This is a film directed by Tom Tykwer, based on the novel of the same name by Patrick Süskind.
The story is set in 18th century France and follows the life of Jean-Baptiste Grenouille, a man with an extraordinarily acute sense of smell, but who is born into squalid conditions and rejected by his mother at birth.
From childhood, Grenouille is an orphan who grows up in a hostile environment. Throughout his life, he becomes an apprentice tanner, but his true passion is the creation of perfumes.
His obsession with scents leads him to discover that he can manipulate fragrances to evoke emotions and memories in people. However, his desire to create the perfect perfume leads him down a dark and twisted path.
Grenouille becomes obsessed with capturing the essence of beauty and youth, leading him to murder several young virgins to extract their scent.
As the plot progresses, he becomes a serial killer, using his talent to create a perfume that gives him power and acceptance in a society that has despised him.
His quest for perfection drives him to commit heinous acts, and his inability to understand human emotions turns him into a monster.
The film is a visually stunning work that combines elements of psychological thriller and historical drama. The cinematography and soundtrack contribute to an immersive atmosphere that reflects Grenouille's obsession and inner struggle.
›(Esp/Eng) The perfume 🌹 (Review without spoilers)@aibi93594d
(El perfume - Reseña sin spoilers)
VERSIÓN EN ESPAÑOL (click aquí)
Basada en la novela del escritor Alemán Patrick Süskind llamada **"El perfume: Historia de un asesino"** , llega esta película alemana del 2006 la cual, nos refleja los hechos que se van contando en dicho libro de una forma seductora generando una experiencia sensorial tan fuerte que hasta puedes sentir todos los aromas que se emanan en ella.
Una obra díficil de plasmar porque había que hacer que los olores traspasen la pantalla y lleguen al espectador ya que de esto se trata la premisa principal, de la experiencia sensorial de un asesino en serie con un don un tanto peculiar y un móvil tan extraño como perturbador a la vez: "Capturar la esencia de las personas antes de que mueran para siempre, es decir, su perfume".
Based on the novel by German writer Patrick Süskind titled "Perfume: The Story of a Murderer", comes this German film from 2006 which reflects the events narrated in the book in a seductive way, creating a sensory experience so strong that you can even feel all the aromas that emanate from it.
A challenging work to capture because it had to make the scents transcend the screen and reach the viewer since that is the main premise, the sensory experience of a serial killer with a somewhat peculiar gift and a motive as strange as it is disturbing at the same time: "Capture the essence of people before they die forever, that is, their perfume".
VERSIÓN EN ESPAÑOL (click aquí)
Crear sonidos, efectos visuales, escenarios, todo ello es fácil de transmitir con el equipo orgánico y técnico necesario pero ¿Crear olores? ¿Transmitir sensaciones olfativas a través de una pantalla? ¡Si! Esta película lo hace igual de bien que el libro tanto que podríamos decir que es una película que se puede oler.
Es tan exquisita como el mas fino de los perfumes con unos grandes toques de fantasía y oscuridad para añadir un toque que evoca lo mas oscuro de la mente trastornada de nuestro protagonista.
Creating sounds, visual effects, scenarios, all of that is easy to convey with the necessary organic and technical equipment but Creating scents? Transmitting olfactory sensations through a screen? Yes! this movie does it just as well as the book to the point that we could say it's a movie that you can smell.
It's as exquisite as the finest of perfumes with great hints of fantasy and darkness to add a touch that evokes the darkest aspects of our protagonist's disturbed mind.
VERSIÓN EN ESPAÑOL (click aquí)
El actor que interpretó a Grenouille, lo hizo magistralmente tanto que en serio sentí que veía a un asesino totalmente traumado, desquiciado , obsesionado con los aromas de las cosas y los aromas humanos.
Si bien, hay detalles a considerar que no son como se muestra en el libro debo decir que es una adaptación bastante fiel, como un 90% , nada que ver con El perfumista que hizo Netflix que es una adaptación que dejó mucho que desear y nada tenía que ver con la historia de Jean Baptiste Grenouille.
Cabe destacar que la ambientación también ayudo mucho ya que mostraba la poca o nula higiene de algunos sectores de esa época (Siglo XVIII). Había partes donde quería vomitar por la experiencia tanto visual como olfativa y en otras, podía sentir el maravilloso y embriagador perfume con el que el protagonista se obsesionó.
The actor who portrayed Grenouille did it masterfully to the point that I seriously felt like I was seeing a completely traumatized, unhinged, obsessed murderer with scents of things and human scents.
While there are details to consider that are not as shown in the book, I must say it is a fairly faithful adaptation, about 90%, nothing like The Perfumer that Netflix did, which was a disappointing adaptation and had nothing to do with the story of Jean Baptiste Grenouille.
It is worth noting that the setting also helped a lot as it showed the little to no hygiene in some sectors of that time (18th century). There were parts where I wanted to vomit from the visual and olfactory experience, and in others, I could feel the wonderful and intoxicating scent that the protagonist became obsessed with.
VERSIÓN EN ESPAÑOL (click aquí)
Una película fuerte, cruda, aunque el final fue un tanto extraño y se alejó un poco de la totalidad de lo perverso de esta historia pero, son cosas menores que no hacen mermar su genialidad. El final, era una de las cosas mas difíciles de adaptar y creo que, se logró bastante bien. La otra cosa dificil de plasmar era lo enigmático de Grenouille y también creo que se logró muy bien.
Para mi, es de las mejores novelas que existen así que si tienen oportunidad de leerla, no se van a arrepentir de vivir esta experiencia que abarca todos tus sentidos ¡Saludos!
A strong, raw movie, although the ending was somewhat strange and deviated a bit from the overall perversity of this story, but these are minor things that do not diminish its brilliance. The ending was one of the most difficult things to adapt, and I believe it was achieved quite well. The other difficult thing to capture was the enigmatic nature of Grenouille, and I also believe that was done very well.
For me, it's one of the best novels out there, so if you have the opportunity to read it, you won't regret living this experience that engages all your senses. Greetings!
›Film Review: Perfume: The Story of a Murderer (2006)@drax662d
The task of transferring great literature to the big screen is one that often eludes film makers, with some challenges being greater than others. A prime example can be found in Patrick Süskind's celebrated 1985 novel, Perfume: The Story of a Murderer. When approached with offers for film rights, Süskind was initially reluctant, stating that only the most talented directors like Stanley Kubrick or Miloš Forman could properly adapt his work. Following Kubrick's death in 1999, however, Süskind finally relented, and the task was ultimately given to German director Tom Tykwer. His 2006 adaptation is remembered as one of the more interesting and ambitious European films at the time.
