make sure to upvote and follow it means a lot to me so that's was all I hope u guys enjoy my today review so see u soon Bye byee 💗💗 ‎

Rating: 96/100

(English)

Have you ever watched one or more of Eddie Murphy’s emblematic comedies?

Well, this movie has nothing to do with them.

Plot

It is a police action film that takes place in downtown San Francisco.

Eddie Murphy (Scott Roper) plays a police negotiator who gets an emergency call whenever he is needed to strike a hostage deal with a bank robber or another underworld figure who puts people’s lives at risk.

He may be able to tackle down dangerous criminals with a single shot, but he can’t deal with his own problem, as he fails to admit that he is addicted to gambling.

Gambling is one of the reasons why his girlfriend (Ronnie Tate, played by Carmen Ejogo) left him, but there seems to be a glimpse of hope to get her back.

Then, a hardened crook (Michaeld Korda, enacted by Michael Wincott) enters the picture, and kills the hero’s best mate.

One thing leads to another, and after a series of events, Roper finds himself in a situation where he has to give Korda what he wants to save Ronnie’s life.

The movie ends with Scott and Ronnie enjoying a dream vacation in Tahiti.

And they lived happily ever after!

A gambling addiction problem

Gambling addiction is an issue that seems to be swept under the carpet in modern societies.

Among other things, this movie is an effort to highlight and address this issue.

And more than that, the screenwriter’s intention to portray a police inspector with such a problem is a daring and honest approach to the problem.

After all, a police officer should be a role model in everything and anything he or she does, right?

Although this is what is expected of him or her, a police officer is just like anyone else, and has his or her strengths and weaknesses as a person.

Gambling can offer them temporary escape and relief from a stressful job role, until it becomes an addiction and adds more problems, instead of solving existing ones.

Eddie Murphy not in a funny role

In this movie, Eddie Murphy reinvents himself as an actor.

Viewers who have watched him playing hilariously funny roles will be pleasantly surprised by his attempt to play the lead in a fast action movie with hardly any elements of humor or funny scenes and quotes.

This shows his versatile talent as an actor.

He can capture the viewers’ attention equally well in a comedy, and in a movie like this one with a lot of crime scenes, shootings, and car chases.

Carmen Ejogo as the fighting victim

Ronnie Tate, played by Carmen Ejogo, is an attractive woman full of femininity that Scott Roper strives to win back.

When this woman is attacked by someone who wants to murder her, she instantly turns herself into a wild cat that shows her claws to her aspiring killer, and fights back to save her own life.

It is incredible how she achieves this transformation within her role in the movie as Roper’s (former) girlfriend.

She is kind and loving to those who respect her, but she is also ready to put up a relentless fight against those who try to harm her.

She is firm in her decision to keep Roper at a distance and start a new relationship with someone else for as long as Roper fails to address his gambling addiction problem.

And it may be that Eddie Murphy is refreshingly good as a comedian-turned-into-dynamic-cop, but Carmen Ejogo also supports and complements him really well in all scenes.

(This post was translated from English into Portuguese with Google Translate)

(Portuguese)

Você já assistiu a alguma das comédias emblemáticas de Eddie Murphy?

Bem, este filme não tem nada a ver com elas.

Sinopse

É um filme de ação policial que se passa no centro de São Francisco.

Eddie Murphy (Scott Roper) interpreta um negociador da polícia que recebe um chamado de emergência sempre que precisa fechar um acordo com um assaltante de banco ou outro criminoso que coloca vidas em risco.

Ele pode até ser capaz de neutralizar criminosos perigosos com um único tiro, mas não consegue lidar com seu próprio problema, pois se recusa a admitir que é viciado em jogos de azar.

O vício em jogos é um dos motivos pelos quais sua namorada (Ronnie Tate, interpretada por Carmen Ejogo) o deixou, mas parece haver uma esperança de reconquistá-la.

Então, um bandido implacável (Michaeld Korda, interpretado por Michael Wincott) entra em cena e mata o melhor amigo do protagonista.

Uma coisa leva à outra e, após uma série de eventos, Roper se vê numa situação em que precisa dar a Korda o que ele quer para salvar a vida de Ronnie.

O filme termina com Scott e Ronnie curtindo férias dos sonhos no Taiti.

E viveram felizes para sempre!

Um problema de vício em jogos de azar

O vício em jogos de azar é um problema que parece ser varrido para debaixo do tapete nas sociedades modernas.

Entre outras coisas, este filme busca destacar e abordar essa questão.

E mais do que isso, a intenção do roteirista de retratar um inspetor de polícia com esse problema é uma abordagem ousada e honesta.

Afinal, um policial deve ser um exemplo em tudo o que faz, certo?

Embora isso seja o que se espera dele, um policial é como qualquer outra pessoa e tem seus pontos fortes e fracos.

O jogo pode oferecer uma fuga temporária e um alívio do estresse do trabalho, até se tornar um vício e criar mais problemas, em vez de resolver os existentes.

Eddie Murphy não está em um papel cômico

Neste filme, Eddie Murphy se reinventa como ator.

Os espectadores que o viram em papéis hilários ficarão agradavelmente surpresos com sua tentativa de interpretar o protagonista em um filme de ação frenético, praticamente sem humor ou cenas e falas engraçadas.

Isso demonstra seu talento versátil como ator.

Ele consegue cativar a atenção do público igualmente bem em uma comédia e em um filme como este, com muitas cenas de crime, tiroteios e perseguições de carro.

Carmen Ejogo como a vítima lutadora

Ronnie Tate, interpretada por Carmen Ejogo, é uma mulher atraente e cheia de feminilidade que Scott Roper se esforça para reconquistar.

Quando essa mulher é atacada por alguém que quer assassiná-la, ela instantaneamente se transforma em uma fera, mostrando suas garras ao seu potencial assassino e lutando para salvar a própria vida.

É incrível como ela realiza essa transformação em seu papel como (ex-)namorada de Roper.

Ela é gentil e carinhosa com aqueles que a respeitam, mas também está pronta para lutar implacavelmente contra quem tenta lhe fazer mal.

Ela é firme em sua decisão de manter Roper à distância e iniciar um novo relacionamento com outra pessoa enquanto ele não tratar seu vício em jogos de azar.

E embora Eddie Murphy esteja surpreendentemente bem como um comediante que se transforma em um policial dinâmico, Carmen Ejogo também o apoia e o complementa muito bem em todas as cenas.

(Este post foi traduzido do inglês para o português com o Google Translate)

Rating: 74/100

Rating: 80/100

Originally posted through scrobble.life/tv.