Episode 3 had a slow pace, i know most people want to see the cool flying and action scenes but i liked this origin story episode.

TV Series
Lanterns is an American superhero television series created by Chris Mundy, Damon Lindelof, and Tom King for HBO, based on the DC Comics Green Lantern characters Hal Jordan and John Stewart. It is the third television series in the DC Universe (DCU). It features experienced Lantern Jordan and new recruit Stewart as they investigate a murder on Earth that leads to a wider mystery. The series was produced by DC…
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Episode 3 had a slow pace, i know most people want to see the cool flying and action scenes but i liked this origin story episode.
This episode was decenT, i see They are vTaking Their Time wiTh The ploT Though, buT im paTienT
Con el estreno de "Bad Optics", sexto episodio de Lanterns, se dio comienzo a la etapa final de la temporada, de la cual tengo gran expectativa, no solamente por el hecho de la resolución del verdadero caso que expone la serie, sino para saber cuál es la conclusión de sus dos protagonistas. En esta oportunidad, parte de la escritura del guion provino de Damon Lindelof, quien no ocupó ese rol desde el primer episodio, pero en los últimos tres (contando este) sí será parte de los guionistas, lo cual considero que puede ser perfecto porque, como dije anteriormente, tengo expectativas en que el cierre demuestre gran calidad en la narrativa.
With the premiere of “Bad Optics,” the sixth episode of Lanterns, the season’s final stretch has begun—and I have high expectations for it, not only because of the resolution of the real-life case the series explores, but also to find out what the outcome will be for its two main characters. This time, part of the script was written by Damon Lindelof, who hadn’t taken on that role since the first episode, but he will be part of the writing team for the last three episodes (including this one)—which I think could be perfect because, as I’ve said before, I hope the finale showcases exceptional narrative quality.
Este episodio es de suma importancia porque funciona primeramente como complemento para después ser continuación de la impactante escena final del primer episodio. Este fue otro gran ejemplo de la funcionalidad del relato, en donde diferentes géneros convergen para que el relato sea sumamente mejor; en esta oportunidad, la historia o el episodio está netamente relatado desde el punto de vista de John, lo cual es más que perfecto porque es a quien debemos ver en sus cambios o, mejor dicho, crecimiento desde el momento en que rechazó portar el anillo de Linterna Verde, pero eso no quiere decir que su prueba haya terminado porque 10 años después, Hal confía más que nunca en él para poner fin al gran caso de esta serie.
This episode is of utmost importance because it first serves as a complement to—and then as a continuation of—the shocking final scene of the first episode. This was another great example of how the narrative works, where different genres converge to make the story so much better; this time, the story—or episode—is told entirely from John’s point of view, which is absolutely perfect because he is the one whose changes—or rather, growth—we need to witness from the moment he refused to wear the Green Lantern ring. But that doesn’t mean his trial is over, because 10 years later, Hal trusts him more than ever to bring this series’ major case to a close.
Posiblemente, este fue el episodio con más fanservice en la temporada al ser el que verdaderamente oficializa esta producción como parte del DCU, algo que para muchos era una obviedad, pero para la historia en sí no. Así que, por primera vez en Lanterns, podemos escuchar referencias de otras producciones como "Superman" (2025) y "The Suicide Squad" (2021), así como el nombramiento, por así decirlo, de Batman, pero no hay ninguna duda de que la oficialización ocurre en el momento de la aparición de "Guy Gardner" quien pone cierre al misterio del anillo, pero que también aporta ciertas teorías que seguramente pronto serán reveladas; justamente el renglón de teorías, más que nada en revelar a un asesino, proviene de en qué se ha convertido el pueblo fantasma de Rushville, si es un lugar para nuevos aliens o de la existencia de algún remanente de algún criminal de guerra, misterios más que evidentes en el episodio.
This was likely the episode with the most fan service of the season, as it’s the one that truly establishes this production as part of the DCU—something that was obvious to many, but not to the story itself. So, for the first time in Lanterns, we hear references to other productions like Superman (2025) and The Suicide Squad (2021), as well as the “naming,” so to speak, of Batman—but there’s no doubt that the official recognition occurs when “Guy Gardner” appears, putting an end to the mystery of the ring, but also introduces certain theories that will surely be revealed soon; precisely this line of theories—more than anything about revealing a killer—stems from what the ghost town of Rushville has become: whether it’s a haven for new aliens or the site of some remnant of a war criminal—mysteries that are more than evident in the episode.
Ahora, con respecto a lo que más impacto me generó del episodio, proviene de cómo tanto el personaje de Kerry como el de John narran sus (breves) vivencias con Hal en el 2026. Por supuesto que el relato de Kerry es mucho más extenso por la decisión de Hal de vivir en Rushville, lo cual nos prepara para la despedida de Hal y lo que creo que en una gran parte de la historia del episodio hace referencia a reparar los daños causados, algo que parece ser imposible tanto para Hal como para John, que tomaron la responsabilidad de lo hecho hace 10 años, sabiendo que posiblemente esa redención no se obtenga. pero de ahí la importancia en la manera en que deciden despedir a Hal y el gran peso que tiene el eulogio fúnebre escrito por el mismo Hal lo cual posiblemente sea la gran enseñanza final a su aprendiz; toda esa breve escena tiene una carga sentimental que todavía no ha terminado de impactar hasta el momento de ver el próximo episodio de la serie que seguramente estará enfocado en Hal Jordan y su vida antes de ser un Linterna Verde y es que la frase "Espero que haya valido la pena" creo que es un sentimiento universal para quien decide despedirse antes de tiempo, el alcanzar las expectativas de otros es un peso brutal y eso lo conllevó Hal causando su estrepitosa caída; es evidente que mi opinión demuestre que por los momentos esa es mi escena favorita de la serie y lo cual me genera gran expectativa a saber que sucedera en los dos episodios finales.
Now, as for what made the biggest impression on me about the episode, it comes from how both Kerry’s and John’s characters recount their (brief) experiences with Hal in 2026. Of course, Kerry’s account is much longer because of Hal’s decision to live in Rushville, which sets the stage for Hal’s farewell and what I believe is a major theme of the episode: making amends for the damage caused—something that seems impossible for both Hal and John, who took responsibility for what happened 10 years ago, knowing that redemption might never come. But that’s why the way they choose to say goodbye to Hal is so important, as is the immense weight of the eulogy written by Hal himself—which may well be the ultimate lesson for his apprentice. That entire brief scene carries an emotional weight that hasn’t fully sunk in yet, at least not until we see the next episode of the series, which will surely focus on Hal Jordan and his life before becoming a Green Lantern. The phrase “I hope I mattered”—I think that’s a universal sentiment for anyone who decides to say goodbye before their time. Living up to others’ expectations is a crushing burden, and that’s what led Hal to his spectacular downfall. It’s clear from my opinion that, for now, this is my favorite scene in the series, and it has me eagerly anticipating what will happen in the final two episodes.
Cover image edited in canva; the image was taken from the following source
I have used deepl.com as a translator
Rating: 100/100
Originally posted through scrobble.life/tv.
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This review will be somewhat different from the ones I’ve done lately. Instead of analyzing a movie or an entire season of a series, I’ll be focusing on one specific episode. So I’ll try to be as direct as possible, since my intention is for this post to serve as a continuation of my previous review of the first five episodes of Lanterns LANTERNS | EPISODES 1–5 (If you haven’t watched the series, I recommend doing so before reading this review, as it will contain spoilers.)
On Sunday, September 20, the sixth episode, titled “Bad Optics,” premiered. The story continues with a time jump to the present, showing us how John Stewart carried on with his life after declining to become Earth’s new Green Lantern. Ten years after the disaster caused by the Manhunters in the town of Rushville, John became a successful architect, while Hal Jordan was arrested and apparently expelled from the Green Lantern Corps, being replaced by the already-famous Guy Gardner.
I’m glad to finally see Guy make his appearance. Ever since the film "Superman" (2025), he has been a recurring character in this new DC Universe, and we now know that he is indeed Hal Jordan’s replacement as the protector of Sector 2814. If there is a second season, I think Guy Gardner would make a good co-star, since he shares certain similarities with John Stewart: apparently, they both knew Hal and were deeply disappointed by him. However, we still need an explanation of what makes him worthy of wielding the ring, since, from my point of view, he is far too stupid to be a competent Green Lantern.
Continuing the plot, John Stewart travels back to Rushville to meet Hal Jordan again after Hal is released from prison. Following an argument in which John punches Hal in the nose, John leaves the scene. However, a few hours later, he receives a call from the sheriff, who informs him that Hal Jordan’s body has been found in the bleachers of a football field.
This is undoubtedly the mystery that has drawn many viewers to the series and, of course, has become the subject of controversy and debate. Hal Jordan is, after all, the most famous Green Lantern in DC Comics, having starred in countless cosmic adventures in the comics. He is practically the icon of the DC franchise. Killing him off just like that, without showing us in depth who he was as a superhero, seems like an appealing proposition for this new cinematic universe.
It was only natural to expect them to eventually announce origin movies for all their major characters, just as Marvel Studios did. But DC Studios seems to have something different in mind, and if their plans are bold enough to sacrifice their flagship Green Lantern, it appears that James Gunn and Peter Safran are willing to take risks in order to show us something promising.
This episode focuses on John Stewart, out of respect for Green Lantern, organizing the funeral arrangements for the late Hal Jordan… Or so it seems. After performing an autopsy on the body, they determine that Hal was shot in the head at close range and that there were no signs of resistance. Among his belongings, they find a key to a warehouse, so John and the sheriff go there to see what is inside. They discover a kind of high-tech alien cube that serves as a security system. Whatever it contains can only be opened using Hal Jordan’s physical voice. Since he is dead, they leave the place. That is when John gets the idea of holding Hal’s funeral.
He contacts Guy Gardner and asks him to go to Oa and bring Hal’s ring—the ring the Guardians are keeping in a vault—so that Hal can be buried wearing his Green Lantern uniform.
I have to say that the episode feels drawn out because it focuses so much on the funeral arrangements, especially since we eventually discover that they were unnecessary.
In the end, we learn that John’s real objective was to retrieve Hal’s ring. Some may think this represents a setback in his character development, since he rejected becoming a Green Lantern in the previous episode. However, I think there is a logical explanation: John Stewart knew about this backup copy of Hal Jordan projected by his ring, so I don’t think it is a coincidence that he came up with the idea of holding the funeral after learning that he needed a physical voice sample from Hal Jordan.
If I’m right, it would be an incredibly convoluted plan just to obtain Hal’s ring. I mean, was it really necessary to exhume the coffin? Why not simply take it from the body during the ceremony? Only three people attended. Or why not just ask Guy Gardner to hand it over? That is what I mean when I say the entire episode feels drawn out.
In any case, there are two episodes left to complete the season, and I think the focus will now shift to solving the mystery behind Hal Jordan’s death. There are no clues as to who his killer might be, but whoever it is will surely continue causing trouble in Rushville.