The plot is set in 18th Century France and begins with Jean-Baptiste Grenouille (played by Ben Whishaw) awaiting trial and execution for a series of murders. Through flashbacks, we see what ultimately brought him to this point, starting with his birth and abandonment by his mother at a Parisian fish market. Grenouille survives and is sent to an orphanage where he grows up as a boy with almost superhuman sense of smell. This ability makes him obsessed with various scents, including that belonging to a red-headed girl selling plums (played by Karoline Herfurth), whom he accidentally kills in his quest to enjoy her fragrance as much as possible.
An accidental encounter with Giuseppe Baldini (played by Dustin Hoffman), owner of the perfume shop, leads to a partnership during which young Grenouille uses his ability to provide old Baldini with new fragrances. In exchange, Grenouille receives mentoring in various techniques of extracting and preserving scents. One of these methods is developed in the southern town of Grasse, where Grenouille goes to study it. He becomes obsessed with the scent of Laure Richis (played by Rachel Hurd-Wood), the beautiful daughter of wealthy Antoine Richis (played by Alan Rickman). Determined to capture her scent, Grenouille decides to kill her. Before doing so, he tests his techniques on a number of young women in the vicinity, causing the town to search for the mysterious and relentless killer.
It is hardly surprising that Kubrick was author’s favourite choice to direct the film, as this dark tale about a murderous sociopath seems well-aligned with the director's notorious misanthropy. Tom Tykwer, who had large shoes to fill, bravely approached this challenge, helped not only by his ability to alternate between different genres and styles in his filmography but also by the large budget at his disposal, which made Perfume one of the most expensive films in the history of German cinema by that point.
Due to the setting and use of narrator, there would be obvious and almost inevitable comparisons with Kubrick’s Barry Lyndon. However, Tykwer wisely decided to apply his very own style to this adaptation. This was, in many ways, forced by the unique challenge of bringing Süskind's content to the screen. Scents, which play a crucial role in the film's plot, can be left to viewers' imagination due to the specific nature of both media. Tykwer, however, tries to capture their essence through specific visuals, using cinematography by Frank Griebe to create impressive images that often play with various color schemes. The result gives a sharp contrast between the immense beauty presented on the screen and the morally reprehensible actions of the protagonist.
Tykwer, however, had somewhat less luck with casting. Ben Whishaw is a talented actor, but the complicated and challenging role of a character who is both genius and monster is compromised by Tykwer’s decision to portray him as someone with outwardly ordinary appearance while his actions make him someone audience can’t root for. Dustin Hoffman, who obviously enjoys playing a character that is closest to comic relief, has the misfortune of having his character depart the film too soon.
The biggest issue of the film is the tonal shift between the impressive first part, when we are introduced to the main character and his perverse obsession, and the second part which looks like an 18th Century version of a slasher film. The suspense is often eliminated at the start, and the fate of characters becomes quite predictable. In that segment, the film often looks repetitive, has serious pacing problems, and even the unconventional fantasy-like finale loses much of its impact, with Tykwer not helping his cause with some ill-advised quasi-religious allegories. This includes even the mass public orgy scene that loses much of its shock value.
The ultimate result is a well-made, unconventional, but ultimately underwhelming period piece that most viewers would not be in a hurry to watch the second time. Süskind's novel was later adapted twice – as 2018 television miniseries Perfume and as 2021 streaming film Perfumier – both having their plot set in modern times.
RATING: 6/10 (++)
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›Perfume: Un Film que Deja Mucho que Desear (Spa-Eng)@pannavi729d
𝙿𝚎𝚛𝚏𝚞𝚖𝚎: 𝙷𝚒𝚜𝚝𝚘𝚛𝚒𝚊 𝚍𝚎 𝚞𝚗 𝙰𝚜𝚎𝚜𝚒𝚗𝚘
𝙿𝚎𝚛𝚏𝚞𝚖𝚎: 𝚃𝚑𝚎 𝚂𝚝𝚘𝚛𝚢 𝚘𝚏 𝚊 𝙼𝚞𝚛𝚍𝚎𝚛𝚎𝚛
FULL ENGLISH VERSION
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Cheers Hive Cinephiles who bring the #MoviesAndTVShows Community to life. Today I will tell you a little bit about a movie directed by a German director that tells the story of a killer and in turn, is based on a novel with the same name. I'll be talking to you today about Perfume: The Story of a Murderer.
I confess that I had never seen this movie in its entirety. In 2006 I only remember I saw a few minutes and went to sleep because it was being shown in adult time and I was very sleepy at around 11 pm. I decided to give it a chance this time, after so long, because I saw an interesting part of it on TikTok, and guess who they showed in that scene?
Well, none other than Alan Rickman, who played my beloved Professor Snape in the Harry Potter saga, so was my reason for wanting to seek it out and watch it. Plus it was supposed to be suspenseful and The Story of A Murderer!.
It also has a strong cast that acted impeccably, I can't deny that, but the film itself, on an overall level, lacked. It lacked punch, emotion spirit, or enthusiasm. For my viewing, it moved super slow. And I don't know what the novel from which this adaptation was crafted will be like but I imagine they didn't do it justice.
Reading something and leaving things to the reader's imagination and then taking it to the big screen always disappoints its viewers because not everyone thinks the same and imagines identically, the best they can do is to adjust to the author's expectations or failing that, the director is bold enough to capture his unique point of view being a big fan of the book.
And well, the truth is that the performances were very good, especially those of legends like Dustin Hoffman and of course my beloved Alan Rickman. As for Ben Whishaw, unfortunately, his performance didn't convince me. I prefer him as a computer genius playing Q in 007 than as an assassin.
I say that because it just didn't convey fear, killer instinct, or that psycho vibe to me. I mean, he lacked it. I just saw a guy who, due to life circumstances, was attached to bad situations and at one point became obsessed not with people's scents but with their pheromones, especially that of redheads.
In fact, there were scenes, and also the way they shot the story reminded me quite a bit of the same Lemony Snicket's A Series Of Unfortunate Events movie. As for its ending, I was 😑. It could have had a better ending. The truth is that the dialogue could have been done better too.
Another detail that was important to me was the fact that it was in the 18th century that the first razor blade was created and then a little later shaving cream. So it was quite strange for me to see all the victims of this killer perfectly shaved and without unwanted hair on almost their entire bodies.
