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Fleabag
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›"Fleabag": Between simplicity and remaining a masterpiece of sarcasm [REVIEW]@chris-chris92688d
Trust me, I looked everywhere in this community.... I didn't find any post or review that had sarcasm content as beautifully done as "Fleabag". A series that shatters paradigms and perceptions of women from the movies. There is no saviour or prince charming, let alone a pregnancy and a happy family (which doesn't mean that having one is a "bad" thing) there is only a unique perspective of its protagonist (who is called "Fleabag", hence the name of the series) and how she lives.And yes, even though it seems like a stupid and empty series.... Nothing could be further from that label. In fact, the plot of the series is a very bloody and very dark drama "How would you feel if you had sex with your best friend's boyfriend; and because of that, she decided to commit suicide? It sounds crazy... Since this series is focused on satirical humour and plenty of sarcasm.
Nevertheless, from the script, it is the drama that drives the whole story. How to deal with guilt without the hints of religion, conservative morality and above all tormented by a conscience that gives you no respite? These stark and powerful mixtures are some of Fleabag's many attractions. And it's incredible, because although everything made in the UK, and even more so on Channel Four or the BBC usually contains a lot of sarcastic material, it is no less true that no production I know of has the richness of script and originality that this precious work of art has....I'm not lying when I tell you that the fourth wall breaking (cinematic technique) has never been so well executed and so beautifully applied. Not only because it is an essential part of the connection between the audience and the protagonist, but also because it is believable. I, a woman in my thirties, just like the protagonist, identify with the details, the gestures, the creative decisions and the brilliantly crafted script that have been made for this series.
Additionally, much of the story within the plots of Fleabag are conflicts that each and every one of us could experience. The fact that it is created, starring and written by a woman is a major plus, but if these details are not known or mentioned, it still results in a true masterpiece of sarcasm..... And because nothing exquisitely crafted can last too long, Fleabag only runs for two 6-episode seasons; each episode is 30 minutes long?There are no heroes or villains. Just human mistakes, a feminine but never skewed view of the life of a highly flawed human in a society that pretends not to be flawed but lacks the character to trumpet the morality it constantly fails. There is no spoiler here, nor will there ever be. I am one of those who think that it is for the viewer to judge when watching the play.... On Amazon Prime Video is Fleabag. Fully in HD and like a good under-appreciated treasure, waiting to be seen. "Fleabag: Between simplicity and remaining a masterpiece of sarcasm.
›Fleabag | I want to fuck a priest@jauregui981215d
Welcome to my favorite section of favorite series and movies that collaborate more and more with my emotional and mental self-destruction. I don't know how long I had wanted to watch Fleabag, but I know it was when I saw the scene where she confesses that she wants to have sex with a priest, so I was expecting to see a dramatic comedy series that would make me laugh at how absurd and obscure it could be, but it wasn't like that, instead I came face to face with an exquisitely well done series that made me cry inside like you have no idea, because I was in those horrible days of my depression and I didn't know how to feel, or rather, I didn't feel anything, I had a strong numbness that didn't let me experience emotions normally, so I could only identify that I should be suffering and crying watching the series, but I wasn't, I could only laugh from time to time and identify the sad and traumatic moments of the series.
Fleabag follows the life of a woman trying to live independently in London, with a possible obsession with sex, while having flashbacks of a recent traumatic event that complicates things for her. This series is an adaptation of a play by treatro that also won awards, I don't know which ones, but it won them, and this series also won them. The humor of the series is weird, so that's probably why not many people like it, but overall it's totally worth watching, it had more sex than I expected, although it gets to a point where it takes a back seat because it's not the main thing in the series; the dysfunctional family is a marvel, I could say I don't know who is worse, but they are just people trying to do the best they can, although I can say who are the two worst, but I'll tell you that later.
Bienvenides a mi sección favorita de series y películas favoritas que colaboran cada vez más con mi autodestrucción emocional y mental. No sé cuánto tiempo tenía queriendo ver Fleabag, pero sé que fue al ver la escena donde ella confiesa que quiere tener sexo con un cura, así que por eso yo es esperaba ver una serie de comedia dramática que me hiciera reir por lo absurda y obscura que podría llegar a ser, pero no fue así, en cambio me di de frente con una serie exquisítamente bien hecha que me hizo llorar por dentro como no tienen idea, pues estaba en esos días horribles de mi depresión y no sabía cómo sentir, o mejor dicho, no sentía nada, tenía un entumecimiento fuerte que no me dejaba experimentar emociones con normalidad, así que solo podía identificar que debería estar sufriendo y llorando viendo la serie, pero no era así, tan solo podía reír de vez en cuando e identificar los momentos tristes y traumáticos de la serie.