Está review será algo diferente a las que he hecho últimamente, a diferencia de analizar una película o la temporada de una serie, voy a enfocarme en un episodio en específico. Así que trataré de ser lo más directo posible, ya que mi intención es que está publicación sea una continuación de mi review anterior sobre los primeros 5 episodios de lanterns LANTERNS | EPISODES 1-5 (Si no te has visto la serie, te recomiendo hacerlo antes de leer esta Review, ya que contendrá Spoilers de la misma)
El domingo 20 de septiembre se estrenó el sexto episodio titulado "Bad Optics" y la historia continua con una elipsis hacia el presente, mostrándonos como Jonh Stewart continúo con su vida tras renunciar convertirse en el nuevo linterna verde de la tierra. 10 años después del desastre provocando por los "Manhunters" en el pueblo de Rushville, Jonh se convirtió en un exitoso arquitecto mientras que Hal Jordan fue arrestado y aparentemente expulsado del cuerpo de linternas verdes, siendo sustituido por el ya famoso Guy Garner.
Me alegra ver qué Guy por fin hace su aparición, desde la película de Superman (2025) ha sido un personaje recurrente en este nuevo universo DC, y ahora sabemos que efectivamente es el sustituto de Hal Jordan para proteger el sector 2814. Creo que en el caso de que se haga una segunda temporada, Guy Garner sería un buen coprotagonista, ya que tiene similitudes con Jonh Stewart: aparentemente ambos conocieron a Hal y se llevaron una gran decepción. Pero aún hace falta una explicación para entender que lo hace digno para portar el anillo (Ya que desde mi punto de vista, es un sujeto muy imbécil para ser un competente linterna verde)
Continuando con la trama, Jonh Stewart viaja de nuevo a Rushville para encontrarse nuevamente con Hal Jordan tras ser liberado de prisión, tras tener una discusión en el que Jonh le rompió la nariz a Hal de un puñetazo, Jonh se retira del lugar, sin embargo, a las horas recibe la llamada del alguacil, quien le informa que encontró el cadáver de Hal Jordan en las gradas de un campo de fútbol.
Este es sin duda el misterio por el que muchos espectadores están viendo la serie y por supuesto, ha sido tema de polémica y debate: Ya que Hal Jordan es por excelencia el linterna verde más famoso de DC comics, el que ha protagonizado muchas aventuras espaciales en los cómics, es prácticamente el icono de la franquicia de DC. Eliminarlo así nada más sin mostrar a profundidad quien era como Superhéroe me parece una propuesta atractiva para este nuevo universo cinematográfico.
Era de esperarse que un momento dado anunciarán una película de origen para todos sus personajes importantes, así como lo hacía Marvel Studios. Pero DC Studios parece tener algo diferente en mente y si sus planes son tan arriesgados como para sacrificar al Green Lantern insignia, parece que James Gunn y Peter Safran quieren correr riesgos para mostrarnos algo prometedor.
Este episodio se enfoca en que Jonh Stewart (por respeto a linterna verde) organiza los preparativos funerarios del difunto Hal Jordan... O eso parece: Y es que tras hacerle una autopsia al cadáver, solo determinan que recibió un disparo a corta distancia en la cabeza y no hubo resistencia. Entre sus pertenencias, se encontraba la llave de un almacén, así que Jonh y la alguacil van a ver qué hay en ese lugar: encontrándose con una especie de cubo de alta tecnología alienígena que sirve como sistema de seguridad, sea lo que sea lo que contenga adentro solo se abrirá ante la voz física de Hal Jordan, y como este está muerto, pues solo abandonan el lugar; ahí es cuando John tiene la idea de hacerle el funeral a Hal.
Por lo que se pone en contacto con Guy Garner para pedirle que vaya a Oa y traiga el anillo de Hal (Anillo que los guardianes tienen resguardado en una bóveda) para que así esté sea enterrado con su traje de linterna verde.
He de decir que el episodio se siente alargado por enfocarse tanto en los arreglos fúnebres (En especial porque al final vemos que no hacían falta)
Al final se nos revela que el verdadero propósito John era recuperar el anillo de Hal, y tal vez muchos piensen que puede ser un retroceso en su desarrollo ya que este había rechazado ser linterna verde en el episodio anterior, pero creo que esto tiene una explicación lógica: John Stewart conocía la existencia de esta copia de seguridad de Hal Jordan que proyectaba su anillo, así que no creo que sea coincidencia que se le ocurriera organizar el funeral tras saber que necesitaba una muestra de voz física de Hal Jordan.
Si tengo razón, sería un plan muy rebuscado con tal de conseguir el anillo de Hal. Digo ¿Era necesario desenterrar el ataúd? ¿Porque no solo se lo quitó al cadáver en la ceremonia? (Solo asistieron 3 personas) O ¿Porqué no solo le pidió a Guy Garner que se lo entregará?: A eso me refiero conque todo el episodio se siente alargado.
En fin, faltan 2 episodios más para completar la temporada y creo que ahora toca descifrar el misterio tras la muerte de Hal Jordan, no hay pistas sobre quien pueda ser su asesino, pero seguramente seguirá causando problemas en Rushville.
Rating: 70/100
Originally posted through scrobble.life/tv.
A pesar de que el cuarto episodio de Lanterns debió funcionar como un "midseason", fue después de ver "Lights Out", quinto episodio de la serie, al que puedo señalar como el que verdaderamente funciona como un punto y aparte en esta historia, y eso se debe a lo resolutivo en lo que es el caso que llevó a Hal y John a Rushville, pero no es solamente eso, ya que funciona también como el final para todo lo que conlleva esa extraña relación entre un experimentado Linterna Verde y quien debió ser su aprendiz.
Although the fourth episode of Lanterns was meant to serve as a “midseason” episode, it wasn’t until I watched “Lights Out,” the series’ fifth episode, that I realized it truly marks a turning point in this story, and that’s because of how decisively it resolves the case that brought Hal and John to Rushville—but it’s not just that, since it also serves as the conclusion to everything surrounding that strange relationship between a seasoned Green Lantern and the one who was supposed to be his apprentice.
Este fue un episodio más que sorpresivo, a pesar de tener la noción o, mejor dicho, la convicción de que sería como un final por el hecho de la resolución del caso en el 2016; el asunto es la manera en cómo se pone fin y las consecuencias inmediatas como posteriores después de cerrar el caso, lo cual, como es de esperar, está muy unido a los personajes de Hal, John y, por supuesto, el anillo de Linterna Verde. Como he repetido en anteriores reseñas, el miedo es un factor influyente en la serie y la presencia de dicho miedo hace que las acciones de los personajes sean caóticas, egoístas y a la vez terroríficas; muchas de esas acciones están motivadas por el hecho de perder el poder de un lugar o de algo en específico, lo cual al final les hará perder todo, lo cual me pareció perfecto porque para el final de ese episodio no existió absolutamente nadie victorioso.
This was a truly surprising episode, even though I had a hunch—or rather, the conviction—that it would feel like a finale given that the case had been resolved in 2016; the issue is the manner in which it comes to an end and the immediate and subsequent consequences after the case is closed, which, as expected, is closely tied to the characters of Hal, John, and, of course, the Green Lantern ring. As I’ve mentioned in previous reviews, fear is a major factor in the series, and the presence of that fear makes the characters’ actions chaotic, selfish, and terrifying all at once; many of these actions are driven by the fear of losing power over a place or something specific, which ultimately leads them to lose everything—a development I found perfect because, by the end of that episode, there was absolutely no one left standing as a victor.
La acción, el humor y el drama fluyen de una manera más que perfecta; las escenas de acción son simples, ajustadas al presupuesto de la producción televisiva, pero eso no evita que sean muy bien maquetadas, lo cual hace que se ponga fin a ciertos acontecimientos en la historia. La comedia proviene del uso del humor negro usado por "Hal" en donde el sarcasmo se convierte en un arma, lo cual le da un encanto más que característico del personaje. Ahora, con respecto al drama, es ahí donde existe una gran escritura porque se da profundidad y desarrollo a los personajes, en especial al de "John", quien debe enfrentar lo que posiblemente sea su gran miedo, al cual no estaba dispuesto a enfrentar o seguramente no tenía una noción sobre eso, pero las innumerables pruebas que debe pasar en este episodio, es más que notorio que su personaje esté dispuesto a dar un paso adelante.
The action, humor, and drama flow together perfectly; the action scenes are simple, tailored to the television production’s budget, but that doesn’t prevent them from being very well choreographed, which helps bring certain events in the story to a close. The comedy stems from “Hal’s” use of dark humor, where sarcasm becomes a weapon, giving the character a truly distinctive charm. Now, as for the drama, that’s where the writing truly shines because it gives depth and development to the characters, especially “John,” who must face what is possibly his greatest fear—one he wasn’t willing to confront or was likely unaware of—but given the countless trials he must endure in this episode, it’s abundantly clear that his character is ready to take a step forward.
Este es un episodio con una gran carga emotiva; primeramente, Hal Jordan comienza lo que puede ser su viaje final como un Linterna Verde y eso le lleva a generar un grado de desesperación que, en mi opinión, no he visto a ningún otro héroe (de cómics) experimentar. Es impresionante cómo pierde completamente la perspectiva de todo y, aunque en sus acciones realiza actos heroicos, la realidad es que está tan cegado por el miedo de perderlo todo que va cometiendo innumerables errores y eso me generó tristeza, la misma que tuve al verlo en el final del primer episodio; ahora, refiriéndome a John Stewart, para mí esta es la interpretación que más me ha gustado del personaje, uno que no sé si decir que tocó fondo, pero sí tiene una perspectiva mejor de lo que posiblemente sea un Linterna Verde o cómo un humano debe lidiar con el poder de un Linterna, y eso me hizo ver una grata, merecida y necesaria evolución del personaje que tiene el poder de dejar todo sin usar el miedo como motivo, sino que en su convicción como persona, no quiere ser un instrumento más, lo cual le lleva a expresar sus sentimientos en plena libertad. He disfrutado mucho estos 5 episodios y, sin tener que repetir esta frase con alguno de los tres últimos episodios próximos a estrenar, estoy convencido de que este es el que más me ha gustado; es sumamente perfecto en escritura, actuación, dirección y me genera gran expectativa para la conclusión de toda esta historia.
This is a deeply emotional episode; first of all, Hal Jordan embarks on what may be his final journey as a Green Lantern, and that leads him to experience a level of despair that, in my opinion, I haven’t seen any other (comic book) hero go through. It’s striking how he completely loses perspective on everything, and although his actions are heroic, the reality is that he’s so blinded by the fear of losing it all that he makes countless mistakes—and that made me feel sad, just as I did when I saw him at the end of the first episode; Now, speaking of John Stewart, for me this is the portrayal of the character I’ve liked the most—one where I’m not sure if I’d say he hit rock bottom, but he does have a better perspective on what it means to be a Green Lantern or how a human should deal with the power of a Lantern, and that made me see a welcome, well-deserved, and necessary evolution of the character—one who has the power to walk away from it all without using fear as a motive, but rather out of his conviction as a person; he doesn’t want to be just another tool, which leads him to express his feelings with complete freedom. I’ve really enjoyed these five episodes, and—without having to repeat this line for any of the last three episodes set to premiere soon—I’m convinced that this is the one I’ve liked the most; it’s absolutely perfect in terms of writing, acting, and direction, and it has me eagerly anticipating the conclusion of this entire story.