And I understand that many French women like to leave hair in their armpits and legs, that is, this detail is not appreciated in any Parisian woman. And ok, the story may be fictional but it's pretty close to reality, you don't tell a story about Martians, so the director Tom Tykwer could have done something much better with the dialogue, the development of the story and course, the historical and cultural facts of that time.
The film lost quite a few points with me by failing in these aspects. And even though it was nominated for several Academy Awards and won several of them, if it wasn't for the performances of my favorite actors, I wouldn't finish watching it. For this reason, I give it only:
Saludos Cinéfilos de Hive que dan vida a la Comunidad de #MoviesAndTVShows. Hoy les hablaré un poco sobre una película dirigida por un director alemán que cuenta la historia de un asesino y a su vez está basada en una novela con el mismo nombre. Hoy les hablaré sobre Perfume: Historia de un Asesino.
Confieso que nunca había visto completa esta película. En el 2006 sólo recuerdo que vi unos minutos y me fui a dormir porque la estaban pasando en horario adulto y pues yo tenía mucho sueño a eso de las 11 pm. Decidí darle una oportunidad esta vez, luego de tanto tiempo, porque vi una parte interesante de esta por TikTok y ¿adivinen a quién mostraron en esa escena?
Pues nada más y nada menos que a Alan Rickman, quien interpretó a mi querido profesor Snape en la saga de Harry Potter, así que por él fue más que todo mi razón de querer buscarla y verla. Además de que se suponía que era de suspenso y La Historia de Un Asesino!.
También cuenta con un reparto potente que actuó de manera impecable, no lo puedo negar, pero la película en sí, a nivel general, le faltó. Le faltó fuerza, emoción y espíritu o entusiasmo. Para mi gusto avanzó super lento. Y no sé qué tal será la novela de la cual fue elaborada esta adaptación, pero imagino que no le hicieron justicia.
Leer algo y dejar a la imaginación del lector las cosas para luego llevarla a la pantalla grande siempre decepciona a sus espectadores porque no todo el mundo piensa igual e imagina idénticamente, lo mejor que pueden hacer es ajustarse a las expectativas del propio autor o en su defecto, que el director sea lo suficientemente osado para dejar plasmado su punto de vista único siendo muy fan del libro.
Y bueno, la verdad es que las actuaciones estuvieron muy buenas, en especial las de leyendas como Dustin Hoffman y por supuesto mi apreciado Alan Rickman. En cuanto a Ben Whishaw, lamentablemente su actuación no me convenció. Lo prefiero como genio de la computación interpretando a Q en 007 que como asesino.
Lo digo porque simplemente no me transmitió temor, instinto asesino o esa vibra de psicópata. Es decir, le faltó. Yo sólo vi un muchacho que, por circunstancias de la vida, estaba adherido a malas situaciones y que en un punto se obsesionó no por los aromas de las personas sino por sus feromonas, especialmente la de las pelirrojas.
De hecho, hubo escenas y también la forma en la que rodaron la historia me recordó bastante al mismo a la película de Una Serie de Eventos Desafortunados. En cuanto a su final quedé 😑. Pudo tener un mejor final. Y la verdad es que los diálogos también pudieron haberse hecho mejor.
Otro detalle que para mí fue importante es el hecho de que en el Siglo XVIII fue que se creó la primera hojilla de afeitar y luego un poco más adelante la crema de afeitar. Así que se me hizo bastante extraño ver a todas las víctimas de este asesino perfectamente depiladas y sin vello no deseado en casi todo su cuerpo.
Y tengo entendido que muchas francesas les gusta dejarse vello en las axilas y las piernas, o sea, este detalle no se aprecia en ninguna mujer parisina. Y ok, la historia podrá ser ficticia, pero está bastante ajustada a la realidad, no cuentas una historia de marcianos, así que el director Tom Tykwer pudo hacer algo mucho mejor con el diálogo, el desarrollo de la historia y por supuesto, los hechos históricos y culturales de aquella época.
La película perdió bastantes puntos conmigo al fallar en estos aspectos. Y a pesar de que estuvo nominada a varios premios de la Academia y ganó varios de ellos, si no es por las actuaciones de mis actores favoritos, no la termino de ver. Por esta razón le doy solamente:
This is a fascinating film based on the novel of the same name written by Patrick Süskind. Directed by Tom Tykwer, with adapted screenplay by Andrew Birkin
Bernd Eichinger and Tom Tykwer and released in 2006, this captivating film plunges us into a dark and sensorially intense world.
The story is set in 18th century France and follows the life of Jean-Baptiste Grenouille, a man with an extraordinary sense of smell.
Grenouille has an obsession with capturing and preserving the most exquisite smells, even if it means committing heinous acts.
The film takes us on a journey through the senses, exploring Grenouille's obsessive quest to create the perfect perfume. As he delves deeper into the world of perfumery, his actions become increasingly disturbing and dangerous.
"Perfume is a visually stunning film that will envelop you in its dark and mysterious atmosphere. The cinematography and production design masterfully recreate the era and the oppressive atmosphere of the story.
The performances are outstanding, especially Ben Whishaw's performance as Grenouille, who manages to convey the complexity and obsession of the character in a captivating way.
Also starring: Dustin Hoffman as Giuseppe Baldini, Alan Rickman as Antoine Richis, Rachel Hurd-Wood as Laura Richis, Karoline Herfurth as Plum Seller and Sian Thomas as Madame Gaillard, among others.
It was well received by critics and grossed over $135 million at the box office, exceeding its production cost of $50 million.
This film invites us to reflect on human nature, obsession and the limits of morality. It is a unique cinematic experience that will immerse you in a fascinating and disturbing world.
In 2006 this marvellous adaptation of Patrick Süskind's novel of the same name was released in cinemas. It is a fairly faithful adaptation in general terms, with an impressive beginning, a magnificent development but with a more than surprising, disturbing and confusing denouement, it is a film that, no matter how many years go by, I will never tire of seeing.
En el año 2006 llegó a las salas de cine esta maravillosa adaptación de la novela homónima de Patrick Süskind, es una adaptación bastante fiel en términos generales, con un inició impresionante, un desarrollo magnifico pero con una desenlace más que sorprendente, perturbador y confuso, es una película que, por más que pasen los años, jamás me cansaré de ver.