Fleabag sigue la vida de una mujer que trata de vivir independientemente en Londres, con una posible obsesión con el sexo, a la vez que va teniendo flasbacks de un evento traumático que tuvo lugar hace poco y que le complica las cosas. Esta serie es una adaptación de una obra de treatro que también ganó premios, no sé cuáles, pero los ganó, y esta serie también los ganó. El humor de la serie es raro, así que provablemente por eso no le guste a mucha gente, pero en general vale completamente la pena verla, tuvo más sexo del que esperaba, aunque llega un punto que pasa a segundo plano porque ya no es algo principal en la serie; la familia disfuncional es una maravilla, podría decir que no sé quién es peor, pero tan solo son personas que tratan de hacer lo mejor que pueden, aunque sí puedo decir quienes son los dos peores, pero eso lo diré después.
         
Fleabag breaks the fourth wall, and he does it beautifully, it's one of my favorite things about the series. Usually when breaking the fourth wall she does it to give us the context of everything that is happening, of the person she is interacting with, of what she feels, thinks and believes, and she also does it to tell us what is about to happen, and she almost always gets it right, it's like she is in charge of the narrative of everything that is happening around her, but she is not, so more than once we will see how she looks at us in shock and horror because she is equally or more surprised as we are of whatever it is that is happening. It's almost impossible for me to decide on one or two fourth wall breaking moments as my favorites, they're all good, even the lesser ones, that's how well done the series is.
I watched Fleabag first, and then I watched Normal People, both series are as different as they are the same, it's amazing. They are very realistic series where they show us people as a whole, nothing of just good people or good people, they are people who do good things and bad things, people who try to forgive and forgive each other, although there are many people who deserve to be sent to hell, and they do it, but as a last option, because it is frowned upon to do it first.
Fleabag rompe la cuarta pared, y lo hace de maravilla, es una de mis cosas favoritas de la serie. Normalmente al romper la cuarta pared lo hace para darnos el contexto de todo lo que está sucediendo, de la persona con la que está interactuando, de lo que siente, piensa y cree, y también lo hace para decirnos qué es lo que está por suceder, y casi siempre acierta, es como si estuviera a cargo de la narrativa de todo lo que sucede a su alrededor, pero no es así, así que más de una vez veremos cómo ella nos mira en shock y horror porque está igual o más de sorprendida como nosotros de lo que sea que esá sucediendo. Es casi imposible para mí decidir uno o dos momentos de ruptura de la cuarta pared como mis favoritos, todos son buenos, hasta los que menos importancia tienen, así de bien hecha está la serie.
Primero vi Fleabag, y después vi Normal People, ambas series son tan diferentes como iguales, es increíble. Son series muy realistas donde nos muestran a las personas como un todo, nada de solo personas buenas o personas buenas, son personas que hacen cosas buenas y cosas malas, personas que tratan de perdonar y perdonarse, aunque hay mucha gente que merece ser mandada a la mierda, y lo hacen, pero como última opción, pues esá mal visto hacerlo de primero.
One thing I still have a hard time reconciling with is the trauma that Fleabag is trying to overcome and sometimes harder than she is, I'm not going to say anything about it, but the moment when they finally tell us everything that happened, I hated her, I hated her like I've never hated anyone before and then I forgave her, I almost stopped watching the series, it was just too much for me at that moment. That traumatic event caused trauma for me too, and it was from that explanation that I could feel a little bit what was happening and not just imagine how it is that I should feel. It was horrible, but it was one of the best things about the series, at that moment all the pieces fall into place and she can be a little more free, without having a huge burden on her that was pulling her down and nothing seemed to be able to save her.
One of the best things about the series is the relationship that forms between her and the priest, fuck, you have no idea how amazing that was, it was fun, exciting, stimulating, didactic, religious, sinful, loving, philosophical, existentialist, it was like watching two kids getting to know each other, that friendship that arose between them was something wonderful, and it calmed me down a little, the respectful and considerate way they treated each other gave me hope, something peaceful, a painful tenderness that is impossible to despise or wish away, you just accept it and live it, enjoy it, suffer it, there is no other way.