Cover image edited in canva; the image was taken from the following source
I have used deepl.com as a translator
Rating: 100/100
Originally posted through scrobble.life/tv.
Green Lantern has always been a very important superhero in the fictional universe of DC Comics, as he belongs to a space defense force called the “Green Lantern Corps,” which dispenses justice throughout the universe. However, adapting his elements into live action has not been easy.
Many people probably know the character from that critically panned 2011 film starring Ryan Reynolds. (That movie was how I first discovered the superhero.) Thanks to that production, I was able to realize just how vast Green Lantern’s story is. But I also became aware of certain obstacles involved in adapting it as an entertainment product.
The story of an Air Force pilot who encounters an alien that gives him a magical ring, allowing him to create and do anything he can imagine, works very well in an animated format. However, it is not something that translates easily to live action because it is so fantastical—and that places heavy demands on visual resources such as CGI.
But "Lanterns" is not the origin story of the Green Lantern most people know, Hal Jordan. Instead, Hal already has 30 years of experience as a superhero and serves as a mentor to his apprentice and perhaps his future replacement, John Stewart.
DC Studios seems to have understood something fundamental: not every comic-book character needs to be adapted exactly or follow the structure of a traditional superhero movie. The series’ first five episodes focus on a small-town police mystery involving an extraterrestrial-related conspiracy. This is the storyline that will be used to introduce Green Lantern into the new DC Universe. Although I have only watched half of the first season, I can already see that it is an interesting production, especially in the way it builds characters who constantly demonstrate their superpowers.
If I had to describe what works about this grounded approach, I would say it is the effort to show what it means to be a “Green Lantern” from another perspective: that of an ordinary person who, through hard work, manages to leave fear far behind. That virtue is what defines John Stewart’s character.
The series draws on recognizable elements of the police procedural genre, but combines them with Green Lantern’s cosmic mythology. I believe the Green Lantern universe will gradually be revealed until it becomes part of both the protagonist’s and the viewer’s world. For now, there have only been explanations about Oa, the Guardians, and the power rings, but the script prefers to limit and regulate the information in order to preserve the mystery surrounding Hal Jordan.
The writing of Hal Jordan and John Stewart has particularly caught my attention because they are the protagonist and co-protagonist. Their relationship is not built simply as that of a mentor and apprentice. There is constant friction between their personalities, and that is because they both know a hidden truth but do not share it with each other due to their mutual distrust.
Kyle Chandler portrays Hal Jordan as a veteran who has lived through countless adventures across the universe—so many that he has developed severe emotional exhaustion, blurring his image as a hero. Meanwhile, Aaron Pierre gives John Stewart considerable complexity by portraying him as someone who was literally raised to overcome fear. The episode centered on John’s past demonstrates that the series is made for him, explaining who he is before turning him into the superhero from the comics.
Visually, "Lanterns" has a modern aesthetic that is already very different from the 2011 film—and that is something to be grateful for. It distances itself from the look many people might expect from a Green Lantern production.
In fact, that is what makes it so surprising: this aesthetic gives the moments connected to the cosmic universe a greater impact. Whenever something appears that reminds viewers they are watching a science-fiction story set in the DC Universe, it feels like fan service. There is humor, but it generally comes from the characters’ personalities rather than from jokes inserted forcibly.
"Lanterns" takes its time, and I think these five episodes could have made up a complete season on their own. It has action and comedic scenes, but it is a series driven by conversations and carefully chosen moments of action. The show requires us to get to know its characters in depth, so this long preamble before entering the final stretch creates anticipation for what comes next—that is, the three episodes still left in the season.
I had intended to watch the entire season once it concluded, as I usually do, but I decided to take advantage of this opportunity. I think I came in at a good time: the story has reached its highest point of intrigue and tension, so I am eager to see what happens next.
"Lanterns" is especially promising for the new DC Universe. For the moment, the series seems disconnected from it. There are elements such as the sheriff being from Gotham City, but little else. The connections are there, though I assume the creators do not want the series to depend on references. (Even so, I hope we get a mention of or an appearance by Guy Gardner.) It is good to see DC expanding the universe considerably without turning the series into a cameo festival.
After five episodes, the impression is clear: Lanterns does not intend to be simply “the Green Lantern series.” It is an enriched story that uses Green Lantern mythology as a driving force to bear witness to something much larger. If it maintains this balance throughout the final episodes, it could become one of the best series in the new DCU.
Linterna verde siempre ha sido un superhéroe muy importante en el universo ficticio de los cómics de DC, ya que pertenece a una fuerza de defensa espacial llamada "Green Lantern Corps" que imparte la justicia en todo el universo. Sin embargo, no ha sido fácil adaptar sus elementos al formato Live Action.
Creo que muchos conocerán al personaje de aquella criticada película estrenada en 2011 protagonizada por Ryan Reynolds (Fue gracias a esa película que conocí al superhéroe), y fue gracias a esta producción que pude darme cuenta de lo vasta que es la historia de linterna verde. Pero también pude darme cuenta de ciertos impedimentos en su ejecución como producto de entretenimiento...
La historia del piloto de la fuerza aérea que se encuentra con un alienígenas que le hace entrega de un anillo mágico que le permite crear y hacer todo lo que se puede imaginar funciona muy bien en un formato animado, pero no es algo que funcione en Live Action por ser muy fantasioso (eso es algo demandante para los recursos estéticos como el CGI)
Pero Lanterns no es la historia de origen del Green Lantern que se conocía (Hal Jordan), sino que este al ya tener 30 años de experiencia siendo un superhéroe, funge como el mentor de su aprendiz y tal vez su futuro sustituto (John Stewart)
DC Studios parece haber entendido algo fundamental: no todos los personajes de cómic necesitan ser adaptados con exactitud o seguir la estructura de una película de superhéroes tradicional. Los primeros cinco episodios de la serie están centrados en el misterio policial en un pueblo pequeño que gira entorno a una conspiración relacionada con extraterrestres, está es la trama que se usará para introducir a Green Lantern en el nuevo Universo DC. Aunque solo he llegado a ver la mitad de la primera temporada, veo que es una producción con una propuesta interesante al construir personajes que demostrar constantemente sus super poderes.
Si tuviera que describir lo bueno de este enfoque terrestre, sería el de tomarse la molestia de mostrar lo que significa ser "linterna verde" desde otra perspectiva, como la de una persona normal que a base de esfuerzo consigue dejar el miedo muy atrás. Esa virtud es la que define al personaje de John Stewart.
La serie toma elementos reconocibles del género policial (series de detectives), pero los combina con la mitología cósmica del lore de Green Lantern. Creo que el universo de los Green Lanterns se va a ir revelando gradualmente hasta que forme parte del mundo del protagonista y del espectador. Por los momentos solo hay explicaciones sobre Oa, los Guardianes o los anillos de poder, pero el guion prefiere minimizar o regular la información para dejar abierto el misterio detrás del personaje de Hal Jordan.
Y es que la escritura de Hal Jordan y John Stewart me llama la atención por ser protagonista y coprotagonista. La relación entre ambos no se construye simplemente como la de un mentor y su aprendiz: existe una fricción constante entre sus personalidades, y eso es porque hay una verdad oculta que ambos saben pero no se comparten debido a la mutua desconfianza que se tienen.
Kyle Chandler interpreta a un Hal Jordan veterano que ha vivido muchas aventuras por el universo, tantas que ha desarrollado un desgaste emocional severo que ha desdibujado su imagen de héroe, mientras que Aaron Pierre consigue darle a John Stewart una complejidad al ser alguien que literalmente fue criado para sobreponerse al miedo. El episodio centrado en el pasado de John demuestra que la serie está hecha para él al explicar quién es antes de convertirlo en el superhéroe de los cómics.
Visualmente, "Lanterns" tiene una estética moderna que ya es muy diferente a la película del 2011 (Y eso es de agradecerse), se distancia de ese aspecto que muchos podrían esperar de una producción sobre Green Lantern.
Y de hecho, eso es lo sorprendente, esa estética hace que los momentos relacionados con el universo cósmico tengan mayor impacto. Cuando aparece algo que le recuerda al espectador que esta viendo una historia de ciencia ficción del universo DC, se siente como fanservice. Hay humor, pero generalmente nace de la personalidad de los personajes y no de chistes introducidos a la fuerza.
"Lanterns" se tomo su tiempo y creo que estos 5 episodios pudieron ser una temporada completa por si sola. Tiene sus escenas de acción y comedia, pero es una serie que se desarrolla por conversaciones y determinados momentos de acción. La serie requiere que conozcamos a sus personajes a profundidad, por lo que este gran preámbulo antes de entrar en la recta final marca un punto de interés para lo que viene después (Me refiero a los 3 capítulos que aun faltan por ver en esta temporada).
Tenia la intención de verme la temporada entera una vez que concluyera (Es lo que suelo hacer por costumbre, pero quise aprovechar la oportunidad) y creo que llegue en un buen momento, la historia llego en su punto máximo de intriga y tensión, por lo que estoy expectante de lo que vendrá a continuación.
"Lanterns" resulta especialmente prometedora para el nuevo universo DC. De momento, la serie parece desligada, digo, hay elementos como que la alguacil sea de ciudad gótica, pero nada más. Las conexiones están presentes, pero supongo que no quieren depender de las referencias. (Aun así espero una mención o una aparición de Guy Gardner). pero es bueno saber que DC empiezan a expandir considerablemente el universo sin convertir la serie en un festival de cameos.
Después de cinco episodios, la impresión es clara: "Lanterns" no pretende ser simplemente "la serie de Green Lantern". Es una historia enriquecida que utiliza la mitología de Green Lantern como motivante para ser testigo de algo mucho más grande. Si mantiene este equilibrio durante los episodios finales, podría convertirse en una de las mejores series del nuevo DCU.
Rating: 97/100
Originally posted through scrobble.life/tv.
Lanterns has been a pleasant surprise, building up narrative momentum from episode to episode, which in my opinion has been one of its strongest suits and what has kept me completely hooked. Everyone is talking about the 5th episode, and with good reason, because the story has reached a peak that earned it top scores on review sites like IMDb, easily surpassing the 90-point mark. And it is well-deserved—the dramatic weight and the pacing of its revelations could have seamlessly served as a miniseries finale, leaving us at the absolute height of the conflict.
In this episode, the tension in the small town of Rushville finally boils over when it is revealed that the townspeople, including Sheriff Carrie, have spent years protecting Zoe—the last of the Manhunters—because she healed their illnesses or gave them a second chance at life. On the flip side, we see Hal Jordan manipulating Anton into raiding Makin's ranch, setting off a firefight straight out of Call of Duty, culminating in a raw confrontation between Hal and John Stewart. John ultimately strips the ring from Hal and sets a trap for Zoe, ripping out her crystal heart to hand it over to the Guardians. He completes the mission, but it's a hollow, bitter victory because he has completely lost faith in the cause.