Summary/Resumen
It all begins when a woman gives birth to a baby in the middle of the filth of the Paris market, the infamous woman pushed the baby away with her feet to get rid of him along with the guts of the fish she was gutting, however the baby cried, The woman was condemned to death for the abandonment of her child, the child grew up in hostile environments (orphanages, under the tutelage of infamous masters) but what everyone ignored was his great ability to perceive scents, even at a long distance. He grew up in the midst of mistreatment until he came to the home of a perfumer who taught him the art of mixing and decanting scents correctly, but Jean-Baptiste Grenouille, obsessed with achieving the perfect perfume, will not rest until he obtains the thirteen essences he needs to create it, leaving a trail of death in his wake.
Todo comienza cuando una mujer da a luz a un bebé en medio de la suciedad del mercado de París, la infame mujer apartó con sus pies al bebé para deshacerse de él junto con las vísceras de los pescados que estaba destripando, sin embargo el bebé lloró, llamando la atención de los compradores, la mujer fue condenada a muerte por el abandono de su hijo, el niño creció en medio de ambientes hostiles (orfanatos, bajo tutelas de amos infames) pero lo que todos ignoraban era su gran capacidad para percibir aromas, incluso a larga distancia. Él creció en medio de maltratos hasta que llegó a la casa de un perfumista que le enseñó el arte de mezclar las esencias y decantar los aromas correctamente pero Jean-Baptiste Grenouille, obsesionado con conseguir el perfume perfecto, no descansará hasta obtener las trece esencias que necesita para crearlo, dejando tras de si una estela de muerte.
Trailer
My Opinion/Mi Opinión
I think there are many great things in this film, for example the photography, perfectly worked and in sync with the emotions that the director wants to convey, the set of filters, lights and shadows generate the perfect atmosphere according to the emotions of the characters, the scenarios were perfectly recreated, I was particularly surprised by the Paris market, It was really disgusting to see so much filth, but it was exactly as it looked in the 17th century, full of animal viscera, dirt and many people going from one side to another, in fact the scenes at the beginning of the film show a succession of images in which we see interspersed with shots that show the baby still alive, it is disgusting, oppressive and even sad.
Creo que hay muchas cosas grandiosas en esta película, por ejemplo la fotografía, perfectamente trabajada y en sincronía con las emociones que se quiere transmitir, el conjunto de filtros , luces y sombras generan el ambiente perfecto según las emociones de los personajes, los escenarios estuvieron perfectamente recreados, me sorprendió particularmente el del mercado de París, de verdad daba asco ver tanta suciedad, pero era exactamente así como lucía en el siglo XVII, lleno de vísceras de animales, suciedad y mucha gente, de hecho las escenas del principio de la película muestran una sucesión de imágenes en las que vemos intercaladas con planos que muestran al bebé todavía vivo, resulta repugnante, opresivo e incluso triste.
Another thing I loved were the performances, and of course they had to be good, as the film has a great cast, Bin Wishaw in the lead role, originally a stage actor, who the director of the film discovered doing a good performance in the play Hamlet, as I have already told you, I think stage actors have a plus, a particular sensibility that connects them more with the audience, and various histrionic techniques that make their characters reach their maximum level, there is also Alan Rickman (my favourite) is another actor who started his career on stage, so you know what I think about it and as for Dustin Hoffman I have nothing more to say except compliments for his work.
Otra de las cosas que amé fueron las actuaciones y desde luego que debían ser buenas, ya que la película cuenta con un gran elenco, Bin Wishaw en el papel principal, originalmente es un actor de teatro, a quien el director del film descubrió haciendo una buena interpretación en la obra Hamlet, como ya les he dicho, creo que los actores de teatro tienen un plus, una particular sensibilidad que los conecta más con la audiencia, y diversas técnicas histriónicas que hacen que sus personajes lleguen a su máximo nivel, también está Alan Rickman (mi favorito) es otro actor que empezó su carrera en el escenario, así que ya saben lo que pienso al respecto y en cuanto a Dustin Hoffman no tengo nada más que decir a no ser halagos por su trabajo.
One of the scenes I like the most is when Giuseppe Baldini (Dustin Hoffman) explains to Jean-Baptiste how all perfumes are composed, he tells him that just like in music, each perfume is composed of three chords (head, heart and base) and that each of them contains four essences selected for their harmonic affinity. The first chord is the head, which is nothing more than the first impression that a perfume leaves us when we perceive it, and it only lasts a few minutes, the heart is the base of the perfume, the main theme, be it roses, sandalwood, fruits, etc., and its effect lasts a few hours, and finally there is the base of the perfume, its trail which lasts several days. In total, according to Baldini's explanation, a perfume should have twelve essences, although he tells Jean-Baptiste that there is a legend that says that a perfumer could add a last essence that completes thirteen, which would have the power to give infinite peace to the people who perceive it, and you can already guess what this obsessive boy would do with this information, can't you?
Una de las escenas que más me gusta es cuando Giuseppe Baldini (Dustin Hoffman) le explica a Jean-Baptiste como están compuestos todos los perfumes, le dice que al igual que en la música, cada perfume está compuesto por tres acordes (cabeza, corazón y fondo) y que cada uno de ellos contiene cuatro esencias seleccionadas por su afinidad armónica. El primer acorde es la cabeza, que no es otra cosa más que la primera impresión que nos deja un perfume al percibirlo, y solo dura unos minutos, el corazón es la base del perfume, el tema principal bien sea rosas, sándalo, frutas etc, y su efecto dura algunas horas, y finalmente está el fondo del perfume, su rastro el cual dura varios días. En total, según la explicación de Baldini, un perfume debería tener doce esencias, aunque le dice a Jean-Baptiste que existe una leyenda que afirma que un perfumista podría añadir una última esencia que complete trece, la cual tendría el poder de otorgarle una paz infinita a las personas que la perciban y ya podrán intuir ustedes lo que haría este chico obsesivo con esta información, ¿no es así?
This information provided in the film is real, as is the way in which the method of decanting and making the various perfumes in the 18th century is demonstrated on screen, which is something I appreciate very much, as I am one of those people who love to learn new things.
Esta información suministrada en la película es real, así como es real la manera en que se demuestra en pantalla el método de decantación y elaboración de los diversos perfumes en el siglo XVIII, esto es algo que aprecio muchísimo, ya que soy de esas personas a las que les encanta aprender cosas nuevas.
It is terribly desperate to see how Jean-Baptiste follows the trail of Laure Richis to get the essence he needs from her, at the same time it is inevitable not to feel uneasy and disappointed to see that Antoine Richis' efforts to protect his daughter are in vain, Jean-Baptiste's sense of smell is too sharp, but truly the scene where Antoine enters his daughter's room and sees his worst nightmare materialised is one of the most touching, truly Alan Rickman knew how to touch the heart of the audience once again.