Una cosa con la que aún me cuesta reconciliarme es con el trauma que Fleabag trata de superar y a veces más fuerte que ella, no voy a decir nada al respecto, pero el momento en el que finalmente nos dicen todo lo que sucedió, yo la odié, la odié como nunca había odiado a alguien y después la perdoné, casi dejo de ver la serie, simplemente fue mucho para mí en ese momento. Ese evento traumático me causó un trauma a mí también, y fue desde esa explicación que pude sentir un poco lo que estaba sucediendo y no solo imaginar cómo es que debería sentirme. Fue horrible, pero fue de las mejores cosas de la serie, en ese momento todas las piezas encajan en su lugar y ella puede ser un poco más libre, sin tener encima una carga inmensa que la estaba hundiendo y nada parecía ser capaz de salvarla.
Una de las mejores cosas de la serie es la relación que se forma entre ella y el cura, joder, no tienen idea de lo increíble que fue eso, era divertido, emocionante, estimulante, didáctico, religioso, pecaminoso, amoroso, filosófico, existencialista, era como ver a dos niños conociéndose, esa amistad que surgió entre ellos fue algo maravilloso, y me calmó un poco, la forma respetuosa y consierada con la que se trataron me dio esperanza, algo pacífico, una ternura dolorosa que es imposible llegar a despreciar o desear que desaparezca, tan solo se acepta y se vive, se disfruta, se sufre, no hay de otra.
             
This series has one of the best endings that could ever exist, at no time did it stop being faithful to the series, at no time was its narrative twisted, at no time was there any opportunity to ruin the series by changing the characters or the story they were telling, and although I would be able to sell my soul for more seasons of Fleabag, it is not necessary, the series ended in the best possible way, in an unparalleled climax, that no matter what, is enough and does not need more. This series and the ending is one of my favorites, because it's like starting to read a book in the middle and end up in the middle of a sentence with many questions about what will happen next, but there is no need to know, everyone can continue the story in his mind the way he wants, but the end is there, no more is needed and we have to accept it.
I was going to leave you a video of the best scenes of the series, but no, it has age restriction, so it is not seen, so I leave you the trailer of the second season, which does not make spoiler, because that is the wonder of the series, when I was watching it I did not even realize that the second season had already begun, I think I noticed it in chapter three, it was weird. I wanted to tell you more about the priest and how he realizes that she breaks the fourth wall, but no, watch the series, it's worth it. Ah, I almost never say it, the most despicable people are the stepmother, played by an amazing Olivia Colman, fuck, I loved her, and her sister's husband, what a despicable being, I hated him. I missed a lot of things to say, but I have no more energy to write, nor to live.
Esta serie tiene uno de los mejores finales que pueden llegar a existir, en ningún momento dejó de ser fiel a la serie, en ningún momento se tergiversó su narrativa, en ningún momento hubo alguna oportunidad de arruinar la serie cambiando a los personajes o la historia que estaban contando, y aunque sería capaz de vender mi alma por más temporadas de Fleabag, no es necesario, la serie terminó de la mejor forma posible, en un climax inigualable, que sin importar qué, es suficiente y no necesita de más. Este serie y el final es de mis favoritos, porque es como comenzar a leer un libro por la mitad y termine en medio de una oración con muchas preguntas sobre lo que va a pasar a continuación, pero no hay necesidad alguna de saberlo, cada quién puede continuar la historia en su mente de la forma que quiere, pero el final está, no se necesita más y hay que aceptarlo.
Les iba a dejar un video de las mejores escenas de la serie, pero no, tiene restricción de edad, así que no se ve, por eso les dej el trailer de la segunda temporada, que no hace spoiler, pues esa es la maravilla de la serie, cuando la estaba viendo ni siquiera me di cuenta de que ya había comenzado la segunda temporada, creo que lo noté en el capítulo tres, fue raro. Les quería hablar más del cura y de cómo se da cuenta que ella rompe la cuarta pared, pero no, vean la serie, vale la pena. Ah, casi nunca lo digo, los personas más despreciables son la madrasta, interpretada por una increíble Olivia Colman, joder, la amé, y el esposo de su hermana, qué ser tan despreciable, lo odié. Me faltaron muchas cosas por decir, pero ya no tengo energía para escribir, ni para vivir.
›[ENG/ESP] Fleabag: Series should last as long as they need to - Fleabag: Que las series duren lo que tengan que durar.@richardalexis1906d
I have an obsession with the length of all series, chapter after chapter and season after season, I feel that just by knowing the number of episodes of any televised work you manage to understand a lot about it: what are its intentions and for how long does it intend to pursue them.
Tengo una obsesión con la duración de todas las series, capitulo tras capítulo y temporada tras temporada, siento que con solo saber el número de episodios de cualquier obra televisada logras entender demasiado sobre ella: cuales son sus intenciones y por cuanto tiempo piensa perseguirlas.