For me, this episode cements the show's true identity: Lanterns isn't your average superhero story, it feels much more like a gritty detective and crime thriller. When you break it down, the Green Lanterns are space peacekeepers whose only real requirement for the job is the ability to overcome fear.
Because of that, they are susceptible to human flaws like a thirst for power, greed, and corruption. They aren't infallible, and least of all the Guardians—beings who are supposed to be above it all, yet made catastrophic mistakes and now manipulate others as expendable pawns. Hal Jordan knows this, but the prestige and privilege of the ring have made him addicted to that power, pushing him past any ethical boundary just to hang onto it.
And right in the eye of this storm is John Stewart, the ideal soldier who has spent his entire life following orders, with everyone trying to mold him. What a brilliantly written character, portrayed masterfully by Aaron Pierre. Finally taking the ring back from Hal—something we were all practically screaming for—didn't feel the way I expected it to, and the show captures that brilliantly: there was no glory, no satisfaction.
It felt empty and devastating. Winning the game—even when doing what seems right—doesn't always bring relief, and the show hits that note perfectly with John preserving his integrity and breaking away from a corrupt system. He does this when he confronts the Guardian Liana and leaves the ring on the table, rejecting that power and subverting the traditional superhero origin story, landing a powerful message that I absolutely loved: it's not worth becoming a hero if you have to lose yourself in the process.
Rating: 90/100
Originally posted through scrobble.life/tv.
El cuarto episodio de Lanterns, llamado "The Weenie", nos informa que se ha llegado a la mitad de la temporada y, por supuesto, nos acerca a lo que por los momentos es un inesperado final. El título para este episodio hace referencia a un término usado en arquitectura y explicado de buena y breve manera en el mismo episodio, lo cual nos da una perspectiva de cómo se pueden usar señuelos para (por supuesto) atraer la atención; este es un tema recurrente en el episodio que considero es el más dinámico y divertido que los dos primeros.
The fourth episode of Lanterns, titled "The Weenie," marks the halfway point of the season and, of course, brings us closer to what is, for now, an unexpected ending. The title of this episode refers to a term used in architecture and explained clearly and concisely within the episode itself, which gives us insight into how decoys can be used to (of course) attract attention; this is a recurring theme in the episode, which I consider to be more dynamic and entertaining than the first two.
En esta oportunidad, el relato de la historia es más que fundamental porque, al llegar a la encrucijada de la temporada, era necesario dar un salto importante en la historia y justamente temía que hubiera muchos atajos para poder responder a algún que otro misterio generado en los episodios anteriores, pero la realidad es que Vanessa Baden Kelly, guionista del episodio, hizo más que un buen trabajo, ya que pudo mantener la relevancia de ciertos aspectos, principalmente en los obstáculos que deben enfrentar ambos personajes cuando estaban trabajando en resolver el importante caso en el 2016.
This time around, the storytelling is absolutely crucial because, as we reach the season’s turning point, it was necessary to take a major leap forward in the plot—and I was actually worried there would be too many shortcuts taken to resolve some of the mysteries raised in previous episodes. But the reality is that ** Vanessa Baden Kelly**, the episode’s screenwriter, did more than a good job—she managed to maintain the relevance of certain aspects, particularly the obstacles both characters faced while working to solve that important case in 2016.
Sin restar relevancia a ninguno de los tres episodios anteriormente estrenados, este es el que más he disfrutado por el hecho de disfrutar aún más el tiempo que tienen juntos Hal y John, pero, como dije anteriormente, son los obstáculos que deben enfrentar para poder mantener su relación de tutor y aprendiz, lo que creo que se ha hecho de muy buena manera, ya que ofrece pistas para la resolución del caso del 2016 y también ofrece pistas para lo que es la investigación de un caso del cual seguramente nos adentraremos en los próximos episodios a estrenarse.
Without downplaying the importance of any of the three previously released episodes, this is the one I’ve enjoyed the most because I’ve really relished the time Hal and John spend together, but, as I said before, it’s the obstacles they must face to maintain their mentor-apprentice relationship that I think have been handled very well, since they offer clues to solving the 2016 case and also provide hints about an investigation we’ll surely delve into in upcoming episodes.
Así como ocurrió en el segundo episodio, el fanservice vuelve a hacer apariencia de muy buena manera; ver nuevamente a "Sinestro" y el nombramiento de un importante villano de Hal como Linterna Verde fue una grata decisión, aunque la escena compartida por el antiguo mentor de Jordan junto a este fue de gran importancia porque nos demuestra la mentalidad de un hombre que, cuando tuvo el poder del anillo, usó esa voluntad de imponer para poder surgir y mantener en lo más alto a los Green Lanterns. Como dice el mismo Sinestro, su ambición siempre estuvo presente y tanto Hal como los Guardianes nunca quisieron ver ese aspecto del personaje y todavía el poder que genera sobre Hal usando el miedo de Jordan para hacerlo doblegar fue de los momentos que más disfruté del episodio.
Just as in the second episode, the fanservice makes another great appearance; seeing “Sinestro” again and the appointment of one of Hal’s major villains as a Green Lantern was a welcome decision, though the scene shared by Jordan’s former mentor alongside him was particularly significant because it reveals the mindset of a man who, when he held the power of the ring, used that will to dominate in order to rise to the top and keep the Green Lanterns there. As Sinestro himself says, his ambition was always there, and neither Hal nor the Guardians ever wanted to see that side of his character; yet the power he wields over Hal—using Jordan’s fear to make him submit—was one of the moments I enjoyed most in the episode.
De las ya muchas veces que he visto este gran episodio, me sorprende que su ritmo sea tan bueno, pero también existen otros aspectos, como es la ligereza del relato, y eso que, junto al segundo episodio, posiblemente tenga buenas escenas de acción, pero repito, es la interacción entre sus dos protagonistas lo que también pude disfrutar, ya que la química entre los actores es más que evidente y sus diálogos son divertidos. Eso hace sumamente ameno el episodio porque el humor funciona y, justamente, este episodio tiene el más alto grado de humor en toda la temporada, lo cual considero perfecto porque creo que esa característica puede verse disminuida en los episodios finales. Como dije anteriormente, estamos en la mitad de temporada y mi expectativa es que en los cuatro episodios restantes cuenten con tan buena escritura como la tuvo este episodio; es muy necesario que eso ocurra porque estoy convencido de que desde el sexto hasta el octavo, episodio final de la serie, se enfoque en el verdadero elefante que se esconde en la habitación verde.
Of the many times I’ve watched this great episode, I’m surprised by how well-paced it is, but there are also other aspects, such as the lightheartedness of the story—and even though, along with the second episode, it possibly has some good action scenes, I’ll say it again: it’s the interaction between the two main characters that I also really enjoyed, since the chemistry between the actors is more than evident and their dialogue is funny. That makes the episode extremely entertaining because the humor works, and, in fact, this episode has the highest level of humor in the entire season—which I think is perfect, since I believe that aspect might be toned down in the final episodes. As I said earlier, we’re halfway through the season, and my hope is that the remaining four episodes will feature writing as strong as this one’s; it’s absolutely essential that this happens because I’m convinced that from the sixth through the eighth—the series finale—the show will focus on the real elephant hiding in the green room.
Cover image edited in canva; the image was taken from the following source
I have used deepl.com as a translator
Rating: 100/100
Originally posted through scrobble.life/tv.
Lanterns Episode 3, OutKast is the episode where John Stewart finally shows something more than following everybody orders, follow his mom, Hal Jordan, the Guardians, the guy had not attitude, because his problem with the Guardians is not the usual young Lantern doubting his elders. It goes back to how he was raised. John finds out his father was considered for the ring before Hal Jordan, admitted he was afraid and lost the chance. A Guardian later becomes part of the family decision about John, and after that his parent's raise him to become a Green Lantern and they didnt have much idea what is like to be one, but all they care is no fear at all cost, even though the kid lost a lot of a regular childhood, the show doesnt explain it that way but come on, a kid that stay still while his father takes a shot at the apple on top of his head, John didnt even flinch. John did not grow up just wanting this job, his parent's built his whole childhood around being ready for it, even knowing he might end up hating them for it, and that is way more interesting to me than the usual hero origin where somebody dreams about the ring for years and finally earns it. Getting close to it does not feel like a win by itself when you have been pushed toward the same destination your whole life. His parent's make more sense once you know what happened to his father, but that does not make their choices easy to accept, they want John achieve what his father couldnt and even though his father might not be around for the entire series at least during this episodes you can tell the guy carry the weight of knowing one scared answer cost him everything. John does not need too much explaining to be told why he has a problem with the Guardians, his childhood already does that for him.
I also think the childhood stuff is fine for now at least because it explains why John Stewart is so controlled by almost everyone who have contact with him through Lanterns, even Macon's wife. His parent's kept him away from anything normal, restricted what he could listen to, limited who he hung out with, and ran him through training meant to kill his fear. The part that gets me most is he spent eighteen years in the same house as his family and still felt like he missed them, that says a lot about what this plan cost him rather than his character been complaining the entire time or having some kind of hate relationship with his parents. His brother's get normal lives while John gets treated like an assignment, so he has all kind of memories that are not normal for a kid but for him it was. The bird detail is small but I like it, his mother tells him birds are connected to the Guardians watching him, so something ordinary ends up tied to the idea that he is always being watched and judged, and later when a bird matters to how John uses his Lantern power it does not feel random anymore and connects after they unfold the entire bird story, it comes from something planted in his head as a kid. This also make the Guardians character a bit creepy to me even when they are not doing anything cruel to him directly but who the hell offers a monther a big ass diamond in exchange of raising his child as he is a marine with still the risk that John might not be the one they would pick after many years of them watching him before he actually work for them because thats another truth and why Hal at this point feel working for or with the Guardians is not worth for a Lantern.
There is that contrast and friction between Hal Jordan and John Stewart that makes things always interesting even though when there is nothing going on and this is brilliant writing, its the fact that this two guys dont like each other but want to work together sometimes and the series knows it but sometimes its just too obvious, boring time lets turn on the love hate switch between this too, but still works, its all based that John spend his life training to be Hal's replacement. Consider John spends nine months on a military operation involving Gray Wolf, only for Hal to show up, interfere and leave a mess behind that gets John the consequences and a dishonorable discharge, and that alone gives John a reason to dislike Hal before the two of them are even competing over the ring. Hal shows up, does whatever he decides in the moment, leaves almost immediately, and still keeps being the Green Lantern while John loses the career he worked for. John was trained to follow a path with discipline, Hal trusts his own judgment way more than any rule written a book, and its clear that in their own way it works, both approaches have problems, John follows orders so easily that I wonder how much room he leaves for his own judgment, and Hal trusts himself so much that other people pay for what he does. That is also what makes John going to art school afterward hit harder for me, art is something he wanted before and was never really allowed to chase, so turning to it once his career falls apart is one of the only times he gets close to choosing something for himself, think about it for a min, that alone says how much this guy has been controlled, he had to wait not only be a grown man and a marine discharged, to then do ONE of the things he most love in life, art.