Resulta terriblemente desesperante ver como Jean-Baptiste sigue el rastro de Laure Richis para obtener de ella la esencia que necesita, al mismo tiempo es inevitable no sentir desasosiego y decepción al comprobar que los esfuerzos de Antoine Richis por proteger a su hija son en vano, el olfato de Jean-Baptiste es demasiado agudo, pero de verdad la escena donde Antoine entra a la habitación de su hija y ve su peor pesadilla materializada es de las más conmovedoras, de verdad que Alan Rickman supo llegar al corazón de la audiencia una vez más.
And of course the most important factor that I appreciate in the film is its narrative, it is very well done, each sequence, each event is very well positioned, except for the ending, which I think makes no sense at all. I like the fact that the film had a narrator to help us get into context, it was a very good resource, but the only thing I really didn't like at all was the ending, but in this case we couldn't blame the director, but Patrick Süskind, the author of the book. The reason why I found the ending absurd and incongruous is that if we start from the fact that after having obtained the thirteen necessary essences, Jean-Baptiste had created a very powerful perfume, capable of captivating anyone, even the pope himself if he wanted it, they cannot try to sell me the idea (through some flashback scenes of the murders) that he had repented of his crimes because with what purpose would he throw the whole perfume on himself? From the information we already have about it, we can deduce that he intended to magnify his image in that town where he arrived (something that doesn't fit with his supposed repentance).
Y desde luego que el factor más importante que aprecio en la película es su narrativa, está muy bien lograda, cada secuencia, cada evento está muy bien posicionado, a excepción del final, creo que este carece totalmente de sentido. Me gusta que la película haya tenido un narrador que nos ayudara a entrar en contexto, fue un recurso que le quedó muy bien, pero de verdad lo único que no me gustó para nada fue el final, pero en este caso no podríamos culpar al director, sino a Patrick Süskind, el autor del libro. La razón por la cuál el final me pareció absurdo e incongruente es que si partimos del hecho de que luego de haber obtenido las trece esencias necesarias, Jean-Baptiste había creado un perfume poderosísimo, capaz de cautivar a cualquier persona, incluso al mismísimo papa si él lo hubiese querido, no pueden tratar de venderme la idea (a través de algunas escenas de flashback de los asesinatos) de que él se había arrepentido de sus crímenes pues ¿con que objetivo se arrojaría el perfume entero encima? Debido a la información que ya manejamos sobre él, podemos deducir que él pretendía magnificar su imagen en ese pueblo donde llegó (algo que no calza con su supuesto arrepentimiento)
But not content with this, we still have a totally unexpected reaction from the villagers who receive it, because when they perceive the aroma, although they worship it believing it to be an angel, they end up devouring him, this ending confused many people because it was contradictory and strange. On the other hand, if I can rescue something from this scene is that I really liked that close up shot towards the last drop that remains and spills out of the bottle, it was a very beautiful scene artistically.
Pero no conforme con esto, todavía tenemos una reacción totalmente inesperada por parte de los aldeanos que lo reciben, ya que al percibir el aroma, aunque efectivamente lo adoran creyendo que se trata de un ángel, terminaron devorándolo, este final confundió a muchas personas porque fue contradictorio y extraño. Por otra parte, si algo puedo rescatar de esta escena es que me gustó mucho ese plano de close up hacia la última gota que queda y que se derrama de la botella, fue una escena muy bonita artísticamente.
Friends this has been my review of the film, I don't know if you have seen it but I would also like to know your opinion about it, thank you very much for your attention and I also want to thank the community for allowing me to express my ideas.
Amigos esta ha sido mi review de la película, o sé si ustedes la hayan visto pero también me gustaría conocer su opinión al respecto, muchas gracias por su atención y también quiero agradecer a la comunidad por permitirme expresar mis ideas.
›Perfume The Story of a Murderer || To discover the invincible power of arousing love in people; a bottle of perfume!@cute-cactus1438d
Born in the 18th century in the filthy streets of Paris, one of the biggest cities of Europe, under a fisherman's stall, the baby first inhales the stench around. And then, like every newborn baby, he lets out a cry...
... but this is not a simple cry of a baby's cry, it is the cry that leads the mother of a newborn baby to the gallows... And it is the beginning of the disasters that follow.
Because this is the story of a serial killer starting from his birth.
Perfume The Story of a Murderer is the most frightening of the serial killer films I have watched so far. I say that it is the most frightening film not because of the way the serial killer kills the people he targets, but because of the killing. There are no different ways of killing or bloody scenes, but the reason why women are killed is their smell. The smell of death, the smell of fear, the smell of women, each of them is to find the smell of love, which is tried to be reached as a result of different trials.
The film gives a unique viewing pleasure as a result of an excellent script combined with a successful editing. I admired the acting of Ben Whishaw, who gives life to the character of Jean-Baptiste Greenouille, whose sense of smell is extremely developed as a superhuman talent. He managed to attract all the attention throughout the whole film and I think he does justice to his role as a serial killer.
Starting with a legend, the endeavour to add the 13th perfume to the 12 perfumes already found is the beginning of the transformation of a man with an overdeveloped sense of smell into a serial killer. All beautiful women are the target to unleash the invincible power of arousing love in people.
-Why did you kill my daughter?
+I needed her.
This dialogue between the father whose daughter was murdered and the serial killer who killed his daughter is a chilling scene that summarizes the whole film. Every woman has a unique skin odour and her whole body is used to smell her skin...perfume is made from the odour obtained.
I know that multifaceted investigations are carried out in serial killer cases and that the methods and reasons used by serial killers to kill their victims are reflected on the cinema screen in films. I can also understand from my own viewing pleasure that such films and the mystery they contain are successful in binding the audience to the screen.
Although there are no disturbing bloody scenes in the film Perfume The Story of a Murderer, although there are no killing scenes, it is very normal to feel anger towards the character of Jean-Baptiste Greenouille, who reflects the tension to my bones during the viewing and scares me with his appearance alone, and it is very normal to want him to die.
It may seem romantic to fall in love with the smell before you even see the face, but when the purpose of the smell you fall in love with is a bottle of perfume, romance gives way to fear. 2:27 The duration of the film, which is 2 hours long, does not seem long during the viewing as it makes you feel the tension.
As the film progresses, the change in our feelings towards the man, who is initially pitied and causes us to feel sad with the life he has led since his birth, peaks in anger, hatred and cruelty.