For me one of the triumphs of Fleabag is in the consistency, two seasons, 12 episodes, 23-28 minutes. Nothing more, nothing less.
Para mi uno de los triunfos de Fleabag está en lo consistente, dos temporadas, 12 episodios, 23-28 minutos. Nada más, nada menos.
Yes, judging her by that is a bit cold, but then you discover that this same precision is transferred to the rhythm of each chapter, where quick cuts, shot by shot, are the norm but they are always there for a reason.
Que si, que juzgarla por eso es un poco frío, pero es que luego descubres que esta misma precisión se traslada al ritmo de cada capitulo, en donde los cortes rápidos, toma a toma, son la norma pero siempre están ahí con algún motivo.
Fleabag is in his essence a dramatic comedy about a young Londoner and the bumps she encounters on this path called life. Adored by critics and by the public, this adaptation to a monologue of the same name created by Phoebe Waller-Bridge (who stars in the series) radiates an incredible chaotic energy where through the breaking of the fourth wall we are all made accomplices of this misadventure. Fleabag is iconic and daring, for this reason it operates with such a fast pace, there is a window, an intimate access to the toughts of a woman who has her mind everywhere.
Fleabag es en esencia una comedia dramática sobre una joven londinense y los mil y un baches con los que se encuentra en este camino llamado existir. Adorada por la critica y por el publico, esta adaptación a un monólogo del mismo nombre creado por Phoebe Waller-Bridge (Que aparte, protagoniza la serie) irradia una energía caótica increíble en donde por medio de la ruptura de la cuarta pared se nos hace cómplices de esta desventura. Fleabag es icónica y atrevida, por esto mismo opera con un ritmo tan acelerado, hay una ventana, un acceso intimo a los pensamientos de una mujer que tiene la mente en todos lados.
I can't stop thinking about how there should be a correlation between the fast cuts that mark their rhythm and the shortness of their duration.
No puedo parar de pensar en como debe existir una correlación entre los cortes rápidos que marcan su ritmo y lo escaso de su duración.
ImagenThe climax of the second season sparked an argument that I really don't like. Why? Because decides to leave us in the air in the middle of an impossible love and that is wonderful, it's brave. Why do we not respect the idea of a closure? Why do we dictate when something must end if we don't create it in the first place? Does Fleabag exist for us as a public, or do we exist as a public for Fleabag?
El climax de la segunda temporada desató una discusión que me disgusta, ¿Por qué? Porque decide dejarnos en el aire en medio de un amor imposible y eso es maravilloso, es valiente ¿Por qué no respetamos los cierres? ¿Por qué nosotros dictamos cuando algo debe terminar si no lo creamos en primer lugar? ¿Fleabag existe para nosotros como publico, o nosotros existimos como publico por Fleabag?
The Internet is an incredible place and we live (from a generational point of view) in a wonderful era, this unfortunately has made us capricious, we have lost the sense of art, understanding an audiovisual work as something that must begin, pass and end. It takes a couple of Trending Topics on Twitter for anything to take longer than it should, and the truth is, I feel that if we are honest, it is often unnecessary.
Internet es un lugar increíble y nosotros desde un punto de viste generacional vivimos en una era maravillosa, esto lamentablemente nos ha hecho caprichosos, hemos perdido el sentido del arte, el entender una obra audiovisual como algo que debe empezar, transcurrir y terminar. Hacen falta un par de Trending Topics en Twitter para que cualquier cosa se alargue mas de lo que se debe, y la verdad, siento que si nos ponemos sinceros, muchas veces es innecesario.
Twitter/Instagram: Alxxssss
›Fleabag: la chicca sulla bocca di tutti@serialfiller2583d
C'è un gusto effimero che proviamo prima o poi tutti nel vedere prima o poi in cima a classifiche e sulla bocca di tutti film, brani musicali, serie tv, calciatori, artisti e tanto altro che seguivamo fin dai primi passi mentre il mondo intero sembrava ignorarli.
Assistere all'ascesa dei Coldplay o dei Muse, vedere quel terzino destro debuttare in nazionale, entusiasmarci per quel piccolo film di nicchia oggi candidato agli Oscar.
Piccole e superflue soddisfazioni, che pure ci fanno stare meglio.
E' il caso di Fleabag, serie tv british, prodotto da BBC Three e distribuita da Amazon, da poco in onda con la sua seconda stagione.
Son bastati pochi giorni dalla messa in onda della seconda stagione per far si che Fleabag fosse letteralmente sulla bocca di tutti gli addetti ai lavori.
"Capolavoro". "Geniale". "Brillante".