Then there are this cheeky Guardians of the Universe who do not suddenly look better once John actually gets to them and start plotting against Hal, they dont want to kill him but they do want John to take the ring from him. During the interview he is told he is being considered to replace Hal without Hal knowing about it, and John reacts like somebody who spent his whole life learning that orders matter more than comfort. That should feel like a big moment for him, but it throws me off because any other guy would say "you are the boss, lets go", he finally reaches the people his parent's spent his life preparing him to serve, and one of their first expectations is that he go along with a secret plan involving the man already wearing the ring, thats a big no no for him and he knows it deep inside, thats not him. Even though they pushing John towards exactly what he was raised to want while giving him every reason to be suspicious of the people offering it. I like the Guardian in this scene because she does not need to act threatening, her calm confusion over the difference between raising somebody and programming somebody says enough a lot. John insists humans are raised, not programmed, but the episode already showed how thin that line gets when a kid has one future pushed on him for years. He is not a machine without real choices, he likes art, he has complicated feelings about his family, he can resent Hal, he can admit what he lost, and that proves his parents did not build the exact adult they wanted. Still, the Guardians manipulate him in a way and benefit from all of it anyway, a disciplined candidate who has thought about their standards since childhood and is ready to follow an order just because it is an order, but betraying his not so loved "partner and teacher" hhhmmm thats a tuff order to follow even for John.
From the very first episode its clear Hal is not going to give up the ring period until he is dead, this time Hal tells John straight up that he does not need a partner and that John gets the ring over his dead body, and I like how ugly that makes the competition feel. John spent his life being groomed for this and probably expect a very welcoming teacher who wouldnt give him the ring right away but Hal position is never unless he stops breathing so never while he is alive. Hal reacts like losing the ring would cost him the one thing he cannot let go of, and neither one is treating this like a normal job while the Guardians sit behind both making decisions probably based on a bigger game than this two are trying to play. That is why Lanterns Episode 3, OutKast, leaves me way more interested in John Stewart than I was at the begining, his problem is not just whether he becomes Green Lantern anymore, I care more about what happens once he starts deciding which parts of the life built around him he actually wants to keep, at some point he will bail on the Guardians and decides I will wait for Hal to die? anyways with how wreckless he is I bet John will out live him with or without the ring, but the episode gives him enough reason to want the ring that walking away would not feel freeing, and enough reason to distrust the Guardians that going along with everything they say would feel wrong too. I also like that his anger at Hal has actual history now, Hal wrecked his military career, showed up at his family home before John could share his own news and treated him like a threat the second he got close to the position. John has every reason to resent him, but I do not want that to be the only direction this show goes for a very long time or for the entire season, the best version of John is the one who can still want the ring without letting his parents, Hal, or the Guardians decide what kind of Lantern he ends up being.
Rating: 75/100
Originally posted through scrobble.life/tv.
There is already the opinion on the internet that Lanterns is the best ever tv series made by DC and it seems that as it goes it just gets better, because Episode 2 Trust Fall cracks open the cosmic Green Lantern side of the show without turning Rushville into an afterthought, specially with Hal just going to space and back, its not like Superman where first they develop his story and then down the road you get the space stuff. Initially I worried this town would become a backdrop for lore once the show leaned into Corps history and alien factions that is ultimately the biggest plot of Lanterns, but gladly that does not happen since the town itself as most small town stories becomes a character along with the rest of the citizens. On Trust Fall we got multiple angles to the story as Hal spends the episode figuring out why a town this small has access to technology nobody else on this planet should have, John is still trying to understand what a power ring can actually do, and neither one connects those two puzzles yet, and that gap between what they each know carried the episode because its not only them but gets you to start trying to figure out who is behind all this, even though I think its very obvious. When Hal figures out the football stadium metal detectors were secretly built to flag aliens, it flips his whole investigation, because now there is a real question about how Macon's crew even knew to look for that. He already senses this tech is way past anything a small town should have, so his obsession with Macon stops looking like a stubborn hunch, as he commonly says he trust his guts, and now starts looking like solid ground, although not facts yet. Macon has somebody funding him secretly, and his daughter the sheriff is holding back more than she lets Hal know, and that near an empty hospital gives Hal one more reason to think the town is rotten underneath, there are many things that are not normal. None of it gets solved yet to keep the mistery so Hal have to go and do his own investigation, space police job, and that feels like the right call because it gives motives and character to the entire situation instead of falling into a pure action series, it keeps every clue working instead of getting spent right away.
I bet right now John Stewart is everyones favorite character for now but I bet down the line there will be some questionable actions taken from him, for his screwups tell you more about him but they really pushing with the flashbacks. Take the flying lesson when Hal hands him the ring assuming it will click the same way it did for him decades ago, but John cannot get off the ground and instead a small green bird pops out of nowhere. Hal warns it will vanish the second John stops concentrating on it, except the bird breaks the rules, it keeps flying long after John hands the ring back and it survives the entire time John spends in Coast City with no ring on his finger at all. Even John fails the actual task Hal gave him but stumbles into something Hal himself though would be nearly impossible because first its not normal behaviour and second it should be imposible. Hal has decades of muscle memory telling him how a ring should behave and John keeps breaking those assumptions without even trying, which keeps Hal watching him too closely and hating how much it gets under his skin how a rookie can start doing things he have never been able without any type of expirience, add to that their relationship is still messy and full of friction, but over time it will start shifting little by little. I liked the small detail of Hal's ring running low, which sends John back to Coast City for a battery while Hal digs around Rushville alone. Before flying back John grabs Hal's old uniform out of the closet even though Hal told him to leave it alone, and John still treats the suit like it means something while Hal treats it like a compromise or obligation that he barely tolerates anymore, somehow I guess there is something about been a Lantern that he just doesnt tolerate anymore.
The Manhunter thread start to become the main topic and I like how John is not even close to get some action but then he gets kidnap, temporarly by aliens who grab him off the road, they tell him a Manhunter wiped out their entire species, that they think one survived and is hiding in Rushville and they give John 48 hours to help find it before they start blowing things up themselves. That Manhunter scene makes the situation a lot more dangerous without a stop to explain much about it and it forces John into a real decision about whether he trusts Hal. He is told to keep his mouth shut, and John tells Hal anyway, since John has every reason to keep Hal at a distance because Hal withholds information constantly and John still believes the Coast City assignment was Hal finding a way to get him out of his way but in a sense it was and wasnt, so staying quiet would have been the easier move, and choosing telling him shows how much John sees Hal as a leader and not just and obstacle to get the ring. The idea of a Manhunter doesnt alarm Hal right away or gets him paranoic, but its the fact the Guardians were hiding a Manhunter is what really disturb him once he connects it to Abin Sur and his distrust of the Guardians finally has a real target instead of a vague old grudge. At this point the plot is getting very center focus on the Manhunter, Hal and the Guardians, while John training or becoming Hal succesor is been put aside for now, and on top of all this we havent seen Hal or John doing anything amazing with the ring so far.
Hal Jordan sometimes gets too excited to the point he basically becomes usless, you know like that type of people who are so impatient that when they looking up something on a document scroll up and down hundred of times and get all stress out, well thats Hal right now. He is still impatient, stubborn, and convinced he knows better than everyone else and keeps saying "his guts" know better, but at least he is usually noticing things other people miss. He is the first one to realize something is wrong with the technology in Rushville and I like that the sheriff is not just standing around waiting for him to figure everything out either. She already knew those stadium detectors were not normal and clearly has her own reasons for wanting answers, its like she knows who put them there but dont know the real reason or at least knew this were Alien detectors before Hal. Then Hal been the stubborn he is, walks straight onto Macon's property and gets himself shot because apparently slowing down for five minutes is impossible for this guy, lets keep in mind he is still a human and the ring just a tool. The hospital scene is where we get more context as Hal and the sheriff finally admit they have both been getting in each other's way. I am glad the show moves that relationship forward instead of having them argue about the same stuff again. Hal still sees that something is seriously wrong with this town, but by the end he also has to accept that he cannot do everything himself. John gets the battery and suit he needs, and the sheriff gives Hal information he never would have found on his own and by now its very clear Hal just hates depending on people, but this case is already proving he is going to have to.
The Sinestro scene at the end also worked very well because its those scenes that give the Green Lantern space plot more wings and start to expand instead of feeling like they stuck on this small town. Hal is the reason Sinestro is locked up, so the fact that he goes to see him at all tells you how badly he needs answers. Hal wants information about the Manhunter, but Sinestro quickly turns the conversation toward John Stewart, which I liked because it keeps the ending focused on Hal and John instead of just throwing Sinestro in there for a big surprise cameo and also tells me we going to keep seen Sinestro over the next episodes at some point. That is what I want from the bigger Green Lantern stuff in this show. Use it to make Hal and John's situation more complicated, not to take over the whole story. Trust Fall, is an episodes that you can tell tries to keep the balance of the story and not fall into one side too quick, not much action, more investigation tasks, keep the friction between Hal and John, well between Hal and everybody in town got to say, plus Rushville still feels shady, the Manhunter makes everything a lot more dangerous, and there are already a ton of different things happening at once. The speed of the story still worries me a little because the show is piling things on pretty fast, but Hal and John are working well enough together that I am still very interested in seeing where all of this goes.
Rating: 75/100
Originally posted through scrobble.life/tv.
Okay, episode 4 of Lanterns… now we're getting somewhere interesting. After three episodes of slowly building this mystery around Hal Jordan, John Stewart and the Manhunter, Episode 4 finally decides to give us some answers
Episode 4, “The Weenie,” is basically where the detective story, the Green Lantern mythology and the relationship between Hal and John finally start crashing into each other. Hal and John are still investigating the Manhunter, but at this point, they don't exactly trust each other either and at this point I don’t know if the show is about Hal or John primarily.
One of pinpoint thing about this episode is the way Hal and John are slowly becoming a team while simultaneously trying to undermine each other, at least at the beginning and middle of the episode 😂 John is being pressured by Guardian Lianna to take Hal's ring, while Hal is getting information from Sinestro that makes him question whether John can actually be trusted. So you've got two Green Lanterns working together while both of them are secretly wondering whether the other guy needs to go and speaking of Sinestro… FINALLY.
Then we get to the biggest reveal of the episode, Zoe, I genuinely didn't expect the Manhunter reveal to go in that direction. I had to rewind the episode and watch it again and again. The show spends so much time pointing us toward other suspects, especially Macon and the mysterious figure behind him, only to reveal that Zoe is actually the Manhunter and what makes it even more interesting is that Zoe doesn't feel like a traditional villain. Her relationship with John suddenly takes on an entirely different meaning because we're forced to reconsider everything we've seen from her.
That's what I like about the show. It isn't rushing to give us massive Green Lantern battles every twenty minutes. It's a slow build up and I appreciate that. But I will say this Hal is becoming increasingly difficult to understand. 😂 The man has information, keeps secrets, manipulates John and then, by the end of the episode, literally leaves him in a terrible situation. Whatever Hal thinks he's doing, this partnership is getting dangerously close to falling apart.
John? I'm starting to like him more and more. Aaron Pierre is doing a great job because John doesn't feel like some perfect superhero, even though he has been raised to be such. He's stubborn, intelligent, emotionally guarded and clearly carrying a lot beneath the surface that he hides really well Episode 3 gave us his backstory, and Episode 4 actually starts showing us how that history affects the way he handles Hal and the Lantern Corps.