Director and screenwriter Tom Tykwer and another screenwriter Patrick Süskind deserve a lot of praise. The script and the fiction created are excellent and Perfume The Story of a Murderer must be watched by cinema lovers.
See you in my next article, all content belongs to me. @cute-cactus
What does art mean? What is art in itself? Why is art attractive? I will start this review with these questions, one that is not going to be very normal and not typical either, eloquent is what I love! This film is skill, it is dexterity, it is mastery, but also in itself, it is attribute, fire, flames and above all harmony.
Before you ask me, I visualized this production many years ago, indeed, I don't remember the date; but one thing I cannot forget is the elegance of this film. Certainly, I don't need to see it again, I don't think I should see it again to make this review, the point is that when something is marked in your memory it is very difficult for it to perish easily.
I have repeatedly maintained that I have the hobby of watching movies thanks to my mother's sister, she was my confidant and also one of my best companions with whom I could enjoy thousands of things, but she is also the one who caused me to dread horror movies, although this is a topic for another essay.
Smells, smells and a fragrance is what surrounds the composition of the artistic palette of this film, it simply seems that the producer took a brush to make a pure art in the elaboration of a work that would be taken to the big screens of cinema. It's not 2006 today, but something that's reliable is my absolute desire to love the self-expression of how a story can be expressed in this way.
Suspense and, drama, but for me consideration also horror of that which is attractive surrounds him; one that envelops you in typical fragments of absolute happiness. Emotions? yes, at this moment I have many mixed ones. Yes, at this moment I have a lot of mixed ones. Factions, not at all, he is just someone who wants to find himself.
¿Qué significa el arte? ¿Qué es el arte en sí mismo? ¿Por qué el arte es atractivo? Iniciaré esta reseña con estas interrogantes, una que no va a ser muy normal y tampoco típica, ¡lo elocuente es lo que me encanta! Esta película es habilidad, es destreza, es maestría, pero también en sí misma, es atributo, fuego, llamas y sobre todo armonía.
Antes de que me pregunten, visualicé esta producción hace muchos años, es más, no recuerdo la fecha; pero algo que no puedo olvidar es la elegancia de esta película. Ciertamente, es que no necesito volver a verla, es que creo que no debo volver a verla para hacer esta reseña, la cuestión, es que cuando algo queda marcado en tu memoria es muy difícil de que pueda perecer fácilmente.
He sostenido de manera reiterada que tengo el Hobbie de ver películas gracias a la hermana de mi madre, es que ella era mi confidente y aparte una de mis mejores compañeras con las que podía disfrutar miles de cosas, pero también es la que provoco que le tuviera pavor a las películas de terror, aunque esto es un tema para otra redacción.
Olores, hedores y una fragancia es lo que rodea la composición de la propia paleta artística de este film, es que simplemente pareciera que el productor tomó un pincel para hacer un arte puro en la elaboración de una obra que se llevaría a las grandes pantallas del cine. Hoy no estamos en 2006, pero algo fidedigno es mis ganas absolutas de amar la expresión propia de cómo se puede expresar una historia de esta manera.
Suspenso y, drama, pero para mí consideración también horror de ese que es atractivo le rodea; uno que te envuelve en fragmentos típicos de felicidad absoluta. ¿Emociones? Sí, en este momento tengo muchas encontradas. ¿Facciones?, para nada, solamente él es alguien que desea encontrarse a sí mismo.
🎞 Art, composition and reality of the industrial era || Arte, composición y realidad de la era industrial🎞
In the film you will be able to visualize how the insalubrity, the one described in the different philosophy books, is repeatedly present in the production. The question lies in the fact that France is the perfect place to demonstrate that the smells of that time were so putrid in the urban sprawl, (for those who do not know what an urban sprawl is, it is simply an unhealthy overcrowding) Excuse me, the explanation that precedes; but it is good to go a little further for the understanding of everything that is explained here.
As you may know, industrialization brought with it a domino effect called lack of sanitation in cities or urban sites, this latent reality is fully and absolutely evident in this production.
Is it possible to deny that this did not exist? Not at all, this happened and that's why you walk today in a paradise where cleanliness prevails, but to go a little further and visualize the art in the scenes, when that child is born with such a wonderful faculty, or gift, it thrills you.
Putrefying or nefarious lability of mortal men. The color black, mud, and brown are present on that moving canvas that we are painting with absolute and full constancy. Who is the new being that will surround the world in awe? Well, my answer is simple: one in search of a true fragrance.
The scenes, despite having been filmed in 2006, have a beautiful constitution, well, this will depend on the appreciation and tastes of each one. I have always liked this kind of stories where suspense attracts and causes full harmony.
Art, is what you will see in this film; but it will be up to you to appreciate it.
En la película podrás visualizar como la insalubridad, esa que describen los diversos libros de filosofía se hace presente de manera reiterada en la producción. La cuestión radica en el hecho de que Francia es el lugar perfecto para demostrar que los olores de aquella época eran tan pútridos en las taras urbanas, (para quienes no sepan que es una tara urbana esto simplemente es un hacinamiento insalubre) Disculpe, la explicación que antecede; pero es bueno ir un poco más lejos para la comprensión de todo lo que se explane aquí.
Como sabrán, la industrialización trajo consigo un efecto dominó denominado falta de salubridad en las urbes o emplazamientos urbanos, esta realidad latente se evidencia de forma plena y absoluta en esta producción.
¿Se puede negar que esto no existiera? Para nada, esto ocurrió y por eso es que usted camina hoy en un paraíso donde avasalla la limpieza, pero para ir un poco más lejos y visualizar el arte en las escenas, cuando nace aquel niño con tal maravillosa facultad, o don, te emociona.
Putrefacta o nefasta labilidad de los hombres mortales. El color negro, el barro, y el marrón se hacen presentes en ese lienzo móvil que estamos pintando con absoluta y plena constancia. ¿Quién es el nuevo ser que rodeara el mundo en pavor? Pues mi respuesta es sencilla: uno en búsqueda de una fragancia verdadera.
Las escenas, a pesar de haber sido grabadas en 2006, tienen una constitución bellísima, bueno, esto dependerá de la apreciación y los gustos de cada quien. Siempre me han gustado este tipo de historias donde el suspenso atrae y causa una plena armonía.
Arte, es lo que verá en este film; pero dependerá de usted valorarlo.