Sono solo alcuni dei titoli roboanti che troverete online riguardo la serie.
Confermo tutto e con quel superfluo ed effimero entusiasmo di cui parlavo prima posso dirvi che personalmente avrei detto le stesse cose anche 2 anni fa, all'epoca del debutto della serie e credo di averne parlato direttamente o indirettamente varie volte, a testimonianza di quanto la serie mi fosse piaciuta sin da subito.
Abbandonate draghi, guerrieri, casate e epopee e tornate alla vita e al mondo che vi circonda.
Fleabag in maniera irriverente si propone di raccontare i meandri più sporchi, incasinati, contraddittori, viscerali, ancestrali, potenti dell'animo umano.
Lo fa attraverso la sua protagonista, vittima e carnefice della sua stessa esistenza. Vittima di eventi senza dubbio drammatici per quanto ordinari il più delle volte ma carnefice in quanto incapace di reagire "normalmente". Eh si, perchè di normale in questa serie e nella sua vita non vi è nulla.
Impulsi sessuali abnormi, atteggiamenti iperanticonvenzionali, repulsione verso ogni forma di religione, standardizzazione e convenzione sociale.
Banalmente potremmo delineare il carattere della protagonista in questo modo, a grossi linee.
Faremmo un torto alla serie e commetteremmo un grosso errore.
Quello che la serie riesce a trasmettere è invece il disagio esistenziale di una trentatreenne londinese, ricca di energie, spunti ed entusiasmo ma costantemente vuota, in cerca di sfide, di certezze che la vita non riesce più ad offrire. Traumi passati condizionano la percezione del mondo, e la certezza di non riuscire, suo malgrado, ad affermarsi come essere umano plasmano in lei un carattere irriverente e scontroso, luccicante ed egocentrico, pieno di vita e di contraddizioni.
Nonostante numerosi rapporti sessuali e spesso occasionali, nonostante una vita piena, nonostante un rapporto forte con tante persone, la protagonista sembra consumarsi a poco a poco nonostante la giovane età ed una vita davanti.
Ed ecco li la vera domanda.
A 33 anni è ancora lecito aspettarsi di avere una vita davanti?
La frase fatta che si nasconde dietro la domanda è subdola e infida e la risposta è oggi amarissima.
A 33 anni sono moltissimi i treni ad essere oramai passati. Molte le navi già salpate. Inoltre a quell'età è tempo di scelte.
Immagine priva di diritti di copyrightLavorative, personali, familiari.
aChe direzione prendere allora?
Legarsi ad un uomo per tutta la vita e cercare amore e stabilità?
Vivere una vita solitaria ma piena di sorprese, ribaltoni e indipendenza?
Cercare conforto in Dio e nella fede o almeno nella spiritualità oppure votarsi totalmente al materialismo e all'effimero?
Cercare una connessione col mondo o isolarsi da un mondo che non ti appartiene?
La verità è che la vita di un trentatrenne, oggi, è tragica.
E' fatta di limiti da non superare e di un'apparente libertà di espressione e di scelta che è invece vincolata a fatti e opzioni imposte da altri, imposte da paletti morali, fisici, legali, sociali che malsopportiamo ma che ingeriscono nelle nostre vite.
Fleabag è una serie straordinaria perchè in sole 3 ore a stagione riesce a far ridere, a dissacrare e sconvolgere intimamente.
Non è una serie per tutti in quanto molti si fermeranno alla scena da ridere e ai dialoghi sferzanti quando invece la serie offre una lettura molto profonda sui tempi che viviamo e su come ci sentiamo o forse dovremmo sentirci rispetto a questa vita, a questo universo.
E' una piccola Mad Men con uno stile tutto nuovo, frizzante e irriverente.
Il nome dietro questo successo è uno solo. Un nome che spesso ho citato in altre recensioni e qui trova massima espressione: Phoebe Waller Bridge.
Attrice guarda caso londinese, guarda caso 33enne che debuttò con Fleabag nel 2016 e che da allora è diventata sempre di più un nome di prestigio nell'ambiente seriale.
Eh si, perchè Phoebe Waller Bridge non è solo l'attrice protagonista di Fleabag ma ne è anche regista, autrice, produttrice. Avete presente quell'altro fenomeno seriale di nome "Killing Eve"?
Anche li la mente dietro tutta l'operazione è la sua.
Vi ho ripetuto incessantemente che sentirete parlare di questo nome. Adesso, visto il successo globale di Fleabag, ne avete la conferma.
6 ore per recuperare entrambe le stagioni.
Quindi, cosa aspettate?
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