The biggest problem I have with the episode is that Lanterns still feels like it's moving slower than it needs to. I know I said I appreciate the slow build up but still. At some point, the mystery needs to start becoming bigger than just “Who is the Manhunter?” Thankfully, Episode 4 finally feels like we're getting there.
For the ending, Yeah, that relationship between Hal and John is officially a mess.
Rating: 80/100
Originally posted through scrobble.life/tv.
Desde el momento en que fueron estrenados para la prensa especializada los primeros 7 episodios de Lanterns, muchos de los críticos señalaron al tercer episodio como uno de los mejores o el mejor en toda la serie y es por eso que "OutKast" había generado gran expectativa al momento en que su historia estaba enfocada en el origen de "John Stewart", un personaje que en los cómics, su historia de origen no había presentado una profundidad en donde se pudiera descubrir por qué fue elegido por los mismos Guardianes para convertirse en un Linterna Verde.
From the moment the first 7 episodes of Lanterns were released to the trade press, many critics singled out the third episode as one of the best—if not the best—in the entire series. That’s why “OutKast” had generated such high expectations, as its story focused on the origin of “John Stewart,” a character whose origin story in the comics had not previously explored the depth needed to reveal why he was chosen by the Guardians themselves to become a Green Lantern.
Este episodio generó una ola de rechazo para cierto público que no entendió o no quiso entender el relato escrito por Vanessa Baden Kelly, guionista de ese episodio, y es que muchos hicieron referencia a que, al tratar el tema racial en los Estados Unidos, intentaron hacer ver al personaje de "Hal Jordan" como privilegiado por ser blanco y, en peor caso, a ser racista, dos aspectos que personalmente no me parecieron en ningún momento. Cabe destacar que sí es cierto que el tema racial es sumamente relevante en la historia de "John", pero es más que nada porque el relato proviene de sus padres, quienes a causa de su color de piel deben esforzarse aún más para poder hacerse notar y justamente esa presión y miedo es lo que da origen al personaje de John en su camino para convertirse en otro humano portador del anillo de poder.
This episode sparked a wave of backlash from certain viewers who didn't understand—or didn't want to understand—the story written by ** Vanessa Baden Kelly**, the episode’s screenwriter. Many pointed out that, in addressing the issue of race in the United States, the episode attempted to portray the character “Hal Jordan” as privileged because he is white and, in the worst-case scenario, as racist—two aspects that I personally did not perceive at any point. It’s worth noting that while it’s true the issue of race is extremely relevant to “John’s” story, it’s mainly because the narrative stems from his parents, who—because of the color of their skin—must work even harder to be noticed, and it is precisely that pressure and fear that give rise to John’s character on his journey to becoming another human bearer of the power ring.
Este episodio comparte los puntos de vista de "Bernadette Stewart", "John Stewart Sr" y del mismo "John" en diferentes etapas de su vida, todo desde el momento en que el anillo de poder y el mismo Hal Jordan aparecen en sus vidas para cambiarlo todo; primeramente, la pregunta firme hacia el padre de "¿Tienes miedo?" refleja la importancia del miedo como tema, lo cual es muy relevante por ser un repetitivo motivo que empuja los actos no solo de los protagonistas, sino de todos los personajes que han aparecido en los primeros tres episodios y justamente en este es de mucha importancia por el hecho racial, ya que desde la perspectiva de los padres de Jhon (muy importante esto), creen que el hecho de ser negros posiblemente le restó la posibilidad de ser parte de los Linternas Verdes y eso les impulsa a criar a su más joven hijo para que sea un hombre negro que represente ningún estereotipo ligado a su comunidad. En mi opinión, este hecho en donde los padres influencian la creación de un héroe, más que nada el origen de John como futuro Linterna Verde, es uno de los más fuertes que he visto.
This episode presents the perspectives of “Bernadette Stewart,” “John Stewart Sr.,” and “John” himself at different stages of their lives, beginning with the moment the power ring and Hal Jordan himself appear in their lives to change everything; First, the direct question posed to his father—“Are you afraid?”—reflects the importance of fear as a theme, which is highly relevant because it is a recurring motif that drives the actions not only of the protagonists but of all the characters who have appeared in the first three episodes. In this particular episode, it is especially significant due to the racial aspect, since from the perspective of John’s parents (this is very important), they believe that being Black may have deprived him of the chance to become a Green Lantern, and this drives them to raise their youngest son to be a Black man who embodies none of the stereotypes associated with his community. In my opinion, this portrayal of parents influencing the creation of a hero—and, more specifically, John’s origin as a future Green Lantern—is one of the most powerful I’ve ever seen.
En otros términos, me pareció genial y adecuado el relato sobre como se profundiza esa primera escena del episodio piloto de Lanterns; el salto en el tiempo o mejor dicho, los flashback que justamente rellenan ese espacio desde la primera vez que vemos a John junto a su padre y hermanos en una edad infantil, para después verlo de adulto en el comienzo de lo que es el caso de 2016 junto a Hal, es más que necesario para entender hacia donde va la historia de este personaje en lo que parece ser una necesidad y obligación en convertirse en un Linterna Verde; en eso el tema sobre cumplir con las expectativas de los padres es algo que muchas familias (para no decir todas) experimentan al momento de concebir hijos y en ellos está la manera de como son criados o que pueden porveer para que de alguna manera sean personas de bien o que puedan generar algo bueno en sus vidas, ser independientes y aprecio mucho eso en esta serie porque lo considero real, así como también la locura que tiene los padres de John, un tema muy recurrente en DC comics, pero como dije anteriormente, siempre motivados por el hecho del miedo que han experimentado en sus vidas y que, al ofrecerles la oportunidad de que uno de sus hijos pueda ser un gran héroe, creen que están ante algo único para ellos como padres y como afroamericanos.
In other words, I thought the narrative that expands on that first scene from the pilot episode of Lanterns was brilliant and fitting; the time jump—or rather, the flashbacks that fill in that gap, starting from the first time we see John with his father and siblings as a child, and then seeing him as an adult at the beginning of the 2016 storyline alongside Hal—is absolutely essential to understanding where this character’s story is headed, given what appears to be his necessity and obligation to become a Green Lantern; In that regard, the theme of living up to parents’ expectations is something that many families (if not all) experience when they have children, and it’s up to them to decide how to raise them or what they can provide so that, in some way, they become good people or are able to do something good with their lives; to be independent—and I really appreciate that in this series because I find it realistic, as well as the madness of John’s parents, a very recurring theme in DC Comics. But as I said earlier, they’re always driven by the fear they’ve experienced in their lives, and by offering one of their children the chance to be a great hero, they believe they’re facing something unique for them as parents and as African Americans.
"OutKast" fue otro gran episodio; el aporte al relato de la serie es más que fundamental porque nos da una mejor y profunda perspectiva de John Stewart, preferiblemente de su origen, pero también nos da un aporte sobre la actuación de los Guardianes, quienes, así como Hal Jordan, también tienen una gran influencia en las vidas de la familia Stewart, ya que ellos, sin obviar lo poderoso que son, también presentan cierta imperfección, lo cual justamente los trata como marginados a la Tierra y por eso no saben absolutamente nada y aunque no lo confirmen, les genera miedo y por eso buscan a un candidato al que también le empujan a ser alguien visto como alguien excluido, separado o apartado de su comunidad, un soldado perfecto, pero criado a causa del miedo, aunque para quien lo formó piense que nunca podrá sentirlo. Eso fue lo que más me impactó del episodio y lo cual me genera más expectativa con respecto a lo que ofrezcan los demás episodios restantes.
"OutKast" was another great episode; its contribution to the series’ narrative is absolutely essential because it gives us a better and deeper perspective on John Stewart—particularly his origins—but it also sheds light on the role of the Guardians, who, like Hal Jordan, have a major influence on the lives of the Stewart family. Although they are undeniably powerful, they also have certain flaws, which is precisely why they’re treated as outcasts on Earth—and that’s why they know absolutely nothing about it. Even if they don’t admit it, this instills fear in them, leading them to seek out a candidate whom they also push to be seen as someone excluded, separated, or cast aside from his community—a perfect soldier, but one raised out of fear, even though those who trained him believe he’ll never be able to feel it. That was what struck me most about the episode and what has me most excited about what the remaining episodes have to offer.
Cover image edited in canva; the image was taken from the following source
I have used deepl.com as a translator
Rating: 100/100
Originally posted through scrobble.life/tv.
Lanterns from DC a series I was eskeptical at first mostly because there has never been a good representation on movies or life action tv but this one is getting better as it goes. The series unfolds the life of Hal Jordan and his replacement who he is not all for it, the only way he is getting the ring is over his dead body, this trainee is John Stewart, after such phrase makes me think is no different from a cops show but this one is based on intergalactic cop. This episode take place in a small Nebraska town with Hal and John working a case that at first is very messy and if you are like me who dont know much about the lore is going to be very insteresting, reminds me a lot of my expirience watching Peacemaker. For me the most impresive moment is that the scene of John dad shooting to an apple that is on John's head but before the shut John only says I'm not afraid, that attitude of zero fucks let us know what is John attitude and how it will be important for his training although as an adult he still kinda hidding it, its almost like that kind of child who is so small yet that have never learn what fear is but this time its on purpose so he can be choose by the Guardians. Unfortunately Hal is careless about John, he just arrived late when they supposed to met, never treat him with respect, let John knows that he is the actual Green Lantern and that will continue in that way until his dead. I really saw a person that is a hero but at the same a normal human that has episodes where he really take a most serious attitude as his job demands and at the same time is a total ass with John because feels that his days as heroes soon being over. Truth is that they both very different one from each other, the way they were picked by the Guardians and you can fell there is something there, the case of John is different at Hal, the ring didn't chose John, he was selected, the Green Lantern community just decided that John is the perfect person. During the episode Hal will put John in situations to intimidate him probably for stop training but John is not there to be Hal's cheerleader, he is a real person that will go until end to accomplish his goals and is something that the episode is obviously shows, specially the very moment were Hal give the ring to John, Hal was driving, passed the ring to John and let him fall from a cliff to save himself, in that moment John has never wore the ring and doesn't know how to use but even though he manage to make it work and save his life, after that traumatic moment John called his dad to told him everything he is passing through but his dad only says, you were choose, you wanted this, just fight for it, I really love that scene of this episode because let me know that the backup Green Lantern is a human that care about his dad making John, in my opinion a way bigger Green Lantern than the average although having a family at the same time have such power is always a weakness too because you care, for a future hero.