The story is really original, it is an adaptation of a novel, and it is not exactly a gypsy production; but rather, one where love does not reign. It is time to take the blades and extract the essence of the skin of each of the women who have a harmonious smell as well as captivating. This is the posture of the air, and the one that miserable boy feels.
La historia es realmente original, es que es una adaptación de una novela, y no precisamente es que sea una producción gitana; sino más bien, una donde el amor no impera. Es el momento de tomar las cuchillas y extraer la esencia de la piel de cada una de las mujeres que tengan un olor armónico como también cautivador. Esta es la postura del aire, y la que ese chico miserable siente.
We can not go further, this may be what the security forces erect to protect the women of the high lineage, however, where it all ends, it will not find it here the answer is obviously in the film.
No podemos ir más lejos, esto puede ser lo que erijan los cuerpos de seguridad para proteger a las mujeres de la alta alcurnia, no obstante, en que terminara todo, esto no lo encontrara acá la respuesta de manera evidente está en la película.
Why hadn't I written about her? Well, the point is that time is beautiful and I am a human being who loves patience. Let's be patient and write little by little! How many women will this guy deprive of his life? This I am not going to state either; because the point is to also cause a bit of intrigue in writing.
¿Por qué no había escrito sobre ella? Bueno, la cuestión es que el tiempo es hermoso y soy un ser humano que ama la paciencia. ¡Seamos pacientes y escribamos poco a poco! ¿A cuántas mujeres este chico privará de su vida? Esto tampoco lo voy a afirmar; porque la cuestión es causar también un poco de intriga al redactar.
Balances? No, I think we simply have to create the best perfume in the world, by the way, I can't leave my house if I don't pour some of this on my body. This preceding assimilation is perhaps the most important reason for the film. It is that human beings like or rather love to smell good.
¿Balanzas? No, creo sencillamente debemos crear el mejor perfume del mundo, por cierto, no puedo salir de mi casa si no vierto un poco de esto en mi cuerpo. Esta asimilación que precede es quizás la razón más importante de la película. Es que a los seres humanos nos gusta o mejor dicho nos encanta oler bien.
Healthiness, sleepiness or envy is what the young perfumer seeks or feels? It depends, this goes beyond simple rational contexts, it all starts from emotions and ego.
¿Salubridad, sueño o envidia es lo que el joven perfumista busca o siente? Depende, esto va más lejos de los simples contextos racionales, todo parte de las emociones y el ego.
Imagine for a moment smelling putrid things all your life? Well, this is something that will be evidenced accompanied with the unanimous and definitive fact that he is a slave, prison is unhealthy and disgusting! That is the art that is displayed in the film, however, this is only the beginning of a rhetoric that navigates in cycles due to the visualizations that the plot gives off.
¿Imagínate por un momento oler cosas pútridas toda tu vida? Bueno, esto es algo que evidenciara acompañado con el hecho unánime y definitivo de que es un esclavo, ¡la cárcel es insana y asquerosa! Ese es el arte que se muestra en la película, sin embargo, esto solamente es el comienzo de una retórica que navega en ciclos debido a las visualizaciones que desprende la trama.
I will always invite people to make a deep analysis of what they see. This is something I saw many years ago, if I was 10 years old it would be a lot, but I still remember and I was very surprised by the way the protagonist of the story treated each of the girls, usually a serial killer is very ruthless, however here he was a bit docile, well, although this is also a pattern of behavior that is evident; however, not for that time. To be exact the behavior should be more crazy, but here he plans and carries it out calmly.
Siempre voy a invitar a las personas a efectuar un análisis profundo de lo que ven. Esto es algo que vi hace muchos años, si tendría 10 años sería mucho, pero aún recuerdo y es que me sorprendió mucho la forma en que el protagonista de la historia trataba a cada una de las chicas, por lo general un asesino en serie es muy despiadado, no obstante aquí él era un poco dócil, bueno, aunque esto también es un patrón de comportamiento que se evidencia; sin embargo, no para esa época. Para ser exactos el comportamiento debería ser más alocado, pero aquí él lo planifica y efectúa con calma.
The calmer you are, the more you will be able to gather all the girls, place them in the windows and extract their essence.
Entre más calma podrá reunir a todas las chicas, colocarlas en las vidrieras y extraer su esencia.
📽 Hair as a criminal pattern || El cabello como patrón delictivo 📽
This will be a bit short, but a modus operandi emerges in the film; that is, a continuing pattern of victimization by the perpetrator of each of the murders. No one knows the reason why the young women are killed in such a despicable manner, but the pattern tends to be almost the same: shaved head and hair color, although this is really discarded at the end, due to the choice of the homicidal man of a prostitute who also applies the same, but this is only discovered by the authorities when they can do practically nothing.
I will make a comparison for you to understand me, criminals and serial killers have a tendency, that is to say, a pattern and this is shown to stand out. What about the protagonist of our story, or rather the appreciation that I can give based on what I remember, simple, his criminal seal is to strip the hair of the victims, but this was also done for another reason and that was to extract the odors of the same.
Maybe that method was easier for him, but it leaves a pattern that caused a scandal, apart from the fact that each of the corpses that were found had no sexual abuse of any kind, intriguing, right! Certainly, this in general terms would be very difficult to predict, but it leaves a trend of analysis to evidence the reason why the young serial killer committed the despicable crime.
Esto será un poco corto, pero en la película se desprende un modus operandi; es decir, un patrón continuado de víctimas por parte del perpetrador de cada uno de los homicidios. Nadie sabe la razón por qué las jóvenes son asesinadas de una manera tan déspota, pero el patrón tiende a ser casi el mismo: cabeza rapada y color de cabello, aunque esto realmente es descartado al final, debido a la escogencia del señor homicida de una meretriz que también le aplica lo mismo, pero esto solamente lo descubren las autoridades ya cuando no pueden hacer prácticamente nada.
Efectuaré una comparativa para que me entienda, los criminales y los asesinos seriales tienen una tendencia, es decir, un patrón y esto lo muestran para resaltar. Que pasa con el protagonista de nuestra historia, o más bien la apreciación que puedo dar con base a lo que recuerdo, simple, su sello criminal es despojar el cabello a las víctimas, pero esto lo efectuaba también por otra razón y era extraer los olores del mismo.
Puede que ese método fuera más fácil para él, pero deja un patrón que causaba escándalo, aparte de que cada uno de los cadáveres que se encontraban no tenían ningún tipo abuso sexual, ¡intrigante, verdad! Ciertamente, esto en términos generales sería muy difícil de predecir, pero deja una tendencia de análisis para evidenciar la razón por qué el joven asesino en serie cometía el crimen despreciable.
It is a very rich production, the learnings are very varied, you may value the bread you have on your table every day when you see that mortal suffering in that putrid neighborhood. Something that I want to emphasize with great depth is the unanimous fact that it erects that doing evil will not fill the emptiness that your heart feels, as the murderer Jean Baptiste thought.
Facing circumstances, life itself and the composition of our own environment is what makes us assimilate the most elementary issues of our life. Doing evil will not satiate the voids that your heart erects, rather, you must build and learn from that which caused us detriment to be able to engage in a proper transit.
People sometimes make mistakes, but this is also something proper, however, it helps us to walk in a correct and adequate way. We should never forget the essence of things, that is why we must move forward in the right way so as not to distort your path regardless of your qualities or the environment of your birth.
The destiny of the protagonist may have always been marked, but he was the one who ultimately made the decision to deprive each of his victims the possibility of continuing to breathe.
Es una producción muy rica, los aprendizajes son muy variados, puede que usted valore el pan que tiene en la mesa cada día al ver aquel padecimiento mortal en aquel barrio pútrido. Algo que quiero resaltar con mucha profundidad es el hecho unánime que erige que hacer el mal no llenara los vacíos que sienta tu corazón, como pensaba el asesino Jean Baptiste.
Enfrentar las circunstancias, la vida misma y la composición de nuestro propio entorno es lo que nos hace asimilar los temas más elementales de nuestra vida. Hacer el mal no saciará los vacíos que tu corazón erija, más bien, se debe construir y aprender de aquello que nos causó detrimento para poder entablarnos en un tránsito adecuado.
Las personas en ocasiones nos equivocamos, pero esto también es algo propio, no obstante, nos ayuda a caminar de manera correcta y adecuada. Nunca se debe olvidar la esencia de las cosas, por eso se debe avanzar de forma o modo correcto para no tergiversar su camino indistintamente de tus cualidades o el entorno de su nacimiento.
Puede que el destino siempre del protagonista estuviese marcado, pero él fue el que tomó la decisión en última instancia de privar a cada una de sus víctimas la posibilidad de seguir respirando.
💿Plot, context and opinions || Trama, contexto y opiniones 💿
Everything is inescapably focused on Jean Baptiste, it seems that director Tom Tykwer focused on giving a great relevance to his crazy personality. Someone who was born with a gift, someone who can breathe what no normal human being can perceive and someone who will learn to produce perfumes. What is the right perfume? He only desires one that will give him happiness, but this will not be enough to satiate the longing that his inner self desires.
Todo está centrado de manera ineludible en Jean Baptiste, parece que el director Tom Tykwer se centró en darle una gran relevancia a su alocada personalidad. Alguien que nació con un don, alguien que puede respirar lo que ningún ser humano normal puede percibir y alguien que aprenderá a producir perfumes. ¿Cuál es el perfume correcto? Él solo desea uno que le dé la felicidad, pero esto no será suficiente para saciar el anhelo que su interior desea.
The proper and the improper mixed in a single production, that is what you will visualize. He will be the evil of the film, he will provoke the death of all the people who come close to his life, and he is an unnatural being.
Lo propio y lo impropio mezclado en una sola producción, eso es lo que visualizara. Él será el mal de la película, él provocará la muerte de todas las personas que se acercan a su vida, y él es un ser antinatural.
Each of the statements that describe this compendium of words only denotes the most elegant way to elaborate a character, although, this is the adoption of an excellent novel. Excellence, pure in itself.
Cada una de las afirmaciones que describen este compendio de palabras solamente denota la manera más elegante para elaborar un personaje, si bien, esto es la adopción de una excelente novela. Excelencia, pura en sí misma.
I will be specific, nothing, absolutely nothing can obviate the circumstances that decompose a human being. I can only invite you to see the film; because beyond the chord of being a magnificent production, is what you can see for yourself when you watch it.
Seré específico, nada, absolutamente nada puede obviar las circunstancias que descomponen a un ser humano. Únicamente puedo invitarte a ver la película; porque más lejos del hecho acorde de ser una magnífica producción, está lo que puedes observar por ti mismo al verla.
📽 Conclusions and findings || Conclusiones y desenlaces 📽
At this point I have reached more than 1700 words, it is really a challenge, but I love swimming in this vast ocean of new environments. On this occasion I don't feel it pertinent to say that I would have liked to see ace in the production, it's just that even the ending and the plot itself leaves any human being enchanted. All I can say is that if you love this movie and you are here I invite you to review it.
He may not find happiness, but he knows he got what he wished for. It is that he himself is the very exclamation of the resounding facts of what is reprehensible in the prevailing industrial age and insufficient social class. The world may be surrounded by beasts who wish to satiate their souls with their own greed to do evil, but these do not believe that they can be forgiven.
He will pay and atone for his deeds in the most surprising way that can exist, every action has an outcome comparable to that of a simple human action.
En este punto he llegado a más de 1700 palabras, es realmente un reto, pero me encanta nadar en este inmenso océano de nuevos entornos. En esta ocasión no siento pertinente decir que me fuera gustado ver as en la producción, es que simplemente hasta el final y la propia trama dejan a cualquier ser humano encantado. Lo único que puedo decir es que si amas esta película y estás aquí te invito hacer una reseña.
Él puede que no encuentre la felicidad, pero sabe que obtuvo lo que deseaba. Es que el mismo es la propia exclamación de los hechos rotundos de lo reprochable en la era industrial imperante y la clase social insuficiente. Puede que el mundo esté rodeado de bestias que deseen saciar su alma con la propia avaricia de hacer el mal, pero estos no creen que se puedan perdonar.
Él pagara y expiara sus actos de la manera más sorprendente que pueda existir, toda acción posee un desenlace equiparable a la propia o simple acción humana.
I am an author and everything written is my own content. The Gifs were designed in Canva with the free tools. PS: The separator was made with the first image of this publication, which is properly identified with its source.
Soy autor y todo lo escrito es mi contenido propio. Los Gif fueron diseñados en Canva con las herramientas gratuitas. PD: El separador fue elaborado con la primera imagen de esta publicación, la cual, está debidamente identificada con su fuente.
[Image](https://www.filmaffinity.com/ve/filmimages.php?movie_id=387010)
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(El perfume - Reseña sin spoilers)
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[source](https://www.themoviedb.org/t/p/w220_and_h330_face/CuyKTDxNleOkNRI0ZQhEWmBlCU.jpg)
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