This first episode shows the relationship between Hal and John. Hal is older, tired and not excited about training the guy who is supposed to replace him, just imagine that you are on your duty for so long, your destiny is to be the hero in your planet, you are doing a great job but you also know that you are getting older and with John is a constant reminder that your days as the super hero will end, but he is not that old, mostly I think he is just getting lost and the Guardians are noticing this even though they dont interfer that much. Hal is not a bad person but is not making the things easy for John, a dream job for John since he was a kid, not only for him but for his entire family, that also means accepting that bad attitude and that pushed himself to the limit of patience to stay focus on his future duty. There's many scenes that you going to pick up were Hal is just a total asshole with John but in general is not doing what he supposed, guide John to be the future Green Lantern just because he doesn't accept that things are changing. Even though that it seems that they hate each other but over time when John starts to proove Hal they both start to grow respect for each other, John can't deny that Hal is a great hero, he trusts in his experience and Hal probably also respect John's tenacity. Aaron Pierre plays John and Kyle Chandler is Hal, each create the characters on his own good, Aaron as John plays that restraint well without making him feel empty and Kyle Chandler makes Hal annoying without making me want him off screen, they are really a great cast.
The episode shows now why Nebraska is important specially for that small town enviroment that is very tight where not everyone is willing to speak and tell what they have seen or heard, its when a case appear, in the most common place of the town at the football field, there's dead bodies that not seem to have anyone looking for them, with his experience Hal notice that it is odd, why everyone is leaving the field but not a single family member of the dead person is coming in, since that moment Hal knew that this wasn't a normal case, there's something not human involve and he is a guy that takes justice and action by his hands, the moment the police doesnt pay much attention to him is like "ok at least I told you", then he proceed as he see fit. Hal wanted to manage this by his own but John like to follow the rules and the law so he decided to look for the sheriff and tell her what is happening but in that moment the guy who turns as the main suspect noticed that and started to run. My thoughts when I saw that was that in fact John almost screw everything and the suspect could scape but it happens because Hal hasn't taught nothing valuable to John, yeah John have all those no fear quality but zero expirience at the space cop job, he has training and discipline as he was a marien but not Hal experience yet. I think the script make it too easy for them and thats when they capture the suspect and at the beginning of the interrogation didn't say a word, here I feel that was a good idea that the suspect never revealed everything, he just leave he door open to let us imagine how much of a big menace is coming and as expected the suspect know who Hal is, knows that he running out of powers and know for who he works, knows him very well, so just give him a hint for be prepared for what is coming.
I need to mention that the things in town after that dead started to get a little bit twisted, specially when sheriff asked Hal and John to please stay away from her case and it was a fair request because the dead man appeared in a football camp in her little town. Something strange was the appearance of William Macon, it is a subordinate of a very important man and Hal and John received an invitation to visited him, apparently this person knows about the aliens, that information let's people know that this character is more connected with things that happen on Earth and outside of it, is going to be really interesting see the face of that person and confirm if it is an allied or a threat for Hal. An very very unexpected event that again remind me of Peacemaker, this time S02E01 with the orgy scene, its is this solo moment of John, he met a woman named Zoe in a bar and they ended having sex in his car, probably for many people in real life that is so natural but in this case Im not so sure if it was necessary, doesnt go at all with his character to be hones, its like the show has created a very controlled John, with all his senses connected and in alert and for that reason at first I though well this is unnecessary but then I understand that the show is constantly remembering that no matter who is Green Lantern is, still being human and the fact that John decided to be with that woman placed in a more real situation, I like that.
The ending of this episode was really a shocker because I dont know if Hal is that stubborn that even after his death he wont let John take the ring, or it got stolen, second one I doubt. Many years has passed in the little town of Rushville, a more mature John has returned and was received by the sheriff who apparently has a long relationship with him, because decided that he should be the first one in seen the crime scene and that scene was shocking, we see a Hal sitting at the same field with a wound in his head and no ring. For me this is the point, the episode doesn't give any clue of who could be the responsible of killing Hal, also never mention if John is ready to take his place as the new Green Lantern, in addition the ring is lost but it is lost because some took it or because Hal hide it, there's so many question and that is great, because it tells that the show is going to take its time to give the audience the answer, not in a rush and can also make us work and create our own answer. I really want to continue watching this tv show, I need to know what really happen with Hal, why if he was presented a someone so difficult, capable, funny and sometimes weird, why he ended like that, I also need to know if John will be capable to find and wild the ring and become the new Green Lantern, how long is going to take John find all he answers, if this is going to be the entire season 1 as a trainee and towards the end we get to this very same point or will this be a season 2 scene, awesome show so far, I gave this episode 7/10.
Rating: 70/100
Originally posted through scrobble.life/tv.
After watching the first episode of Lanterns, DC's latest offering, I came away with a really positive impression. Honestly, I was expecting the standard formula stuffed with CGI intergalactic brawls, but right from minute one, it makes it clear that its foundation is a gritty crime detective thriller—which is right up my alley—with a mature, grounded tone and a slow-burn pace.
I actually did my homework to figure out why they chose this format, especially coming off Supergirl, which couldn't be more different. It turns out the creative team includes Chris Mundy (writer/producer on Ozark), Damon Lindelof (producer on Watchmen), and acclaimed comic book writer Tom King. It makes total sense why Lanterns nails that eerie, small-town Americana vibe right out of the gate, creating an atmosphere ripe with psychological tension thanks to its cinematic DNA.
So far, it's just the first episode, where a crime in a small Nebraska town brings a key group of characters together. Among them is Hal Jordan (Kyle Chandler), a veteran Green Lantern showing the heavy wear and tear of a guy who's been in the hero game for way too long. Riding shotgun is John Stewart (Aaron Pierre), whom Hal is supposed to be training as his replacement. But John is the polar opposite of Hal—a disciplined, by-the-book ex-Marine who creates a sharp contrast with his mentor's deep-seated cynicism.
Throughout the entire episode, Green Lantern powers are used maybe once or twice at most, making it clear that the story focuses on character-driven drama and procedural intrigue over flashy superpowers. I really dig this approach of blending a crime thriller with the superhero genre. It might not be groundbreaking, but it delivers a rock-solid first impression and leaves you eager to unravel the mystery, so I'll definitely be back soon with more updates as I progress through the show.
Rating: 75/100
Originally posted through scrobble.life/tv.
"Trust Fall" es el título del segundo episodio de Lanterns, el cual está enfocado en la línea temporal del 2016, en donde Hal y John deben seguir lidiando con su relación de tutor y aprendiz, en el momento en que deben resolver el caso de por qué un alienígena decidió inmolarse en una estación policial antes de confirmar que su estancia en la Tierra era debido a una venganza. Esta fue una decisión acertada por los guionistas de la serie, ya que pone en pausa lo que considero que es el gran caso a resolver en la temporada.
"Trust Fall" is the title of the second episode of Lanterns, which focuses on the 2016 timeline, where Hal and John must continue to navigate their mentor-apprentice relationship while trying to solve the case of why an alien chose to blow himself up at a police station before confirming that his presence on Earth was motivated by revenge. This was a wise decision by the show’s writers, as it puts on hold what I consider to be the season’s main mystery.
El segundo episodio, posiblemente para algunos no generó el impacto que sí tuvo el primero; personalmente, pienso que fue muy acertado en su aporte a la narrativa y el lore de lo que ofrece el mundo donde habitan estos personajes; no tengo ninguna duda de que cada suceso fue sumamente importante para el desarrollo de sus protagonistas porque por primera vez los vemos tener escenas individuales, lo cual fue interesante porque de una manera u otra, generaron respuestas y misterio del caso que investigaron en la línea temporal del 2016. El hecho de que en un principio del episodio, Hal y John, tomen caminos diferentes en un tiempo breve fue interesante porque descubrimos algunos aspectos de Jordan y también nos vamos generando una idea de lo que puede lograr Stewart cuando sea su momento de ser un Linterna Verde.
The second episode may not have had the same impact on some viewers as the first did; personally, I think it made a very effective contribution to the narrative and the lore of the world these characters inhabit; I have no doubt that every event was extremely important for the development of the main characters because, for the first time, we see them in individual scenes—which was interesting because, in one way or another, they provided answers and added mystery to the case they were investigating in the 2016 timeline. The fact that, early in the episode, Hal and John briefly go their separate ways was interesting because we discovered some aspects of Jordan and also began to get a sense of what Stewart is capable of when his time comes to become a Green Lantern.
En este segundo episodio, con un ritmo muy fluido, lo cual hizo ver que fuese corto, presentó un nivel adecuado de misterio, acción y una carga de humor que no se presenció tanto en el primer episodio; justamente ese humor provino en su mayoría por parte del personaje de Hal, que necesitó de su encanto para poder ir descubriendo ciertas pistas que pueden acercarlo a una resolución de un caso que puede estar muy ligado a lo que fue la elección de Jordan como Linterna. En ese aspecto, me pareció genial que este episodio pueda usar la investigación para suavizar la historia, no restando el factor adulto o haciéndola infantil, sino para hacerla entretenida por la inclusión de escenas de acción y, como señalé anteriormente, escenas de humor.
In this second episode, which had a very smooth pace—making it feel short—there was just the right amount of mystery, action, and a dose of humor that wasn’t as prominent in the first episode; that humor came mostly from Hal’s character, who had to rely on his charm to uncover certain clues that might bring him closer to solving a case that may be closely tied to Jordan’s selection as a Green Lantern. In that regard, I thought it was great that this episode used the investigation to lighten the story—not by toning down the mature elements or making it childish, but by making it entertaining through the inclusion of action scenes and, as I mentioned earlier, humorous moments.
Hay un tema muy importante en Trust Fall y es con respecto a la relación entre Hal y John, como tutor y aprendiz, lo cual es demostrado como una competencia entre ambos en donde primeramente existe la imposición de rango por parte de Hal para después ser sorprendido por el poder de Hal en generar una proyección por un largo tiempo sin la necesidad de portar el anillo; ambas experiencias o la manera de entrenar y usar lo aprendido genera más misterios a esta historia, y nos provee una idea de como será la relación entre un experimentado Linterna Verde y un joven hombre que parece descubrir o saber cuál es su potencial y sentir que está siendo retraído por alguien que posiblemente no sea digno de portar el anillo; esa idea se me hace más que fascinante y por supuesto me genera muchas expectativas porque eso puede estar muy relacionado con el futuro de la historia. Como pensamiento final con respecto a mi opinión sobre este segundo episodio, creo que fue un perfecto complemento y seguramente habrá episodios iguales, y prefiero no referirme a esos episodios como de relleno porque aporta muchas cosas, tiene un fanservice adecuado y, aunque no tenga un cliffhanger tan impactante como en el anterior, de igual manera ofrece una parte importante de la historia de Hal Jordan.
There is a very important theme in Trust Fall, and it concerns the relationship between Hal and John—as mentor and apprentice—which is portrayed as a competition between the two, where Hal initially imposes his authority, only to be later surprised by Hal’s ability to maintain a projection for an extended period without needing to wear the ring; Both of these experiences—as well as the methods of training and applying what’s been learned—add more mystery to this story and give us a glimpse of what the relationship between an experienced Green Lantern and a young man might be like. This young man seems to be discovering or realizing his potential, yet feels held back by someone who may not be worthy of wearing the ring; I find that idea absolutely fascinating, and of course it raises my expectations, as it may be closely tied to the story’s future. As a final thought regarding my opinion on this second episode, I think it was a perfect complement, and there will surely be similar episodes. I prefer not to refer to those episodes as “filler” because they contribute a lot, have just the right amount of fan service, and—even if they don’t have a cliffhanger as impactful as the previous one—they still offer an important part of Hal Jordan’s story.
Cover image edited in canva; the image was taken from the following source
I have used deepl.com as a translator
Rating: 90/100
Originally posted through scrobble.life/tv.
I honestly didn't know what to expect from Lanterns, It was first recommended by a friend but I quickly realized that this wasn't going to be the typical superhero story filled with nonstop explosions and predictable battles. What caught my attention was how much the story leaned into mystery, suspense and character development.
The series followed John Stewart (Aaron Pierre), a former Marine whose life took an unexpected turn when he became involved with the Green Lantern Corps. He was paired with the much more experienced Hal Jordan (Kyle Chandler), and their relationship became one of the most interesting parts of the story.
These two were completely different. John was younger, determined and still trying to understand what he had gotten himself into, while Hal had years of experience behind him and carried himself like someone who had already seen too much. Their differences naturally created tension, but it also made their partnership feel believable.
The real story began when the two were pulled into the investigation of a mysterious death in rural America. What initially looked like an ordinary case gradually became something far more disturbing. The deeper John and Hal went, the more secrets they uncovered, and it became clear that there was something much bigger hiding behind the investigation.
I particularly enjoyed the slower approach. Instead of immediately throwing Green Lantern powers and massive battles at us, Lanterns took its time building the mystery. There were moments when it felt more like a crime thriller than a superhero series, and surprisingly, that worked really well.
John Stewart (Aaron Pierre) was one of the standout characters for me. Aaron brought a quiet intensity to John, making him feel determined without making him unnecessarily arrogant. You could see that he was still trying to find his place, and that made his journey more interesting.
Then there was Hal Jordan (Kyle Chandler), who brought a completely different energy to the story. His Hal felt experienced, confident and slightly worn out. He wasn't simply the perfect mentor; he had his own problems and baggage, which made his character much more layered.
We also had Sheriff Kerry Kane (Kelly Macdonald), whose presence added another interesting layer to the investigation, and William Macon (Garret Dillahunt), who brought even more suspicion and uncertainty into the story.
One thing I appreciated was that the series didn't feel like it was desperately trying to impress viewers with endless references to the larger DC universe. It allowed the characters and mystery to take center stage, which made the story easier to get invested in.
That said, Lanterns wasn't flawless. There were moments when the pacing felt a little slow, and some of the mystery became complicated enough to leave me with more questions than answers. I also expected a little more superhero action at certain points.
Still, the atmosphere, performances and central mystery kept me interested. The chemistry between John Stewart (Aaron Pierre) and Hal Jordan (Kyle Chandler) was especially strong, and I enjoyed watching their relationship develop from an uneasy partnership into something much more meaningful.
What I liked most about this movie was that it didn't feel like just another superhero show. It mixed crime, mystery, science fiction and superhero elements into one story, giving it a darker and more mature feel.
By the time the story really started revealing what was happening, I was already invested and wanted to know where everything was heading.
Overall, it felt like a refreshing direction for the Green Lantern story. It traded some of the usual superhero spectacle for suspense, character development and mystery—and for me, that gamble paid off.
My Rating: 85/100
If you enjoy crime mysteries, slow-burn thrillers and superhero stories with a darker edge, Lanterns is definitely one to put on your watchlist.
Rating: 85/100
Originally posted through scrobble.life/tv.
Se estrenó una de las producciones televisivas que más expectativas tenía para este año; "Lanterns", serie original de HBO, es basada en el grupo de personajes de DC Comics, conocidos como "Green Lanterns", quienes se les puede definir simplemente como una organización policial espacial creada para generar paz en el universo y en sus filas cuentan con "Hal Jordan", el primer ser humano en portar el anillo, emblema y arma protectora en cada uno de los Lanterns.
One of the most highly anticipated TV shows of the year has premiered: "Lanterns", an HBO original series, is based on the group of DC Comics characters known as the "Green Lanterns," who can be simply defined as a space police force created to bring peace to the universe. Among their ranks is "Hal Jordan," the first human to wear the ring—the emblem and protective weapon of every Lantern.
Esta serie televisiva usa (por fin) la idea de explorar a esta organización o grupo de paz, cumpliendo la función policial de investigar casos que pongan en peligro la paz en diferentes planetas, lo cual conlleva generar un simple "buddy cop" en donde se desarrolla la relación entre un Green Lantern experimentado junto a otro en sus inicios; la gran diferencia en lo que anteriormente era la idea para una posible película y lo que es una serie de TV es el acertado cambio al ahora enfocarse en la Tierra, lo cual nos hace ver las leyes viejas y nuevas impuestas por "Los Guardianes", creadores de los Linternas Verde, lo cual dictamina que la Tierra solo debe tener un portador del "Anillo de Poder". Eso hace que en esta oportunidad tengamos como protagonistas a "Hal Jordan" como el experimentado Linterna Verde, junto al que en algún momento pueda ser su reemplazo, "John Stewart"; ambos serán parte de un viaje dividido en diferentes líneas temporales, pero unidas por un difícil caso.
This TV series (finally) explores the concept of this peace organization or group, which serves as a police force investigating cases that threaten peace on different planets—a premise that naturally leads to a simple “buddy cop” dynamic, where the relationship between a seasoned Green Lantern and a rookie develops; The major difference between what was previously the concept for a potential movie and what the TV series has become is the wise decision to now focus on Earth, which allows us to see the old and new laws imposed by “The Guardians”—the creators of the Green Lanterns—which dictate that Earth may have only one bearer of the “Power Ring.” As a result, this time around our protagonists are “Hal Jordan” as the seasoned Green Lantern, alongside “John Stewart,” who may one day become his successor; both will embark on a journey spanning different timelines, yet united by a difficult case.
El primer episodio, llamado "Pilot"; es una gran introducción para ambos protagonistas, aunque en esta oportunidad el relato o punto de vista está basado en el personaje de "John Stewart", un personaje que seguramente necesita ser presentado a todo un público que no lee cómics o que no haya tenido la oportunidad de conocerlo (como yo) por la serie animada de los 90 basada en La Liga de la Justicia. Esa idea de que sea Stewart quien comience el relato de este caso, en donde primeramente observamos lo que posiblemente sea su preparación para ser parte de los "Green Lanterns Corps", nos ofrece una visión del personaje que personalmente no conocía; su actitud en hacer ver que respeta la cadena de mando, lo cual le hace afirmar que respeta a Hal, muchas veces queda en entredicho porque es notorio que él se siente mejor preparado para ser el portador del anillo; posiblemente eso lo haga ver como un personaje que genere molestia, pero no hay que obviar que en esa etapa de su vida, está en pleno entrenamiento y que su arrogancia podrá traer aciertos y problemas.
The first episode, titled “Pilot,” is a great introduction to both protagonists, although this time the narrative—or point of view—is centered on the character “John Stewart,” a character who certainly needs to be introduced to an audience that doesn’t read comics or hasn’t had the chance to get to know him (like me) through the ’90s animated series based on the Justice League. The decision to have Stewart begin the story of this case—where we first see what may be his training to join the “Green Lantern Corps”—offers a perspective on the character that I personally wasn’t familiar with; his attitude of appearing to respect the chain of command—which leads him to claim he respects Hal—is often called into question because it’s clear he feels better prepared to be the ring bearer; this might make him seem like an annoying character, but we mustn’t overlook the fact that at this stage in his life, he’s in the midst of training, and his arrogance can lead to both successes and problems.
Con respecto a la versión de "Hal", seguramente es el mentor que nadie quiere tener y eso es debido a que él no siente que necesita tener de manera inmediata un refuerzo, pero creo que debemos esperar a tener el conocimiento del porqué se decidió hacer un cambio radical de tener otro portador terrícola del anillo cuando Jordan sigue siendo un Green Lantern; su arrogancia, poca humildad, antipatía en ciertos casos o su comodidad de enfrentar casos por su solo, hace que genere un muro, el cual sea difícil para él convertirse en un maestro, un entrenador, alguien a quien completamente se pueda admirar y seguramente en sus actos en el futuro de la serie descubriremos el gran héroe que es, a pesar del notorio sufrimiento que padece.
As for "Hal," he’s definitely the mentor no one wants to have, and that’s because he doesn’t feel he needs immediate reinforcement. But I think we should wait until we understand why the decision was made to make such a radical change—to have another Earthling wear the ring—when Jordan is still a Green Lantern; His arrogance, lack of humility, unfriendliness in certain situations, and his tendency to handle cases on his own create a barrier that makes it difficult for him to become a mentor, a coach, or someone who can be fully admired. Surely, through his actions in the series’ future, we’ll discover the great hero he truly is, despite the obvious suffering he endures.
El primer episodio es magnífico; lo pausado del relato introductorio de muchos personajes en esta historia es algo que me pareció correcto, así como los momentos precisos para indagar en los orígenes de los protagonistas, en especial en esos donde dejaron de tener miedo, lo cual es un tema muy recurrente e importante para los Linternas Verdes. La relación entre los personajes es más que correcta porque es notorio que "Hal" interpretado por Kyle Chandler, no aprecia el hecho de tener un aprendiz/compañero/reemplazo, al igual que "John", interpretado por Aaron Pierre, quien, a pesar de respetar a Hal, cree que sí tiene lo necesario para portar el manto de un linterna verde; estos dos aspectos son importantes para el desarrollo de los personajes porque ahora son parte de un caso del cual falta por generar importantes revelaciones; seguramente deberán dejar atrás sus diferencias y aprender a trabajar juntos y ese aspecto dramático es lo que más me genera expectativa en vez de ver el uso del anillo de poder. Personalmente, estoy muy motivado sobre descubrir el pasado, presente y futuro de estos personajes, a los cuales tengo un conocimiento para nada extenso, pero sí reconozco ciertas reglas y demás personajes que podrán aparecer en los próximos episodios, pero justamente el desconocimiento de muchas otras cosas más es lo que quiero descubrir desde el punto de vista de héroes para nada perfectos.
The first episode is magnificent; I thought the unhurried pace of the introductory narrative for the many characters in this story was just right, as were the well-timed moments to delve into the protagonists’ origins—especially those moments when they stopped being afraid, which is a very recurring and important theme for the Green Lanterns. The dynamic between the characters is spot-on because it’s clear that “Hal,” played by Kyle Chandler, doesn’t appreciate having an apprentice/partner/replacement, just as “John,” played by Aaron Pierre, who—despite respecting Hal—believes he does have what it takes to carry the mantle of a Green Lantern; these two aspects are crucial to the characters’ development because they’re now part of a case that’s yet to yield major revelations; they’ll surely have to put their differences aside and learn to work together, and that dramatic element is what I’m most looking forward to, rather than seeing the power ring in action. Personally, I’m really excited to discover the past, present, and future of these characters—about whom I know very little—though I do recognize certain plot points and other characters who may appear in upcoming episodes. But it’s precisely my lack of knowledge about so many other things that I want to uncover, from the perspective of heroes who are far from perfect.
Cover image edited in canva; the image was taken from the following source
I have used deepl.com as a translator
Rating: 100/100
Originally posted through scrobble.life/tv.